"Portrait of John Howard, first Duke of Norfolk, half-length, three-quarters to left, in a sixteenth-century dress of slashed coat with a feathered cap."--British Museum online catalogue
Description:
Title etched below image. and Plate from: Harding, S. Shakespeare illustrated, by an assemblage of portraits & views ... London : S. & E. Harding, 1793.
Publisher:
Pub. Nov. 6, 1791, by E. Harding, Fleet Street
Subject (Name):
Norfolk, John Howard, Duke of, 1430?-1485,, Shakespeare, William, 1564-1616., and Strawberry Hill (Twickenham, London, England)
"Portrait of John Howard, first Duke of Norfolk, half-length, three-quarters to left, in a sixteenth-century dress of slashed coat with a feathered cap."--British Museum online catalogue
Description:
Title etched below image., Plate from: Harding, S. Shakespeare illustrated, by an assemblage of portraits & views ... London : S. & E. Harding, 1793., Mounted on page 102 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., 1 print : stipple engraving with etching on wove paper ; sheet 18.9 x 14 cm., and Sheet trimmed to plate mark.
Publisher:
Pub. Nov. 6, 1791, by E. Harding, Fleet Street
Subject (Name):
Norfolk, John Howard, Duke of, 1430?-1485,, Shakespeare, William, 1564-1616., and Strawberry Hill (Twickenham, London, England)
"Portrait of John Howard, first Duke of Norfolk, half-length, three-quarters to left, in a sixteenth-century dress of slashed coat with a feathered cap."--British Museum online catalogue
Description:
Title etched below image., Plate from: Harding, S. Shakespeare illustrated, by an assemblage of portraits & views ... London : S. & E. Harding, 1793., Mounted on page 129 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., 1 print : stipple engraving with etching on laid paper ; sheet 16.9 x 12.3 cm., and For further information, consult library staff.
Publisher:
Pub. Nov. 6, 1791, by E. Harding, Fleet Street
Subject (Name):
Norfolk, John Howard, Duke of, 1430?-1485,, Shakespeare, William, 1564-1616., and Strawberry Hill (Twickenham, London, England)
Title from caption below image., Dedication etched below title: From an original drawing in the collection of Her Royal Highness the Dutchess of York, to whom this plate is ... humbly dedicated by ... Thos. Macklin., "Vide Tameing the shrew, Act 3, Sc. 2.", and One of a series of plates illustrating scenes from Shakespeare's plays, engraved after the drawings of Bunbury by various printmakers and published 1792-1796 by Thomas Macklin.
Publisher:
Publish'd Feby. 27th, 1793, by Thos. Macklin, Poets Gallery, Fleet Street
Title from text below image., Illustration from an unidentified edition of: Heads of the people, or, Portraits of the English. Editions of this work were illustrated by Kenny Meadows and published ca. 1840., and Text below title: God shield us! A lion among ladies is a most dreadful thing! Midsummer night's dream.
Title from text below image., Illustration from: Pictorial times, v. 2, no. 35, page 188 (11 November 1843)., and Text below title: Being a woman, I will not be slack to play my part in fortune's pageant. Henry IV, part 2.
Probable book illustration, within ornamental frame, of a man declaiming from a raised platform before an audience composed chiefly of men in the foreground and of women in the upper gallery, the setting illuminated by candles on the table before the speaker, and by a chandelier
Alternative Title:
School of Shakespeare
Description:
Title from item. and Date inferred from costume.
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Name):
Shakespeare, William, 1564-1616
Subject (Topic):
Dramatic productions, Acting, Actors, Audiences, and Stages (Platforms)
"The three witches of Macbeth, hooded and cloaked, each holding a broom, are Liverpool (left), Sidmouth and Castlereagh (right). They surround a huge cauldron inscribed 'Cast--gh & C° Brass Manufacturers Fecit.', each adding something to the flames which tower up from it, surrounded by heavy smoke. A winged Devil at the apex of the design empties into the cauldron the contents of an 'Infernal Green Bag'; from it fall a dagger, a leech, tiny figures, manacles, a razor, an antlered animal's head, many legal papers docketed 'Lies'. Others are contributed by the witches; papers inscribed: 'Divorce', 'Reports', 'Leach', and 'Cooke'. There are also flames under the pot, which, are tended by two naked demons, one with the head of Canning who uses bellows inscribed 'Mother Hunn' [see British Museum Satires No. 13617]; the other with the head of Wellington, who uses a red-hot 'Waterloo Poker'. The Canning-demon sits on the back of a naked female demon (? his mother) who is blowing the flames. On the extreme left and right, each attended by a 'Blue Devil' (cf. British Museum Satires No. 14598), stand George IV and the Duke of York. The King, his arms raised, exclaims: "Tell me ye d--n'd infernal Hags of Night, shall Fr--k reign?" [i.e. shall he get a divorce, remarry, and block his brother's succession, see No. 13789]. He stretches across the crown and sceptre which are on the ground. His Blue Devil, touching the George which is suspended from his neck, and his gartered leg ('Honi So[it]'), says: "All hail Macbeth! thou'rt now the cause of Laughter." The Duke of York, in uniform and holding a naked sword inscribed 'the Army', says: "I'll do!--I'll do!--I'll do!--" His attendant Blue Devil: "All hail Macduff!! that shall be K--g hereafter--." The witches chant their parodies. Liverpool: "In the Cauldron first we'll mingle, What shall make great Macbeth single; Oath of an Italian Slave-- Earth of Snuffy [Queen Charlotte] from the grave-- Blood of Radicals--and last In let the Divorce be cast, Hubble, bubble,Toil and trouble, Fire blase and Cauldron bubble!!--" Castlereagh: "Put in C--ke of Lincolns Inn, All that's evil, all that's sin, L--ch's honor--and Britain's shame, Put them in, and fan the flame, Now the broth is good and strong, Macbeth shall again be young." Sidmouth: "Cats, that draw the Soldiers blood, Chains, that bind the brave and good, Tongue of slander, Eye of hate, Mix--and now our charm's complete." He holds a scourge, the attribute of Castlereagh, cf. British Museum Satires No. 14135."--British Museum online catalogue
Alternative Title:
Shakespeare travestie and Shakespeare travesty
Description:
Title etched below image., Sheet trimmed within plate mark., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 54 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "George IV," "Liverpool," "Sidmouth," "Londonderry," "Wellington," and "Duke of York" identified in pencil at bottom of sheet; name of "Canning" added in pencil on mounting sheet, beneath his depiction in the print. Date "Aug. 1820" written in ink in lower right. Typed extract of two lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Published August 1820 by John Fairburn, Broadway, Ludgate Hill
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Canning, George, 1770-1827, Wellington, Arthur Wellesley, Duke of, 1769-1852, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Leach, John, 1760-1834., and Shakespeare, William, 1564-1616.
Subject (Topic):
Politicians, Witches, Cauldrons, Capes (Clothing), Brooms & brushes, Fire, Bags, Devil, Daggers & swords, Worms, Demons, Whips, Divorce, Crowns, Scepters, Military uniforms, and British
BEIN Ig 18 26dc: Delia Bacon's copy with her name stamped on binding, and containing her manuscript notes in pencil and in ink throughout t.p. and p. 151-176, 423-424 of v. 1 and 97-98 of v. 2 torn. and Added title-pages, engraved.
