Title from text below image., Plate from: New readings of old authors : Shakespeare / designed and drawn on stone by the late Robert Seymour. London : Tilt and Bogue, 86, Fleet Street, [1841]., and Temporary local Medical Library subject terms: Theater.
Publisher:
Tilt and Bogue and Madeley, litho., 3 Wellington St., Strand
Subject (Name):
Shakespeare, William, 1564-1616.
Subject (Topic):
Phlebotomy, Cupping, and Medical procedures & techniques
"In the foreground are Wellington and Peel as grave-diggers; Eldon, a stout elderly Hamlet wearing a cloak, stands (left) holding a skull, and saying: "Here's fine revolution and [sic] we had the trick to see it." Wellington stands in a grave, in profile to the left, wielding a pickaxe. His shirt-sleeves are rolled up, he wears a small cap; his military coat, cocked hat, and sword lie beside him. He says to Peel: 'Come take off the Orange Peel [see British Museum Satires No. 15683] quickly, I can't get on without you.' Peel, wearing garments of green slashed with orange, is about to take off an orange waistcoat (cf. British Museum Satires No. 15701). He answers 'I'll change my self before you can say Jack Robinson.' On the extreme right are the posterior and left leg of George IV (as in British Museum Satires No. 12803) who is scurrying off to the right, beside a tombstone which serves as sign-post and is inscribed 'To Hanover' [see British Museum Satires No. 15704]. In the middle distance (right) is the funeral procession, the coffin carried by four bearers with a pall inscribed 'Constitution 1829'. On it stand a large crown and mitre with papers: 'Magna Charta' and 'Bill of Rights'. It is followed by one mourner in cloak and scarf (J. B.), who covers his face with a despairing gesture, exclaiming 'Oh! dear! Oh! dear, what will become of Mrs Bull, & all my little Bulls?-- We shall have nothing but the Popes Bulls. Oh my--' Behind are (left) St. Paul's and (right) York Minster. The pediment of the former is inscribed 'St Pauls now St Patricks' [cf. British Museum Satires No. 11898]. On the steps, about to enter, is the Pope, rollicking indecently between a monk (left) and O'Connell (right) in wig and gown. The Pope: 'Och! my darling you have done the job. fal lal la!!' O'Connell: 'Huzza! Huzza! Ould Ireland for ever! Huzza!!!' Behind them (left) capers a ragged Irishman, playing bagpipes and shouting 'St Patrick day in the morning!! Och! my Darlings!' An Irish crowd is indicated in the background. Farther from the spectator is York Minster, blazing furiously, flames and smoke covering the sky; an incendiary with a firebrand (Martin, see British Museum Satires No. 15658) rushes from the building, striding across a paper inscribed 'Blanco [scored through] Black is White'."--British Museum online catalogue
Description:
Title etched below image., Attributed to Robert Cruikshank in the British Museum catalogue., Text beneath lower right corner of image: Hamlet, Act Vth, Scene a church-yard. Enter two clowns with spades., and Laid in James Sayers's Folio album of 144 caricatures.
Publisher:
Pubd. March 1829 by T. McLean, Haymarket
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
St. Paul's Cathedral (London, England),, York Minster,, Shakespeare, William, 1564-1616., Wellington, Arthur Wellesley, Duke of, 1769-1852, Peel, Robert, 1788-1850, Eldon, John Scott, Earl of, 1751-1838, George IV, King of Great Britain, 1762-1830, Leo XII, Pope, 1760-1829, and O'Connell, Daniel, 1775-1847
"Scene in the House of Lords at the Queen's 'trial', showing the throne against the end wall, with the two (temporary) galleries. The Queen exclaims in terror, both arms raised, at the sight of the first witness against her, Majocchi, and of the ghost of Princess Charlotte, who stands, draped in white, beside him, holding her infant, with an arm extended towards the Queen. The latter shrieks: "Theodore!! my Daughter too! ah! what have I done!!! Oh speak." The ghost, garbling Hamlet's words (III. iv, ll. 40-5; 92-4): "Such an Act good Mother, as blurs the / "Grace and Blush of Modesty, calls Virtue Hippocrite / "makes marriage vows as false as Dicers Oaths--Oh / "such a deed! to live in the rank sweat of an / ensemen'd bed stived [sic] in Corruption." Majocchi says: "Non mi Ricardo" [sic]. Beside the Queen, and on the extreme right, are Brougham and Denman, her counsel; they hold documents inscribed 'Defence of the Queen' and 'Queens Defence'. Both register astonished horror: Brougham exclaims (misquoting 'Hamlet', I. ii): "All is not well--I doubt / "some foul play!--for foul / "deeds, will rise--." Denman: "'Tis very strange!" ['Hamlet', I. ii]. The prosecuting counsel (left) are equally disturbed: Gifford, grasping the 'Bill of Pains [and P]enalties', exclaims, misquoting Horatio ['Hamlet', I. i]: "Behold it starteth like / "a guilty thing upon a shamefull "Summons." Copley: "Angels and Ministers / "of Grace defend us" ['Hamlet', I. iv]. A seated judge turns to them, pointing to the Queen, saying: "Look to the Queen!!" ['Hamlet', v. ii]. There is a background of peers, freely indicated, all startled, while spectators watch from the galleries. In the centre foreground a large green bag (see British Museum Satires No. 13735) stands on the floor, from which clouds of smoke emerge; it has a strap (unbuckled) in the form of a huge Garter, inscribed 'Ho[ni]... Pense'. On the bag is a garbled version of Macbeth's words (I. ii): "Will all great Neptune's Ocean wash this Blood clean from this Bag? No! rather shall this Bag the multitudinous Realm incarnadine making the Green one Red.""--British Museum online catalogue
Description:
Title etched below image., Date of publication from the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 31 of: George Humphrey shop album.
Publisher:
Pubd. by R.A. Fores, No. 71 Leadenhall St., Aldgate
Subject (Geographic):
England.
Subject (Name):
Shakespeare, William, 1564-1616., Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Charlotte Augusta, Princess of Great Britain, 1796-1817, Majocchi, Theodore, active 1820, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, Gifford, Robert Gifford, Baron, 1779-1826, and Lyndhurst, John Singleton Copley, Baron, 1772-1863
"Scene in the House of Lords at the Queen's 'trial', showing the throne against the end wall, with the two (temporary) galleries. The Queen exclaims in terror, both arms raised, at the sight of the first witness against her, Majocchi, and of the ghost of Princess Charlotte, who stands, draped in white, beside him, holding her infant, with an arm extended towards the Queen. The latter shrieks: "Theodore!! my Daughter too! ah! what have I done!!! Oh speak." The ghost, garbling Hamlet's words (III. iv, ll. 40-5; 92-4): "Such an Act good Mother, as blurs the / "Grace and Blush of Modesty, calls Virtue Hippocrite / "makes marriage vows as false as Dicers Oaths--Oh / "such a deed! to live in the rank sweat of an / ensemen'd bed stived [sic] in Corruption." Majocchi says: "Non mi Ricardo" [sic]. Beside the Queen, and on the extreme right, are Brougham and Denman, her counsel; they hold documents inscribed 'Defence of the Queen' and 'Queens Defence'. Both register astonished horror: Brougham exclaims (misquoting 'Hamlet', I. ii): "All is not well--I doubt / "some foul play!--for foul / "deeds, will rise--." Denman: "'Tis very strange!" ['Hamlet', I. ii]. The prosecuting counsel (left) are equally disturbed: Gifford, grasping the 'Bill of Pains [and P]enalties', exclaims, misquoting Horatio ['Hamlet', I. i]: "Behold it starteth like / "a guilty thing upon a shamefull "Summons." Copley: "Angels and Ministers / "of Grace defend us" ['Hamlet', I. iv]. A seated judge turns to them, pointing to the Queen, saying: "Look to the Queen!!" ['Hamlet', v. ii]. There is a background of peers, freely indicated, all startled, while spectators watch from the galleries. In the centre foreground a large green bag (see British Museum Satires No. 13735) stands on the floor, from which clouds of smoke emerge; it has a strap (unbuckled) in the form of a huge Garter, inscribed 'Ho[ni]... Pense'. On the bag is a garbled version of Macbeth's words (I. ii): "Will all great Neptune's Ocean wash this Blood clean from this Bag? No! rather shall this Bag the multitudinous Realm incarnadine making the Green one Red.""--British Museum online catalogue
Description:
Title etched below image., Date of publication from the British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching ; sheet 24.6 x 34.9 cm., Printed on wove paper., Sheet trimmed within plate mark on three sides., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 70 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Pss. Charlotte," "Theodore Majocchi," and "Caroline" identified in black ink above title; note "21 - Aug. 1820" added in ink in lower right corner, beneath the pencil annotation "Aug. 1820." Typed extract of fifteen lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pubd. by R.A. Fores, No. 71 Leadenhall St., Aldgate
Subject (Geographic):
England.
Subject (Name):
Shakespeare, William, 1564-1616., Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Charlotte Augusta, Princess of Great Britain, 1796-1817, Majocchi, Theodore, active 1820, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, Gifford, Robert Gifford, Baron, 1779-1826, and Lyndhurst, John Singleton Copley, Baron, 1772-1863
Shown before the gate of a castle, Hamlet is supported by two men as the ghost of his father, dressed in armour the knees of which are etched with the masks of Comedy and Tragedy, appears before him
Description:
Title etched below image., Two lines from Shakespeare Hamlet quoted below title: "Still I am called .. unhand me gentlemens [sic]. By heaven I'll make a ghost of him that lets me"., Date based on publisher's address. See Maxted, I. The London book trades, 1775-1800., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: Pro patria.
"Fox as Falstaff, enormously fat, with a pleased smile, stands declaiming: "The Laws of England are at my commandment. Happy are they which have been my friends; & woe to my Lord Chanr." On the right stands Hanger as Pistol, in a swaggering attitude, legs astride, left hand on his bludgeon (cf. British Museum Satires No. 6924), right on his hip. He is in Elizabethan dress, but wears an enormous cocked hat and a large sabre. He says: "Sir John, thy under lambkin now is King Harry the fifth's the man. I speak the truth. When Pistol lies, do thus; and fig me, like the bragging Spaniard." On the left, clasping his hands ecstatically, stands Sheridan as Bardolph, his face bloated with drink. He says, "O joyful day! - I would not take a Knighthood for my fortune." Between and behind Sheridan and Fox stands 'Shallow' (Duke of Norfolk), rather disconsolate, saying, "Sir John, I hope you'll pay me back my Thousand Pounds." In the background is the colonnade of Carlton House, and (left) the back of Fox's travelling-carriage, inscribed, 'From Bologna'. ..."--British Museum online catalogue
Alternative Title:
King Henry IV, the last scene and King Henry the Fourth, the last scene
Description:
Title etched below image, on either side of centered text., Printmaker from British Museum catalogue., Four lines of text centered below image: "To ride day & night; not to deliberate, not to remember, not to have patience to shift me, but to stand stained with travel & sweating with desire to see him ...", Below image in lower right: Shortly will be published a series of plate [sic] from K. Henry IV., Temporary local subject terms: Reference to Horace Walpole, 1717-1797 -- Regency crisis -- Shakespeare's Henry IV: II.V.V -- Buildings: Carlton House -- Vehicles: Travelling carriage., Beneath the design, written in ink: Fox-return'd hastily from the Continent on hearing of the King's illness-1788., and 1 print on laid paper : etching with stipple : plate mark 26.5 x 43 cm, on sheet 31x 48 cm.
Publisher:
Pub. Novr. 29, 1788, by S.W. Fores, N. 3 Piccadilly
Subject (Geographic):
England.
Subject (Name):
Shakespeare, William, 1564-1616., Falstaff, John, Sir (Fictitious character),, Fox, Charles James, 1749-1806, Hanger, George, 1751?-1824, Sheridan, Richard Brinsley, 1751-1816, Norfolk, Charles Howard, Duke of, 1746-1815, and Carlton House (London, England),
Title from text below image., Plate from: New readings of old authors : Shakespeare / designed and drawn on stone by the late Robert Seymour. London : Tilt and Bogue, 86, Fleet Street, [1841]., and Temporary local Medical Library subject terms: Corns -- Theater.
"The three witches of Macbeth, hooded and cloaked, each holding a broom, are Liverpool (left), Sidmouth and Castlereagh (right). They surround a huge cauldron inscribed 'Cast--gh & C° Brass Manufacturers Fecit.', each adding something to the flames which tower up from it, surrounded by heavy smoke. A winged Devil at the apex of the design empties into the cauldron the contents of an 'Infernal Green Bag'; from it fall a dagger, a leech, tiny figures, manacles, a razor, an antlered animal's head, many legal papers docketed 'Lies'. Others are contributed by the witches; papers inscribed: 'Divorce', 'Reports', 'Leach', and 'Cooke'. There are also flames under the pot, which, are tended by two naked demons, one with the head of Canning who uses bellows inscribed 'Mother Hunn' [see British Museum Satires No. 13617]; the other with the head of Wellington, who uses a red-hot 'Waterloo Poker'. The Canning-demon sits on the back of a naked female demon (? his mother) who is blowing the flames. On the extreme left and right, each attended by a 'Blue Devil' (cf. British Museum Satires No. 14598), stand George IV and the Duke of York. The King, his arms raised, exclaims: "Tell me ye d--n'd infernal Hags of Night, shall Fr--k reign?" [i.e. shall he get a divorce, remarry, and block his brother's succession, see No. 13789]. He stretches across the crown and sceptre which are on the ground. His Blue Devil, touching the George which is suspended from his neck, and his gartered leg ('Honi So[it]'), says: "All hail Macbeth! thou'rt now the cause of Laughter." The Duke of York, in uniform and holding a naked sword inscribed 'the Army', says: "I'll do!--I'll do!--I'll do!--" His attendant Blue Devil: "All hail Macduff!! that shall be K--g hereafter--." The witches chant their parodies. Liverpool: "In the Cauldron first we'll mingle, What shall make great Macbeth single; Oath of an Italian Slave-- Earth of Snuffy [Queen Charlotte] from the grave-- Blood of Radicals--and last In let the Divorce be cast, Hubble, bubble,Toil and trouble, Fire blase and Cauldron bubble!!--" Castlereagh: "Put in C--ke of Lincolns Inn, All that's evil, all that's sin, L--ch's honor--and Britain's shame, Put them in, and fan the flame, Now the broth is good and strong, Macbeth shall again be young." Sidmouth: "Cats, that draw the Soldiers blood, Chains, that bind the brave and good, Tongue of slander, Eye of hate, Mix--and now our charm's complete." He holds a scourge, the attribute of Castlereagh, cf. British Museum Satires No. 14135."--British Museum online catalogue
Alternative Title:
Shakespeare travestie and Shakespeare travesty
Description:
Title etched below image., Sheet trimmed within plate mark., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 54 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "George IV," "Liverpool," "Sidmouth," "Londonderry," "Wellington," and "Duke of York" identified in pencil at bottom of sheet; name of "Canning" added in pencil on mounting sheet, beneath his depiction in the print. Date "Aug. 1820" written in ink in lower right. Typed extract of two lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Published August 1820 by John Fairburn, Broadway, Ludgate Hill
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Canning, George, 1770-1827, Wellington, Arthur Wellesley, Duke of, 1769-1852, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Leach, John, 1760-1834., and Shakespeare, William, 1564-1616.
Subject (Topic):
Politicians, Witches, Cauldrons, Capes (Clothing), Brooms & brushes, Fire, Bags, Devil, Daggers & swords, Worms, Demons, Whips, Divorce, Crowns, Scepters, Military uniforms, and British
Caricature with Queen Caroline (left) as Lady Macbeth in the mad scene, standing in the street before two shops; she holds a candlestick raised in her right hand as she holds out her dress with her left hand, looking down horror at her skirt which is decorated with three panels with images of men and labeled "Man B", "Austi", "Sapio", "Mat ...", and "Bat". The initials "C.B" are embroidered on the trim of her knickers. Standing to her right is an astonished John Bull who holds his hat in front of his face, arm extended in horror. The shop on the left is identified by a sign below second story windows with broken glass: Wholesale Dealer in Brass Forges, Ranges, &c N.B. Odd jobs in general. The street level is shuttered, its doors covered in graffiti: Gone away, Gone abroad, Empty, M.T. The one door has a knocker in the shape of a ram's head. John Bull stands before the second door which stands open as if he has just emerged. The windows are curtained and the building well maintained. The large sign above reads "Time & Common-Sense Occulists. N.B. Films expeditiously removed &c. Below this sign (left) is a pair of large spectacles with the two eyeballs turned towards the shop on the left and a smaller sign (right) that reads "No connexion with the next shop."
Alternative Title:
John Bull with his eyes opened
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum online catalogue., Five lines of quoted text below the figure of Queen Caroline: "Out damned spots, out I say! "One, two, -- fie! fie! "All the perfumes of Arabia will not sweeten me!" Abroad! Abroad! What's done can't be undone!" "To B[ergam]i to B[ergami]i to B[ergam]i!!!, Four lines of text below the figure of John Bull: "To a nunnery go! "To a nunnery! "A nunnery!" Finale, exit with a flourish!, Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Mounted on page 27 of: George Humphrey shop album., 1 print : etching with stipple on wove paper, hand-colored ; sheet 29.4 x 21.9 cm., and Sheet trimmed within plate mark.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Shakespeare, William, 1564-1616., Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, and Bergami, Bartolomeo Bergami, Baron.
Subject (Topic):
John Bull (Symbolic character), Adultery, Signs (Notices), and Stores & shops
