Verse begins: "Attend you nymphs and virgins,"., In three columns; the title and illustration above the first column; the imprint at foot of the third column, below a series of long dashes; the columns are not separated by rules., Dating based on the imprint; see David Stoker, "Another look at the Dicey-Marshall publications: 1736-1806", The Library, ser. 7, v. 15:2 (June 2014), 111-157., Mounted on leaf 14. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Publisher:
Printed at the Printing-Office in Bow-Church-Yard
Subject (Topic):
Songs, English, Shepherds, Shepherdesses, and Sheep
Verse -- "Once I read a noble volume,"., In five columns with the title and two woodcuts above the first three; the columns are not separated by rules; there is no imprint., Divided into four parts; each part headed with a line reading "PART [roman numeral].", Column 2, line 1: "Prince and princess both admire"; column 4, last line: "Since he’s dead let us two die."; last line of text: "He is ace,borrinp royal sir,n." (apparently the last line dropped out and the types were replaced haphazardly)., Some letters of the title appear above the space between the woodcuts; in this printing, all or part of "Y[space]LO" are above the space. The right edge of the left woodcut aligns with the p in "princess" (column 2, line 1)., There are several printings from this setting of the text, with variations in several points: text of column 2/line 1, column 4/last line, and the last line of text; the presence or absence of part numbers; the alignment of the woodcuts with the title and text; and the presence or absence of an imprint., The other printings are ESTC N48661, T44329, N511125, N511126, and T44330., Dated from the address in the imprint found on one printing (ESTC T44330); see David Stoker, "Another look at the Dicey-Marshall publications: 1736-1806", The Library, ser. 7, v. 15:2 (June 2014), 111-157., Mounted on leaf 25. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
"A young shepherdess at left leads her flock through a stream, approaching a piper sitting on rocks at right, mountains behind; oval design; after Kauffman."--British Museum online catalogue
Description:
Title engraved below image., Imprint at bottom of plate includes publisher's name and street address; secondary publication statement immediately below image includes publication date., Sheet trimmed within plate mark., Plate from: Angelica's ladies library; or, Parents and guardians present. London : Printed for J. Hamilton and Co.; and Mrs. Harlow, 1794., Illustration to Marmontel's moral tale 'The shepherdess of the Alps'., and Mounted on page 103 of: Bunbury album.
"Rural scene with two couples dancing on the left while a man pipes and plays a drum under a tree on the right, and another couple watch at a table in front of him, smoking and drinking; village in the background."--British Museum online catalogue
Alternative Title:
Shepherds holy day
Description:
Title engraved below image. and Four lines of verse in two columns below title: The month of May is now begun, and the sweet flowers are all in bloom; the nymphs and swains like lambs shall play, to welcome the shepherds holyday.
Publisher:
Published Oct. 24th, 1794, by John Fairburn, map, chart & printseller, No. 146 Minories, London
Subject (Topic):
Country life, Dancers, Dogs, Eating & drinking, Holidays, Shepherds, and Pipes (Smoking)
Verse - "You that do know what to true love belong.". -, There is no full stop at the end of the title., Title and three woodcuts are above the first two columns; the first woodcut depicts a shepherd with his crook, the second a hanged man, and the third a shepherdess also with crook; the columns of text are separated by columns of type ornaments; and there are two layers of clouds in the first woodcut., The woodcuts are also found in editions with Bow Church Yard and Aldermary Church Yard imprints; the date is based on that; see David Stoker, "Another look at the Dicey-Marshall publications: 1736-1806", The Library, ser. 7, v. 15:2 (June 2014), 111-157., In this printing, the left edge of the first woodcut aligns with the "i" in "wandering" in the title. In another printing (ESTC N511170), it aligns with the space between "n" and "g"., Mounted on leaf 61. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Publisher:
publisher not identified
Subject (Topic):
Shepherds, Shepherdesses, Hangings (Executions), Gallows, and Dead persons
A series of moralistic plates referencing the turmoil in Europe caused by the French Revolutionary Wars. The series describes and illustrates the violent disruption of the quiet country life of an elderly shepherd and his young grandson. In the first plate they are seen outside their alpine cabin with the description below, "Early in the morning the herds go to feed: the aged highlander and his lively grandson stand before the Cottage: the blessings that are spread around on hills and dales, tune his soul to feelings of thankfulness and he prays.” In the second plate, the revolution, “has penetrated into the peaceful vales of Unterwalden ...," the man and his grandson see a "Tree of Liberty" being planted in their town and flee in fear of the revolutionary atmosphere. In the third plate the cabin is in flames as "scenes of calamity overwhelm the poor Country." The young boy protects his grandfather from a member of the revolutionary mob who is holding a flaming torch. In the fourth plate, titled "Give us this day our Daily Bread!", the pair walk in the countryside, destitute. In the fifth plate, the pair are shown praying in "the ruins of the Chapel at Stantz-stad [Stansstad]." In the penultimate plate, "And Lead us Not into Temptation!," the grandfather and child encounter the man who set fire to their cabin, who is also now destitute and has lost one of his legs; the young boy is keen to take revenge but his grandfather stops him. The final plate, " Deliver us from Evil!, the Highlander "beholds the most honest and respectable men torn from their families, Affected by these atrocities, he cries to Heaven."
Description:
Title from publisher's catalogue entry. and This set of prints were advertised in the December 1817 newspaper as "A series of Engravings in Seven Parts, representing the sufferings of a Swiss Shepherd during the revolution of that country, and intended as illustrations of the Lord’s Prayer. Printed on Royal Quarto, price 10s. 6d". In Ackermann’s own The Repository of Arts, Literature, Fashions (Vol. IV, December 1st, 1817), they are listed in the catalogue under "Intelligence, Literary, Scientific" prints and are described as "Engravings of an historical fact of a Swiss Shepherd during the revolution of that country..." (page 367).
Publisher:
Published Jany. 1, 1818, at R. Ackermann's, 101, Strand, London
Subject (Geographic):
Switzerland
Subject (Topic):
History, Shepherds, Military occupations, and Moral aspects of war
Drawing of a shepherd, full length, facing left and looking slightly upward; bald, with a long beard; barefoot, wearing a robe; holding a staff in his right hand, his left hand partially outstretched
Description:
Title from local catalog card., Unsigned; artist unidentified., Place and date of production based on the country of residence and death date of Richard Bull, who owned and likely assembled the album in which this drawing was found., Formerly laid in with one other drawing at page 105 in an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Matted together with one other drawing to 49 x 37 cm., and Original case shelved separately.
"A boy sitting on a rock and looking to right, resting his elbow on the rock bank behind him, holding a piece of bread in his left hand, wearing an open jacket, breeches and soft broad-brimmed hat; after a drawing by Hogarth
Description:
Title devised by cataloger. and Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, Whitehall?
A boy sits on a rock, looking to right. He rests his elbow on the rock bank behind him and holds a piece of bread in his left hand; he wears an open jacket, breeches and soft broad-brimmed hat; after a drawing by Hogarth
Description:
Title from later state with Ireland's name etched as "Sam. Ireland fecit.", Plate from: Ireland, S. Graphic illustration, vol. i, p. 116., On page 209 in volume 3. Plate mark 14.6 x 20.6 cm, on sheet 16.4 x 21.8 cm., and Ms. note in pencil in Steevens's hand above print: Found among Hogarth's papers; but of doubtful origins. See S.I.'s Hogarth illustrated,
