"The Duke of Clarence, in admiral's uniform, stands with his back to the sea, gazing upwards and to the left with a malignant stare; his right fist is clenched; in his left hand he clutches papers docketed 'Calu[mnie]s'. He declaims (adapting Satan's address to the sun, 'Paradise Lost', iv, cf. British Museum Satires No. 13896, &c.): "O thou that with surpassing Glory shine, "And in whose train the stars attendant wait, Of thee I speak, but with no friendly Voice, And add thy name O Cinthia to tell thee How I hate thy brightness!!!" He apostrophizes the moon, a disk in the sky enclosing a bust portrait of the Queen, on a dark ground patterned with large five-pointed stars which are partly covered by cloud (hiding 'their diminished heads'). In the sea behind is a man-of-war in full sail, the 'Queen Caroline' (left), firing a stern-shot at the Duke; she flies a large flag on which are the Royal Arms, with the motto: 'Honi. soit qui mal y pense', and two pennants: 'Vox Populi' and 'Victoria'. A ship's boat, the 'True Blue' (right), is rowed by sailors; the helmsman stands up to wave his hat and shout towards the Duke's back "The Queen for Ever!!!" One asks: "Jack is that a Sailor!" Another answers: "Da--n me if I know there's no English true blue about him!" Below the title: 'Our Duke and no Duke, what with looking so blue In his coat and his learning, and chastisement too; His tricks on such Ultra-top-gallant mast pinnacles, -- Pestering lieutenants and poking at binnacles; -- Ultra opinions, and ultra suggestions, Cross quips, and cross quiddits, and very cross questions; His going so far beyond all other sailors, In cutting up true-blues, to brush up with tailors; And doing what never was yet done by seamen, By crossing the line of all feeling tow-rds women; Has played such a part to discolour the Queen, That the wags have entitled him Ultra-Marine.'"--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching ; plate mark 35 x 24.8 cm, on sheet 35.5 x 25.2 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 94 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "Clarence" identified in ink at bottom of sheet. Typed extract of eight lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by J. Johnston, 98 Cheapside
Subject (Name):
William IV, King of Great Britain, 1765-1837, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, and George IV, King of Great Britain, 1762-1830.
Subject (Topic):
Admirals, Military uniforms, Stars, Ships, Flags, and Sailors
A satire ridiculing the first Nootka Convention in which Spain conceded England's right to maintain outposts in Nootka Sound and engage in whaling outside a "ten-league line" off the Northwest coast of North America. In a small row boat on the Pacific and facing the west coast of North American, Pitt stands fishing with a rod baited with a sack labelled "3 million genl. elc." Beside him in the boat is Henry Dundas holding another sack labelled "million gen. elec" and beside him in the back of the boat, a third sack also labelled "million gen elec." Selected points along the shore from the Sea of Kamtschatka and Bristol Bay (north) to New Mexico are identified with no attempt to convey a sense of scale: Nortons Sound, Alaska, Cooks River, Ps. William Sound, Spanish Land, Nootka or King Georges Sound, New Albion, California. Off the coast of Alaska are shown the islands Arako and Foxes Is. Whales surface above the water inside the buoys with flags reading "10 leagues." In the upper left is a galley "Convention." Pitt says "I fear Harry the fishing will never answer." Dundas replies, "Never mind tha Billy the gudgeons we have caught in England will pay for all."
Alternative Title:
Cheap way to catch whales
Description:
Title etched above image., Six lines of verse in three columns below image: The hostile nations view with glad surprise, the frugal plans of minsters so wise, but they the censure of the world despise, sure from their faithfull commons of suplies [sic], convinced that man must fame immortal gain, Who first dare fish with millions in the Spanish Main., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. Jany. 4, 1791, by H. Humphries, N. 18 Old Bond St.
Subject (Geographic):
Spain, Great Britain., Great Britain, Spain., and North Pacific Ocean.
Subject (Name):
Pitt, William, 1759-1806, Dundas, Henry, 1742-1811, and Great Britain.
Subject (Topic):
Foreign relations, Politics and government, Whaling, Fishing, Galleys (Ships), Maps, Ships, and Whales
Byron, Frederick George, 1764-1792, attributed name
Published / Created:
[April 1791]
Call Number:
791.04.00.01+
Image Count:
1
Resource Type:
still image
Abstract:
"Four men stand on the sea-shore, in back view but looking to the right: the King of Prussia stands between Holland (left) and Pitt (right); he holds Holland by the ear and kicks Pitt behind, saying, "This is the balance of Europe". Pitt, who is blindfolded, says, "yes I'll maintain it"; he holds out in each hand a naming fire-brand to two towns on the right, 'Cronstadt' and 'Rerel' [sic]. The whole district is in flames, and there are four other burning cities (one 'Riga'); the flames and smoke from all six merge and are inscribed 'Russia', 'Poland', 'Germany', 'Austria'. The sea which stretches between Pitt and the burning cities is the 'Baltic'. On it is a boat containing four men: the helmsman says, "I would rather be a Baltic trader"; the two oarsmen say, "Do not mind it, it will bring other wars" and "No prize money"; a man looking through a telescope says, "No Galeons - Storms, Sholas & Rocks." A man standing on the shore shouts to the boat "nothing good to be got by it." Frederick William, who wears crown, military uniform, and jack-boots, conceals behind him, half thrust into his coat-pocket, a paper: 'Danzic & Thorn'. Holland, a fat burgher, is smoking; he says "What a blessed Alliance". In his right hand is a paper: 'pyg--t O I hope all dis vill end in a Smoke.' The fourth man, who stands on the extreme left, is a British citizen who scowls as he reads a newspaper inscribed 'The Trade of the Baltic Lost - New Taxes Malt - Porter'. Across the sky stretches a large scroll inscribed 'The Cause of the War'; from it is suspended a tiny medallion: 'Ocsakow'."--British Museum online catalogue
Alternative Title:
Political blind-buff man, or, The ministerial expediency, Ministerial expediency, and Cause of the war
Description:
Title etched below image., Text etched within banner in top part of image: The cause of the war., Printmaker identified as Frederick George Byron by Andrew Edmunds., Publisher's advertisement below imprint: In Holland's Exhibition Rooms may be seen the largest collection of caricatures in Europe, admitce. one shilg., Sheet trimmed within plate mark., Watermark in center of sheet., and Mounted to: 36 x 49.2 cm.
Publisher:
Pubd. April 1791 by W. Holland, No. 50 Oxford St.
Subject (Geographic):
Europe
Subject (Name):
Pitt, William, 1759-1806 and Frederick William II, King of Prussia, 1744-1797
"Two fighting-cocks, with the heads of Napoleon and Pitt, face each other across the English Channel. Napoleon (left) has a large ruff of tricolour feathers and enormously long spurs, but his wings and tail feathers are clipped. His cliff is the higher; he leans forward, saying, "Eh Master Billy, if I could but take a flight over this Brook I would soon stop your Crowing, I would Knock you off that Perch, I swear by Mahomet, the Pope and all the Idols I have ever Worshiped." Pitt stands on a large royal crown which brings his feet almost to a level with those of Bonaparte; he stands erect, thus towering above his rival; he has very short spurs but a fine tail and wings; he crows: "Tuck a roo - too that you never can do!!!" Below them lies the sea with a fleet of ships in full sail close to the English coast."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed within plate mark., Publisher's advertisement in lower right: Folios of caracatures lent out for the evening., and Mounted at the corners on a leaf: 29.5 x 42 cm.
Publisher:
Pubd. March 27th, 1803, by S.W. Fores, 50 Piccadilly
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Pitt, William, 1759-1806
Subject (Topic):
Napoleonic Wars, 1800-1815, Proposed invasion of England, 1793-1805, Game fowl, Cockfighting, Crowns, Cliffs, Bodies of water, and Ships
"Pitt runs forward (left to right) to the waterside, a large sabre raised above his head, saying, "The Russian trade down the first"; he threatens a number of stranded ships with broken masts. The blade of his sabre is inscribed: 'General War in Europe. Hartzberg Cutler Berlin'. In his left hand he holds up a paper: 'Responsibility Unpd Debts £20,00000 Ditto 3000000 New Taxes . . . Taxes'. Above him is a scroll inscribed: 'Under the Protection of the Commercial Treaty with France [see British Museum satires no. 6995], or by the Armed Neutrality improved Trade of Russia carried by French bottoms'. On the right a man stands on a quay inscribed 'Company of Russia Kay to be let'; he raises in both hands a headsman's axe, inscribed 'Hard Steel badly temper'd, to smite the masts of the ships below him', saying, "Down with it [ ? or its] Poland its as well Vengeance". Above his head, rays issuing from the upper right corner of the design, inscribed 'Remote fate, no more wars M--rs [Ministers] ultimatum', impinge on a semi-circle of cloud inscribed Confidence. On this stand five tiny gibbets, each with its pendent body. On the horizon is the open sea, on which are four French ships in full sail, the nearest flying a tricolour flag inscribed 'la Nation la loi le Roi'. On the left, next Pitt, stands Thurlow, holding against his left shoulder the mace, which is labelled 'Prerogative' and 'by G--d' (cf. British Museum satires no. 7320). In his right hand is a paper: 'Law Authorities for rendering defensive treatys ofensive'. His Chancellor's wig, over which is inscribed 'Geographical Knowledge', is divided into small sections, each inscribed with the name of a place: immediately surrounding his face are six portions each inscribed 'Russia'; on his nose is 'Poland'; above his forehead is 'England'. Other places in juxtaposition are 'Oczakow', 'Isle of Dogs', 'Botany Bay', 'Persia', 'Jordaine', 'Terras incognitas', 'Turin', 'Constantinople', and 'Antwerp', 'China', 'Swisserland', 'Africa', 'Nootka', 'Germany', 'Jerusalem', 'Paris', 'Pekin', 'Patagonia', 'France'. In the background on the extreme left is a building: 'National Assembly', with the cap of Liberty surmounting a tricolour flag inscribed 'French liberty benefitted by the blunders from the English M--r'. From the door issues a label inscribed 'oui oui une adresse de tanks a Mr P--t'. From the Assembly walk two kings, France and Spain; they say (pointing to Pitt): "How he plays our game" and "Bravo! bravo! bravo!""--British Museum online catalogue
Description:
Title etched above image., Printmaker identified as Frederick George Byron in dealer's description., Text below image: Inscribed to The Russian Company by their customers, the ship builders, sail makers, rope makers and other contemptible trades that contribute to the prosperity of Old England., Publisher's advertisement at bottom of plate: In Hollands Exhibition Rooms may be seen the larges [sic] collection in Europe of caricatures, admitce. one shilling., Sheet trimmed within plate mark on top and bottom edges., Mounted in modern matte: 36 x 49 cm., and Watermark: J. Taylor.
Publisher:
Pubd. by Wm. Holland, No. 50 Oxford St.
Subject (Geographic):
Great Britain and Russia
Subject (Name):
Pitt, William, 1759-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Charles IV, King of Spain, 1748-1819, Louis XVI, King of France, 1754-1793, and Hertzberg, Ewald Friedrich, Graf von, 1725-1795
Volume 2, page 94. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A pretty fisherwoman (?) kneeling by a basket is approached by a sailor to right, and a soldier bending over her, a younger sailor looming behind the latter taps him on the shoulder."--British Museum online catalogue, description of a later state
Description:
Title etched below image., Sheet trimmed to plate mark., One of a set of six plates by Shepheard after Bunbury that were first published by Thomas Macklin., For a mention of the reissued set of plates published 1 January 1809 by J. Deeley, see no. 11456 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., and Mounted on page 94 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Published Jany. 10th, 1796, by Thos. Macklin, Poets Gallery, Fleet Street
A sailor (just returned, his dropped knapsack in the right foreground) supports his swooning wife, overcome at seeing him return, outside a thatched cottage, while a little girl and a little boy (broom in hand) on the left hurry up to help; a pig in the foreground, two lush trees in the yard, and a ship and sea in the background; illustration to a song., Title etched below image and above verses., Sheet trimmed within plate mark., Numbered '300' in lower left of plate., Three columns of verse, each 14 lines, below title: Bleak was the morn when William left his Nancy ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark.
Publisher:
Publish'd 17th June 1793, by Robt. Sayer & Co., Fleet Street, London
Subject (Topic):
Bags, Brooms & brushes, Children, Couples, Dwellings, Homecomings, Sailors, British, Ships, Swine, and Young adults
"Satire on Robert Walpole and his continuing influence on government after his fall from power. A large folding screen in the centre stands open showing events from Walpole's career: the South Sea Bubble, the treaties of Hanover and Seville, the "Bank contract" of 1720, Admiral Hosier's expedition to Cartagena, the Excise Scheme (depicted as BM Satires 1918), the War of Jenkins' Ear, the Convention of the Pardo, the English ships held in the port of San Sebastian in 1740 (see BM Satires 2418 and 2440), and a general reference to "Bribery, &c.". A mirror on the left reveal that Walpole is standing behind the screen pulling strings that operate members of parliament assembled in the chamber shown below. Above the screen is a separate scene showing the reconciliation between George II and Frederick, Prince of Wales, early in 1742. To the right stands the Duke of Argyll in Garter robes resting against a lectern and pointing to Wapole's misdeeds as portrayed on the screen; above Argyll's head hangs a picture of Diogenes holding his lamp and a portrait of the "honest man" he sought; beside Argyll is lettered, "Glorious and Brave to shake Corruption's Seat, But much more Glorious is thy brave Retreat". Two columns of letterpress verse below warn "William", i.e. Pulteney, that Walpole continues to influence governement."
Description:
Caption title in letterpress below image., The title from the caption above the image on the plate: A new screen for an old one, or, The screen of screens., "Price 6p.", Imprint on plate below design., Letterpress broadside poem illustrated with an etching in upper part of the sheet (plate mark 17.3 x 17.2 cm.). The title from the caption above the image on the plate: A new screen for an old one, or, The screen of screens., Two lines of verse engraved vertically on the right of plate: Glorious and brave to shake corruption's seat, but much more glorious is thy brave retreat., Twenty six lines of verse in two columns below the plate, in letterpress: Dear William, did'st thou never go, to mimic farce, call'd Puppet-Shew? ... Lond. Evening Post, Mar. 11, 1741-2., Bowditch's ms. annotations on the mounting sheet; mounted to 35 x 42 cm., and Watermark.
Publisher:
Publish'd according to act of Parliament by T.B.
Subject (Name):
George II, King of Great Britain, 1683-1760, Frederick Louis, Prince of Wales, 1707-1751, Argyle, John Campbell, Duke of, 1680-1743, Bath, William Pulteney, Earl of, 1684-1764, Walpole, Robert, Earl of Orford, 1676-1745, and Diogenes, -approximately 323 B.C.
"Queen Caroline, dignified and regal, stands with extended right arm facing Lord Hutchinson (identified by Reid as Liverpool), a thin man in court dress who bows low, holding out a large purse inscribed '£50,000'. He looks up at her with a servile and apprehensive grimace, saying: "Abandon your claim to the Throne, Change your Name & the Livery & retire to some distant part of the earth were you may never be seen or heard of any more; & if 50,000£ pr Annm will not satisfy you, what will?" She answers: "Nothing but a Crown!" In her left hand is a paper: 'Lawful Claims'. At her side (right) stands Alderman Wood, noble and stalwart in Roman armour; he holds a sword, whose wavy blade (representing flame) is inscribed 'A Swoard for the Guilty', and a shield: 'A Shield for the Innocent--'. Behind Hutchinson and in back-view stands Brougham in barrister's wig and gown; he holds a broom, and says: "I turn my back on such dirty work as this." The Devil, on the extreme left, clutches his arm, saying: "Well done Broom! you have done your business well." Behind Wood is a ship at anchor, her poop inscribed 'The Wooden walls of Old England'; she flies a Union flag inscribed 'Caroline'."--British Museum online catalogue
Alternative Title:
Bribery & corruption rejected!!! and Bribery and corruption rejected!!!
Description:
Title etched below image., Signed only with Robert Cruikshank's name, but a collaboration with George Cruikshank is suggested in the British Museum catalogue., "No. 1"--Upper left corner., and Mounted on page 16 of: George Humphrey shop album.
Publisher:
Pubd. by Benbow, St. Clements Church Yard, Strand
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Donoughmore, John Hely-Hutchinson, Earl of, 1757-1832, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, and Wood, Matthew, Sir, 1768-1843
"Queen Caroline, dignified and regal, stands with extended right arm facing Lord Hutchinson (identified by Reid as Liverpool), a thin man in court dress who bows low, holding out a large purse inscribed '£50,000'. He looks up at her with a servile and apprehensive grimace, saying: "Abandon your claim to the Throne, Change your Name & the Livery & retire to some distant part of the earth were you may never be seen or heard of any more; & if 50,000£ pr Annm will not satisfy you, what will?" She answers: "Nothing but a Crown!" In her left hand is a paper: 'Lawful Claims'. At her side (right) stands Alderman Wood, noble and stalwart in Roman armour; he holds a sword, whose wavy blade (representing flame) is inscribed 'A Swoard for the Guilty', and a shield: 'A Shield for the Innocent--'. Behind Hutchinson and in back-view stands Brougham in barrister's wig and gown; he holds a broom, and says: "I turn my back on such dirty work as this." The Devil, on the extreme left, clutches his arm, saying: "Well done Broom! you have done your business well." Behind Wood is a ship at anchor, her poop inscribed 'The Wooden walls of Old England'; she flies a Union flag inscribed 'Caroline'."--British Museum online catalogue
Alternative Title:
Bribery & corruption rejected!!! and Bribery and corruption rejected!!!
Description:
Title etched below image., Signed only with Robert Cruikshank's name, but a collaboration with George Cruikshank is suggested in the British Museum catalogue., "No. 1"--Upper left corner., 1 print : etching ; sheet 26.4 x 36.4 cm., Printed on wove paper; hand-colored., Sheet trimmed within plate mark on left side., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 18 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Brougham," "Q. Caroline," and "Ald. Wood" identified in black ink at bottom of sheet; date "11 June 1820" written in lower right corner. Pencil annotation "+ GC" added beneath Robert Cruikshank's signature, noting George Cruikshank's contribution to the production of the print. Typed extract of twenty-four lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pubd. by Benbow, St. Clements Church Yard, Strand
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Donoughmore, John Hely-Hutchinson, Earl of, 1757-1832, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, and Wood, Matthew, Sir, 1768-1843
