"Sir William Curtis (left), grossly obese, wearing quasi-nautical dress, dines in the cabin of his yacht. The table is littered with wine-glasses; a dish contains a bare bone. Behind his chair is a pile of empty bottles. His broken pipe lies on the ground. He has a carbuncled nose, wears a small straw hat and striped trousers, with blue coat. He says to a servant who takes a bottle of wine from a large hamper: "John, I vonder if there ever vas since the Creation an Alderman possessed of so much courage as me (Zounds! what noise is that? Oh it's only the Vind,) to come to go into real earnest Danger, & all for one's pleasure! which is more than any other Officer in the whole of this here Fleet or Army can say, now there's your Seizures [Caesars], I thinks there were ten or a Dozen on 'em, then there's your Pitolomies & Cannibles & Poly-buss's & Eckserkses [Xerxes's] and all the rest of the bunch of Roman Generals -you never reads of any Alderman going out in any of their Exhibitions! no more Lord Mayors neither! & thats a bold word to say, now John we must 'bout Ship Speedy & soon ...for we dont know but one of Bonyparts D-d Bullets may get in to one of us then that would be a Bullet in [Bulletin] that ve dont Vant but how do we stand for Bubb & Grubb & Grape Shot?" The servant, a rough-looking fellow wearing a night-cap and apron, answers: "Why your Honor the Brown Stout is all gone, there is nothing left but the wing of a Turkey & Ham bone & a Bottle of Red --herefore as how we must steer speedily & soon for Port. Behind Curtis's head hangs a picture of the façade of a two-storied house: 'A view of Jacobs well'. On the right is a window through which are seen the sea and ships."--British Museum online catalogue
Alternative Title:
Who's afraid, Great & glorious news for old England, and Great and glorious news for old England
"A woman with two children on a rocky sea-shore, weeping and comforting them as they watch their father's ship depart, shown in the background to left; illustration to a song."--British Museum online catalogue
Description:
Title from item., Publication date from an unverified card catalog record., and Sheet trimmed to plate mark with loss of text below image.
The fishwives stalls are in the foreground with the masts of ship vessels behind, and among them one tall smoking funnel. The market buildings are on the right. The foreground is more crowded than in other Billingsgate prints. The chief feature is an irate woman seated on an upturned tub beside her stall, berating a lady in a riding-habit who holds a huge fish's head. Beside the latter is another lady, disconcerted. Two liveried servants are among the crowd. Lady Caroline Lamb and a young marchioness, both 'in disguise', go to the market to hear the traditional language of the fishwives, this Lady Caroline provokes by disparaging a fish. On the left is a fashionably dressed young man, resembling Robert Cruikshank. On the left, a drunken woman sits with her glass raised. From British Museum catalogue
Alternative Title:
Visit to Billingsgate
Description:
Title, printmaker, and imprint from published state., Plate etched for: Westmacott, C.M. English spy. London : Sherwood, Jones, and Co., 1825-1826., For published state see: No. 14941 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Ms. note in pencil on front: Page 342, vol. 1. Watermark: Warranted not bleached.
Publisher:
Pubd. by Sherwood, Jones & Co.
Subject (Geographic):
Billingsgate Ward (London, England)
Subject (Name):
Cruikshank, Robert, 1789-1856 and Lamb, Caroline, Lady, 1785-1828
Subject (Topic):
Crowds, Fishmongers, Intoxication, Riding habits, Servants, Ships, and Street vendors
Title from item., Probably from: A series of original portraits and caricature etchings by the late John Kay (1842)., Place and date of imprint conjectured from that of book., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Name):
Duncan of Camperdown, Adam Duncan, Viscount, 1731-1804,
A small print depicting a scene from Homer's Odyssey as he sails back to his home in Ithaca: Two Laestrygonian, who are giants, one who upends one Odysseus's ships as other eats one of the men as the fail into the sea. The high cliffs of Lamos is in the distance on the right
Description:
Title devised by cataloger., Sheet trimmed within plate mark., and Possibly a book illustration?
Publisher:
publisher not identified
Subject (Topic):
Laestrygonians (Greek mythology), Giants (Fictitious characters), Cannibalism, and Ships
Set of 290 black-and-white prints of Rockwell Kent's illustrations and decorations for the 1930 Lakeside edition of Moby Dick. The prints are housed in 148 mats, with each mat holding one to four prints, and divided into three volumes that correspond to the published Lakeside edition. The mats for each volume are housed in a custom case with paper spine and cover labels featuring Kent's illustrations. Volume 1 contains mats 1-49 (95 prints) and the inventory of illustrations; volume 2 contains mats 50-94 (89 prints); and volume 3 contains mats 95-148 (106 prints).
Alternative Title:
Moby Dick
Description:
BEIN 2023 Folio 19: From the library of William S. Reese. Twenty-six sheets bear the Strathmore drawing board trademark stamp. Accompanied by manuscript inventory of illustrations in an unidentified hand (11 pages). Each mat is numbered in pencil with a number corresponding to this inventory. The final 9 illustrations (mats 145-148) likely do not appear in the published Lakeside edition. and Title devised by cataloger.
Volume 2, page 43. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A group of sailors at rest, one leaning against a boat at left with a tankard in his hand, opposite him three of his companions are grouped around a barrel while another is in an embrace with a woman on a sack in the foreground, a figure behind him looking solemnly out to the front, the masts of a ship over a wall behind, another figure beyond tugging a rope; after Bunbury."--British Museum online catalogue
Alternative Title:
From a sketch taken at Portsmouth by W.H. Bunbury Esqr
Description:
Title devised by cataloger., Sheet trimmed to plate mark., and Mounted on page 43 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd June 24th, 1785, by J.R. Smith, No. 83 Oxford Street
A mock coat of arms, perhaps for George IV, that possibly served as the tailpiece or other illustration to a verse-satire on the trial of Queen Caroline. The shield is vase-shaped and includes a mug of beer at center, tents and cannons on either side of the mug, a settee below the mug, three ships at top, scales of justice with "vice" outweighing "virtue" below the ships, and a ram at bottom. Surmounting the shield is a donkey with a owl on its back, the owl wearing a tall conical hat; the donkey stands upon a "log", a volume with "bill" on its spine, a chess board, playing cards, sheets of paper labeled "address", and a cross above which "liturgy petition" is written. Plants are seen on either side of shield; below the shield are banners in which the Latin phrases "furiis in censa feror" and "vir tutis sub umbra viti um" are written
Description:
Title supplied by cataloger., Printmaker and publication information from potentially related prints that were published by Humphrey and are attributed to Theodore Lane in the British Museum catalogue. See nos. 13948-13972 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Possibly a plate from: Rosco. Horrida bella. London : G. Humphrey, 1820., Sheet trimmed within plate mark., Mounted on page 12 of: George Humphrey shop album., and Mounted with eight sheets of letterpress text, for letters R-Z, meant to face the corresponding plates in bound copies of Horrida bella.
Publisher:
G. Humphrey
Subject (Name):
George IV, King of Great Britain, 1762-1830., Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., and Rosco.
Subject (Topic):
Coats of arms, Donkeys, Owls, Books, Playing cards, Board games, Scales, Drinking vessels, Beer, Tents, Cannons, Ships, Sheep, and Couches
Tentative identification of Fox, Sheridan, Moira, Sir John Sinclair, and Sir George Shuckburgh in chairs, leaning against the sides of bunks in a ship, all sleeping or being ill
Alternative Title:
Margate hoy
Description:
Title from Draper Hill; alternative title from pencil inscription on verso: A Margate hoy. and Date from Draper Hill, who suggests that the drawing is a preliminary for one of the illustrations for the abandoned de luxe edition of Poetry of the Anti-Jacobin.
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Sinclair, John, Sir, 1754-1835, and Shuckburgh-Evelyn, George Augustus William, Sir, 1751-1804
