Title from item., Date and place of publication derived from other versions of work., A poor copy after Dighton., Text on compass: Fear God., Text encircling central image: Keep within compass and you shall be sure to avoid many troubles which others endure., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Topic):
Conduct of life, Ethics, Money, Compasses (Drawing instruments), Ships, Farms, Punishment & torture, Vice, and Prisons
Title from item., Date and place of publication supplied by curator., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Pencil notations verso.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Name):
James II, King of England, 1633-1701. and Penn, William, 1644-1718.
Subject (Topic):
Exile, Politics and government, Ships, Medical equipment & supplies, Physicians, and Kings
Volume 2, page 49. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Man holding a pipe seated close to a woman who is spinning wool, with a basket at her feet, another man standing at right, houses behind, and the masts of a ship seen above the trees at right; oval design, after a drawing by Henry William Bunbury."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., Four lines of verse below title, from Lord Lyttelton's poem 'The progress of love': O pain to think, another shall possess those balmy lips, that I was wont to press; another! on that panting bosom lie, and catch sweet madness from her swimming eye. Lyttelton., Companion print to: Love and hope., and Mounted on page 49 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Published Decr. 1st, 1786, by W. Dickinson, engraver & printseller, No. 158 Bond Street
Subject (Name):
Lyttelton, George Lyttelton, Baron, 1709-1773
Subject (Topic):
Spinning apparatus, Pipes (Smoking), Ships, Baskets, and Dwellings
A seated woman is engaged in spinning wool, a basket at her feet, while a man holding a pipe sits close to her on the left. Another man stands on the right, arms crossed and watching the pair. Houses are seen in the background; the masts of a ship rise above the trees at right
Description:
Title engraved below image., Sheet trimmed within plate mark., Plate from: Angelica's ladies library; or, Parents and guardians present. London : Printed for J. Hamilton and Co.; and Mrs. Harlow, 1794., Illustration to Lord Lyttelton's poem 'The progress of love'., and Mounted on page 103 of: Bunbury album.
Publisher:
Pubd. Decr. 1st, 1794, by W. Dickinson, No. 24 Bond Street
Subject (Name):
Lyttelton, George Lyttelton, Baron, 1709-1773
Subject (Topic):
Spinning apparatus, Pipes (Smoking), Ships, Baskets, and Dwellings
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Alternative Title:
Making a compass at sea, or, The use of a Scotch louse and Use of a Scotch louse
Description:
Title etched below image., Signed in lower right portion of image with the monogrammatic initials of Charles Williams., Date of publication from unverified data in local card catalog record., Two lines of quoted text following title: "Art lives on natures alms, is weak and poor, "nature herself has unexhausted store. Cowper., Plate numbered "350" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Sheet trimmed within plate mark on top and bottom edges., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Compasses -- Union Jack., 1 print : etching on wove paper, hand-colored ; plate mark 25.2 x 35.2 cm, on sheet 25.6 x 41.8 cm., Sheet trimmed to plate mark on lower edge., Watermark: 1817., and Leaf 62 in volume 5.
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Alternative Title:
Making a compass at sea, or, The use of a Scotch louse and Use of a Scotch louse
Description:
Title etched below image., Signed in lower right portion of image with the monogrammatic initials of Charles Williams., Date of publication from unverified data in local card catalog record., Two lines of quoted text following title: "Art lives on natures alms, is weak and poor, "nature herself has unexhausted store. Cowper., Plate numbered "350" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Sheet trimmed within plate mark on top and bottom edges., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Compasses -- Union Jack., and Watermark: ITH 1818.
The mast slants across the deisgn backed by a sail bellying in the wind. W.B. [i.e. William Blockhead] sits miserably with closed eyes astride a spar, to which he has tied his right thigh. His right arm encircles the mast, and to his wrist is tied an open book: Wilt thou upon [the] high & giddy mast scale the ship[?] bays. O yes & rock his brain. Below is a dialogue between the Lleutenant and Blockhead
Alternative Title:
Enjoying the fresh air for the 304th time
Description:
Title from text above image., Print singed using Frederick Marryat's device: an anchor slanted diagonally., Artist identified in British Museum catalogue., Two columns of dialogue below image: Dialogue - Lieut. - Pray Mr. B. Did you call the master? B. no sir I thought ..., Plate numbered in upper right corner: P. 4., and For reissue by Thomas McClean in 1835, see no. 14093 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Great Britain
Subject (Topic):
Navy, Sea life, Reading, Sailors, British, and Ships
"A boarding party on the deck of a French ship engaged in a furious mêlée. Mr. B. lunges forward, piercing an officer through the heart with his sword. A burly sailor stretches over his head to strike aside a spear which a Frenchman is about to plunge into the boy. Men are partly hidden by smoke; cannon-balls are in the air, dead or dying men on the ground. Frenchmen use muskets, English sailors axes and swords. Below: '"the pulse's maddening play That thrills the wanderer of the trackless way That for it self can woo the approaching fight And turn what some deem danger to delight No dread of death, if with us die our foes Save that it seems e'en duller than repose," Byron."--British Museum online catalogue
Description:
Title from text above image., Print signed using Frederick Marryat's device: an anchor tilted diagonally., Artist identified in the British Museum catalogue., Two columns of verse below image: "the pulse's maddening play that thrills the wanderer of the trackless way ... Byron., Plate numbered in upper right corner: P. 5., and Earlier state. For 1835 reissue by Thomas McClean cf. no. 14094 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10.
Publisher:
Pubd. by G Humphrey, 27 St. James's St.
Subject (Geographic):
England.
Subject (Topic):
Naval warfare, Ships, French, Sailors, and British
