"John Bull sits full face holding a bowl of soup, between Addington, the cook, and the protesting Windham on the extreme right. On the left Pitt sits in profile to the left before an enormous kitchen fire, over which hangs a giant cauldron; he blows the fire with bellows, saying, 'I dont know how it is - but I manage this Soup business rather awkwardly - I suppose it is from being so much used to the stewing and Broiling line.' Addington, who wears the Speaker's wig with apron and over-sleeves, and holds a long ladle, says: 'Though I say it that made it - you never tasted better soup in your life'. Windham (right) stands in profile to the left his knees flexed, saying, 'O' Mr Bull - Mr Bull - if you have any regard for your Constitution - dont touch it - the Cayen of Jacobinism flavours every spoonful - and the Fire that boil it I consider as a Funeral Pile for all your well wishes - do Johnny take some of my Cheese-parings - they are very wholesome, and easy of Digestion.' John says, his eyes turned towards Addington, his spoon raised to his mouth: 'I don't mind what he says - my Hearty I say it's very good Soup - and a d------d deal better [word erased] than your Gin. I should like a little more bread for all that, and it would be quite as well - if it did not taste so strong of the Ceylon pepper.'"--British Museum online catalogue
Description:
Title etched below image., Date of publication from the British Museum catalogue., Watermark in center of sheet., and Early gilt paper strips pasted to margins as a mount.
Publisher:
publisher not identified
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Windham, William, 1750-1810, and Pitt, William, 1759-1806
Subject (Topic):
John Bull (Symbolic character), Bowls (Tableware), Soups, Eating & drinking, Interiors, Kitchens, Cauldrons, Fireplaces, Bellows, Aprons, and Cooking utensils
"George IV (three-quarter length), surrounded by admiring Ministers, holds up a big extinguisher made of paper and inscribed 'Speech from the Throne', which he is about to place over a crowd of tiny Jacobins who surround the Queen and Alderman Wood. All these 'Lilliputians' are on a round table, whose top forms the base of the design except on the right. The terrified Jacobins fall on to papers inscribed 'Libels', 'Address' [twice], 'Sedition'. Alderman Wood steps on the back of one in a frantic effort to escape with the Queen whom he holds in his arms. She is a fat virago, holding up a fire-brand (cf. British Museum Satires No. 13895) inscribed 'Sedition', whose smoke rises into the extinguisher, and a large money-bag, '50 000 per Ann', labelled 'Crumbs of Consolation'. Other Jacobins flee to left and right, escaping the extinguisher, but either falling calamitously from the table, or about to be grasped by the hand of Eldon who sits at the table (left). They have banners and caps of Liberty on poles (or pikes). Among the fugitives is a Don Quixote (left) in armour, wearing Mambrino's helmet, galloping off on horseback, holding a banner. A terrified Jacobin (right) drops a 'Tailors Adress'. Ministers watch the approaching extinction with pleasure: Eldon has a grim smile, Sidmouth and Castlereagh behind him register, one eager delight, the other bland satisfaction. Wellington (right), close behind the King, smiles triumphantly, Liverpool beside him, is in profile, surprised, pleased, and imbecile. The King, three-quarter length, is a cynical Adonis, in military uniform. Behind his head is a framed picture: an irradiated sun containing features dispels dark clouds, putting bats, serpent, owl, &c., to flight; beside it is a dark disk containing the features of the Queen, in eclipse (reversing the situation in British Museum Satires No. 14012)."--British Museum online catalogue
Alternative Title:
King of Brobdingnag & the Lilliputians and King of Brobdingnag and the Lilliputians
Description:
Title etched below image., Two lines of quoted text below title: "Confound their politick's, frustrate their knavish tricks." "God save the king"!, Text above image: Ah! ha! Madam Q-!, Monsr. W! Messrs. Radicals, Addressers, & Co.!! Where are you now?!!! Ah ha! ha! ha! ha!, Sheet trimmed within plate mark., and Mounted on page 33 of: George Humphrey shop album.
Publisher:
Pubd. April 7th, 1821, by G. Humphrey, 27 St. James's Street, London
Subject (Geographic):
England.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Eldon, John Scott, Earl of, 1751-1838, Wellington, Arthur Wellesley, Duke of, 1769-1852, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, and Quixote, Don (Fictitious character)
Subject (Topic):
Politicians, Fire extinguishers, Tables, Crowds, Documents, Torches, Money, Banners, Liberty cap, and Military uniforms
"The King and Ministers, as domestic servants in déshabille, surround a rush-light, trying, with fierce intentness, to blow it out. The flame of the light encloses the head of Queen Caroline wearing her feathered hat; the rush is supported on a saveall formed of the head of Wood [Brougham, according to Reid, who is incorrect in some of the other identifications], and placed in a kitchen candlestick standing on a rectangular table. The centre figure is Eldon, his Chancellor's wig formed of a pair of breeches. He leans sideways and the King, wearing a night-cap, looks over his shoulder, blowing downwards. Next them is Wellington, whose blast is better directed than that of the others, but all miss the flame by blowing too low. On the left are two old women, Sidmouth, using his (green) clyster-pipe as a squirt, and Liverpool, whose night-cap is a green bag (see British Museum Satires No. 13735). Facing these are the Duke of York, next Eldon, and the Duke of Clarence on the extreme left, as a hideous black man, whose strong but ill-directed blast is inscribed 'Slander' [see British Museum Satires No. 14031, &c.]. Three other heads are in shadow, like the King; they watch with anxiety, but are not blowing; they are Castlereagh (left) and two women (right). Below the design: "Cook, Coachee, men & maids, very near all in buff, Came & swore in their lives they never met with such a light; And each of the family by turns had a puff, At the little farthing rush light, The curst farthing rush light, But none of the family Could blow out the rush light.!""--British Museum online catalogue
Description:
Title etched above image., Sheet trimmed within plate mark., and Mounted on page 32 of: George Humphrey shop album.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St., London
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Eldon, John Scott, Earl of, 1751-1838, Wellington, Arthur Wellesley, Duke of, 1769-1852, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Wood, Matthew, Sir, 1768-1843, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, William IV, King of Great Britain, 1765-1837, and Castlereagh, Robert Stewart, Viscount, 1769-1822
Subject (Topic):
Politicians, Servants, Candles, Bags, and Medical equipment & supplies
"A lumbering wagon drawn (l. to r.) by eight asses is stuck fast, up to the axles in water; the asses strain hard to drag it up a steep slope to dry land. Its dilapidated tilt is much patched and is labelled 'British State Waggon 1804'. The wagoner, Addington (r.), kneels on an adjacent bank, and shouts to a fat and jovial John Bull, dressed as a volunteer, who stands on the opposite bank of the deeply sunken lane, his bulldog beside him. Addington wears a smock, but his powdered hair is in a black bag. He holds his long whip and his hat in his right. hand, and extends his left. arm, shouting, " - help, Johnny Bull! - help! - my Waggon's stuck fast in the Slough! - help! help." John, who holds his bayoneted musket, looks down at Addington, pointing behind him with outflung r. arm at thirteen horses with human heads above and behind him on rising ground. He answers: " - stuck fast in the Slough! - ay to be sure! - why dost'nt put better Cattle to thy Wain? - look at them there Horses doing o' nothing at all! - what ether they matches in Colour, if they do but drag the Waggon out o' the Mud! - don't ye see how the very thoughts o' being put into Harness makes 'em all love and nubble one another?" The horses, [The identifications (most being self-evident) are those of Miss Banks, the alternatives in brackets being those of E. Hawkins. Wright and Evans arrange them differently and omit Spencer and Lansdowne.] though close together, are in groups. On the extreme left., and rather behind the others, Lord Spencer (or Carlisle) rubs noses with Carlisle (or Lauderdale), Erskine (in wig and bands) with Wilberforce. In front of this group the bulky Lansdowne (or Norfolk) lies on the ground, asleep, his back to the others. Next, Grey turns his head towards the haughty Buckingham, who wears spectacles and a Garter ribbon. Their backs are turned to the main group of four: Fox, with a foreleg placed on Grenville's shoulder looks up affectionately at the latter, who responds with a complacent smile. Pitt watches the pair with haughty benignity; Canning, behind, watches them intently. On the extreme right. Sheridan (a plump piebald), scowling fiercely, kicks up his heels at Windham, who retorts with a blast of excrement, his head turned towards Fox and Grenville. In the foreground (l.) is the stage-wagon (the slowest form of transit), drawn by its eight undifferentiated asses. The tilt is open at the back, showing it crammed with bundles, &c. The centre-piece is a bulging sack: 'Budget for 1804', from which project papers inscribed 'Taxes'. A treasure-chest is inscribed 'Treasury'; coins pour from a hole in its side. It is flanked by two bundles: 'Secret Service Money' and 'Family Pickings'. A bundle of 'Pensions' consists of bulky papers inscribed 'Sinecure'. Large volumes tied together are 'New Acts of Parliament'. Other papers are 'Defence against Invasion'; 'State of Ireland'; 'East Indies'. A bundle of 'Loans for / 84' [sic] contains 'Navy Bills' and 'Exchequer Bills'. There are also three tiny barrels of 'Gun Powder' and a bundle of muskets inscribed 'Volunteers'. From the side of the wagon hangs a basket of 'Family Medicine' containing two bottles labelled 'Broth[er] Bra[gge]' and 'Brother Hiley'."--British Museum online catalogue
Alternative Title:
State wagoner and John Bull, Waggon too much for the donkeys!, and Wagon too much for the donkeys!
Description:
Title etched in upper left corner of image., Sheet trimmed within plate mark with loss of imprint. Imprint from British Museum catalogue., Mounted to 37 x 56 cm., and Collector's annotations on mount.
Publisher:
Publish'd March 14th, 1804, by H. Humphrey, 27 St. James's Street, London
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Carlisle, Frederick Howard, Earl of, 1748-1825, Spencer, George John Spencer, Earl, 1758-1834, Erskine, Thomas Erskine, Baron, 1750-1823, Wilberforce, William, 1759-1833, Lansdowne, William Petty, Marquis of, 1737-1805, Grey, Charles Grey, Earl, 1764-1845, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Grenville, William Wyndham Grenville, Baron, 1759-1834, Sheridan, Richard Brinsley, 1751-1816, Windham, William, 1750-1810, and Canning, George, 1770-1827
"An elaborate symbolical clock has a dial on which the hands are represented by the arms of the Queen, who kneels within it. Canning stands within the smaller disk of the pendulum. The dial and pendulum hang from a curved bar supported on two uprights, one (left) representing the forces of the Army and Navy, the Crown and the Church, and the other the Radicals and their pikes. A fat and carbuncled John Bull, much larger in scale than the other figures, and wearing a huge judge's wig, sits astride the dial where it is surmounted by a crown; he holds a paper: 'Chief justice Bull--Jurisdiction--ad Infinitum'. On the rim of the dial: (left) 'King', 'Lords', (right) 'Commons'. The Queen kneels in profile to the right, her left arm pointing to the crown, her right towards the 'Commons'. The supports of the dial are (left) a cornucopia filled with sovereigns, and (right) a giant cap of Liberty, shaped like the cornucopia, from which project the heads of men wearing bonnets-rouges. On the cornucopia are Liverpool, holding out the 'Green Bag', see British Museum Satires No. 13735, Eldon, Sidmouth with his clyster-pipe, and a fourth Minister. On the bonnet rouge stand four of the Queen's supporters, one (apparently Wood) holding out to her a cap of Liberty. A small scene is inset below the dial, flanked by cornucopia and cap of Liberty. The Green Bag lies on a table, across which Castlereagh (left) and Brougham (right), both wearing boxing-gloves, are fighting, the former on the defensive. Each has a second, Brougham's is a second barrister (? Denman). Below this appear seven vertical rods to which the disk of the pendulum is attached. The centre one is 'Unhappy Medium'. On the left, held by cross-bands inscribed 'Golden Argument' and 'Valuable ties', are 'Royal Sunshine', 'Sinecure', and 'Tangible etcetrias'. On the right, held by 'Magnanimity' [tricolour], are 'Quixotism', 'Public Champion', and 'Radical Celebrity'. Canning stands within the disk of the pendulum, both hands held up, looking in gloomy perplexity to the left. He hesitates between the contrasted lures of the pendulum bars. He is standing between a crown and a cap of Liberty. On the left a winged infant flies off with a money-bag, inscribed '1000', saying, "Adieu!" A similar infant (right) proffers a cap of Liberty, saying, "See here Glory waits thee." Above the disk: 'The Uncertainty of all Sublunary Honors'. The design is bordered, left and right, by the two supports of the beam. On the left a jovial sailor and a handsome soldier stand on a base formed of a 'Treasury Iron Chest'. The corresponding figures on the right are two ragged ruffians with linked arms, each holding a spiked bludgeon and a dagger, who stand on a similar chest: 'Pandora's Box'. Flags are draped above the heads of both: the Royal Arms and Union Jack with a crown (left), and a tricolour flag and a (piratical) black flag (right). Above these are (left) a mitre resting on a Bible, crossed swords, and bayonets, supporting a block on which is a crown. On the opposite side are three caps of Liberty, crossed bludgeon and dagger, and pikes, supporting a block on which is yet another cap of Liberty."--British Museum online catalogue
Alternative Title:
Time piece! & Canning Jack o' both sides, Time piece! and cunning Jack o' both sides, and Time piece! and Canning Jack o' both sides
Description:
Title etched below image; the letter "u" in "cunning" is etched above a scored-through letter "a", altering the name "Canning". and Mounted on page 34 of: George Humphrey shop album.
Publisher:
Pubd. June 1820 by G. Humphrey, 27 St. Jamess St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830., Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Wood, Matthew, Sir, 1768-1843, Castlereagh, Robert Stewart, Viscount, 1769-1822, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, and Canning, George, 1770-1827
Subject (Topic):
John Bull (Symbolic character), Clocks & watches, Soldiers, Sailors, Spears, Wigs, Crowns, Cornucopias, Liberty cap, Bags, Medical equipment & supplies, Boxing, Lawyers, Money, and Putti
"The Queen, crowned, in royal robes and with a sceptre in her left hand, sits regally in the Coronation Chair. Justice, blindfolded and menacing, stands at her right hand; Truth, irradiated and holding up her mirror so that its rays illuminate the Queen, is on her left hand. A stone slab supporting the throne rests on eight hydra-heads with serpents' masks. The centre head is that of Eldon, with two other judges, one with a leech on the cheek indicating Leach (see British Museum Satires No. 13740). Castlereagh, very Mephistophelian, is on the extreme left, Sidmouth and Liverpool on the right; there are two unidentified heads, one presumably Harrowby. Round Queen, chair, &c. are clouds. In the upper left corner, two demons, spitting and excreting thunderbolts, carry off the King 'To Hanover'."--British Museum online catalogue
Alternative Title:
Triumph of innocence over perjury, persecution and ministerial oppression
Description:
Title etched below image., Attributed to William Heath in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 40 of: George Humphrey shop album.
Publisher:
Pub. Nov. 6, 1820, by S.W. Fores, 41 Picadilli [sic]
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Leach, John, 1760-1834, and Harrowby, Dudley Ryder, Earl of, 1762-1847
"The King, in Chinese costume and seated on a cushion, among the chinoiseries of the Pavilion (cf. British Museum Satires No. 12749), throws up his arms in terror at the entry (right) of the Queen, closely followed by Alderman Wood. Her demure dress contrasts with that of a woman, who, much alarmed, runs off to the left from beside the King. Sidmouth (left) and Castlereagh (right), both in Chinese dress, are equally terrified, and Lord Eldon peeps anxiously from behind a little pagoda. Both visitors extend an arm towards the King in an authoritative gesture. Words float from them towards the King: 'Nothing extenuate nor set down aught in Malice [Othello, v. ii] men sleeping with her at Black Heath 1808 v. call Hoods [sic].'"--British Museum online catalogue
Alternative Title:
More free than welcome
Description:
Title etched below image., Printmaker from the British Museum catalogue., Mounted on page 17 of: George Humphrey shop album., 1 print : etching on laid paper, hand-colored ; sheet 25.6 x 33.7 cm., and Sheet trimmed within plate mark.
Publisher:
Pub. June 17th, 1820, by S.W. Fores, 50 Picadilli [sic]
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Eldon, John Scott, Earl of, 1751-1838, and Quentin, Georgina
"The King, in Chinese costume and seated on a cushion, among the chinoiseries of the Pavilion (cf. British Museum Satires No. 12749), throws up his arms in terror at the entry (right) of the Queen, closely followed by Alderman Wood. Her demure dress contrasts with that of a woman, who, much alarmed, runs off to the left from beside the King. Sidmouth (left) and Castlereagh (right), both in Chinese dress, are equally terrified, and Lord Eldon peeps anxiously from behind a little pagoda. Both visitors extend an arm towards the King in an authoritative gesture. Words float from them towards the King: 'Nothing extenuate nor set down aught in Malice [Othello, v. ii] men sleeping with her at Black Heath 1808 v. call Hoods [sic].'"--British Museum online catalogue
Alternative Title:
More free than welcome
Description:
Title etched below image., Printmaker from the British Museum catalogue., and Watermark.
Publisher:
Pub. June 17th, 1820, by S.W. Fores, 50 Picadilli [sic]
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Eldon, John Scott, Earl of, 1751-1838, and Quentin, Georgina
"The lion, with the face and wig of Melville, lies gazing up, blood falling on the papers under his paws: 'Plans for Manning tfthe Navy - List of ships built in 1804 ... of ye Line'; 'Abolition of Impress'. He is struck down by the blast from a blunderbuss whose muzzle is a tankard inscribed 'Whitbreads Entire'. This is fired by St. Vincent who crouches (left) behind a withered tree. The blast issues from a circle of froth inscribed 'Report'. Part of it, inscribed 'Condemnation without Trial', passes above the lion and strikes Britannia to the heart. She is leaning against an ancient but flourishing oak on the extreme right. The blast that strikes Melville is inscribed 'Invectives', 'Popular Clamour', 'Envy', 'Disappointed Jacobins', 'Malice'. On the upper part of the withered tree sits a monkey with the head of Wilberforce, holding up an open book: 'Solution of Vital Xianity', but directing at Melville a blast from his posteriors inscribed 'Cant! - Envy! - Abuse! - Hypocrisy! - Cruelty.' Three asses are kicking up their heels at Melville as they scamper off towards the mountainous background. The nearest has the head of Sidmouth, with ass's ears. He is laden with panniers inscribed 'Physick for the Lion.'; these are heaped with medicine-bottles, one labelled 'Emetic for ye Lion'; there are also a 'Clyster for the Lion', and a box of 'opening Pills' (cf. BMSat 9849), The other asses are Hily Addington and Bragge, cf. BMSat 9986. The latter (right) turns his head to say: "Very highly indebted to the Lion, brother Heeley!" His panniers are inscribed 'Provisions for the Doctors Family' and 'Trifles procured thro' the Lions Generosity'; they are piled high with papers: 'Pension to Brother Brag &...'; 'Annuity to all our Cousins'; '£40000 pr Ann'; 'Sinecure'; 'Pension for Aunts'; 'Pension for Brother Hely'; 'Pension'. The other ass (Hiley) answers: "Then give him another kick, Brother Braggey". He is laden with a sack of 'Candid Whorehound'. The lion is also assailed by a fox (Fox) who viciously bites his hindquarters, and by a serpent with the head of Grey (Whitbread's brother-in-law) who bites his neck. Three small rats, wearing legal wigs and bands (right), run viciously toward the lion; they are (left to right): Jekyll (see BMSat 9179), Erskine, and Robert Adair, an ardent Foxite, cf. BMSat 7158. A dog, its collar inscribed 'Kinard' (Kinnaird), bites the lion's tail, while one foot is in a plate containing a bare bone, and inscribed 'Melville-Castle' with a coronet."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Three lines of quoted text following title: "And now, all the sculking herd of the forest, some out of insolence, others in revenge ..." Vide, Aesop's fables., and Mounted to 31 x 43 cm.
Publisher:
Pubd. July 16th, 1805, by H. Humphrey, 27 St. James's Street
Subject (Name):
Wilberforce, William, 1759-1833, Sidmouth, Henry Addington, Viscount, 1757-1844, Dundas, Henry, 1742-1811, Grey, Charles Grey, Earl, 1764-1845, Fox, Charles James, 1749-1806, Erskine, James Francis, 1743-1806, and Kinnaird, Charles Kinnaird, Baron, 1780-1826
A satire on a 6 May 1791 scene between Fox and Burke in the House of Commons which resulted in their permanent estangement. Fox stands weeping as a boy kneels at his feet filling a bucket, the tears are so copious. Burke, turns back to look at him, clenching in his one hand "French Constitution and in the other "treason conspiracy, poor old England" as he trodes on a piece of paper "Canada Bill." Other Members of the House cluster on either side of the Speaker's chair shouting support for one or the other
Alternative Title:
Opposition in disorder
Description:
Title etched below image., Signed in lower right corner with artist John Nixon's "JN" monogram., Printmaker identified as Isaac Cruikshank in the British Museum catalogue., Sheet trimmed within plate mark., Two lines of text from Burke's speech below title: I think myself justified in saying this, because I do know that there are people in this country avowedly endeavouring to disorder its constitution, its government & that in a very bold manner - vide Burk's [sic] speech., 1 print : etching on laid paper, hand-colored ; sheet 26.9 x 37.4 cm., Sheet trimmed within plate mark; window mounted to 36 x 51 cm., and Mounted opposite page 470 (leaf numbered '76' in pencil) in volume 3 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Publd. May 10, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
Great Britain. Parliament. House of Commons,, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Pitt, William, 1759-1806, Sidmouth, Henry Addington, Viscount, 1757-1844, and Grey, Charles, 2nd Earl, 1764-1845
Subject (Topic):
France, History, Foreign public opinion, British, Great Britain, Politics and government, Politicians, Debates, Books, Ceremonial maces, Crying, Handkerchiefs, Buckets, Constitutions, Legislation, Documents, Demons, and Bellows
