Leaf 51. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
A small man in oversized clothes stands in profile in the foreground holding a walking stick and a wig at which he is looking pensively. Behind him is a small cottage-like building with a striped barber's pole mounted on the roof. In a large diamond pattern window is a skeleton, a wig stand, and a pet monkey. Above the window a large sign reads: "Matt. Manna apothecary, surgeon, corn-cutter, &c., &c. Man midwife, gentlemen shaved & hogs gelded. Shave for a penny & bleed for 2 pence." Below the window hangs a large shelf with a jar of Jalap and two bowls on it. A milestone in lower right corner reads: XXVI mile
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "V. 1" in upper left corner and "17" in upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Matthew Manna -- Shops: Country apothecary's shop -- Signs: Country apothecary's -- Milestones -- Trades: Barber -- Medicine: Surgeon -- Apothecaries: Corn-cutter -- Hog gelding -- Midwives: Male accoucheur -- Drugs: Jalap.
Publisher:
Pubd. accorg. to act Octr. 11, 1773, by MDarly, Strand
Leaf 51. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
A small man in oversized clothes stands in profile in the foreground holding a walking stick and a wig at which he is looking pensively. Behind him is a small cottage-like building with a striped barber's pole mounted on the roof. In a large diamond pattern window is a skeleton, a wig stand, and a pet monkey. Above the window a large sign reads: "Matt. Manna apothecary, surgeon, corn-cutter, &c., &c. Man midwife, gentlemen shaved & hogs gelded. Shave for a penny & bleed for 2 pence." Below the window hangs a large shelf with a jar of Jalap and two bowls on it. A milestone in lower right corner reads: XXVI mile
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "V. 1" in upper left corner and "17" in upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Matthew Manna -- Shops: Country apothecary's shop -- Signs: Country apothecary's -- Milestones -- Trades: Barber -- Medicine: Surgeon -- Apothecaries: Corn-cutter -- Hog gelding -- Midwives: Male accoucheur -- Drugs: Jalap., Second of two plates on leaf 51., and 1 print : etching on laid paper ; plate mark 25.1 x 17.9 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Pubd. accorg. to act Octr. 11, 1773, by MDarly, Strand
"Five horses with human heads, ridden by jockeys, race for the half-open door of the Treasury (left), across a wide cobbled pavement. The Regent and Lady Hertford with Lord Hertford standing behind holding his Lord Chamberlain's wand, stand on the pavement (left) watching the finish. The winning horse, Liverpool, is a piebald, with an earl's coronet round his neck, and branded 'H'. Next is Wellesley, a marquis's coronet round his neck, ridden by a jockey in oriental dress with a jewelled turban, who looks over his shoulder, saying: "Come Grey push on you'll let Pye Ball win else." Next is Moira, a blue ribbon round his neck representing the Garter granted on 12 June (which he had refused on 28 Feb., see 'Corr. of George IV', i. 29, 34-5), close behind is Grey; last is Grenville. Lady Hertford, as umpire, exclaims: "Bravo Pye Ball you have fairly won." Lord Hertford cries: "Huzza Pye Ball for ever." The Regent turns to a stout John Bull, to say: "Come Johny out with your Cash your favorite has lost you see." John puts out a protesting hand, saying, "No No D--e if I do! I'm off, why its a proper cross and Jostle I d'ont like the Umpire neither." John wears a top-hat and top-boots, his pockets bulge with money-bags, and he holds a cudgel. In the roadway is a cob or pony with the face of Sheridan, branded 'P R', ridden by the stout Yarmouth, from whose pocket projects a paper: 'The Milling Hero a Poem', see No. 11746, &c.; he is too large for his mount, and says: "Softly! Softly! poor Old Sherry, Oh my poor bones are in danger!" The animal kicks, saying: "It's a d--d dirty Job to carry such a -- but as I carried your Master [the Regent] through before you hold fast and I'll take you to the end." In the foreground (right) a man stands full-face, shouting; he holds a tall pole on which is a placard: 'The Treasury Sweepstakes for high-bred Hunters 4 Heats The M-ch-ss of H--s Pyebald Colt Liverpool ------- 1, dr, dr, 1 Iohn Bulls favorite ch. f. Moira -------dr, 2, 1, 3 The Fox Clubs b. f ----Grey ----4, 3, 2, dr The East-India Company's Oriental filly Wellesly 3, 1, 3, 2 The well known Pit [Pitt] bred horse Grenville 2, 4, 4, 4 This match was very hardly contested, the Jockey Club decided that the first heat was unfairly won, and the last it is supposed will be subject to a similar decree; but the P-- R-- to whom the decision of the Club was referrd overruled the first objection. Bets at starting 2 to 1 on Moira; and at the commencement of the third heat 2 to 1 on Moira against the field Same Day The Exchequer plate for Colts half bred The Earl of Liverpool's black Colt Vansittart 1, 3, 3, 1 Marquis of Wellesleys gr C. Grant 3, 1, 2, 3 Earl Moirds ch. G Huchisson 2, 2, 1, 2 This Race like the preceeding one has excited much difference of opinion amongst the members of the Club. N.B A match will be made before the Club breaks up between the R--s old Hack and any Noted Horse that may be chosen to start against him, the Hack will carry double and any bet staked on his winning Mac Sycophant [McMahon] Secty.' Beside this notice are betting men. Three say: "How pye Ball dashes in, he has jockey'd them there he goes!"; "Da--me Johny seems in a Passion"; "Aye he 's [word scored through] Humbugg'd! The other spectators: Why the knowing ones are taken in"; "dish'd by Jupiter" [the Prince], and, "I rather think they are dish'd by Juno, she seems to be umpire." In the background are other spectators, on foot, on horseback, and in a coach."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., and Plate from: Town talk; or, Living manners, v. 2, page 437.
Publisher:
Pubd. July 1st, 1812, for the proprietors of Town talk
Subject (Name):
George IV, King of Great Britain, 1762-1830, Hertford, Francis Seymour Conway, Marquess of, 1719-1794, Hertford, Francis Ingram Seymour, Marquess of, 1743-1822, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, Wellesley, Richard Wellesley, Marquess, 1760-1842, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Grey, Charles Grey, Earl, 1764-1845, Grenville, William Wyndham Grenville, Baron, 1759-1834, Sheridan, Richard Brinsley, 1751-1816, and Great Britain. Treasury
Subject (Topic):
Buildings, John Bull (Symbolic character), Horse racing, Jockeys, Signs (Notices), and Staffs (Sticks)
Leaf 50. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"An elderly couple in a gig which backs on to the pavement of a country town, against the bow-window of a 'China Warehouse'. Under the wheels are large earthenware vessels which stood outside the shop. A furious couple come out of the shop-door, above which is a board: 'Bob. Brittle china Glass and Earthenware Shop. A savage dog leaps barking at the terrified horse, the fat woman in the gig screams, the man shouts at the horse. A detached house has a sign: 'Probe Surgeon'. Next it is a church. A coach and pair with a postilion gallops up from the left."--British Museum online catalogue
Alternative Title:
Restive horse in a gig backing into the windows of a potters shop ...
Description:
Title etched below image., Two lines of text below title: A restive horse in a gig backing into the windows of a potters shop, alarmed at the terrific crash you become panic struck, and the perspiration starting from every pore., Restrike. For original issue of the plate, see no. 10836 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 121., and On leaf 50 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. April 12, 1807, by T. Rowlandson, N. 1 James St., Adelphi and Field & Tuer
Subject (Topic):
City & town life, Carriages & coaches, Older people, Anger, Signs (Notices), Pottery, Dogs, and Horses
"A scene on the sea-shore. A hoven cow, that is, a cow dangerously distended by eating green food, is being operated upon by a man who stands on a raised platform and pierces her flank with a pole; in his right hand is a curved pipe for the injection of smoke. Three country-people and a child gape in astonishment holding up their hands; a fat alderman in a furred gown does the same; from his pocket hangs a paper inscribed, "Nine Days he liv'd in Clover". On the right. three doctors or apothecaries are attending an emaciated and seemingly-dead woman (right), who lies on straw, dressed only in a shift: one puffs smoke from a tobacco-pipe up her nostrils, another applies a pair of bellows, the third listens through an ear-trumpet. It appears that while the cow suffers from a surfeit, the woman dies of starvation. On the ground lies the hat of one of the doctors, in which is a letter, "To Mr Blake Plymoth". Three spectators (left) watch the efforts of the doctors: one, an oriental, wearing a turban and draperies, holds out his hands in astonishment; he appears to represent the wisdom of the East (or the noble savage) confronted with the effects of English civilization. His two companions, fashionably dressed Englishmen, look on unmoved. Behind the sick woman (right) is the wall of a building, probably a theatrical booth; along it runs a narrow gallery where Punch is strutting; he points to a placard on which is a representation of the bottle-imp emerging from his bottle, the great hoax of the century, see British Museum Satires Nos. 3022-7, 5245. Beneath the bottle is a placard, "Subscriptions taken in here for reducing the price of provisions". Other placards on the booth are inscribed, "Marybone Gardens Fete Champetre"; "Mr R-s Letters from [the] Dead", this is behind the dead woman; "Hearing Trumpets on a new Construction", behind the doctor with the ear-trumpet; "Cox's perpetual motion, or the Elephant & Nabob", an allusion to Cox's Museum, see British Museum Satires No. 5243, his jewelled clockwork toys had been destined for an Indian prince; they are described in what Walpole calls "immortal lines" in Mason's 'Epistle to Shelburne', see 'Mason's Satirical Poems', ed. P. Toynbee, 1926, pp. 29, 112, 122, see British Museum Satires No. 5243. At this placard an oafish countryman (right) is gaping while a boy picks his pocket. In the background is the sea; on the beach is a boat raised on stocks but already breaking up; this is inscribed "The New Adelphi". The building of the Adelphi had been an unprofitable speculation, partly owing to the financial crisis of 1773, and the Adam brothers obtained a private Act in that year to enable them to dispose of the new buildings by a lottery, which took place in 1774. Across the water on the further side of a bay is a town inscribed "A View of Plymouth". A rope extends from a church steeple on the extreme left, behind the spectators, to a distant spire in Plymouth, down this a man is gliding."--British Museum online catalogue
Alternative Title:
Wonders of Great Britain
Description:
Title engraved below image., Sheet trimmed within plate mark., and Plate from: The Whimsical repository. London : Printed for R. Snagg ..., v. 1, no. 1 (August 1794).
Publisher:
Engrav'd for the Whimsical Repository, Septr. 1st, 1774, publsh'd according to act of Parliament
Reversed copy of the first print in the Hogarth's series "Four Times of the Day. The setting is a morning in Covent Garden; in the center of the image, a middle-aged woman walks from the right towards St. Paul's church; the clock on the tower showing 6:55. She is followed by a servant boy carrying her prayer book under his arm as he tries to warm his hands in his pocket and jacket. St. Paul's is partially hidden behind a tavern identified by a sign reading "Tom King's Coffee House." There is a fight in the doorway, one man losing his wig as it flies out the door. In front of the tavern is a fire where two couples embrace as two women warm themselves, the one reaching out to beg of the well-dressed woman; two large baskets with vegetables sit behind the women, with carrots and mushrooms in the right foreground. To the right, in the middle distance, a small crowd, including two small boys with school bags on their backs, surrounds a man holding a placard advertising a remedy known as Dr. Rock's.
Alternative Title:
Matin
Description:
Title engraved below image., Date from Paulson: Publish'd 23d June 1740., Sheet trimmed to plate mark., and Matted to 380 x 280 mm.
Publisher:
publisher not identified
Subject (Geographic):
Covent Garden (London, England)
Subject (Topic):
Beggars, Children, City & town life, Couples, Crowds, Fighting, Food vendors, Prostitutes, Quacks, Servants, Signs (Notices), Taverns (Inns), and Women
An old woman, the prude, is standing near a crowd of people huddled around a bonfire in Covent Garden. She is crossing Covent Garden Piazza, disapproving of the amorous scenes outside the notorious Tom King's Coffee House. The print shows the morning and is part of a series representing the progress of the day
Description:
Title engraved below image., Signed bottom left hand corner: Designed by Wm. Hogarth. Signed bottom right hand corner: Engraved by T. Cook., After Hogarth. Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 146., Plate also issued in a collection entitled Hogarth restored, first published by G.G. & J. Robinson in 1802., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2357., and Watermark: 1794 J. Whatman.
Publisher:
Published August the 1st, 1797, by G.G. & J. Robinson, Pater-noster Row, London
Subject (Geographic):
Covent Garden (London, England)
Subject (Topic):
Beggars, Children, City & town life, Couples, Crowds, Fighting, Food vendors, Kissing, Prostitutes, Quacks, Servants, Signs (Notices), Taverns (Inns), and Women
Plate 22. Queen Charlotte's collection of Hogarth works. Leaf 22. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The first print in the series "Four Times of the Day" is a scene in Covent Garden. In the center, a middle-aged woman walks from the left towards St. Paul's church; the clock on the tower showing 6:55. She is followed by a servant boy carrying her prayer book under his arm as he tries to warm his hands in his pocket and jacket. St. Paul's is partially hidden behind a tavern identified by a sign reading "Tom King's Coffee House." There is a fight in the doorway, one man losing his wig as it flies out the door. In front of the tavern is a fire where two couples embrace as two women warm themselves, the one reaching out to beg of the well-dressed woman; two large baskets with vegetables sit behind the women, with carrots and mushrooms in the left foreground. To the left, in the middle distance, a small crowd, including two small boys with school bags on their backs, surrounds a man holding a placard advertising a remedy known as Dr. Rock's.
Description:
Title engraved below image., State from Paulson., 1 print : engraving on laid paper ; plate mark 48.9 x 39.7 cm, on sheet 59 x 46 cm., and Plate 22 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Geographic):
Covent Garden (London, England)
Subject (Topic):
Beggars, Children, City & town life, Couples, Crowds, Fighting, Food vendors, Prostitutes, Quacks, Servants, Signs (Notices), Taverns (Inns), and Women
Plate 22. Queen Charlotte's collection of Hogarth works. Leaf 22. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The first print in the series "Four Times of the Day" is a scene in Covent Garden. In the center, a middle-aged woman walks from the left towards St. Paul's church; the clock on the tower showing 6:55. She is followed by a servant boy carrying her prayer book under his arm as he tries to warm his hands in his pocket and jacket. St. Paul's is partially hidden behind a tavern identified by a sign reading "Tom King's Coffee House." There is a fight in the doorway, one man losing his wig as it flies out the door. In front of the tavern is a fire where two couples embrace as two women warm themselves, the one reaching out to beg of the well-dressed woman; two large baskets with vegetables sit behind the women, with carrots and mushrooms in the left foreground. To the left, in the middle distance, a small crowd, including two small boys with school bags on their backs, surrounds a man holding a placard advertising a remedy known as Dr. Rock's.
Description:
Title engraved below image., State from Paulson., 1 print : engraving on laid paper ; plate mark 48.9 x 39.7 cm, on sheet 59 x 46 cm., and Plate 22 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Geographic):
Covent Garden (London, England)
Subject (Topic):
Beggars, Children, City & town life, Couples, Crowds, Fighting, Food vendors, Prostitutes, Quacks, Servants, Signs (Notices), Taverns (Inns), and Women
