A defense of the unpopular ministry of John Stuart, third Earl of Bute, Hogarth takes off from a print published in August 1762 "John Bull's House sett in Flames". He depicts a London street scene in which the half the buildlings are in flames as the political factions either stir the flames or are battling to extinguish them. The fire is the Seven Years' War and the houses, Germany and France; the two men clasping hands are France and Spain who had recently joined in the fight against England
Description:
Title devised by cataloger., Series title etched below image., Third state as described by Paulson, with the figure of Henry VIII transformed into a portrait of William Pitt., and 1 print : etching and engraving ; plate mark 249 x 308 mm, on sheet 261 x 343 mm, mounted to 330 x 470 mm.
Publisher:
Wm. Hogarth
Subject (Name):
Pitt, William, Earl of Chatham, 1708-1778 and Bute, John Stuart, Earl of, 1713-1792
Subject (Topic):
Seven Years' War, 1756-1763, Cities & towns, Fires, Fire fighting, Firefighting equipment, and Signs (Notices)
"A group of men crowd around a large punch-bowl, peering through telescopes at an owl perched on the inn-sign of a sun."--British Museum online catalogue
Description:
Title from item., Date from British Museum online catalogue., Sheet trimmed within plate mark at the bottom., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Astronomical observations -- Parsons -- Glass: wine bottles -- Smoking -- Dishes: punch bowls., Watermark: Cansell 1824., and Evidence of erasure of text below title.
Publisher:
publisher not identified
Subject (Topic):
Clergy, Monkeys, Owls, Signs (Notices), Smoking, and Telescopes
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[1 March 1772]
Call Number:
Bunbury 772.03.01.02.1
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on a country barber-surgeon: a bespectacled man holding a lancet and razor stands in profile to right, a basin under his right arm, beside his shop-sign which bears an image of a wig; the village stocks can be seen beyond."--British Museum online catalogue
Description:
Title from text below image., Initial letters of artist's name in signature form a monogram., Later state with slight alterations in design. For earlier state, see Lewis Walpole Library call no.: 75 B87 770., Sheet trimmed within plate mark., and Temporary local subject terms: Surgery -- Lancet -- Scratches -- Food: Reference to sausages -- Reference to washballs -- Reference to black pudding -- Red herrings -- Medicine: Reference to Scotch pills -- Reference to powder for the itch.
Publisher:
Publish'd as the act directs March 1, 1772, by J. Bretherton, No. 134 New Bond Street
Subject (Topic):
Barbering, Medical equipment & supplies, Pharmacists, Physicians, Shaving equipment, Signs (Notices), Stocks (Punishment), and Wigs
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[1 March 1772]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 111. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire: a barber in profile outside his shop holding out his instruments."--British Museum online catalogue
Description:
Title etched below image., Initial letters of artist's name in signature form a monogram., Early state of the plate, before drypoint shading added to the figure's face and hair. For a later state with this additional shading, see British Museum online catalogue, registration no.: J,6.94., Sheet trimmed to plate mark on left side., Temporary local subject terms: Surgeons -- Signboards -- Medical instruments: Lancet -- Barbers implements: Razor and shaving dish -- Bob wigs -- Bob-majors wigs -- Scratches wigs -- Food: Reference to sausages -- Reference to washballs -- Black pudding -- Medicine: Reference to Scotch pills -- Reference to powder for the itch., and Mounted on page 111 of: Bunbury album.
Publisher:
Publish'd as the act directs March 1, 1772, by J. Bretherton, No. 134 New Bond Street
Subject (Topic):
Barbering, Medical equipment & supplies, Pharmacists, Physicians, Shaving equipment, Signs (Notices), Stocks (Punishment), and Wigs
Caricature with Queen Caroline (left) as Lady Macbeth in the mad scene, standing in the street before two shops; she holds a candlestick raised in her right hand as she holds out her dress with her left hand, looking down horror at her skirt which is decorated with three panels with images of men and labeled "Man B", "Austi", "Sapio", "Mat ...", and "Bat". The initials "C.B" are embroidered on the trim of her knickers. Standing to her right is an astonished John Bull who holds his hat in front of his face, arm extended in horror. The shop on the left is identified by a sign below second story windows with broken glass: Wholesale Dealer in Brass Forges, Ranges, &c N.B. Odd jobs in general. The street level is shuttered, its doors covered in graffiti: Gone away, Gone abroad, Empty, M.T. The one door has a knocker in the shape of a ram's head. John Bull stands before the second door which stands open as if he has just emerged. The windows are curtained and the building well maintained. The large sign above reads "Time & Common-Sense Occulists. N.B. Films expeditiously removed &c. Below this sign (left) is a pair of large spectacles with the two eyeballs turned towards the shop on the left and a smaller sign (right) that reads "No connexion with the next shop."
Alternative Title:
John Bull with his eyes opened
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum online catalogue., Five lines of quoted text below the figure of Queen Caroline: "Out damned spots, out I say! "One, two, -- fie! fie! "All the perfumes of Arabia will not sweeten me!" Abroad! Abroad! What's done can't be undone!" "To B[ergam]i to B[ergami]i to B[ergam]i!!!, Four lines of text below the figure of John Bull: "To a nunnery go! "To a nunnery! "A nunnery!" Finale, exit with a flourish!, Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Mounted on page 27 of: George Humphrey shop album., 1 print : etching with stipple on wove paper, hand-colored ; sheet 29.4 x 21.9 cm., and Sheet trimmed within plate mark.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Shakespeare, William, 1564-1616., Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, and Bergami, Bartolomeo Bergami, Baron.
Subject (Topic):
John Bull (Symbolic character), Adultery, Signs (Notices), and Stores & shops
Caricature with Queen Caroline (left) as Lady Macbeth in the mad scene, standing in the street before two shops; she holds a candlestick raised in her right hand as she holds out her dress with her left hand, looking down horror at her skirt which is decorated with three panels with images of men and labeled "Man B", "Austi", "Sapio", "Mat ...", and "Bat". The initials "C.B" are embroidered on the trim of her knickers. Standing to her right is an astonished John Bull who holds his hat in front of his face, arm extended in horror. The shop on the left is identified by a sign below second story windows with broken glass: Wholesale Dealer in Brass Forges, Ranges, &c N.B. Odd jobs in general. The street level is shuttered, its doors covered in graffiti: Gone away, Gone abroad, Empty, M.T. The one door has a knocker in the shape of a ram's head. John Bull stands before the second door which stands open as if he has just emerged. The windows are curtained and the building well maintained. The large sign above reads "Time & Common-Sense Occulists. N.B. Films expeditiously removed &c. Below this sign (left) is a pair of large spectacles with the two eyeballs turned towards the shop on the left and a smaller sign (right) that reads "No connexion with the next shop."
Alternative Title:
John Bull with his eyes opened
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum online catalogue., Five lines of quoted text below the figure of Queen Caroline: "Out damned spots, out I say! "One, two, -- fie! fie! "All the perfumes of Arabia will not sweeten me!" Abroad! Abroad! What's done can't be undone!" "To B[ergam]i to B[ergami]i to B[ergam]i!!!, Four lines of text below the figure of John Bull: "To a nunnery go! "To a nunnery! "A nunnery!" Finale, exit with a flourish!, Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Illegible signature in brown ink in lower right corner of sheet.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Shakespeare, William, 1564-1616., Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, and Bergami, Bartolomeo Bergami, Baron.
Subject (Topic):
John Bull (Symbolic character), Adultery, Signs (Notices), and Stores & shops
Caricature with Queen Caroline (left) as Lady Macbeth in the mad scene, standing in the street before two shops; she holds a candlestick raised in her right hand as she holds out her dress with her left hand, looking down horror at her skirt which is decorated with three panels with images of men and labeled "Man B", "Austi", "Sapio", "Mat ...", and "Bat". The initials "C.B" are embroidered on the trim of her knickers. Standing to her right is an astonished John Bull who holds his hat in front of his face, arm extended in horror. The shop on the left is identified by a sign below second story windows with broken glass: Wholesale Dealer in Brass Forges, Ranges, &c N.B. Odd jobs in general. The street level is shuttered, its doors covered in graffiti: Gone away, Gone abroad, Empty, M.T. The one door has a knocker in the shape of a ram's head. John Bull stands before the second door which stands open as if he has just emerged. The windows are curtained and the building well maintained. The large sign above reads "Time & Common-Sense Occulists. N.B. Films expeditiously removed &c. Below this sign (left) is a pair of large spectacles with the two eyeballs turned towards the shop on the left and a smaller sign (right) that reads "No connexion with the next shop."
Alternative Title:
John Bull with his eyes opened
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum online catalogue., Five lines of quoted text below the figure of Queen Caroline: "Out damned spots, out I say! "One, two, -- fie! fie! "All the perfumes of Arabia will not sweeten me!" Abroad! Abroad! What's done can't be undone!" "To B[ergam]i to B[ergami]i to B[ergam]i!!!, Four lines of text below the figure of John Bull: "To a nunnery go! "To a nunnery! "A nunnery!" Finale, exit with a flourish!, Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching with stipple ; plate mark 30 x 22.5 cm, on sheet 30.3 x 22.7 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 52 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "Caroline" identified in ink below image; date "1 Feb. 1821" written in lower right corner of sheet.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Shakespeare, William, 1564-1616., Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, and Bergami, Bartolomeo Bergami, Baron.
Subject (Topic):
John Bull (Symbolic character), Adultery, Signs (Notices), and Stores & shops
"A semicircle of spectators, seated and standing, crowded one behind the other, watch the performance of the pig, who stands before a row of initial letters, one of which he holds in his mouth. Over the chimney-piece is a placard, 'The Surprising PIG well versed in all Languages, perfect Arethmatician Mathematician & Composer of Musick'. On the right wall of the room hangs a large shoe."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., and Watermark: Portal & Bridges.
Publisher:
Published by S.W. Fores, No. 3 Piccadilly, April 12th, 1785 & F. Clarkson, No. 73 St. Paul's Church Yard
"A semicircle of spectators, seated and standing, crowded one behind the other, watch the performance of the pig, who stands before a row of initial letters, one of which he holds in his mouth. Over the chimney-piece is a placard, 'The Surprising PIG well versed in all Languages, perfect Arethmatician Mathematician & Composer of Musick'. On the right wall of the room hangs a large shoe."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., State with only one publisher statement., Sheet trimmed partially within plate mark., and Watermark: fleur-de-lis in center of sheet.
"Exterior view of the Royal Exchange; looking down a busy street with carriages, carts and pedestrians, St Paul's Cathedral in the distance to the left, the prominent entrance of the Royal Exchange with tower to right; in right foreground a man enters a shop with the sign "John's Coffee"; after Loutherbourg and Chapman; published etched state."--British Museum online catalogue
Alternative Title:
Perspective view of the outside of the Royal Exchange in London
Description:
Title from dedication below image. and Companion print to: Perspective view of the inside of the Royal Exchange in London.
Publisher:
Published as the act directs August 12, 1788, & sold by Mr. Chapman at Mr. Christie's, Pall Mall
Subject (Geographic):
City of London (England), England, London, and London.
Subject (Name):
Pitt, William, 1759-1806,, Royal Exchange (London, England),, and St. Paul's Cathedral (London, England),
Subject (Topic):
Buildings, Stock exchanges, Streets, Stores & shops, City & town life, People associated with manual labor, Carriages & coaches, and Signs (Notices)
