Smith, John Raphael, 1752-1812, printmaker, publisher
Published / Created:
[20 July 1781]
Call Number:
Bunbury 781.07.20.01 Impression 1
Image Count:
1
Resource Type:
still image
Abstract:
"A short man riding (right to left) after a coach, the back of which only appears in the print, with a footman standing behind it. The rider's head is turned to his right concealing his profile. His legs are thrust forward on each side of the horse's neck. On a building (right) is a placard, "Angel Fetter Lane Derby Diligence continues flying daily as usual. Inside [the poster is torn at this point] Outsides & Children on the Lap half price, perform'd (if God permit by Bull & Co." Beneath the design is etched: "When I follow'd a lass that was froward & shy Oh I stuck to her stuff but she would not comply"."--British Museum online catalogue
Alternative Title:
When I followd. a lass that was froward & shy ..., When I followed a lass that was froward & shy ..., and Derby Diligence
Description:
Title and artist from British Museum catalogue., Printmaker identified as J.R. Smith in the British Museum online catalogue, registration no.: 1868,0808.4766., Watermark, mostly trimmed., and Figure identified by ms. note in a contemporary hand below plate: Lord Derby.
Publisher:
Publishd. July 20th, 1781, by J.R. Smith, No. 83 Oxford Street, nearly oposite [sic] the Pantheon
Subject (Name):
Smith-Stanley, Edward, 1752-1834 and Farren, Elizabeth, 1762-1829.
Subject (Topic):
Carriages & coaches, Horseback riding, Servants, and Signs (Notices)
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[not after 1 March 1777]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 53. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on bookmaking: a portly man grins as he makes a note in a small book as another scowls miserably, hands in pockets; on the left, three dogs bark at the pair, above them the wall has been chalked "45" and "[Wil]kes" (alluding to John Wilkes, see 1868,0808.4315) and a sign reads, "No Thouroughfare Here"; behind the men is the wall of a house, from an upper window of which appears a man's leg clad in a dark stocking (a "blackleg" or swindling bookmaker (OED)), below the window a gallows with a hanged man has been crudely drawn on the wall, a notice reads "Whoso Lays ... will be prose[cuted]" (presumably alluding to infringement of gambling regulations); from another window, above which is the sign "Catchpenny Alley", hangs the head of a goose, a small dog jumps up trying to reach it; another dog is seated at right; a pair to British Museum Satires No. 4719."--British Museum online catalogue, description of a later state
Alternative Title:
Catchpenny Alley
Description:
Title from later state., Early state, with artist and printmaker signatures only. For a later state with title, publication line, and drypoint shading of the image added, see no. 4717 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Date inferred from publication line on later state: Publish'd 1st March 1777., Sheet trimmed within plate mark on bottom edge., Campanion print to: Newmarket : a shot at a pigeon., Temporary local subject terms: Newmarket., and Mounted on page 53 of: Bunbury album.
Three couples outside a country tavern along a river back. One pair dance while another sit together on a bench, and the third stand at the open gate, the man blow a pipe and striking a tambor (drum). The sign hanging outside the inn shows a crescent moon
Description:
Title devised by cataloger., Companion print: [Pedlars talking]., and Mounted.
Publisher:
Engrav'd and pubd. according to act Augt. 5, 1780, by T. Gaugain, N. 4 Little Compton Street. Soho
Subject (Topic):
Couples, Dancers, Musical instruments, and Signs (Notices)
"Frontispiece to Joshua Kirby, Dr Brooke Taylor's Method of Perspective made easy; a rural scene with a number of absurdities caused by perspectival errors, for instance, an angler in the foreground catches a fish in the middle distance, an inn sign is partly obscured by trees that are growing on the other side of a river, a woman leans from a window to light the pipe of a man on a distant hill."--British Museum online catalogue
Alternative Title:
Whoever makes a design without the knowledge of perspective will be liable to such absurdities as are shown in this frontispiece
Description:
Title, state, publisher, and date from Paulson., Imperfect: 'W. Hogarth inv. et delin' erased from this impression. Sheet trimmed to plate mark., State with "Frontispiece" burnished from above image., and Mounted to sheet 255 x 205 mm, with single red line border.
"Frontispiece to Joshua Kirby, Dr Brooke Taylor's Method of Perspective made easy; a rural scene with a number of absurdities caused by perspectival errors, for instance, an angler in the foreground catches a fish in the middle distance, an inn sign is partly obscured by trees that are growing on the other side of a river, a woman leans from a window to light the pipe of a man on a distant hill."--British Museum online catalogue
Alternative Title:
Whoever makes a design without the knowledge of perspective will be liable to such absurdities as are shown in this frontispiece
Description:
Title from caption engraved below image., State, publisher, and date from Paulson., Imperfect: 'W. Hogarth inv. et delin' erased from this impression. Sheet trimmed to plate mark., Etched above image: "Frontispiece.", Sheet trimmed to: 22.5 x 18 cm., and Formerly on page 168 in volume 2. Removed in 2012 by LWL conservator.
"Frontispiece to Joshua Kirby, Dr Brooke Taylor's Method of Perspective made easy; a rural scene with a number of absurdities caused by perspectival errors, for instance, an angler in the foreground catches a fish in the middle distance, an inn sign is partly obscured by trees that are growing on the other side of a river, a woman leans from a window to light the pipe of a man on a distant hill."--British Museum online catalogue
Alternative Title:
Whoever makes a design without the knowledge of perspective will be liable to such absurdities as are shown in this frontispiece
Description:
Title from caption engraved below image., State, publisher, and date from Paulson., Imperfect: 'W. Hogarth inv. et delin' erased from this impression. Sheet trimmed to plate mark., Etched above image: "Frontispiece.", Sheet trimmed to: 22.5 x 18 cm., and Formerly on page 168 in volume 2. Removed in 2012 by LWL conservator.
"Frontispiece to Joshua Kirby, Dr Brooke Taylor's Method of Perspective made easy; a rural scene with a number of absurdities caused by perspectival errors, for instance, an angler in the foreground catches a fish in the middle distance, an inn sign is partly obscured by trees that are growing on the other side of a river, a woman leans from a window to light the pipe of a man on a distant hill."--British Museum online catalogue
Alternative Title:
Whoever makes a design without the knowledge of perspective will be liable to such absurdities as are shown in this frontispiece
Description:
Title from caption engraved below image., State, publisher, and date from Paulson., Imperfect: 'W. Hogarth inv. et delin' erased from this impression. Sheet trimmed to plate mark., and Etched above image: "Frontispiece."
publish'd according to act of Parliamt., March 3d, 1764.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 84. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The figure of Time reclines against a broken column surrounded by symbols of destruction: a collapsing church tower, dead trees, a bankrupcy notice served on Nature, a tombstone, a clock without hands, Phaeton falling from his chariot, a will, a shop-sign for "The World's End", a gallows, a burning impression of Hogarth's print "The Times" and broken objects, including an artist's palette, hour-glass, crown, rifle, bell, bottle, and broom. Two medallions on either side of the caption and their surrounding text concern the Line of Beauty. Three more columns of text between the medallions include quotes in Latin from Tactius and Maximus of Tyre, with an English translation
Alternative Title:
Bathos, or, Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures and Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures
Description:
Title, state, and publisher from Paulson., Title engraved above image: Tail piece. The Bathos., 1 print : etching and engraving on laid paper ; plate mark 31.8 x 33.6 cm, on sheet 42 x 58 cm., and Plate 84 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Aesthetics, Death, Gallows, Hangings (Executions), Signs (Notices), Time, and Tombs & sepulchral monuments
publish'd according to act of Parliamt., March 3d, 1764.
Call Number:
Hogarth 764.03.03.02+ Box 200
Collection Title:
Plate 84. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The figure of Time reclines against a broken column surrounded by symbols of destruction: a collapsing church tower, dead trees, a bankrupcy notice served on Nature, a tombstone, a clock without hands, Phaeton falling from his chariot, a will, a shop-sign for "The World's End", a gallows, a burning impression of Hogarth's print "The Times" and broken objects, including an artist's palette, hour-glass, crown, rifle, bell, bottle, and broom. Two medallions on either side of the caption and their surrounding text concern the Line of Beauty. Three more columns of text between the medallions include quotes in Latin from Tactius and Maximus of Tyre, with an English translation
Alternative Title:
Bathos, or, Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures and Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures
Description:
Title, state, and publisher from Paulson., Title engraved above image: Tail piece. The Bathos., and 1 print : etching with engraving on laid paper ; plate mark 319 x 335 mm, on sheet 394 x 558 mm.
Publisher:
Wm. Hogarth
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Aesthetics, Death, Gallows, Hangings (Executions), Signs (Notices), Time, and Tombs & sepulchral monuments
publish'd according to act of Parliamt., March 3d, 1764.
Call Number:
Sotheby 81+ Box 205
Collection Title:
Plate 84. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The figure of Time reclines against a broken column surrounded by symbols of destruction: a collapsing church tower, dead trees, a bankrupcy notice served on Nature, a tombstone, a clock without hands, Phaeton falling from his chariot, a will, a shop-sign for "The World's End", a gallows, a burning impression of Hogarth's print "The Times" and broken objects, including an artist's palette, hour-glass, crown, rifle, bell, bottle, and broom. Two medallions on either side of the caption and their surrounding text concern the Line of Beauty. Three more columns of text between the medallions include quotes in Latin from Tactius and Maximus of Tyre, with an English translation
Alternative Title:
Bathos, or, Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures and Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures
Description:
Title, state, and publisher from Paulson. and Title engraved above image: Tail piece. The Bathos.
Publisher:
Wm. Hogarth
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Aesthetics, Death, Gallows, Hangings (Executions), Signs (Notices), Time, and Tombs & sepulchral monuments
