Caricature with Queen Caroline (left) as Lady Macbeth in the mad scene, standing in the street before two shops; she holds a candlestick raised in her right hand as she holds out her dress with her left hand, looking down horror at her skirt which is decorated with three panels with images of men and labeled "Man B", "Austi", "Sapio", "Mat ...", and "Bat". The initials "C.B" are embroidered on the trim of her knickers. Standing to her right is an astonished John Bull who holds his hat in front of his face, arm extended in horror. The shop on the left is identified by a sign below second story windows with broken glass: Wholesale Dealer in Brass Forges, Ranges, &c N.B. Odd jobs in general. The street level is shuttered, its doors covered in graffiti: Gone away, Gone abroad, Empty, M.T. The one door has a knocker in the shape of a ram's head. John Bull stands before the second door which stands open as if he has just emerged. The windows are curtained and the building well maintained. The large sign above reads "Time & Common-Sense Occulists. N.B. Films expeditiously removed &c. Below this sign (left) is a pair of large spectacles with the two eyeballs turned towards the shop on the left and a smaller sign (right) that reads "No connexion with the next shop."
Alternative Title:
John Bull with his eyes opened
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum online catalogue., Five lines of quoted text below the figure of Queen Caroline: "Out damned spots, out I say! "One, two, -- fie! fie! "All the perfumes of Arabia will not sweeten me!" Abroad! Abroad! What's done can't be undone!" "To B[ergam]i to B[ergami]i to B[ergam]i!!!, Four lines of text below the figure of John Bull: "To a nunnery go! "To a nunnery! "A nunnery!" Finale, exit with a flourish!, Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Illegible signature in brown ink in lower right corner of sheet.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Shakespeare, William, 1564-1616., Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, and Bergami, Bartolomeo Bergami, Baron.
Subject (Topic):
John Bull (Symbolic character), Adultery, Signs (Notices), and Stores & shops
Caricature with Queen Caroline (left) as Lady Macbeth in the mad scene, standing in the street before two shops; she holds a candlestick raised in her right hand as she holds out her dress with her left hand, looking down horror at her skirt which is decorated with three panels with images of men and labeled "Man B", "Austi", "Sapio", "Mat ...", and "Bat". The initials "C.B" are embroidered on the trim of her knickers. Standing to her right is an astonished John Bull who holds his hat in front of his face, arm extended in horror. The shop on the left is identified by a sign below second story windows with broken glass: Wholesale Dealer in Brass Forges, Ranges, &c N.B. Odd jobs in general. The street level is shuttered, its doors covered in graffiti: Gone away, Gone abroad, Empty, M.T. The one door has a knocker in the shape of a ram's head. John Bull stands before the second door which stands open as if he has just emerged. The windows are curtained and the building well maintained. The large sign above reads "Time & Common-Sense Occulists. N.B. Films expeditiously removed &c. Below this sign (left) is a pair of large spectacles with the two eyeballs turned towards the shop on the left and a smaller sign (right) that reads "No connexion with the next shop."
Alternative Title:
John Bull with his eyes opened
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum online catalogue., Five lines of quoted text below the figure of Queen Caroline: "Out damned spots, out I say! "One, two, -- fie! fie! "All the perfumes of Arabia will not sweeten me!" Abroad! Abroad! What's done can't be undone!" "To B[ergam]i to B[ergami]i to B[ergam]i!!!, Four lines of text below the figure of John Bull: "To a nunnery go! "To a nunnery! "A nunnery!" Finale, exit with a flourish!, Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching with stipple ; plate mark 30 x 22.5 cm, on sheet 30.3 x 22.7 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 52 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "Caroline" identified in ink below image; date "1 Feb. 1821" written in lower right corner of sheet.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Shakespeare, William, 1564-1616., Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, and Bergami, Bartolomeo Bergami, Baron.
Subject (Topic):
John Bull (Symbolic character), Adultery, Signs (Notices), and Stores & shops
"A semicircle of spectators, seated and standing, crowded one behind the other, watch the performance of the pig, who stands before a row of initial letters, one of which he holds in his mouth. Over the chimney-piece is a placard, 'The Surprising PIG well versed in all Languages, perfect Arethmatician Mathematician & Composer of Musick'. On the right wall of the room hangs a large shoe."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., State with only one publisher statement., Sheet trimmed partially within plate mark., and Watermark: fleur-de-lis in center of sheet.
"A semicircle of spectators, seated and standing, crowded one behind the other, watch the performance of the pig, who stands before a row of initial letters, one of which he holds in his mouth. Over the chimney-piece is a placard, 'The Surprising PIG well versed in all Languages, perfect Arethmatician Mathematician & Composer of Musick'. On the right wall of the room hangs a large shoe."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., and Watermark: Portal & Bridges.
Publisher:
Published by S.W. Fores, No. 3 Piccadilly, April 12th, 1785 & F. Clarkson, No. 73 St. Paul's Church Yard
"Exterior view of the Royal Exchange; looking down a busy street with carriages, carts and pedestrians, St Paul's Cathedral in the distance to the left, the prominent entrance of the Royal Exchange with tower to right; in right foreground a man enters a shop with the sign "John's Coffee"; after Loutherbourg and Chapman; published etched state."--British Museum online catalogue
Alternative Title:
Perspective view of the outside of the Royal Exchange in London
Description:
Title from dedication below image. and Companion print to: Perspective view of the inside of the Royal Exchange in London.
Publisher:
Published as the act directs August 12, 1788, & sold by Mr. Chapman at Mr. Christie's, Pall Mall
Subject (Geographic):
City of London (England), England, London, and London.
Subject (Name):
Pitt, William, 1759-1806,, Royal Exchange (London, England),, and St. Paul's Cathedral (London, England),
Subject (Topic):
Buildings, Stock exchanges, Streets, Stores & shops, City & town life, People associated with manual labor, Carriages & coaches, and Signs (Notices)
"A fashionable dentist is extracting the teeth of the poor in order to insert 'live teeth' immediately into the jaws of his patients. In the centre a young chimney-sweep sits in an arm-chair, over the back of which the dentist leans, holding the boy's head, and inserting an instrument into his mouth. Next (left) a lady sits in a similar chair watching the sweep with a pained and angry expression; she holds a smelling-bottle to her nose; she has just endured an extraction and is about to receive a transplantation. On the right a good-looking young lady leans back, her fists clenched in pain, while a spectacled dentist peers closely into her face, placing his instrument in her mouth. Behind her a lean, ugly, and elderly man wearing regimentals stands in profile to the right, holding a mirror in which he inspects his mouth with a dissatisfied expression. On the left a ragged boy and girl are leaving the room, both crying with pain: the girl inspects the coin in her hand. On the door is a placard: 'Most Money Given for live Teeth'. A placard on the wall is headed by a coronet and two ducks, indicating quackery: 'Baron Ron------Dentist to her High Mightiness the Empress of Russia'. Cf. British Museum Satires No. 6760."--British Museum online catalogue, description of a later state
Description:
Title etched below image., Early state of a plate that was reissued in 1790, at which time Harris's imprint was burnished out and replaced with that of William Holland. Cf. No. 7766 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Temporary local Medical Library subject terms: Tooth extraction -- Tooth transplant -- Baron Roh...*.
Publisher:
Pubd. 1787 by J. Harris, No. 37 Dean St., Soho
Subject (Topic):
Dentistry, Teeth, Extraction, Donation of organs, tissues, etc, Quacks and quackery, Poor persons, Chimney sweeps, Pain, Dental equipment & supplies, Chairs, and Signs (Notices)
A groggy surgeon-apothecary, awakened by knocking below, shouts down from an open window to an unseen patient requesting a night visit. He wears a nightcap and has a burning candle beside him. Two cats scurry away from the commotion, causing flower pots to tumble off the ledge. On the wall of the building, to the left of the window, is a depiction of a mortar and pestle as well as a sign reading "Hand in Hand Assurance" beneath two hands joined together (the emblem of the Hand-in-Hand Fire Office). The sign beneath the window reads "Cawdle, Accoucheur & Apothecary. NB. Bleeding, Cupping, Tooth Drawing &c. &c."
Description:
Title etched below image., 'Ego' is the pseudonym of M. Egerton. See British Museum catalogue., Date of publication from unverified data in local card catalog record., Three lines of dialogue below title: Who are you? (Damn the cats!) What d' ye want young woman, hey? Oh, Sir, master begs you'll step over directly as Missus, if you please sir, is taken very bad in a a a !!!, Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local Medical Library subject terms: Apothecaries., and 1 print : aquatint and etching, hand-colored ; plate mark 333 x 205 mm.
Subject (Topic):
Pharmacists, Midwives, Obstetrics, Drugstores, Windows, Flowerpots, Cats, and Signs (Notices)
A groggy surgeon-apothecary, awakened by knocking below, shouts down from an open window to an unseen patient requesting a night visit. He wears a nightcap and has a burning candle beside him. Two cats scurry away from the commotion, causing flower pots to tumble off the ledge. On the wall of the building, to the left of the window, is a depiction of a mortar and pestle as well as a sign reading "Hand in Hand Assurance" beneath two hands joined together (the emblem of the Hand-in-Hand Fire Office). The sign beneath the window reads "Cawdle, Accoucheur & Apothecary. NB. Bleeding, Cupping, Tooth Drawing &c. &c."
Description:
Title etched below image., 'Ego' is the pseudonym of M. Egerton. See British Museum catalogue., Date of publication from unverified data in local card catalog record., Three lines of dialogue below title: Who are you? (Damn the cats!) What d' ye want young woman, hey? Oh, Sir, master begs you'll step over directly as Missus, if you please sir, is taken very bad in a a a !!!, Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local Medical Library subject terms: Apothecaries.
Subject (Topic):
Pharmacists, Midwives, Obstetrics, Drugstores, Windows, Flowerpots, Cats, and Signs (Notices)
Title from item., Sheet trimmed within plate mark on all sides., Variant state without plate and page numbers. Cf. No. 8935 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., and Mounted to sheet 25 x 32 cm.
Publisher:
Pubd. Aug. 13 1813 by Allen & West, 15 Paternoster Row
