Title from item., In margin lower left: A.C. 358 English Hindi 10,000., Text in English and Hindi., Date derived from founding of British India Press., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Issued by the Director General of Health Services, Govt. of India. Published by the Advertising Branch, Ministry of I. & B., Govt. of India and Printed by British India Press, Bombay 10.
Subject (Topic):
Public health, Flies as carriers of disease, Sleeping, Skulls, and Flies
Standing on a city sidewalk, a poor tradesman, with one foot on a broom, looks up at the building behind him as a child falls head first from an open window, as his mother dozes
Description:
Title from caption below image.
Publisher:
Published for the propietor by S. Knight, Sweetings Alley, Cornhill and Printed by Standidge & Co.
Subject (Topic):
Brooms & brushes, Children, Mothers, Occupations, and Sleeping
Copy of Hogarth's print; interior of a chapel with an impassioned preacher inspiring his listeners who include a woman swooning on the floor and a young couple embracing; many of the congregation are clutching figures of Christ; a barking dog with a collar labelled "Whitfield" echoes the preacher. In the lower right corner, an image of a cross-section of brain, labeled below frame "A Methodist's brain"
Description:
Title etched below image., Lettered above the image with text beginning: Hogarth's first thought for the medley. Copied from a very curious print designed and engraved by Hogarth, of which there are only two impressions, both of them in the possession of John Ireland. March 15th 1796. [Image of hand with pointing finger]. After taking the above impressions, Hogarth changed the point of his satire from the superstitious absurdities of popery and ridiculous personification delineated by ancient painters, to the popular credulities of his own day, erased or essentially altered every figure except two, and on the same piece of copper engraved the plate now in the possession of Messrs. Boydell, entitled Credulity, superstition & fanaticism, a medley., Dedication etched either side of title: Humbly dedicated to his Grace the Arch Bishop of Canterbury, by his Graces most obedient humble servant Wm. Hogarth., Text following dedication: Advertisement. The intention of this print, is to give a lineal representation, of the strange effects of literal and low conceptions of sacred beings, as also of the idolatrous tendency of pictures in churches, and prints in religious books, &c., Legend to the left of the title: A. After Raphael Urbino. B. After Rubens. C. After Rembrant. D.E.F.G.H. Are imitations of several other painters., Sheet trimmed to plate mark., Copy of: Catalogue of prints and drawings in the British Museum, v. 3, no. 2425., and Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 210.
Publisher:
Published Novr. 12th, 1795 by John Ireland, No. 3 Poets Corner, Palace Yard, Wesminster
Subject (Name):
Toft, Mary, 1703-1763, Villiers, George, 1690-1748., and Whitefield, George, 1714-1770
Subject (Topic):
Christianity, Superstition, Demonology, Demons, Ghosts, Witches, Sleeping, and Supervisors
Reduced copy of Hogarth's print; interior of a chapel with an impassioned preacher inspiring his listeners who include a woman swooning on the floor and a young couple embracing; many of the congregation are clutching figures of Christ; a barking dog with a collar without "Whitfield" etched on it echoes the preacher
Description:
Title etched below image., Lettered above the image with text beginning: Hogarth's first thought for the medley. Copied from a very curious print designed and engraved by Hogarth, of which there are only two impressions, both of them in the possession of John Ireland. After taking the above impressions, Hogarth changed the point of his satire from the superstitious absurdities of popery & ridiculous personification delineated by ancient painters, to the popular credulities of his own day, erased or essentially altered every figure except two, & on the same piece of copper engraved the plate which is copied on the opposite page., Dedication etched below title: Humbly dedicated to his Grace the Arch Bishop of Canterbury, by his Graces most obedient humble servant Wm. Hogarth., Text following dedication: Advertisement. The intention of this print, is to give a lineal representation, of the strange effects of literal and low conceptions of sacred beings, as also of the idolatrous tendency of pictures in churches, and prints in religious books, &c., "Page 233"--Above image, right., Sheet trimmed to plate mark., Copy of: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2425., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 210., and On page 190 in volume 2.
Publisher:
Published March 1798 for John Ireland, Poets Corner, Palace Yard
Subject (Name):
Toft, Mary, 1703-1763, Villiers, George, 1690-1748., and Whitefield, George, 1714-1770
Subject (Topic):
Christianity, Superstition, Demonology, Demons, Ghosts, Witches, Sleeping, and Supervisors
Copy of Hogarth's print; interior of a chapel with an impassioned preacher inspiring his listeners who include a woman swooning on the floor and a young couple embracing; many of the congregation are clutching figures of Christ; a barking dog with a collar labelled "Whitfield" echoes the preacher
Description:
Title etched below image., State from British Museum catalogue., Lettered above the image with text beginning: Hogarth's first thought for the medley. Copied from a very curious print designed and engraved by Hogarth, of which there are only two impressions, both of them in the possession of John Ireland. March 15th 1796. [Image of hand with pointing finger]. After taking the above impressions, Hogarth changed the point of his satire from the superstitious absurdities of popery and ridiculous personification delineated by ancient painters, to the popular credulities of his own day, erased or essentially altered every figure except two, and on the same piece of copper engraved the plate now in the possession of Messrs. Boydell, entitled Credulity, superstition & fanaticism, a medley., Dedication etched below title: Humbly dedicated to his Grace the Arch Bishop of Canterbury, by his Graces most obedient humble servant Wm. Hogarth., Text following dedication: Advertisement. The intention of this print, is to give a lineal representation, of the strange effects of literal and low conceptions of sacred beings, as also of the idolatrous tendency of pictures in churches, and prints in religious books, &c., Legend following advertisement: A. After Raphael Urbino. B. After Rubens. C. After Rembrant. D.E.F.G.H. Are imitations of several other painters., Sheet trimmed to plate mark., Copy of: Catalogue of prints and drawings in the British Museum, v. 3, no. 2425., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 210., Ms. note in pencil in Steevens's hand above print: See J. Ireland's Hogarth illustrated, p. 365., and On page 190 in volume 2.
Publisher:
Published Novr. 12th, 1795 by John Ireland (Author of Hogarth illustrated) No. 3 Poets Corner, Palace Yard, & for Messrs. Boydell, Cheapside & Shakespeare Gallery Pallmall
Subject (Name):
Toft, Mary, 1703-1763, Villiers, George, 1690-1748., and Whitefield, George, 1714-1770
Subject (Topic):
Christianity, Superstition, Demonology, Demons, Ghosts, Witches, Sleeping, and Supervisors
Copy of Hogarth's print; interior of a chapel with an impassioned preacher inspiring his listeners who include a woman swooning on the floor and a young couple embracing; many of the congregation are clutching figures of Christ; a barking dog with a collar labelled "Whitfield" echoes the preacher
Description:
Title etched below image., State from British Museum catalogue., Lettered above the image with text beginning: Hogarth's first thought for the medley. Copied from a very curious print designed and engraved by Hogarth, of which there are only two impressions, both of them in the possession of John Ireland. March 15th 1796. [Image of hand with pointing finger]. After taking the above impressions, Hogarth changed the point of his satire from the superstitious absurdities of popery and ridiculous personification delineated by ancient painters, to the popular credulities of his own day, erased or essentially altered every figure except two, and on the same piece of copper engraved the plate now in the possession of Messrs. Boydell, entitled Credulity, superstition & fanaticism, a medley., Dedication etched below title: Humbly dedicated to his Grace the Arch Bishop of Canterbury, by his Graces most obedient humble servant Wm. Hogarth., Text following dedication: Advertisement. The intention of this print, is to give a lineal representation, of the strange effects of literal and low conceptions of sacred beings, as also of the idolatrous tendency of pictures in churches, and prints in religious books, &c., Legend following advertisement: A. After Raphael Urbino. B. After Rubens. C. After Rembrant. D.E.F.G.H. Are imitations of several other painters., Sheet trimmed to plate mark., Copy of: Catalogue of prints and drawings in the British Museum, v. 3, no. 2425., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 210., and 1 print : etching ; plate mark 481 x 380 mm.
Publisher:
Published Novr. 12th, 1795 by John Ireland (Author of Hogarth illustrated) No. 3 Poets Corner, Palace Yard, & for Messrs. Boydell, Cheapside & Shakespeare Gallery Pallmall
Subject (Name):
Toft, Mary, 1703-1763, Villiers, George, 1690-1748., and Whitefield, George, 1714-1770
Subject (Topic):
Christianity, Superstition, Demonology, Demons, Ghosts, Witches, Sleeping, and Supervisors
Title from item., Date derived from printmaker's date of death., Four vignettes signed Cham, one signed RB?, Above image: Études comiques sur le magnétisme.; 29., Recto of a sheet containing seven additional vignettes on verso (p. 29-30)., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Topic):
Magnetism, Osmosis, Senses and sensation, Hypnotism, Soldiers, Sleeping, Ink, Kettles, Hammers, and Coffee
"An elderly 'cit' sleeps in a low, upright chair, leaning back till his profile faces the ceiling. His hands are clasped over his chest, his wig dangles from his coat-collar, and he puffs from tightly shut lips. The room is bare with a boarded floor. On a round table are a jug and glass, and the sleeper's pipe lying on 'Cobbett's Political Register'."--British Museum online catalogue
Description:
Title etched below image., Date of publication inferred from John Miller's entry in London Publishers and Printers, by Philip A.H. Brown (London, British Library, 1982)., Plate from: The caricatures of Gillray. London : John Miller, [between 1824 and 1827], opposite page 142., A reduced copy of a print by Gillray, published 1 November 1806 by Hannah Humphrey. Cf. No. 10644 in the Catalogue of prints and drawings in the British Museum, v. 8., Cf. Wright, T. Works of James Gillray, the caricaturist, page 343., and Cf. Wright, T. Historical and descriptive account of the caricatures by James Gillray, no. 561.
Publisher:
Published by John Miller, Bridge Street, and W. Blackwood, Edinburgh
Subject (Topic):
Sleep, Sleeping, Wigs, Pipes (Smoking), and Newspapers
Dressed in the garb of a wizard, King George III sits in a chair, arms across his chest holding a long stick in one hand and legs also crossed; his eyes are closed, but he faces the large bust with the head of Pitt, its eyes also closed. The caption below the title continues: "And Friar Bacon made unto himself a head of brass to answer difficult questions and Friar Bacon watched it incessantly day and night, but it skake not a word. At length the Friar with overwatching fell asleep and the people without were much enraged thereat, as the question was an important one, vix. War or peace!!
Description:
Title etched below image., Questionable attribution to Richard Newton from the British Museum catalogue., Sheet trimmed within plate mark., Five lines of text below title: And Friar Bacon made unto himself a head of brass to answer difficult questions ..., Watermark: fleur-de-lis., and Mounted to 35 x 39 cm.
Publisher:
Published by W. Holland, No. 50 Oxford St.
Subject (Name):
George III, King of Great Britain, 1738-1820 and Pitt, William, 1759-1806
Subject (Topic):
Anglo-French War, 1793-1802, Sleeping, and Wizards
"Dr. Parr stands in a pulpit, preaching, immediately under the sounding-board which is against the upper edge of the design. In his left hand is a pipe from which rises a cloud of smoke inscribed 'Exit in Fumo'; in his right hand is a pipe-stopper. From his mouth descends a billowing cloud of smoke inscribed 'Ex Fumo non dare Lucem'. Below him are the heads of men asleep, or yawning, or disgusted. In the lower right corner a woman puts up an umbrella as protection from the smoke, a man angrily inspects his watch. From a gallery heads, with the lank hair of zealots, look down with angry dismay. In the corner of a pew is the City Sword and mace, indicating the presence of the Lord Mayor."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Two lines of quoted Latin text below title: "Faucibus ingentem Fumum (mirabile dictu) "Evomit., 1 print : etching on wove paper ; plate mark 36.2 x 27.2 cm, on sheet 38.9 x 29 cm., and Mounted on leaf 81 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. by H. Humphrey
Subject (Name):
Parr, Samuel, 1747-1825
Subject (Topic):
Preaching, Religious services, Sleeping, Smoking, Umbrellas, and Yawning
