"Three officers stand stiffly at the bar at one end of a high panelled hall; through the open door behind them are seen steps leading to the Thames and one pillar of the south portico of Chelsea Hospital. Only the end of the long table (right) at which officers are seated is within the design, with four officers, two on each side, one holding a paper headed 'Charges'. A long label floats into the design from the right: 'Call William-Cobbett into Court, to make good his Charges!' An usher standing close to the accused, and looking through the wide doorway calls: "William Cobbett! William Cobbett!" Soldiers stand by the door, hat in hand, others are on the steps hailing a small boat with two occupants sailing across the river. One shouts: "Ho! William Cobbett". Cobbett, in the boat, shouts back: "Call away & be Damn'd--I'm off". Spectators, men and women, crowd the court; some are many rows deep on the farther side, some in a gallery over the wide-open doors. The heads and shoulders of others in back view in the foreground form a base to the design. Six men turn their heads in profile and Burdett and Derby are unmistakable. A head next Burdett resembles Wilberforce."--British Museum online catalogue
Description:
Title etched below image., Sixth print of eight in a series entitled: The life of William-Cobbett, written by himself., Below image is printed a second plate etched with text only: Plate 6th. The court-martial was assembled at Chelsea as I requested, and Captn. Powele and the other accused persons were placed at the bar ... Vide, my own memoir's in the Political Register, 1809., Series number etched above image, in upper left., and Sheet trimmed to plate mark.
Publisher:
Publish'd Septr. 29th, 1809, by H. Humphrey, 27 St. Jamess [sic] Street
Subject (Name):
Cobbett, William, 1763-1835, Burdett, Francis, 1770-1844, and Smith-Stanley, Edward, 1752-1834
"Design in an oval. A travesty of the cameo known as the Marlborough Gem, now in the Museum of Fine Arts at Boston. The figures are light on a dark ground, as in the original. Miss Farren, tall, thin, with butterfly wings, her dress approximating to contemporary fashion, walks (left to right) on Lord Derby's left. He has the wings of Cupid, clipped, and is almost nude, with the fat limbs of a child together with a heavy paunch. He holds a dove, putting its beak to his lips. His scanty hair is in a small tail. Both are veiled. They are preceded by two winged boys, one with the torch of Hymen. A third follows, wearing a fool's cap simulating a cap of Liberty; he holds up an earl's coronet towards the bride, in place of the tray of fruit of the original."--British Museum online catalogue
Alternative Title:
Marriage of Cupid and Psyche
Description:
Title etched below image., A parody of Bartolozzi's engraving of the Marlborough Gem., Sheet trimmed to plate mark on right and left edges., Temporary local subject terms: Fool's cap as a bonnet rouge -- Cameos: Marlborough gem -- Crowns: earl's coronet -- Cherubs -- Torches: Hymen's smoking torch -- Marriages -- Birds: dove -- Wings -- Travesties., and Mounted to 32 x 48 cm.
Publisher:
Pubd. May 3d, 1797, by H. Humphrey, 27 St. James's Street
Subject (Name):
Smith-Stanley, Edward, 1752-1834, Derby, Elizabeth Farren Stanley, Countess of, 1759 or 62-1829, Psyche (Greek deity), and Cupid (Roman deity)
"Pitt (left), as a toreador, rides a rearing white horse (of Hanover) with a spear directed horizontally against a buil (John Bull) snorting fire and bleeding from many wounds. He wears a short tunic and sash; his saddle-cloth is a leopard-skin on which is a crest: the white horse of Hanover enclosed in a Garter ribbon inscribed 'Honi soit qui mal y pense', and surmounted by a crown. He looks alarmed and spurs his horse viciously. Two tiers of spectators in an arc of the arena are freely sketched. In the upper row George III looking through a glass is in the centre, on his left is the Queen, on his right Loughborough. The man next the Queen is (?) Grenville. In the lower tier Fox is conspicuous with (?) the Prince of Wales on his left; Sheridan stands behind them. The other spectators are members of the Opposition or ragamuffins. Those who can be identified are (right to left): Stanhope, Derby, Grafton, Lansdowne. A chimney-sweep applauds with brush and shovel. ..."--British Museum online catalogue
Description:
Title etched below image., Three lines of text beginning to the left of title and continuing below it: Description from the royal bull fight of 1795. Then entered a bull of the true British breed ..., Sheet trimmed within plate mark., and Temporary local subject terms: Opposition -- Treason -- Emblems : the White Horse of Hanover -- Male costume: toreador.
Publisher:
Pubd. Novr. 21st, 1795, by H. Humphrey, New Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Lansdowne, William Petty, Marquis of, 1737-1805, Smith-Stanley, Edward, 1752-1834, Grenville, William Wyndham Grenville, Baron, 1759-1834, Stanhope, Charles Stanhope, Earl, 1753-1816, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, and Rosslyn, Alexander Wedderburn, Earl of, 1733-1805
"A scene in Carlton House. The Prince of Wales, seated in a chair, holds a stout, good-looking lady (Mrs. Sawbridge) across his knees and chastises her with upraised hand; she holds out her arms imploringly. Alderman Sawbridge (right) faces her in profile to the left, playing a fiddle and dancing; from his pocket hangs a piece of music inscribed 'The Reform', a new Motion. On the extreme left Lady Archer stands in profile to the right, holding a driving-whip, and pointing angrily at the injured lady. A little girl (Sawbridge) stands full-face, clasping her hands in horror at the treatment of her mother. Behind are a number of onlookers: a very fat lady in profile to the left is Miss Vanneck. Mrs. Fitzherbert watches, not displeased; Fox, his arm round her shoulder, gazes amorously at her. George Hanger stands in profile to the left. The other figures are less characterized but a profile head (right) resembles Lord Derby. On the wall (right) is part of a three quarter length portrait, the head cut off by the upper edge of the design, inscribed 'Sir G° Van-Ne[ck]'. Beside it is a stag's head on which hangs a man's hat, just above Sawbridge. After the title is etched 'A Hint for a new Reform'. 'Black Jack' is Sawbridge, who was swarthy, and a consistent advocate of Parliamentary Reform. In the background (right) are persons dancing."--British Museum online catalogue
Alternative Title:
Black Jacks delight
Description:
Title etched below image. and Attributed to Gillray in the British Museum catalogue and by Wright.
Publisher:
Pub'd April 25, 1788, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
Great Britain
Subject (Name):
George IV, King of Great Britain, 1762-1830, Hanger, George, 1751?-1824, Smith-Stanley, Edward, 1752-1834, Fitzherbert, Maria Anne, 1756-1837, Sawbridge, John, 1732?-1795, Sawbridge, Anne Stephenson, Archer, Sarah West, Lady, 1741-1801, Neck, Gertrude van, -1798, Neck, John, 1732-1795, and Fox, Charles James, 1749-1806
Subject (Topic):
Couples, Dance, Musical instruments, Pleading (Begging), Spanking, and Politics and government
"A design divided into two portions by a vertical line and a slanting line which diverges to the right from the vertical line forming with it an obtuse angle. On the left of this division are the Speaker and three members of the House of Commons; on the right the Chancellor and three peers. Only a small part of the Speaker and his chair are visible on the extreme left. Fox stands facing him, his right hand extended, his left on his hip, a scroll inscribed 'Consuetudo et Lex Parliamenti' issues from his mouth. Burke stands with his back to Fox, scowling with folded arms; his scroll is inscribed 'Tropes Figures and a long Speech'. Sheridan stands in back view, facing Burke and bending forward, his scroll is 'Speech all Point'. The figures on the right have similar attitudes to those on the left, only the extreme left of the Chancellor and Woolsack being visible. Loughborough, in back view, wearing a judge's wig and gown, says "Lex Parliamenti"; Stormont says "Long Speech". Lord Derby, turning to the right in a mincing attitude, says, "Point de tout"."--British Museum online catalogue, description of another version of the same design
Description:
Title etched below image., Signed with the monogram of James Sayers., Four lines of verse in two columns below title: Each patriots speech another speech affords, the C----ns have their echo in the L---ds; thus Opposition proves the assertion true, that even shadows have their shadows too., Another version, with identical text and only slight differences in image, of no. 7289 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Mounted to 38 x 29 cm.
Publisher:
Publd. 31st March 1788 by Thos. Cornell
Subject (Geographic):
England.
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Smith-Stanley, Edward, 1752-1834, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Mansfield, David Murray, Earl of, 1727-1796, Thurlow, Edward Thurlow, Baron, 1731-1806, Cornwallis, Charles Cornwallis, Marquis, 1738-1805, Hastings, Warren, 1732-1818, and East India Company.
"A design divided into two portions by a vertical line and a slanting line which diverges to the right from the vertical line forming with it an obtuse angle. On the left of this division are the Speaker and three members of the House of Commons; on the right the Chancellor and three peers. Only a small part of the Speaker and his chair are visible on the extreme left. Fox stands facing him, his right hand extended, his left on his hip, a scroll inscribed 'Consuetudo et Lex Parliamenti' issues from his mouth. Burke stands with his back to Fox, scowling with folded arms; his scroll is inscribed 'Tropes Figures and a long Speech'. Sheridan stands in back view, facing Burke and bending forward, his scroll is 'Speech all Point'. The figures on the right have similar attitudes to those on the left, only the extreme left of the Chancellor and Woolsack being visible. Loughborough, in back view, wearing a judge's wig and gown, says "Lex Parliamenti"; Stormont says "Long Speech". Lord Derby, turning to the right in a mincing attitude, says, "Point de tout"."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Four lines of verse in two columns below title: Each patriots speech another speech affords, the C----ns have their echo in the L---ds; thus Opposition proves the assertion true, that even shadows have their shadows too., and Mounted on page 61 with two other prints.
Publisher:
Publd. 31st March 1788 by Thos. Cornell
Subject (Geographic):
England.
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Smith-Stanley, Edward, 1752-1834, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Mansfield, David Murray, Earl of, 1727-1796, Thurlow, Edward Thurlow, Baron, 1731-1806, Cornwallis, Charles Cornwallis, Marquis, 1738-1805, Hastings, Warren, 1732-1818, and East India Company.
"A design divided into two portions by a vertical line and a slanting line which diverges to the right from the vertical line forming with it an obtuse angle. On the left of this division are the Speaker and three members of the House of Commons; on the right the Chancellor and three peers. Only a small part of the Speaker and his chair are visible on the extreme left. Fox stands facing him, his right hand extended, his left on his hip, a scroll inscribed 'Consuetudo et Lex Parliamenti' issues from his mouth. Burke stands with his back to Fox, scowling with folded arms; his scroll is inscribed 'Tropes Figures and a long Speech'. Sheridan stands in back view, facing Burke and bending forward, his scroll is 'Speech all Point'. The figures on the right have similar attitudes to those on the left, only the extreme left of the Chancellor and Woolsack being visible. Loughborough, in back view, wearing a judge's wig and gown, says "Lex Parliamenti"; Stormont says "Long Speech". Lord Derby, turning to the right in a mincing attitude, says, "Point de tout"."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Four lines of verse in two columns below title: Each patriots speech another speech affords, the C----ns have their echo in the L---ds; thus Opposition proves the assertion true, that even shadows have their shadows too., 1 print : etching and aquatint on laid paper ; plate mark 19.8 x 16.2 cm, on sheet 21.9 x 17.9 cm., and Mounted on verso of leaf 44 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. 31st March 1788 by Thos. Cornell
Subject (Geographic):
England.
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Smith-Stanley, Edward, 1752-1834, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Mansfield, David Murray, Earl of, 1727-1796, Thurlow, Edward Thurlow, Baron, 1731-1806, Cornwallis, Charles Cornwallis, Marquis, 1738-1805, Hastings, Warren, 1732-1818, and East India Company.
JH identified as monogram for James Hook. See British Museum catalogue., Title from item., Sheet trimmed to plate mark at top., and Temporary local subject terms: Allusion to William Shakespeare's The Merchant of Venice: iii.3.21; iv.1.206 -- Trials of Warren Hastings -- India.
Publisher:
Pubd. May 17th 1788 by S.W. Fores, N. 3 Piccadilly
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Sheridan, Richard Brinsley, 1751-1816, Hastings, Warren, 1732-1818, George III, King of Great Britain, 1738-1820, Plumer, Thomas, Sir, 1753-1824, Dallas, Robert, Sir, 1756-1824, Smith-Stanley, Edward, 1752-1834, and Ellenborough, Edward Law, Baron, 1750-1818
JH identified as monogram for James Hook. See British Museum catalogue., Title from item., Sheet trimmed to plate mark at top., Temporary local subject terms: Allusion to William Shakespeare's The Merchant of Venice: iii.3.21; iv.1.206 -- Trials of Warren Hastings -- India., 1 print on laid paper : etching ; sheet 40 x 56 cm., folded and mounted to 37 x 56 cm., and Sheet trimmed to and within plate mark.
Publisher:
Pubd. May 17th 1788 by S.W. Fores, N. 3 Piccadilly
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Sheridan, Richard Brinsley, 1751-1816, Hastings, Warren, 1732-1818, George III, King of Great Britain, 1738-1820, Plumer, Thomas, Sir, 1753-1824, Dallas, Robert, Sir, 1756-1824, Smith-Stanley, Edward, 1752-1834, and Ellenborough, Edward Law, Baron, 1750-1818
"A scene from Act V of Murphy's play as performed at the private theatre of the Duke of Richmond at Richmond House, on 20 April 1787 and subsequently. Lovemore (Lord Derby) stands between Mrs. Lovemore (Mrs. Damer), who holds his right arm, and the Widow Belmour (the fat Mrs. Hobart). Beside the Widow, and on the extreme right, stands a very thin man dressed with exaggerated foppishness, his hat under his arm; he says, "As the man says in the Play your Lordship is right welcome back to Denmark". He is Sir Brilliant Fashion, played by the Hon. Richard Edgcumbe. Mrs. Damer says, "This is Lord Etheridge Madam", and Mrs. Hobart answers, "No Madam this is Lord Lovemore"; the speeches have been transposed by an engraver's error. In a stage box on the extreme left sit the Duke of Richmond and a lady (the Duchess?) holding an enormous muff, her high coiffure much exaggerated. The box is decorated with a group, two crossed cannon, lying on a plan of a fort, with a kettle-drum, surmounted by a laurel wreath, an allusion to Richmond's unpopular scheme for fortifying Portsmouth and Plymouth, see BMSat 6921, &c. The ladies have tiny faces, framed in elaborately dressed hair, which contrast with Lord Derby's large head. A draped curtain frames the stage; in the centre is the customary 'Veluti in Speculum'."--British Museum online catalogue
Alternative Title:
Veluti in speculum
Description:
Title from item., Attributed to Captain Mercer by the curator based on style., At top of print: Veluti in speculum., Temporary local subject terms: Horace Walpole refers to subject -- Richmond House Theatre -- Arms -- Richmond fortifications., and Watermark: E & P.
Publisher:
Pub'd Aprl. 23, 1787 by H. Humphries, Bond Strt
Subject (Name):
Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Richmond, Mary, Duchess of, 1740-1796, Damer, Anne Seymour, 1748 or 1749-1828, Valletort, Viscount 1764-1839 (Richard Edgcumbe),, Smith-Stanley, Edward, 1752-1834, and Derby, Elizabeth Farren Stanley, Countess of, 1759 or 62-1829
