Allegorical caricature: Two couples approach a Cupid-like statue of a man with wings that has come alive; he wears a wig and carries a bow and a torch (extinguishing as he holds in downwards); he stands on a plinth hung with bags of money, an open chest with coins at its base and to the side sits a cat. On the tree behind (right) a sign reading "Coeur a vendreau, a louer au plus offrant &c dernier encherisseur" hangs from a heart pinned to the trunk on which a snake is curled hissing at the animated statue. The two couples are mismatched in age, in the center a handsome young officer stands with a withered old woman and on the left, a young woman with a fat, old man who holds a bag of coins. On the far left a turkey follows the procession
Description:
Title engraved below image., "Déposé à la Bibliolthêque."--Following imprint., Date from citation in: Journal général de la littérautre de France, 12è année, p. 58., and Mounted on secondary support. With mirror image ms. notes on verso, illegible.
Publisher:
Chez Noel Fréres rue des Prétres, St. Germain l'Auxerois, no. 22. Rue St. Jacques no. 16
Title from item., Date derived from publisher's date of death., Printmaker is either Surugue or anonymous., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
chez L. Surugue Graveur du Roy, à l'entrée de la rue des Noyers attenant le Magasin de Papier APDR
Subject (Topic):
Symbolism in medicine, Staff of Aesculapius, Staffs (Sticks)., Snakes, and Allegories
Title below image., Date supplied by curator., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
chez I. Mariette rue St. Jacques aux Colonnes d'Hercule
An elderly antiquarian guides a fashionably dressed young lady and gentleman through a natural history museum, unaware that the gentleman is passing a letter to the lady. In and around the cases are exotic animals, insects, reptiles, and a mummy
Description:
Title etched below image., Sheet trimmed to plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd as the act directs, Sept. 20, 1793, by T. Prattent, 46 Cloth Fair, West Smithfield
Title from item., Date supplied by curator., Engraved title page for Opera Omnia., In text: Francofurti; Apud joh. justum Erythropilum [Johannes Justus]., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Apud joh.justus Erythropilum
Subject (Name):
Helmont, Jean Baptiste van, 1577-1644.
Subject (Topic):
Chemistry, Chemists, Coats of arms, Scientific equipment, Miners, Plants, Wheelbarrows, Fish, and Snakes
Title from item., Place of publication derived from nationality of printmaker., Date derived from date of diploma (May 17th, 1820)., Description from British Museum: A triumphal arch surmounted by the royal crest with lion and unicorn, with rows of crests interspersed with pillars and a statue of Jenner standing looking to right, gesturing to right as he tramples a serpent, on a pedestal decorated with a woman milking a cow and handing a bowl to children, on the left; with a view of London and St Paul's through the arch, papers listing patrons, presidents, 'Honorary Members MDCCCXVII' and a paper rolling into the foreground lettered with details of the testimonial; after Oben; with artists' names., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and In ink: W C Paxton Esqr. ; J.W. Chairman ; John Fox.
Publisher:
publisher not identified
Subject (Name):
Jenner, Edward, 1749-1823.
Subject (Topic):
Royal Jennerian Society, Degrees, Academic, Smallpox vaccine, Arches, Snakes, Coats of arms, Sculpture, and Physicians
Title from item., Date and place of publication from item., In upper margin: For the Year 1760 ; Pl. 61., The Radcliffe Infirmary was opened in 1770., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Published as the Act directs, Decr. 1, 1821, by J. Skelton, Magdalen Bridge, Oxford
Subject (Geographic):
Great Britain.
Subject (Name):
Aesculapius (Roman deity). and Radcliffe Infirmary.
Subject (Topic):
Transport of sick and wounded, Hospitals, Physicians, Crutches, People with disabilities, Gods, Litters, Sick persons, Breast feeding, and Snakes
A harnessed lion on the left struggles to pull away from "The Pit of ruin" into which he is being pulled backwards by four other animals whose harnesses are attached to a large hook at the end of his. They represent Spain (spaniel), France (cockerel), United States (rattle snake) and Holland (pug). The lion is hindered by four disoriented donkeys representing the new ministry who yank back on his rope bridle. A two-headed eagle (possibly Russia) hovers above the pit protesting its neutrality
Alternative Title:
Ass-headed and cow-hearted ministry making the British Lion
Description:
Title from caption etched below image., Sheet trimmed within plate mark., A rebus with the words in the title -- ass, cow, and lion -- represented by images., and Mounted to 26 x 43 cm.
Publisher:
Pubd. by J. Barrow, May 8, 1783 White Lion Bull Stairs Surry Side Block Friars Bridge
Subject (Geographic):
Great Britain and England
Subject (Topic):
Politics and government, Foreign relations, Harnesses, Donkeys, Dogs, Roosters, Snakes, Lions, Eagles, Cows, and Clothing & dress
"Wardle in armour with plumed helmet and floating cloak attacks with sword and shield a hydra with seven heads, all in profile, each wearing an inscribed collar. The principal head is that of the Duke of York (a flattering portrait), wearing The Collar of Corruption. The others are Bowler, Clarke, O Meara, Master Carter [the smallest], Sandon, Dr Donovan [with a pen behind his ear]. A serpent lies beside the hydra. Behind is the mouth of a cave. Below the title: Bellva Multorum es Capitum!! vide Horace [Epistles, 1. i. 76]. ('Thou art the Beast of many heads.')"--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet partially trimmed to plate mark on top edge., and Mounted to 28 x 43 cm.
Publisher:
Pubd. March 15th, 1809, by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Clarke, Mary Anne Thompson, 1776-1852, and Wardle, Gwyllym Lloyd, 1762?-1833
"A fantastic and complicated design. Queen Caroline leans back in an arm-chair, pen in hand, staring as if at a vision, her black locks flying outwards and upwards. Above her head, as if sprung from it, is an owl with the cross of the Order of St. Caroline (see British Museum Satires No. 13810) in its beak, and on its head a fool's cap with bells. She wears a décolletée dress with voluminous gathered trousers, as in many prints; her right foot is placed regally on a footstool. Her right arm rests on a table and on the paper on which she writes: To the King. She listens to a serpent held up by Dr. Parr, brandyfaced and naked except for his wig, one of several figures pressing round her, partly obscured by shadow. Lieut. Hownam looks over her right shoulder, two other faces are partly hidden, one may be Flinn, the other resembles Burdett. The aquiline profile of Hobhouse is behind Parr. On the right stands a broom, supporting a wig and gown (Brougham); another wig and gown beside it must indicate Denman; both are in back view. On the left and in the foreground stands Wood, as a devil, hairy and naked except for a furred gown, symbol of the alderman. He turns towards her, holding a baton, topped by a little cap of Liberty, and strings attached to two tiny processions: a state-coach (the Queen's) drawn by four horses and a band of armoured men on horseback, with banners, one inscribed Brass [the braziers' procession, see British Museum Satires No. 14119]. They are surrounded by clouds of dust. Over his shoulder look Cobbett, wearing a red cap with tricolour cockade and brandishing a bone (Paine's, see British Museum Satires No. 13525). To left and right of these advisers are evil gangs (cf. British Museum Satires No. 14194): a procession (left) of men with tall staves or pikes topped by caps of Liberty, and with a tricolour banner inscribed No Church no King no Constitution Universal Suffrage & Annual Plunder for ever. They wave their hats and cheer; their leader wears an apron. Above them floats a figure of Justice holding scales and a crown. Behind on the right naked arms raise firebrands, fanatical faces loom from the shadow; one at least has the snaky locks of Discord. The ornate round table at which the Queen writes is piled with boxes; on the largest, inscribed Secrets of the Baron, stands a small lifelike image of Bergami dressed as a courier. Other objects are a wallet from which projects a paper: 50,000 Per Ann [see British Museum Satires No. 14145], a vase of flowers, a decanter labelled (punningly) Tent [see British Museum Satires No. 13818]. On the floor are two figurines, one in back view, the other of Mahomet dancing (see British Museum Satires No. 13929). At the Queen's feet are her much-feathered four-cornered cap, and papers, one headed My dear Ca . . . and signed BB [Bartolomeo Bergami], the other beginning My dear C and signed Mat. [Wood]. By the broom are bulky bundles of papers: Brooming Correspondence and Defence of Moth[er Red Cap, see British Museum Satires No. 13975]. The owl is the base of an irregular inverted cone, formed of cloud-borne objects from the Queen's head. These are: Cobbets Register, The Times (see British Museum Satires No. 13968), The Champion (see British Museum Satires No. 13677), realistically depicted; three conical caps of Liberty with tricolour cockades inscribed respectively Bat, Cat, Mat [for Bergami, the Queen, and Wood; the title of a print, see British Museum Satires No. 14206 [23]]; Letters to Watch Makers [of] Coventry C B, over which hangs a watch and chain. Two large sketch-books, open: [1] Journal of a Tour to Jerusalem [see British Museum Satires No. 13918, &c.] with a view of a large mosque inscribed Temple of Solomon C.B del. [2] [Mem]oranda of the [Vi]lla d Este, facing a view of a large lake-side villa (see British Museum Satires No. 13857); this partly covers a third sketch: [Bucki]ngham House [the Queen's House as in British Museum Satires No. 14175]. Three large bundles of letters: Letters to the Baron [Bergami]; Wooden Headed Addresses Below Par; Answers to Addresses above Par [i.e. composed by Parr, see British Museum Satires No. 13934]. In a picture of a royal coach drawn by six horses and with three footmen behind the tiny passenger seems to be the Queen. Next this along the upper edge of the cone are pieces of plate decorated with a crown: urn, salver, goblet, candlestick, spoons, &c, with a paper: Plate Subscription.."--British Museum online catalogue
Alternative Title:
Evil communications corrupt good manners
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., Watermark: J. Whatman 1821., Mounted to 58 x 39 cm., Mounted on leaf 96 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Wood," "Bergami," "Caroline," "Brougham," and "Denman" identified in ink below image; date "10 July 1821" written in lower right corner. Typed extract of twenty-three lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Parr, Samuel, 1747-1825, Burdett, Francis, 1770-1844, Broughton, John Cam Hobhouse, Baron, 1786-1869, Brougham and Vaux, Henry Brougham, Baron, 1778-1868., Denman, Thomas Denman, Baron, 1779-1854., Wood, Matthew, Sir, 1768-1843, George IV, King of Great Britain, 1762-1830, Cobbett, William, 1763-1835, and Bergami, Bartolomeo Bergami, Baron
