A harlot sits on a curved sofa, her right arm resting on a table in front of her. In her right hand she holds a set of scales as she points to the gold coin in the scales which indicate that the guinea given her by the her companion is defective. An officer in a macaroni-style wig and captain's uniform (with sword and cutlass) wears a slight smile on his face as he stands at the table, hands in his pockets, watching her weigh the gold. On the wall behind them is a picture of Justice holding her scales further amplyfing the subject. Opposite the table on the right is an upholstered chair
Alternative Title:
Capt. Flash detected and Captain Flash detected
Description:
Title from caption etched below image., Sheet trimmed within plate mark on top and sides., Initial letters of publisher's name in imprint form a monogram., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. Augt. 17, 1774, by MDarly, 39 Strand
Subject (Geographic):
Great Britain
Subject (Topic):
Daggers & swords, Justice, Military uniforms, Prostitutes, Scales, and Sofas
Lady with elaborate headdress sitting in chair in front of a sofa holds an open book (The whole duty of man) in her left hand and pulls up her skirts with the right, while a kneeling man in a pigtail wig and wearing a sword examines her left foot as it rests on a footstool. In his right hand he holds her shoe, his tools on the floor next to him, his hat behind
Description:
Title from item., Imperfect; trimmed within plate mark at top edge., and First (?) state of no. 4638 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. June 1 by M Darly
Subject (Geographic):
England
Subject (Topic):
Foot, Care and hygiene, Couples, Wigs, Clothing & dress, Interiors, Feet, Sofas, and Hairstyles
"Fox acts as barber to the Duchess of Devonshire; he applies a razor to her cheek, holding her chin. She is seated on a settee (left) covered with striped material. Sam House stands (right) holding a barber's bowl, a towel under his arm."--British Museum online catalogue
Description:
Title etched above image., Sheet trimmed within plate mark., Printmaker from British Museum catalogue., and Mounted to 29 x 36 cm.
Publisher:
Pubd. May 10, 1784, by J. Moore, No. 19 Hallon [i.e. Hatton?] Street
Subject (Name):
Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Fox, Charles James, 1749-1806, and House, Samuel, -1785
Subject (Topic):
Barbers, Chairs, Mirrors, Shaving, Shaving equipment, and Sofas
Opposite page 106. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on prostitution and foolish clergy; two courtesans tease a fat and smiling clergyman in a well-furnished room. The costume of the women appears to be c. 1792-3."--British Museum online catalogue
Description:
Title etched below image., "Probably published by Carington Bowles. This print was included in BM Satires twice. Dorothy George correctly placed it c.1792 (no. 8235), Stephens c.1770 (no. 4588). Thomas Holcroft's popular 'Road to Ruin' was first played at Covent Garden on 18 February 1792."--Curator's comments, British Museum online catalogue, registration no.: 1935,0522.2.17, Sheet trimmed within plate mark on lower edge., Temporary local subject terms: Parsons -- Prostitutes., Folded to 30.6 x 26 cm., and Bound in opposite page 106 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
Carington Bowles?
Subject (Topic):
Clergy, Courtesans, Interiors, Sofas, Mirrors, and Draperies
A young woman stands weeping beside a sofa, holding a handkercheif to her eye. On the floor is a letter. The room is decorated wtih a dado (Adam urn design), sofa, curtains, and patterned rug
Description:
Title etched below image., Number '135' in lower left corner of plate., Four lines of verse in two columns below title: Oh! fatal day when to my virtues wrong, I fondly listen'd to his flattering tongue. But oh! more fatal moment when he gain'd, that vile consent whcih all my glory staind., and Temporary local subject terms: Dado -- Framed picture.
Publisher:
Printed for Robert Sayer, Map and Printseller, No. 53 Fleet Street, as the act directs
Subject (Topic):
Floor coverings, Wallpapers, Draperies, Rugs, and Sofas
Two elegant young ladies sit side-by-side on a sofa, the one with sheet music in her lap as her companion plays the lute
Alternative Title:
Sirens
Description:
Title from caption below image., Sheet trimmed within plate lines., Below image, four lines of verse in two columns: Here all is pleasure, nothing wanting ..., and An intaglio print using multiple processes including, soft-ground etching, stipple engraving, aquatint and etching, printed in color à la poupée.
Publisher:
Pub'd April 10th 1787 by E. Jackson, No. 1 Marylebone Street, Golden Square
"The King lies uneasily on a sofa, holding out a glass to be filled by Sidmouth, the 'Doctor', clyster-pipe in pocket. Beside him is a table, with bottles, &c. P. 22: W, for the wine and liqueurs he swallow'd, While writhing he lay on the sofa and hallow'd, ..."--British Museum online catalogue
Alternative Title:
W, for the wine and liqueurs he swallow'd while writhing he lay on the sofa and hallow'd ...
Description:
Title etched below image., Alternative title from letterpress text on facing page of the bound work., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., Plate from: Rosco. Horrida bella. London : G. Humphrey, 1820., Mounted on page 13 of: George Humphrey shop album., and Mounted opposite the sheet of corresponding letterpress text that would have faced the plate in the bound work.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Sidmouth, Henry Addington, Viscount, 1757-1844, and Rosco.
Subject (Topic):
Alcoholic beverages, Bottles, Sofas, and Medical equipment & supplies
"A stage scene showing part of an empty stage box on the extreme right. A burlesque of F. Reynolds's 'Werter', adapted from Goethe's romance. The persons and objects on the stage have letters referring to an 'Explanation' below the design. Werter ('A') kneels before Charlotte ('B'), who is seated on a settee on the extreme left; he raises her petticoat with a passionate gesture. At Werter's feet is an open book, 'Ossian' (which he has been reading to Charlotte); she protests with raised hands (pp. 35-6 of the 1802 edition). Behind (right), Albert ('C'), in regimentals, stands with his face to the wall, his hands clasped behind his back. Two pictures ('E E') hang on the wall representing scenes from the play. In one (left) Albert lies prone; Charlotte, seated beside him, raises her arms in despair; the other is suspended from one corner, hanging crookedly; it represents Charlotte and Albert embracing. In the front of the stage (right), her back to the actors, a nude woman ('F') is seated on a low step holding a pistol to each ear. She wears a hat tied under her chin and is weeping. Above her head is an urn inscribed 'Sacred to Suicide' and a weeping willow. Across the top of the design is a scroll 'H': "To raise the Genius and to mend the Heart"."--British Museum online catalogue and "'Werter', Reynolds's first play, was acted on 14 March 1786 at Covent Garden for Miss Brunton's benefit, having been already played at Bath; Holman played Werter, Farren played Albert. According to Baker, 'Biog. Dram.', it had little success in London. According to Reynolds, 'Werter's metropolitan, was equal, if not superior, to his rural success'. He describes the tears and fainting-fits of the first night at Covent Garden (perhaps responsible for the empty stage box). 'Life and Times of Frederick Reynolds by himself', i. 304 ff.'"--Curator's comments, British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Five lines of text below title: Explanation, A. Werter making a very improper request to Charlotte -- B. Charlotte resenting it very properly -- C. Albert her husband very civilly taking himself off ..., and Mounted on page 48 with one other print.
"A stage scene showing part of an empty stage box on the extreme right. A burlesque of F. Reynolds's 'Werter', adapted from Goethe's romance. The persons and objects on the stage have letters referring to an 'Explanation' below the design. Werter ('A') kneels before Charlotte ('B'), who is seated on a settee on the extreme left; he raises her petticoat with a passionate gesture. At Werter's feet is an open book, 'Ossian' (which he has been reading to Charlotte); she protests with raised hands (pp. 35-6 of the 1802 edition). Behind (right), Albert ('C'), in regimentals, stands with his face to the wall, his hands clasped behind his back. Two pictures ('E E') hang on the wall representing scenes from the play. In one (left) Albert lies prone; Charlotte, seated beside him, raises her arms in despair; the other is suspended from one corner, hanging crookedly; it represents Charlotte and Albert embracing. In the front of the stage (right), her back to the actors, a nude woman ('F') is seated on a low step holding a pistol to each ear. She wears a hat tied under her chin and is weeping. Above her head is an urn inscribed 'Sacred to Suicide' and a weeping willow. Across the top of the design is a scroll 'H': "To raise the Genius and to mend the Heart"."--British Museum online catalogue and "'Werter', Reynolds's first play, was acted on 14 March 1786 at Covent Garden for Miss Brunton's benefit, having been already played at Bath; Holman played Werter, Farren played Albert. According to Baker, 'Biog. Dram.', it had little success in London. According to Reynolds, 'Werter's metropolitan, was equal, if not superior, to his rural success'. He describes the tears and fainting-fits of the first night at Covent Garden (perhaps responsible for the empty stage box). 'Life and Times of Frederick Reynolds by himself', i. 304 ff.'"--Curator's comments, British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Five lines of text below title: Explanation, A. Werter making a very improper request to Charlotte -- B. Charlotte resenting it very properly -- C. Albert her husband very civilly taking himself off ..., 1 print : etching with aquatint and drypoint wove paper ; plate mark 20.2 x 23.8 cm, on sheet 22 x 25 cm., and Mounted on verso of leaf 33 of James Sayers's Folio album of 144 caricatures.
"A stage scene showing part of an empty stage box on the extreme right. A burlesque of F. Reynolds's 'Werter', adapted from Goethe's romance. The persons and objects on the stage have letters referring to an 'Explanation' below the design. Werter ('A') kneels before Charlotte ('B'), who is seated on a settee on the extreme left; he raises her petticoat with a passionate gesture. At Werter's feet is an open book, 'Ossian' (which he has been reading to Charlotte); she protests with raised hands (pp. 35-6 of the 1802 edition). Behind (right), Albert ('C'), in regimentals, stands with his face to the wall, his hands clasped behind his back. Two pictures ('E E') hang on the wall representing scenes from the play. In one (left) Albert lies prone; Charlotte, seated beside him, raises her arms in despair; the other is suspended from one corner, hanging crookedly; it represents Charlotte and Albert embracing. In the front of the stage (right), her back to the actors, a nude woman ('F') is seated on a low step holding a pistol to each ear. She wears a hat tied under her chin and is weeping. Above her head is an urn inscribed 'Sacred to Suicide' and a weeping willow. Across the top of the design is a scroll 'H': "To raise the Genius and to mend the Heart"."--British Museum online catalogue and "'Werter', Reynolds's first play, was acted on 14 March 1786 at Covent Garden for Miss Brunton's benefit, having been already played at Bath; Holman played Werter, Farren played Albert. According to Baker, 'Biog. Dram.', it had little success in London. According to Reynolds, 'Werter's metropolitan, was equal, if not superior, to his rural success'. He describes the tears and fainting-fits of the first night at Covent Garden (perhaps responsible for the empty stage box). 'Life and Times of Frederick Reynolds by himself', i. 304 ff.'"--Curator's comments, British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Five lines of text below title: Explanation, A. Werter making a very improper request to Charlotte -- B. Charlotte resenting it very properly -- C. Albert her husband very civilly taking himself off ..., Watermark., and Mounted to 26.5 x 35 cm.
