A series in four rows in three segments (some with a second figure in distance) of images of soldiers demonstrating the military drills with rifle and bayonets, beginning with "Dress to the right. 1st poise firelock, 2nd cock firelock ... 11th ram down cartridge."
Description:
Title from text above image., Text for imprint missing from this impression supplied from unverified card catalog., Imperfect impression; sheet trimmed within plate mark, resulting in partial loss of imprint. Text supplied from another impression., and Previously laid in pocket of The soldier's companion. See Lewis Walpole Library: 63 797 So43.
Publisher:
Published as the act directs by C. Cooke, No. 17 Paternoster Row
Subject (Topic):
Bayonets, Military training, Rifles, Soldiers, and British
Political satire on the British military action in Spain during the Peninsular War: Lieutenant-General Arthur Wellesley expresses surprise to an overweight soldier, sweating after fleeing from the French, that is was able to re-join the rest of the army
Description:
Title etched below image., Probably etched by William Heath. See British Museum satire 11361 for similarity of style., Lettered with imprint and series statement in additon to speech balloons., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Partial watermark: [illegible].
Publisher:
Pubd. Septr., 1810 by Thos. Tegg 111 Cheapside
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Peninsular War, 1807-1814, Obesity, Soldiers, and British
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
Political satire on the British military action in Spain during the Peninsular War: Lieutenant-General Arthur Wellesley expresses surprise to an overweight soldier, sweating after fleeing from the French, that is was able to re-join the rest of the army
Description:
Title etched below image., Probably etched by William Heath. See British Museum satire 11361 for similarity of style., Lettered with the series statement and speech balloons., Later state; imprint has been burnished from plate., Publication information based on imprint on earlier state: Pubd. Septr. 1810 by Thos. Tegg, 111 Cheapside. Cf. British Museum online catalogue, registration no.: 1948,0214.765., Plate also in: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v.1., Watermark: 1817., and Leaf 33 in volume 1.
Publisher:
Thomas Tegg
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Peninsular War, 1807-1814, Obesity, Soldiers, and British
Title from text above images., Eight designs on one plate, each individually titled below., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman 1822.
"Monument for the Marquis of Granby with weeping Britannia and soldier."--British Museum online catalogue
Alternative Title:
Monument designed for the Marquis of Granby
Description:
Title from item., Publication date in British Museum catalogue: October 18, 1770., Plate from: The Oxford magazine or, Universal museum ... London : Printed for the authors, v. 5 (1770), page 180., Temporary local subject terms: Reference to the Battle of Minden, August 1759 -- Reference to the Battle of Warburg, 1760 -- Reference to Godenburg -- Reference to Copenhagen., and Mounted to 33 x 46 cm.
Publisher:
publisher not identified
Subject (Name):
Granby, John Manners, Marquis of, 1721-1770
Subject (Topic):
Britannia (Symbolic character), Angels, Cannons, Crying, Liberty cap, Soldiers, and British
A drunken soldier stretches out in a chair by a table on which sit a punch bowl and empty glass. A young woman in large hat is taking his money and watch
Description:
Title engraved below image. and Numbered '192' in lower left corner of plate.
Publisher:
Printed for Robert Sayer, Chart and Printseller, No. 53 Fleet Street, as the act directs
Ten hand-colored engravings, depicting scenes from the Battle of Seringapatnam, form the border of a writing sheet, one each along the upper and lower edges and four on either side. Illustrations include, at the top, a battle scene; portraits of the British generals, Harris and Stuart; Tippoo Saib discovered among the slain, Tippoo's sons surrender; A sepoy upon a charge, An Indian soldier; Tippoo Sultan, Tippoo Sultan's wife; a design with flags, drums, cannons, swords and bugles. The battle scene and the image with the two sons include images of elephants
Alternative Title:
Conquest of Seringapatnam
Description:
Title from head of sheet., Numbered '65.' in lower right corner., With blank center of sheet filled in manuscript in black ink with an adage and a poem and signed: John Halton June 12th, Prescot School, 1801., and With watermark and countermark.
Publisher:
Published 18th Novr. 1799 by Laurie & Whittle, 53, Fleet Street
Subject (Geographic):
India, India., Śrīraṅgapaṭṭaṇa., and Indian
Subject (Name):
Tipu Sultan, Fath ʻAli, Nawab of Mysore, 1753-1799, and Tipu Sultan, Fath ʻAli, Nawab of Mysore, 1753-1799
"A Portuguese soldier and a British soldier, facing each other, co-operatively seize Ferdinand VII, who is putting his left foot across a line dividing Spain (right) from Portugal. Each holds a musket without bayonet. The Englishman's right hand is on Ferdinand's shoulder; the Portuguese clutches one of the King's ass's ears. Ferdinand wears a crown, a long cloak, and a spiky ruff. A French officer on the extreme right makes off to the right, shocked and alarmed; he looks over his shoulder, exclaiming, Sacré dieu! le pauvre bete est attrappée."--British Museum online catalogue
Description:
Title etched below image., From British Museum online catalogue Curator's comments: The Frenchman is evidently the Marquis de Moustier, French Ambassador at Madrid, who appeared covertly to countenance Ferdinand's support of the Portuguese refugees, and was recalled in disgrace., and Original price "2/-" written in ink in lower right corner of sheet.
Publisher:
Published by Thos. McLean, 26 Haymarket
Subject (Geographic):
Spain
Subject (Name):
Ferdinand VII, King of Spain, 1784-1833 and Moustier, Clément Edouard, Marquis de, 1779-1830.
Subject (Topic):
History, Soldiers, British, Portuguese, Military officers, French, and Firearms
"A night scene, with a full moon, outside the corner house of a London square, an equestrian statue among trees in the background. A young officer in dandified uniform kneels on the cobbled roadway, shouting up to the house Fire! Fire! Fire! A lady, in nightgown and cap, looks from a first-floor window, crying, Where! Where! Where! He answers, right hand on his heart: Here! Here! Here!!! The words are below the title"--British Museum online catalogue
Alternative Title:
Self introduction and declaration
Description:
Title from caption below image. and Three lines of underlined dialogue below title: Fire! Fire! Fire! Where! Where! Where! Here! Here! Here!!!
Publisher:
Pub. June 29, 1823 by G. Humphrey, 24 St. James's St. & 74 New Bond St.
Subject (Geographic):
England and London.
Subject (Topic):
Courtship, Row houses, Dandies, British, and Soldiers
"British troops are about to march through a large fortified gate leading from open country (left) to the town of Buenos Ayres, where confused street-fighting is in progress. Can are fired from the battlements of the gate at the soldiers, some of whom lie dead or wounded. In the foreground an officer (mounted), in conversation with others, asks: "where is the General"; others say: "go look for the General"; "Find the General"; "why the General is lost". A Highland officer, taking snuff (right), slyly; "I dare say he is varra safe." From the country (left) three mounted men gallop, all saying, "I come for Orders". In the background Whitelocke's head and shoulders are seen peeping over a hillock on the extreme left. He says: "He that fights and runs away, May live to fight another day, But he thats in the Battle slain, Will never live to fight again". In the distance, behind him, are tiny (British) soldiers in close formation. In the city men are firing and hurling stones from the roofs of flat-roofed houses on British soldiers in the plaza. On the wall (right) is a placard: 'Lost, or Mis-led a General officer Who ever can [give] Information ... ampl[y] rewarded.'"--British Museum online catalogue
Alternative Title:
Symptoms of courage
Description:
Title etched below image., "G. Whiteliver" is a pseudonym. Questionable attribution to Isaac Cruikshank from the British Museum online catalogue, registration no.: 1868,0808.7629., Variously attributed to either Isaac or George Cruikshank; see British Museum catalogue., Title is a direct reference to an Isaac Cruikshank print, published by S.W. Fores in 1790, entitled "Symptoms of courage, or, The tables turned." Cf. No. 7667 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Sheet trimmed to plate mark at top edge., and Penciled note in an unidentified hand: relates to Genl. Whitelock's conduct at Buenos Ayres, S. America.
Publisher:
Pub. by S.W. Fores, No. 50 Piccadilly
Subject (Geographic):
Argentina and Buenos Aires.
Subject (Name):
Whitelocke, John,
Subject (Topic):
History, Campaigns & battles, Soldiers, British, Military officers, Scottish, Ethnic stereotypes, Gates, and Signs (Notices)
