"Joseph Bonaparate, the newly crowned King of Spain, stands at centre wearing doublet, slashed breeches, crown, medallion and cloak, and turned in beseeching attitude to left, where four Spaniards are standing; Joseph says, 'For this kind and flattering reception much thanks. behold the Brother of the great Napolean come to reign over you for your goods.' One of the Spanish men, with a long sword, says to another whose hand is on his dagger, 'yes Comrade and for our Chattels too if I guess right.'; behind them, a woman holding a dagger says to another, 'He was bred an Attorney and w'eel soon eject him from Spain'. Behind Joseph at right stand his French supporters, one holding a flag lettered 'Vive le Roi' over Joseph's head, and angrily crying, 'Will no one Huzza - - will no one ring the Bells - if you dont make a noise you shall all fall by the Royal Bayonet.', a cry of 'Vive le Roy Huzza' arising from a pike-carrying crowd behind."--British Museum online catalogue
Description:
Title etched below image., Year of publication precedes publisher's statement in imprint., Plate numbered "53" in upper left corner, with the digit "3" etched backwards., A pair to "King Joes retreat from Madrid, published on the same date with the same plate number. See Curator's comments in the British Museum online catalogue., Sheet trimmed to plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Paper damaged with loss to the word "flattering" in King Joe's speech bubble, upper left. Mounted to 28 x 38.1 cm.
Land grant, manuscript on parchment, originally made to Alonzo Prieto, and awarded after his death to his brother Gonzalo Prieto, following litigation. The grant, valued at 35,000 maravedis annually, was given to defray the costs of preparing land and naval forces to protect Spain and the Catholic Church, particularly from the "Gran Turco" ( Süleyman I). Four ships carrying gold and silver were to arrive from Peru to support this. The text refers to places and dates in the years 1535-1536. The end of the document, apparently written when the authorizing signatures were added, gives the location as Valladolid, and the date as 27 February 1537
Description:
In Spanish., Single quire of 12 leaves containing 21 pages of text., Layout: 1 column, 40 lines., Script: Written in Gothic textura script., and Binding: Vellum cover, worn, with numerous notations on front.
Subject (Geographic):
Spain, Jerez de la Frontera., Connecticut, New Haven., Jerez de la Frontera (Spain), and America
Subject (Name):
Charles V, Holy Roman Emperor, 1500-1558.
Subject (Topic):
Land grants, Land titles, Manuscripts, Medieval, Colonies, History, and Politics and government
A Spanish version of Gillray’s 1803 satire ‘Maniac Raving’s-or-Little Boney in a Strong Fit’, the texts in the plate adapted to the Spanish relationship with France during the Peninsular War - after the invading French armies were defeated by the Spanish in Andalusia at the Battle of Bailen ‘Napoleon is frantic with rage at the news from Spain... He blames Godoy (whom he had made ‘Prince of the Algarves’) for deceiving him, apostrophizes Talleyrand, reproaches Dupont, and his second-in-command Vedel, for the capitulation of Baylen... his deceptions are discovered by the ‘perfidious Englishman’, probably Sir Hew Dalrymple, the Governor of Gibraltar’ (British Museum catalogue).
Description:
Title from text above image., Text below image begins: Noticioso Napoleon de qe sus exercitos de España ..., and Copy of a print by James Gillray; for the original, see no. 9998 in the Catalogue of prints and drawings in the British Museum, v. 8. For a more simplified Spanish copy, see no. 11058.
Publisher:
publisher not identified
Subject (Geographic):
France
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Gillray, James, 1756-1815
Subject (Topic):
History, Foreign public opinion, Spanish, Political satire, Spanish, Anger, Globes, Chairs, Documents, Fire, and Smoke
Manuscript on paper (with parchment leaves interspersed) of Manuel Diaz, Libre de cavalls. With three drawings of horses (f. 1r the effects of the signs of the zodiac on the horse; f.1v anatomical parts of the horse; and f. 2r the proper locations for bloodletting [?]); and Sixty-five diagrams of bits for horses, some with explanations in red
Description:
In Spanish (Valencian dialect)., Watermarks: similar to Piccard Turm 132-47 and Briquet Tete humaine 15670., Script: Written by a single person in Spanish fere-humanistic script., In addition to the illustrations mentioned, there is on f. 40r a drawing of a knight in armor on horseback, in red, blue, green. He holds a shield with the arms of Alfonso V, King of Aragon (d. 1458): per pale argent, a lion rampant gules; bendy of 4, argent and gules., 2-line red initials with penwork in black at beginning of each text section. Headings, paragraph marks, and strokes on initials, in red. Remains of directions to rubricator along lower edge., and Binding: Fifteenth century. Original sewing on three slit-strap, tawed supports laced to the inside of beech boards and pegged. Plain wound endbands with a secondary, multi-colored sewing on tawed cores. The spine is square and lined with vellum between supports, the sewing supports slightly defined. Covered in brown goatskin, blind-tooled with concentric frames, the spine diced. Two fastenings, the catches on the lower board decorated with floral designs, the clasps wanting. Repaired.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Díaz, Manuel.
Subject (Topic):
Horses, Manuscripts, Medieval, and Spanish literature
Manuscript on paper of Juan de Sant-Fahagun and Pedro Lopez de Ayala, Libros de Cetreria. With the Commentary of Don Beltran de la Cueva, Duke of Alburquerque, in margins surrounding text
Description:
In Spanish., Watermarks: similar to Briquet Main 11154., Script: Written by a single scribe in a neat humanistic bookhand, with a somewhat smaller script for the surrounding commentary., Two initials (both f. 1r), the first, 5-line, for the rubric, purple with red penwork; immediately below, the second, for the text, 9-line, the upper portion red, filled with purple penwork, the lower portion purple, filled with red; attached to a thick bar border (side and lower margins) of red and purple vine scrolls in pen, with touches of light brown. One 7-line initial (f. 88r) red, with purple penwork, with exuberant loops and flourishes extending into top and side margins. Depictions of various implements, in black, within text (ff. 37v, 72v, 114r, 115r, 125r, 127r, and 137r). 3-line initials, paragraph marks, and headings in red throughout (except f. 1r, on which, in keeping with the initials, some of the paragraph marks are purple)., and Binding: 17th-18th centuries. Limp vellum case; title, now illegible, on spine. Front and back pastedown and back flyleaf contain extensive Latin legal references (17th century).
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
López de Ayala, Pedro, 1332-1407.
Subject (Topic):
Falconry, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Spanish literature
Manuscript on paper of 1) Life of Oppian. 2) Summary of the poem in art. 1. 3) Scholia on Oppian, Halieutica, attributed to Tzetzes. 4) Paraphrasis of Oppian, Cynegetica, attributed to Tzetzes
Description:
In Greek., Watermarks: similar to Briquet Croix latine 5683 and Main 11292., Script: Written by Andreas Darmarius in Salamanca and dated 17 November 1580., Headings and simple initials in red. A few diagrams to illustrate text, mainly geometrical figures showing the elements of the cosmos (ff. 31r-32v), but also one stemmatic diagram illustrating the divisions of fishing (f. 72v)., and Binding: Nineteenth century (?). Limp vellum case; remains of tawed skin ties. Lettering in ink on spine.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Oppian, active 2nd century.
Subject (Topic):
Greek poetry, Hellenistic, Hunting, Manuscripts, Medieval, and Scholia
Manuscript on paper of the history of the final days of the Moorish kingdom of Granada
Description:
In Spanish., Watermark: resembles Briquet 11272 (Toulouse, 1570)., Script: copied by a single scribe in a Spanish version of Humanistica Cursiva Formata. The first word of each paragraph is written in Capitalis. The Latin formula at the end is in Humanistica Textualis Formata. A few marginal notes, mostly by a later hand., The text recounts the history of the final days of the Moorish kingdom of Granada through the conquest by Gonsalvo de Cordoba, the "great captain" in the service of the Catholic Kings of Spain, 1492. This is the final quire of a manuscript that contained the full history of the Moorish Kings of Granada., and Disbound. Extracted from a larger manuscript.
Subject (Geographic):
Connecticut, New Haven., Granada (Kingdom), and Spain
Subject (Topic):
Manuscripts, Medieval, Kings and rulers, and History
Collection of four scrapbooks compiled by Marcel Jean between 1921 and 1940 containing over 150 tracts, exhibit catalogs, letters, advertisements, subscription forms, invitation cards, and other ephemera documenting Surrealism in France, Belgium, and other locations. Includes printed, typescript, and manuscript material relating to Surrealist exhibitions, publications, and political activity, including tracts on the Spanish Civil War and fascism. Printed ephemera feature artists and writers such as Salvador Dalí, Man Ray, Tristan Tzara, René Char, and André Breton. Correspondence includes letters from Georges Bataille, Henri Pastoureau, Remedios Varo, Sheila Legge, Wolfgang Paalen, Eduardo Westerdahl and others to Jean, 1935-1939. Contains one photograph of Benjamin Péret and Jean at Léo Malet's house, 1935 and Volume 1: 1921-1934. Volume 2: 1935-1936. Volume 3: 1937-1939. Volume 4: supplement, 1926-1940
Description:
Marcel Jean (1900-1993), French artist, member of the Paris Surrealist group and author of numerous publications on Surrealism., Largely in French., and Each volume includes original endpapers created by Marcel Jean with ex-libris and autograph list of contents.
Manuscript fragment on parchment of Aristotle's Nicomachean Ethics (translated into Latin by Leonardo Bruni Aretino).
Description:
In Latin., Script: written in hybrida libraria with notarial influence., and Decoration: 8-line initials at the beginning of each book in red and purple; 3-line initials at the beginning of each capitulum alternate red and purple; 1-line initials in brown highlighted with red; rubrics in red in same script as text; first line of each book written in larger minuscule; paragraph marks alternate red and purple; running headlines in red and purple; punctuated with the punctus and, for major pauses, the punctus versus; another hand in black ink made some corrections and added punctuation, including the punctus elevatus and punctus interrogativus; hyphenation in the same ink as the text.
