Manuscript fragment on parchment of a noted missal containing the Ordo missae
Description:
In Latin., Script: written in a formal gothic script (littera textualis formata) without feet on the minims., and Decoration: one 9-line initial "P" on fol. 1r in varying shades of blue with foliate decoration on white filigree; in the loop of the letter a peacock in blue and grey with green and gold feathers stands underneath a red rose; the text on the recto is bordered on all four sides and in the center margin with a gold band filled with blue diamons alternating with circles filled with flowers; musical notation is in black on 4-line staves in red; punctuated with the punctus; hyphenation is in the same ink as the text.
Manuscript on parchment of Kyrie, Gloria, Credo, Sanctus, Agnus Dei, and other liturgical texts, with motets by Josquin des Pres added at a later date
Description:
In Latin., Script: original text and additions copied in extremely large Southern (Spanish) Gothica Textualis Formata (Textus Praescissus), with music notation in nota quadrata., Richly decorated with red rubrics and painted initials., and Binding: s. XVI: undecorated brown leather over heavy wooden boards, sewn on four double cords. On both covers four large engraved brass corner pieces and more centrally five smaller engraved brass bosses. The leather damaged and several metal pieces lost. On the front cover upside down large number "26" in white paint. On the rear cover four engraved brass catches for clasps (one both at the top and at the bottom edge, and two at the outer edge), and eight nails towards the top probably for fixing a fenestra with title label (now lost). Leather tabs partly with Spanish inscriptions pasted on the outer edges of the leaves.
Manuscript on paper and parchment (goatskin) of 1) Ps.-Phalaris, Epistulae, tr. Franciscus Aretinus (Francesco Griffolini, 1420-after 1465). 2) Ps.-Brutus, Epistulae, tr. Rinucius Aretinus (Rinuccio d'Arezzo, c. 1395-after 1450). 3) Prologue (7 verses) to art. 4. 4) Ps.-Crates, Epistulae, tr. Athanasius Constantinopolitanus
Description:
In Latin., Watermark: letter P, similar to Briquet 8658 (1471-1480)?., Script: Copied by two hands in bold Gothica Semitextualis Libraria with Southern features and under Humanistic influence, visible in the majuscules; hand A copied ff. 1r-51v; hand B, marked by the use of an a closer to Textualis and a preference for straight s in final position, copied ff. 52r-59r., Several lower margins of parchment leaves have been repaired before writing by means of a strip of parchment pasted on the defective edges. A long tear in the parchment of f. 56 has been sewn before writing., Paragraph marks alternately in red and blue (in artt. 3-4 only). Headings in red (in artt. 1-2 only, with sometimes instructions in small script in the margins). Gothic 2-line plain initials alternately in red and blue, with guide letters (mostly in red ink) written in the outer margin close to the outer edge of the leaves. 3-line littera duplex with delicate blue and red penwork extending into the margin f. 41v (text art. 2); 4-line littera duplex with the same decoration ff. 40v (prologue art. 2) and 52r (art. 5); 6-line littera duplex with the same decorationf. 1r (art. 1)., and Binding: ca. 1500. Repaired blind-tooled brown leather over bevelled wooden boards; sewn on three leather thongs; the original covers are pasted over the light brown new leather, itself blind-tooled with fillets and a roll; the original covers decorated with fillets, vertical rows of rolls, and at the top and bottom one horizontal row of the same. Remnants of two clasps attached to the rear cover, with two brass catches on the front cover, fixed with three nails and engraved with the inscription “nom” (?) in Northern Gothica Textualis Formata. Gilt edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Pseudo-Phalaris.
Subject (Topic):
Latin letters, Literature, Medieval, and Manuscripts, Medieval
"A Portuguese soldier and a British soldier, facing each other, co-operatively seize Ferdinand VII, who is putting his left foot across a line dividing Spain (right) from Portugal. Each holds a musket without bayonet. The Englishman's right hand is on Ferdinand's shoulder; the Portuguese clutches one of the King's ass's ears. Ferdinand wears a crown, a long cloak, and a spiky ruff. A French officer on the extreme right makes off to the right, shocked and alarmed; he looks over his shoulder, exclaiming, Sacré dieu! le pauvre bete est attrappée."--British Museum online catalogue
Description:
Title etched below image., From British Museum online catalogue Curator's comments: The Frenchman is evidently the Marquis de Moustier, French Ambassador at Madrid, who appeared covertly to countenance Ferdinand's support of the Portuguese refugees, and was recalled in disgrace., and Original price "2/-" written in ink in lower right corner of sheet.
Publisher:
Published by Thos. McLean, 26 Haymarket
Subject (Geographic):
Spain
Subject (Name):
Ferdinand VII, King of Spain, 1784-1833 and Moustier, Clément Edouard, Marquis de, 1779-1830.
Subject (Topic):
History, Soldiers, British, Portuguese, Military officers, French, and Firearms
Basil Saint, Bishop of Caesarea, approximately 329-379
Published / Created:
[between 890 and 910].
Call Number:
Beinecke MS 481.3
Image Count:
2
Resource Type:
unspecified
Abstract:
Manuscript fragment on parchment of St. Basil of Caesarea, Regula ad Monachos (translated into Latin by Rufinus of Aquileia).
Description:
In Latin., Script: written in Visigothic minuscule., and Decoration: 2-line initials in brown uncials with occasional red-orange filling; 1-line initials in brown uncials; chapter headings in a script with both Visigothic and uncial elements; punctuated with puncti (occaionally, punctus elevatus).
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Basil Saint, Bishop of Caesarea, approximately 329-379. and Rufinus,
Manuscript on paper of a chronicle of the Kingdom of Navarre from the death in 1425 of Charles III, King of Navarre, through circa 1513, with the conquest of Navarre by Spain
Description:
In Spanish., Single quire of 8 leaves, with pagination 113-127 [128]., Layout: 1 column, about 36 lines., Script: copied by one hand in a Spanish version of Humanistica Cursiva Formata. "Finis" at the end is written in Capitalis., The text discusses members of the royal family of Navarre during the period of 1425 through circa 1513, their marriages, the royal succession, and a disruption to the line of succession that led to civil war. The chronicle closes with a justification for the rule of Navarre by Spain, based upon the historical ties of the kings of Navarre to Spain., Watermark: resembles Briquet 13995 (Bordeaux, 1550) and 14008 (Montreuil, 1559)., No decoration., and Disbound. Text complete, but extracted from a larger manuscript. First leaf repaired, with some loss to marginalia on verso.
Subject (Geographic):
Connecticut, New Haven., Navarre (Kingdom), Navarre (Spain), and Spain
Subject (Name):
Blanca, Queen, consort of Juan II, King of Aragon, -1441., Catherine, Queen of Navarre, 1468-1518., Carlos, Prince of Viana, 1421-1461., Charles III, King of Navarre, 1361-1425., Ferdinand V, King of Spain, 1452-1516., John II, King of Aragon, 1397-1479., John III, King of Navarre, 1469-1516., and Juana Enríquez, Consort of Juan II, King of Aragon, 1425-1468.
Subject (Topic):
Manuscripts, Medieval, Kings and rulers, and History
Manuscript on paper of works by or attributed to Lucianus Samosatenus (c. 120-c. 180) in an anonymous Latin translation
Description:
In Latin., Watermark: anchor in a circle, topped by a star., Script: Copied by three hands: A, the main hand, uses a rather bold Humanistica Cursiva Libraria; B, writing Humanistica Cursiva Currens, copied ff. 212r-213r and the greater part of f. 213v, where hand A takes over 7 lines from the bottom; C, writing a thin Humanistica Cursiva Libraria, copied ff. 1-2, clearly a replacement of two leaves copied by hand A., There is no decoration., At several places the ink on one side comes through at the other side and hampers the reading there; that will be the reason why the scribe left most of f. 54v and the whole of ff. 61v and 141v blank and continued the transcription on the next pages., and Binding: Sixteenth century. Badly rubbed and summarily repaired: reddish brown leather over light cardboard, blind-tooled with frames of strapwork and a large flower stamp; with a blind-tooled flap; the clasp on the latter and the catch in the middle of the front cover are missing. On the spine, in red: “77 [?]”.
Manuscript on paper (sized) of Vincent Ferrer, Sermones. In this version of the sermons the text begins in Latin, presents the main points of the sermon in Spanish, and then returns to the body of the text in Latin
Description:
In Latin and Spanish., Watermarks: similar in design to Briquet Ciseaux 3694-3702, and unidentified cross bow in a circle., Script: Written in gothic cursive script, above top line., Plain red intials for each sermon; headings, foliation and paragraph marks in red. First words of each sermon in large gothic bookhand for display script., and Binding: ca. 1500, Spain. Wound sewing on four tawed skin, slit straps or double cords laced into the wooden boards. Plain wound natural color endbands, caught up on the spine, are sewn on cores laced into the boards and pegged. They are tied down around a strip of tawed skin. There is a coarse cloth spine lining. Back pastedown is part of a bifolium from a liturgical manuscript with Aquitanian musical notation. Covered with reddish-brown sheepskin, blind-tooled with a rope interlace tool, fleurs de lis and annular dots. Spine: supports outlined with double fillets; panels diapered with double fillets with annular dots at the intersections. There are traces of two fastenings, the catches on the lower board, and traces of five round bosses on each board. Damage from a chain attachment (?) near the tail of the upper board; remains of a paper or vellum label near the head.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Vincent Ferrer, Saint, approximately 1350-1419.
Subject (Topic):
Manuscripts, Medieval, Sermons, and Sermons, Latin
Manuscript on parchment (speckled, yellow on hair side) of a collection of sermons
Description:
In Latin., Script: Written in early gothic bookhand by several scribes, above top line., Plain monochrome initials in red for ff. 1-18; similar initials, but with simple designs in both parchment and red ink for remainder of codex. Headings in red, ff. 1r-24v, 27r-30v only. Instructions to rubricator along outer and lower edges., Some staining at end of volume; no loss of text., and Binding: Twentieth century, England (?). Quires cut in for sewing. Rigid vellum case with title in ink on spine: "Leo P. P. Sermones".
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Manuscripts, Medieval, Sermons, and Sermons, Latin
Manuscript on parchment of the Statutes of the Confraternity of Corpus Christi, Our Lady of Peace and St. Ildefons at Toledo, under the patronage of the King of Castile and the Archbishop of Toledo, renewed during the reign of Henry IV, King of Castile (1454-1474), with an addition dated 11 July 1461. The latest date in the earlier statutes is 24 January 1417
Description:
In Spanish., Script: Written by one hand in bold Southern Gothica Textualis Formata with Spanish features; the addition on f. 17rb-va is by another hand in the same script., In art. 2 red paragraph marks. In art. 3 fine 2-line flourished initials with marginal extensions, alternately in red with blue penwork and blue with red penwork. Large littera duplex of the same type and in the same colours on f. 6r. Art. 4 is not decorated. On f. 1v, full-page miniature depicting the King of Castile and four noble members of the Confraternity in adoration of the Resurrection. On f. 2r, full-page miniature showing the Archbishop of Toledo and five clerics in adoration of the Virgin, who hands the chasuble to St. Ildefons Archbishop of Toledo. Both miniatures are set in a courtyard and are framed at the outer and lower side with a border of large acanths in gold and colours. The slight smudge in the middle of the paintings is probably caused by the noble and clerical members swearing an oath of fidelity to the Confraternity and touching the appropriate page., and Binding: ca. 1600. Blind-tooled light brown leather over pasteboard made from waste paper. The covers are decorated with fillets making a double lozenge in a rectangular frame, decorated with impressions of a star-shaped tool. Traces of two leather ties.
Subject (Geographic):
Connecticut, New Haven., and Spain
Subject (Topic):
Illumination of books and manuscripts, Medieval, Confraternities, Manuscripts, Medieval, and Religious life and customs
