Title from caption below image., Printmaker and publication date from unverified data in local card catalog record., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Street scenes: Spectators of performance by French? family with dancing bear -- Animals: Performing bears -- Costume, ca. 1780 -- French costume: Street performers., Note in an unidentified later hand below image: Engraved by Rowlandson., and Matted to 47 x 62 cm.
Publisher:
Published by Wm. Allen, No. 32 Dame Street
Subject (Topic):
Dogs, Monkeys, Sailors, British, Signs (Notices), and Spectators
In the center a couple in traditional dress dance the fandango holding castanets and accompanied by two men with guitars (right), one standing, the other seated. An elderly woman sleeps in the chair behind the dancers. Four other women sit on chairs along the wall and watch the dancers; the young men stand and watch the dancers, some smoking pipes or holding walking sticks. On the wall hang three views of ships in the harbor and the coastal town. A dog looks on from the lower left
Description:
Title etched below image. and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published Novr. 20, 1803 by William Holland, No. 11 Cockspur Street, London
Subject (Topic):
Audience, Dance, Dancers, Dog, Guitars, and Spectators
"A court scene. The judge, Bayley (right), addresses the apprehensive prisoner at the bar, Wellington (left): '"If a party, wilfully & intentionally does an act likely in its results to produce death, & death actually ensues, the act so done by him is done with what the Law calls "malice afore thought" & the party is guilty of murder!"' The jury, in a raised box, Counsel seated in the well of the court, and a shorthand-writer standing on the extreme left, stare at judge or prisoner. The heads of spectators fill the space under the jury-box."--British Museum online catalogue
Description:
Title from text below image., Print signed using John Doyle's "HB" monogram., Imperfect; sheet trimmed with loss of imprint statement from bottom edge. Imprint supplied from impression in the British Museum., Text below title: A supposed case, founded on facts., A commentary on a recent trial of R.W. Lambrecht who was tried for manslaughter as a result of a duel, with Wellington appearing in the dock, alluding to an event in which Wellington himself went through the motions of a duel the previous year., and Matted to 41 x 53 cm.
Publisher:
Pubd. by Thomas McLean, 26 Haymarket
Subject (Geographic):
Great Britain.
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852 and Bayley, John, 1763-1841
Subject (Topic):
Dueling, Courtrooms, Judges, Juries, and Spectators
Title etched above image., Date and place of publication supplied by curator., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Name):
Lewes, Charles Lee, 1740-1803. and Stevens, George Alexander, 1710-1784.
Subject (Topic):
Theater, Physiognomy, Heads (Anatomy)., Demons, and Spectators
A witch flying to the left on a broomstick and suckling a cat, discharges a blast of "inflammable air" towards a large sphere suspended midair behind her. A spectator standing below holds a torch to the stream of air and says, "How blue it burns!" Another man identified as a F.R.S. (Fellow of the Royal Society) stands to the right watching the scene and observes, "We shall now have a Lunatick Journal." Behind the Fellow of the Royal Society is another spectator identified as A.S.S. who boasts of having a ticket to Georgium Sidus (i.e., Uranus).
Description:
Title from inscription in black ink in the artist's hand above image., Date supplied by cataloger., Print after image is described in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires / Mary Dorothy Georg, v. 4, no. 6335, and For further information, consult library staff.
Subject (Topic):
Antiquarians, Balloons (Aircraft), Witches, and Spectators
Maurer, John, active 1720-1742, printmaker, artist
Published / Created:
published according to act of Parliament, 1754, for Stowes Survey.
Call Number:
Quarto 724 771N
Collection Title:
Page 181. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"View in the park with spectators watching the parade, as George II makes his way to the House of Lords, showing the Horse Guards and the Treasury."--British Museum online catalogue
Alternative Title:
Vüe de la parade dans le Parc de St. James : le Treser, le nouveau batiment de Gardes a Cheval, et la procession du Roy allant a la Chambre des Seigneurs
Description:
Titles engraved below image, in English and French., "An earlier state of this print was first listed in John Bowles's catalogue for 1753, in the series 'Perspective Views in and about London', p.44, number 19"--Curator's comments, British Museum online catalogue, registration no.: R,9.27., Plate from: A survey of the cities of London and Westminster, and the borough of Southwark. London : Printed for W. Innys and J. Richardson [etc.], 1754-55., Sheet trimmed within plate mark on three sides., Plate numbered "5" beneath lower right corner of image., Folded to 25.5 x 24.5 cm; mounted to 32 x 26 cm., and Mounted on page 181 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
W. Innys and J. Richardson, etc.
Subject (Geographic):
London (England), Saint James's Park (London, England),, England, and London.
Subject (Name):
George II, King of Great Britain, 1683-1760,, Horse Guards (London, England : Building),, and Great Britain. Treasury
Subject (Topic):
Buildings, Parks, Government facilities, Soldiers, Parades & processions, Spectators, and Carriages & coaches
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 2
Image Count:
1
Resource Type:
still image
Abstract:
"In an arena, bull with the King's features being devoured by dogs with politicians' features; other politicians outside the arena encouraging the dogs."--British Museum online catalogue
Description:
Title from item., Initials of printmaker Charles Jameson Grant in lower left portion of design., Date of publication from the British Museum online catalogue., Wood engraving with letterpress text., Imperfect; sheet trimmed with loss of imprint and series statement. Missing text supplied from impression in the British Museum., Numbered "90" in brown ink in top center portion of design., and No. 90.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Subject (Geographic):
England.
Subject (Name):
William IV, King of Great Britain, 1765-1837, Adelaide, Queen, consort of William IV, King of Great Britain, 1792-1849, and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Politicians, Bulls, Dogs, Rats, Animal fighting, and Spectators
"The Duke (left) and Duchess of St. Albans stand facing each other; the little Duke staggering under an ornamental basket which supports a side of bacon, inscribed Best Wiltshire. The Duchess holds on her shoulder a cutter in which are seated six oarsmen with oars held erect, and a helmsman. The Duke is dressed as Grand Falconer (see British Museum Satires No. 15596) and wears a hood with bells indicating both a fool's cap and the hood and bells of falconry. Two speeches float from his head: [1] "In love connubial, formed to live and last, This gift records a blissful twelvemonth past We claim, then boldly claim the flitch Dunmow First of the blest, who keep the marriag Vow". [2] I thought the flitch to small a present on this auspicious day so I have brought the Gammon with it Love. The Duchess answers: Thanks for your Bacon Duke well have you Saved it - and in return accept of this small Testimony of my affection. She wears Court dress, coronet, and feathers. The boatmen wear yellow and green liveries, and on the prow is a falcon's head; the back of the seat in the stern is decorated with a falcon perched on a melon resting on a heap of sovereigns. In the foreground are spectators: on the left the Dukes of Cumberland (wearing his hat) and Sussex stand together with Prince Leopold behind them; on the right is Sir Francis Burdett (son-in-law of Coutts), very thin, surprised, and displeased. In the background are other spectators, their heads concealed by the boat, and on the right a group of singers, some in Tyrolean costume, with (?) Braham and Miss Stephens; they sing: a boat a boat."--British Museum online catalogue
Alternative Title:
Scene in the honeymoon and Conjugal felicity
Description:
Title etched below image., Print signed using William Heath's device: character of Paul Pry, a man with an umbrella., Date of publication from British Museum catalogue., Imprint continues: ... where political and other caricatuers are dialy [sic] pub. the largest assortment of any house in town., and Sheet trimmed to plate mark.
Publisher:
Pub. by T. McLean, 26 Haymarket ...
Subject (Name):
St. Albans, William Beauclerk, Duke of, 1801-1849, St. Albans, Harriot Mellon, Duchess of, 1777?-1837, Ernest Augustus, King of Hanover, 1771-1851, Augustus Frederick, Prince, Duke of Sussex, 1773-1843, Léopold I, King of the Belgians, 1790-1865, Burdett, Francis, 1770-1844, Braham, John, 1774-1856, and Stephens, Catherine, 1794-1882
Subject (Topic):
Marriage, Spouses, Baskets, Bacon, Boats, Rowers, and Spectators
"Trial scene; Court of Peers in Westminster Hall, galleries packed with spectators."--British Museum online catalogue
Description:
Title etched below image., Plate from: The lady's magazine, or, Entertaining companion for the fair sex ..., v. 19 (April 1788)., A key to the image, labeled A-Q, is etched on either side of title., Imperfect; sheet trimmed within plate mark with loss of periodical name from upper margin. Missing text supplied from a more perfect impression., "Ladys magazine"--Above image., Mounted to 27.1 x 17.9 cm., and Mounted after page 182 in volume 4 part 1 of an extra-illustrated copy of: Malcolm, J.P. Londinium redivivum, or, An antient history and modern description of London.
Publisher:
Pubd. May 1st, 1788, according to act of Parliament by G. Robinson & Co., Pater Noster Row
Subject (Name):
Hastings, Warren, 1732-1818 and Westminster Hall (London, England),
Subject (Topic):
Impeachment, Government officials, Judicial proceedings, and Spectators
"George IV, crowned, and with orb and sceptre, sits on a coronation chair in Westminster Abbey (right). The Archbishop, well characterized, stands beside him, holding his mitre, his right hand on the chair. On the King's right hand stands Londonderry (Castlereagh) in Garter robes; other peers stand behind him. All watch the antics of Canning, dressed in parti-coloured clothes as a merry-andrew or buffoon. He kneels on the dais at the King's feet, arms flung wide; at his feet is a high-crowned hat with a peacock's feather; on the back of his tunic are the letters M P and P C. He declaims: The delight of the Nation at the Celebration of your Majesty's Coronation, the Exultation throughout the Creation exceeds all Imagination. the Expectation to which the Anticipation of this Consumation has given occasion is beyond Contemplation; we offer the Oblation of our Congratulation, without Hesitation or Trepidation; no Tribulation can effect a Cessation of the Sensation which pervades every Station; no Situation in whatever Deprivation will utter an Execration for the Association are in Preparation to effect an Extirpation of all Defamation. We hope the Expectation of a Decollation will produce Annihilation of all Deviation from strict Regulation; we submit to Subjugation without Hesitation, and we offer our Oration with gratefull Adoration upon this Jollification. The King composedly touches (or kicks) Canning's chin with his toe. Peeresses stand in a gallery across the north transept, holding their coronets. Above them is a second and more crowded gallery."--British Museum online catalogue
Alternative Title:
Adulation, or, A coronation oration by the George Pudding of the nation, Coronation oration by the Jack Pudding of the nation, and Coronation oration by the George Pudding of the nation
Description:
Title etched below image; the name "George" is scored through and replaced by "Jack" written above., Attributed to Charles Williams in the British Museum catalogue., The identification of the jester as Canning is wrong. The jester has been identified as Admiral Sir Edmund Burke Nagle., and Sheet trimmed within plate mark.
Publisher:
Pubd. July 1821 by S.W. Fores, Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Nagle, Edmund, Sir, 1757-1830
