A fat, jolly city gentleman holds his round belly as he smiles at the viewer. On his left a wretched country man in ragged clothes looks on with downcast eyes, his arms across his body as he covers his hands in his jacket
Alternative Title:
Plenty
Description:
Title from item., Tim Bobbin's Human passions delineated, first published in 1773. Tim Bobbin is the pseudonym of John Collier., Plate numbered '20' published as part of a 1810 edition of Bobbin's Human passions delineated, with an engraved dedication page, a portrait of the artist, and at least 25 individual prints depicting human passions., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Three grotesque French officers forceably recruit a gang of emaciated, terrified-looking Frenchman. Of the several men who have been thrown over the back of a horse, one has had a pole thrust into his posterior; at the top of the pole is a liberty cap. The wife and children of one man who has been tied to the back of the horse, cling in desperation to his ragged clothes, as they are dragged along behind him
Description:
Title from item., Publication year possibly an engraver's error for 1793 as the Republic was not proclaimed until 22 September 1792 and while the first execution by guillotine took place in April 1792, it was, early on, called La Louisette. See C.D. Hazen's French Revolution (1932), i., page 384 and British Museum catalogue v. 6, no. 7853., Publisher's advertisement following imprint: where may be seen a compleate model of the guilotine [sic], also the largest collection of caracaturs [sic] in the Kingdm., the head & hand of Count Streuenzee, &c. Admit. 1., Sheet trimmed within plate mark., and Watermark: F & P.
Publisher:
Pub. May 7, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
France
Subject (Topic):
History, Foreign public opinion, British, Guillotines (Punishment), Liberty cap, and Starvation
"Scene in a ramshackle attic, with a curtained bed on the right. A family sit at a table covered with a tattered cloth, on which are part of a loaf and four small potatoes. The ragged, lean, and elderly man (left) faces his still more haggard wife. A small boy stands by his mother, a youth and little girl sit opposite. All scowl with dismay at the meagre fare. A starving cat miaows. The man recites: "O! thou that blest the loaves and fishes, Look down upon these two poor dishes, And though the 'tatoes are but small, Oh make them large enough for all. For if they should our bellies fill 'Twill be a kind of Miricle!!!""--British Museum online catalogue
Description:
Title from item., Sheet trimmed within plate mark., Plate numbered in upper right corner: N. 9., Printseller's announcement following imprint statement: Folios of caracatures [sic] lent., and Cf. No. 11469, Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8 for description of later state with modified imprint statement.
Publisher:
Pubd. Janry., 1807 by T. Tegg, 111 Cheapside, London
Subject (Geographic):
Great Britain and Ireland.
Subject (Topic):
Irish, Social conditions, Cats, Ethnic stereotypes, Families, Potatoes, Poverty, and Starvation
"A tailor on his raised shop-board (right) kneels in terror at the apparition of an emaciated corpse-like man and a fat pig with its throat cut standing on its hind-legs. Beneath the shop-board the head and shoulders of the Devil emerge from the flames of Hell; he holds a trident and a bulky roll of cloth inscribed 'Cabbage' (cf. BMSat 8035, &c.), implying that the tailor's pilfering has not been restricted to scraps of material. (The place where tailors kept their 'cabbage' was termed Hell; see Grose, 'Classical Dict. of the Vulgar Tongue'). The tailor wears a nightcap and apron; round his neck is a tape-measure; he says (excreting), "o Lord o Lord I am in a nasty Condition". A small demon (right) holds his nose. Beside the tailor are his goose, lying on a garment (which is burning from the heat of the iron); the heel of a loaf with a knife, onions and cucumbers lie next a paper inscribed 'sick and in prison and he [word erased, comforted] me'. reside an ink-pot are an open book: 'The Benevolent Society Benifet of \ Survivership', and a paper: 'Advice to overseers respecting the poor'. The corpse stands in back view holding out a minatory hand and turning his nead in profile to the right; he asks "who starved me to Death". The pig says "you have been the Cause of my death". A man on the extreme left looks through a door, saying, "Aye Aye this comes of your ingratitude for my saving your life". On the wall which forms a background are (left to right) two pictures, two broadside ballads, and a print: [1] The lower part of a picture of 'Howard' shows the legs of a man walking past a barred prison window, through which look two faces. (News was received on 26 Feb. of the death of John Howard, the prison reformer, 'Gent. Mag.', 1790, i. 276, but this Howard appears to be the corpse.) [2] 'A Song by Tom Stitch on the Windsor Corporation'. [3] 'A Song in Ridicule of my best Friend.' [4] A print of a gibbet from which hangs a noose inscribed 'The Desert.' [5] A large picture: 'Windsor Charity'; the tailor stands in a prison cell, pointing to an emaciated man lying on straw, turning to a woman who kneels at his feet, he says, clenching his fist, "let him Die & be d--d." The woman says, "for God sake don't Suffer my Poor father to Starve". The dying man says "I perish for want"."--British Museum online catalogue
Alternative Title:
Tailor befrited and Ghosts
Description:
Title etched below image., Printmaker from British Museum catalogue., Dated in contemporary hand in lower right corner: 'Sept. 1790.', Sheet partially trimmed within plate mark., and Watermark: armorial shield with fleur-de-lis above and monogram W below.
A piece of propaganda most likely produced during the Seven Years War which depicts the English army as well-fed (and watered), happy and in good spirits in contrast to the French who are shown beleaguered and in disarray. On the English side of this print (left) a finely dressed general stands proudly in the foreground, a large tankard in his right hand, and his left outstretched in a gesture of merriment. Behind him, a singing man raises his hat to the sky. They trample upon torn flags decorated with the fleur-de-lis. In the background men and women. The crowd that spills from the doorway of the “Cow & Bow” includes a bishop, a woman sitting on a man’s knee, and other couples in close embrace. The party continues in the upper floors of the public house, and from its balcony, where it is accompanied by the music of a violinist. The masts of ships at dock occupy the horizon. On the French side by contrast a dishevelled man in French military dress holds a hand to his face in desperation. The skull of a horse lies on the ground next to a prone soldier who holds his hand to his breast. One of the soldiers behind eats something non-descript, another crouches by a puddle, using his hat to scoop water and drink. Ranks of the French army are pictured on the left, and in the background masts of ships - some of which appear to be going up in flames. The verses below nicely describe ‘the happy contrast’ pictured: See here the Emblem of successful war; The bold brave soldier & the jolly tarr, With Cap & Can their hearty Joys express, While mirth and gladness brighten ev’ry face, The flowing Bowl goes merrily around, And their full bliss with smirking Girls is Crown’d. Here is display’d the Figure of Despair, And the dire Train of unsuccessful War, Here a poor famish’d soldier begs for Bread. Another there with Horses flesh is fed, Water & Wooden Shoes & skin & Bones. Their portion is; and their whole Army Skeletons
Alternative Title:
England triumpant, or, France in despair and France in despair
Description:
Title engraved below image., Approximate date of publication from internal content., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., and Window mounted: 34 x 41 cm.
Publisher:
Printed for John Ryall in Fleet Street
Subject (Geographic):
Great Britain.
Subject (Topic):
Seven Years' War, 1756-1763, Public opinion, Armies, British, French, Soliders, Generals, Drinking vessels, Happiness, Taverns (Inns), Flags, Couples, Ships, Skulls, Starvation, and Thirst
Grant, C. J. (Charles Jameson), active 1830-1852, artist
Published / Created:
[between 1830 and 1852]
Call Number:
Drawings G761 no. 8 Box D123
Image Count:
1
Resource Type:
still image
Abstract:
A man with a queue wig and wearing spectacles (right) sits expectantly at a small round tea table set for two; his hands on the table glench his knife and fork, his napkin tied around his neck like a bib. He leans forward as he eyes the food approach carried by a woman in a mop cap and wearing spectacles who stands full lengh (left) holding a long handled frying pan heaped high with dark ashes. He says, "Come, come, Dame is'nt my eggs and bacon done yet. I'm literally famish'd in waiting." She replies, "I am very sorry to inform your worship that just as I had done 'em so nice all this here soot fell into the pan."
Description:
Title from caption written below image., Date of creation based on Grant's known years of activity., and For further information, consult library staff.
Subject (Topic):
Accidents, Cookery, Eating & drinking, Dining tables, Starvation, and Tableware
Title and date from item., Below title: In the collection of the Countess of Plymouth, Knole., Date of original painting, Count Ugolino and His Children in the Dungeon: 1770-1773., Represents a story from Dante's Inferno., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Published 1834, by Hodgson, Boys & Graves, 6, Pall Mall
Subject (Name):
Ugolino, della Gherardesca, conte di Donoratico, -1289.
Subject (Topic):
Starvation, Imprisonment, Dungeons, Fathers, and Children
Title from item., Date derived from dates organization had this name. It is now the Near East Foundation., Text is superimposed over a map of Turkey, Armenia, Mesopotamia, Syria, Arabia, Hedjaz Asir Yemen., and Mounted on linen.
Publisher:
American Committee for Relief in the Near East, 1 Madison Ave., New York City
Subject (Topic):
Middle East, History, Starvation, Armenian Genocide, 1915-1923, World War, 1914-1918, Humanitarian assistance, and Maps
In the upper right, beneath the French flag, French troops and Indians attack English settlers and burn their homes as signs of general social and political corruption are illustrated in the foreground; each scene is numbered and explained in the key below the image. In the center a tower covered by a cloud, obscuring all but a crown, orb and scepter. Two counselors with goose heads standing gossiping, and two bishops play backgammon and drink spirits (wine?), one sits on a chair made from a bible and the other sits on am overturned model of a church. Two noblemen rob a countryman as he sleeps in his chair. Two senators count their bribes, one hiding the money in his 'pension'. The decline in manufacturing (trade) is symbolized by the idle loom, covered with cobwebs and labeled "To be sold cheape". A thin, starving seaman begs while behind him two common folk stand idly with their hands in their pockets. In the upper left, soldiers in uniform lounge around their military encampment, beside rows of tents and cannons. In the distance, lines of ships stand idle at sea
Description:
Title etched above image., Earlier state of the print had 'Gazette' in title; this later state Gazette has been burnished out and replaced with 'Evening Post.', Description based on imperfect impression; sheet trimmed within plate mark., Following imprint: "Price six pence.", Later state, with change in title, of No. 3605 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., and Watermark: Strasburg bend with initials L V G below.
Publisher:
Publish'd according to act of Parliament, June 17, 1757, by T. Ewart at the Bee Hive near St. Martins Lane in the Strand
Subject (Geographic):
United States and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760
Subject (Topic):
History, Political corruption, Backgammon, Clergy, Games, Pleading (Begging), and Starvation
In the upper right, beneath the French flag, French troops and Indians attack English settlers and burn their homes as signs of general social and political corruption are illustrated in the foreground; each scene is numbered and explained in the key below the image. In the center a tower covered by a cloud, obscuring all but a crown, orb and scepter. Two counselors with goose heads standing gossiping, and two bishops play backgammon and drink spirits (wine?), one sits on a chair made from a bible and the other sits on am overturned model of a church. Two noblemen rob a countryman as he sleeps in his chair. Two senators count their bribes, one hiding the money in his 'pension'. The decline in manufacturing (trade) is symbolized by the idle loom, covered with cobwebs and labeled "To be sold cheape". A thin, starving seaman begs while behind him two common folk stand idly with their hands in their pockets. In the upper left, soldiers in uniform lounge around their military encampment, beside rows of tents and cannons. In the distance, lines of ships stand idle at sea
Description:
Title etched above image., Sheet trimmed within plate mark., Following imprint: "Price six pence.", Truman's notes about the print are shelved as: LWL Mss Group 1 File 17., Watermark: Strasburg bend with initials LVG below., Mounted to 32 x 48 cm., and 'Gazette' in title erased from this impression; 'Evening' written in contemporary hand.
Publisher:
Publish'd according to act of Parliament, June 17, 1757, by T. Ewart at the Bee Hive near St. Martins Lane in the Strand
Subject (Geographic):
United States and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760
Subject (Topic):
History, Political corruption, Backgammon, Clergy, Games, Pleading (Begging), and Starvation
