Plate 37. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill"--British Museum online catalogue
Alternative Title:
March to Finchley
Description:
Title engraved below image. and Dedication etched below image: "To His Majesty the King of Prussia, an encourager of the arts and sciences! This plate is most humbly dedicated."
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr. Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill."--British Museum online catalogue
Alternative Title:
March to Finchley
Description:
Title from caption below image., Added title and state from Paulson., State with date in 'Tottenham Court Nursery" sign changed from 1746 to 1745., Dedication etched below image: To His Maiesty the King of Prusia [sic], an encourager of the arts and sciences! This plate is most humbly dedicated., and A line has been added above the 's' in 'Prusia' to indicated the need for a correction; a comma has been added in ink following the word "Prusia".
Plate 37. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill"--British Museum online catalogue
Alternative Title:
March to Finchley
Description:
Title engraved below image. and Dedication etched below image: "To His Majesty the King of Prussia, an encourager of the arts and sciences! This plate is most humbly dedicated."
Plate 37. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill"--British Museum online catalogue
Alternative Title:
March to Finchley
Description:
Title engraved below image., Dedication etched below image: "To His Majesty the King of Prussia, an encourager of the arts and sciences! This plate is most humbly dedicated.", Ms. note in pencil in Steevens's hand below print: Modern impression., Sheet trimmed within plate mark to: 43.1 x 55.2 cm., and Formerly on page 152 in volume 2. Removed in 2012 by LWL conservator.
Townshend, George Townshend, Marquis, 1724-1807, printmaker
Published / Created:
[approximately November 1768]
Call Number:
Folio 75 H67 800 v.3 (Oversize)
Image Count:
1
Resource Type:
still image
Abstract:
A tracing of an etching that reproduces in a general way the design of "A scene of a pantamime entertainment lately exhibitied (British Museum satire no. 4220) with some additions and variations
Description:
Title etched below image., Knight of Malta identified as the Marquis Townshend., and On page 203 in volume 3.
Townshend, George Townshend, Marquis, 1724-1807, printmaker
Published / Created:
[ca. November 1768]
Call Number:
Folio 75 H67 800 v.3 (Oversize)
Image Count:
1
Abstract:
A tracing of an etching that reproduces in a general way the design of "A scene of a pantamime entertainment lately exhibitied (British Museum satire no. 4220) with some additions and variations
Description:
Title below image., Knight of Malta identified as the Marquis Townshend., Tracing of no. 4221 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and On page 293 in volume 3. Sheet trimmed to:
Mosley, Charles, approximately 1720-approximately 1770, printmaker
Published / Created:
[1745]
Call Number:
Folio 75 H67 800 v.2 (Oversize) Box 1
Image Count:
1
Resource Type:
still image
Alternative Title:
Dr. Herring Lord Archbishop of Canterbury and Archbishop Herring
Description:
Title etched around image., C. Mosley after a painting by William Hogarth. See Catalogue of Engraved British portraits., Date from Catalogue of engraved British portraits., A portrait of the Archbishop at the head of an engraved speech., Sheet trimmed within plate mark., Not in: Paulson, R. Hogarth's graphic works (3rd ed.)., and Formerly on page 122 in volume 2. Remove in 2012 by LWL conservator.
Publisher:
publisher not identified
Subject (Geographic):
Scotland
Subject (Name):
James, Prince of Wales, 1688-1766. and Herring, Thomas, 1693-1757
Pisces: Hogarth's Quadrille fish and Hogarth's quadrille fish
Description:
Title etched above image., Date, artist and printmaker from Paulson., Not in Paulson's 3rd edition., Plate from: Ireland, J. Hogarth illustrated, supplement, p. 368, 3rd editon., Sheet trimmed to plate mark., and On page 231 in volume 3.
Title etched below image., Sheet trimmed to plate mark., Plate for: Gosling, W. Account of what seemed most remarkable in the five days peregrination of the five following persons ..., Not in: Paulson, R. Hogarth's graphic works (3rd ed.)., and On page 210 in volume 3.
Publisher:
Publish'd Novr. 27th 1781 by Rd. Livesay at Mrs. Hogarth's Leicester Fields
