Fox and Sheridan sit with their feet in the stocks, each smoking a short pipe. Fox directs a fierce glare at Pitt, who stands (right) in profile to the (left), correct and impassive, holding a tall constable's staff. Pitt is grotesquely thin; he wears a large round hat over his bag-wig, and a long old-fashioned coat with wide cuffs
Description:
Title etched below image. and Watermark: J Whatman 1794.
Publisher:
Pubd by W. Holland, 50 Oxford St.
Subject (Geographic):
England.
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Pitt, William, 1759-1806
Subject (Topic):
Stocks (Punishment), Law enforcement officers, Politicians, and Staffs (Sticks)
"Four men stand in the pillory, in pairs. The arrangement is not that of the actual pillory: they stand on a cross-bar which connects two high posts, one at each side of the design, each of which supports a board, through the holes in which are thrust the heads and hands of two victims. The cross-bar is much above the level of the ground. In the centre of the design, below the cross-bar, is inset the head of Fox in an oval, on a much larger scale than the figures; he has an expression of scowling perplexity, The men in the pillory say (left to right), "I am only vexed I was not Paid before I swore"; "Little did I think of this &, Dam such pay as this"; "They Promise to keep me from Danger"; and, "Dam her Gr------e she brought me to this." Beneath the design is engraved:'These little Villains must submit to fate That great ones may enjoy the World, in State."--British Museum online catalogue
Alternative Title:
Supporters of Fox and liberty
Description:
Title etched above image., Sheet trimmed within plate mark., and Watermark in center of sheet: fleur-de-lis.
Publisher:
Pubd. April 24, 1784, by H. Humphrey, No. 51 New Bond Street
Subject (Geographic):
England and London.
Subject (Name):
Fox, Charles James, 1749-1806 and Great Britain. Parliament
Subject (Topic):
Elections, 1784, Honesty, Pillories, Political elections, and Stocks (Punishment)
"Satire on Lord Bute in the form of a reply to Henry Howard's bawdy ballad, "The Queen's Ass" (BM Satires 3870): the zebra kicks Howard, who has fallen to the ground, behind him a group of men comprising John Fielding, the three Cherokee chiefs who visited London in 1762, and another who may be identified as the man referred to in the verse below as "M-re [who] sally'd forth the fair Sex to relieve"; on the right, Bute, dressed in tartan and wearing a boot, riding a tamed British Lion; a Jewish stockbroker in the stocks; and George Whitfield looking into a mirror which reflects the image of an ass. In the background Charles Churchill, wielding a stick, chases off Bute's supporters, the journalists Arthur Murphy and Tobias Smollett, who raise their hands in surprise. Engraved inscriptions, title and verses in two columns by "Fartinando", to be sung to the tune of "The Ass in the Chaplet"."--British Museum online catalogue
Alternative Title:
Answer to Harry Howard's ass
Description:
Caption title below etching., Engraved broadside poem illustrated with etching at top of sheet (late mark 30.1 x 20 cm). Etching signed: J. Jones delin et sculpt., Harry H----d's = Henry Howard., Publication date from British Museum catalogue., The lion bears some resemblance to those designed by Jefferyes Hamett O'Neale for the Ladies Amusement (first published by Sayer in 1760), especially plate 108, and was perhaps copied from his work. Cf. British Museum online catalogue., Ten stanzas of verse below title: Permit me good people (a whimsical bard) and snarl not [the] critical class ..., and Mounted to 35 x 41 cm.
Publisher:
Publish'd according to act of Parliament by J. Williams, next the Mitre Tavern, Fleet Street
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, Whitefield, George, 1714-1770, Fielding, John, Sir, 1721-1780, Murphy, Arthur, 1727-1805, and Smollett, T. 1721-1771 (Tobias),
Subject (Topic):
Cherokee Indians, Jews, Clergy, England, National emblems, British, Stocks (Punishment), and Zebras
Hogarth is shown fleeing from a village, his hat flying off as a scolding woman at his side points to cow horns that appear over his head. The horns are numbered “1”, a reference to a table below to Hogarth's prints "Four times the day". A chimney sweep behind Hogarth holds up his print “H- [of] Prussia” as he steals from his satchel the 'March to Finchley'. Another chimney sweep -- numbered “2” referencing the table below that identifies him as "a painter"--rides a sow and carries a palette as a shield emblazoned with a “line of beauty”. Exemplifying the "lines of beauty". Hogarth's dog bits the woman's drapery; a greyhound steals from a pail hanging from the yoke of a milkmaid; a cripple with his crutch, wooden leg, and natural leg. The design includes numerous other references to other Hogarth prints and Centered below the main design is an etching of Hogarth in stocks under a pump. Mounted on the pump is a broadside inscribed: "Puggs proposals to his Dunces to humbug them by an election feast a burlesque on the wort[hy] members o[f Parlia]ment 1754." Parts of the image are lettered, referencing a table to the right
Alternative Title:
Painters march from Finchley
Description:
Title etched below image., Artist and printmaker identified as Paul Sandby. See British Museum cataogue., and On page 291 in volume 3. Sheet trimmed to: 23.1 x 19.6 cm.
Publisher:
publisher not identified
Subject (Name):
Hogarth, William, 1697-1764
Subject (Topic):
Influence, Artists, Chimney sweeps, Crowds, Dogs, Livestock, Milkwomen, People with disabilities, Signs (Notices), Stocks (Punishment), and Water pumps
Hogarth is shown fleeing from a village, his hat flying off as a scolding woman at his side points to cow horns that appear over his head. The horns are numbered “1”, a reference to a table below to Hogarth's prints "Four times the day". A chimney sweep behind Hogarth holds up his print “H- [of] Prussia” as he steals from his satchel the 'March to Finchley'. Another chimney sweep -- numbered “2” referencing the table below that identifies him as "a painter"--rides a sow and carries a palette as a shield emblazoned with a “line of beauty”. Exemplifying the "lines of beauty". Hogarth's dog bits the woman's drapery; a greyhound steals from a pail hanging from the yoke of a milkmaid; a cripple with his crutch, wooden leg, and natural leg. The design includes numerous other references to other Hogarth prints and Centered below the main design is an etching of Hogarth in stocks under a pump. Mounted on the pump is a broadside inscribed: "Puggs proposals to his Dunces to humbug them by an election feast a burlesque on the wort[hy] members o[f Parlia]ment 1754." Parts of the image are lettered, referencing a table to the right
Alternative Title:
Painters march from Finchley
Description:
Title etched below image. and Artist and printmaker identified as Paul Sandby. See British Museum cataogue.
Publisher:
publisher not identified
Subject (Name):
Hogarth, William, 1697-1764
Subject (Topic):
Influence, Artists, Chimney sweeps, Crowds, Dogs, Livestock, Milkwomen, People with disabilities, Signs (Notices), Stocks (Punishment), and Water pumps
Leaf 42. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
An obese constable, leaning heavily against stocks set on the ground and holding his staff in his right hand, is reaching for a bottle in his left coat pocket. His unfocused gaze betrays his drunk condition. On a column to his right is pasted a placard, "A proclamation against drunkenness." Below the column, a small dog with a name "Guzzle" on his collar is relieving himself on his master's leg
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered '13' in upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Constables -- Drunkenness -- Torture., First of two plates on leaf 42., and 1 print : etching with engraving on laid paper ; plate mark 24.7 x 17.5 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Pubd. by MDarly, Strand, March 5th, 1772, accorg. to act
Leaf 42. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
An obese constable, leaning heavily against stocks set on the ground and holding his staff in his right hand, is reaching for a bottle in his left coat pocket. His unfocused gaze betrays his drunk condition. On a column to his right is pasted a placard, "A proclamation against drunkenness." Below the column, a small dog with a name "Guzzle" on his collar is relieving himself on his master's leg
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered '13' in upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Constables -- Drunkenness -- Torture.
Publisher:
Pubd. by MDarly, Strand, March 5th, 1772, accorg. to act
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[1 March 1772]
Call Number:
Bunbury 772.03.01.02.1
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on a country barber-surgeon: a bespectacled man holding a lancet and razor stands in profile to right, a basin under his right arm, beside his shop-sign which bears an image of a wig; the village stocks can be seen beyond."--British Museum online catalogue
Description:
Title from text below image., Initial letters of artist's name in signature form a monogram., Later state with slight alterations in design. For earlier state, see Lewis Walpole Library call no.: 75 B87 770., Sheet trimmed within plate mark., and Temporary local subject terms: Surgery -- Lancet -- Scratches -- Food: Reference to sausages -- Reference to washballs -- Reference to black pudding -- Red herrings -- Medicine: Reference to Scotch pills -- Reference to powder for the itch.
Publisher:
Publish'd as the act directs March 1, 1772, by J. Bretherton, No. 134 New Bond Street
Subject (Topic):
Barbering, Medical equipment & supplies, Pharmacists, Physicians, Shaving equipment, Signs (Notices), Stocks (Punishment), and Wigs
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[1 March 1772]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 111. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire: a barber in profile outside his shop holding out his instruments."--British Museum online catalogue
Description:
Title etched below image., Initial letters of artist's name in signature form a monogram., Early state of the plate, before drypoint shading added to the figure's face and hair. For a later state with this additional shading, see British Museum online catalogue, registration no.: J,6.94., Sheet trimmed to plate mark on left side., Temporary local subject terms: Surgeons -- Signboards -- Medical instruments: Lancet -- Barbers implements: Razor and shaving dish -- Bob wigs -- Bob-majors wigs -- Scratches wigs -- Food: Reference to sausages -- Reference to washballs -- Black pudding -- Medicine: Reference to Scotch pills -- Reference to powder for the itch., and Mounted on page 111 of: Bunbury album.
Publisher:
Publish'd as the act directs March 1, 1772, by J. Bretherton, No. 134 New Bond Street
Subject (Topic):
Barbering, Medical equipment & supplies, Pharmacists, Physicians, Shaving equipment, Signs (Notices), Stocks (Punishment), and Wigs
