"View in Cheapside, looking down the wide street with the church on the right, the old shop signs over-hanging the pavements on either side."--British Museum online catalogue, description of another print of identical composition
Alternative Title:
Eglise de St. Marie le Bow dans Cheapside, London
Description:
Titles etched below image, in English and French., Date of publication based on Robert Sayer's earliest year of activity. The address "near Sergeants Inn, Fleet Street" only appears on his very early prints; see British Museum online catalogue., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Twelve views of the city of London and public buildings therein, accurately engraved from the originals taken on the spot", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, page 86, no. 8., Plate numbered "10" in upper right corner., Watermark: Curteis & Son 1806., and Leaf 41 in an album of views of London and its vicinity.
Publisher:
Printed for Robt. Sayer, map & printseller, at the Golden Buck near Serjeants Inn, Fleet Street
Subject (Geographic):
London (England), Cheapside (London, England),, England, and London.
A scene in a fashionable library with ladies and gentlemen conversing with attendants at the counters on either side. On the left a woman looks in a book while her male companion converses with a clergyman, as the woman behind the counter consults a book. On the right, a man sits in a chair as a lady discusses her choices with the man behind the counter who reaches for a book below a sign 'Stamp'. Behind him is another sign "Just published [...]" An older woman with a walking stick approaches the counter on the right, followed by a Black servant and a dog. The windows are filled with books and prints. Through the open door a woman with an umbrella is silhouetted; to the left another sign "History Westminster and its monuments."
Description:
Title etched below image., Printmaker, publisher, and date of publication from the volume in which this plate was issued., Plate from: Poetical sketches of Scarborough / illustrated by twenty-one engravings ... made upon the spot by J. Green and etched by T. Rowlandson. London : Printed for R. Ackermann by J. Diggens, 1813., Aquatint probably added to this plate and others in the volume by J.C. Stadler and J. Bluck. See: Hardie, M. English coloured books., Sheet trimmed within plate mark., and Watermark, partially trimmed: [J. Wha]tman [18]14.
Publisher:
R. Ackermann
Subject (Geographic):
Scarborough (England) and Great Britain,
Subject (Topic):
Black people, Interiors, Libraries, Books, Bookcases, Window displays, Light fixtures, Dogs, and Stores & shops
Leaf 36. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
A caricature of seven men standing on the street in front of the window of Matthew Darly's shop looking at his caricature publications in the window. On the door are plates inscribed "39" "Dar".
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Sheet trimmed to plate mark., and Plate numbered '24' in upper right corner.
Publisher:
Pub. accor. to act by MDarly, Strand
Subject (Geographic):
England and London.
Subject (Name):
Darly, Matthias, approximately 1720-approximately 1778.
Subject (Topic):
Dandies, British, Prints, Stores & shops, and Window displays
Leaf 36. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
A caricature of seven men standing on the street in front of the window of Matthew Darly's shop looking at his caricature publications in the window. On the door are plates inscribed "39" "Dar".
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Sheet trimmed to plate mark., Plate numbered '24' in upper right corner., First of two plates on leaf 36., and 1 print : etching on laid paper ; plate mark 17.7 x 24.9, on sheet 44.4 x 27.5 cm.
Publisher:
Pub. accor. to act by MDarly, Strand
Subject (Geographic):
England and London.
Subject (Name):
Darly, Matthias, approximately 1720-approximately 1778.
Subject (Topic):
Dandies, British, Prints, Stores & shops, and Window displays
"The interior of a fruiterer's shop. Behind a counter sits a man (left) with long goat's horns and a goat's beard. He holds up his hand with an expression of dismay at a man who shows him a bust portrait of himself with horns and beard. The man, who wears a cockaded hat, is laughing. His arm is held by a man who stands behind him smiling and pointing a cane at the horned man, or 'Minogoat'. The latter's hand rests upon the counter on a sheaf of newspapers: 'Gazeter', 'London Spy', 'Morning Her[ald]', 'London Chronicle', 'London Gaz[ette]', A dwarfish newsboy stands in front of the counter blowing his horn, and offering him the 'Morning Post'. The boy is very bandy-legged; his cap is decorated with a leek, suggesting that it is St. David's day. On the ground (right) is a basket containing pottles of fruit which a goat is befouling. In what appears to be an inner room or recess (right) a table is laid with dishes of fruit, glasses, and an urn; four people are seated at it: a man and woman laughing and talking together in an absorbed way; a man who points out this couple to a companion. Wilkes (unmistakable from his squint) stands behind holding out his hat. Fruit hangs in the panes of the shop window which is immediately behind the Minogoat, who appears to be a Welsh shop-keeper. On the upper and lower margins of the print ten lines of verse are engraved".--British Museum online catalogue
Description:
Title and publication date from British Museum catalogue., Imperfect; trimmed to design line with loss of verse and title., Attributed to Austin in the British Museum catalogue., and Dated in ms. on verso 1756.
Publisher:
publisher not identified
Subject (Name):
Wilkes, John, 1725-1797
Subject (Topic):
Cuckolds, Fruit, Newspapers, Goats, and Stores & shops
A view from the street: a carriage with a coachman shown driving on the street in front of the Sidebotham shop with a sign over the shop display windows reading: Opposition Caricature Shop. In the opposite direction on the street, a horse gone wild; another horse is trampled by the carriage horse. A woman flees in terror while a gentleman continues to walk, oblivious to the chaos around him. Sign in the upper right: Bang up!! The public are cautioned against a vile and spurious imitation of the above published car[illegible text].
Description:
Title from caption below image., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd by J. Sidebotham 24 Lower Sackville Street
"A man in quasi-fashionable dress with spurred top-boots and knee-breeches gapes oafishly at a print-shop window, while a little boy, respectably dressed, takes a purse from his breeches-pocket, having already twitched a handkerchief from the coat-tail pocket which hangs inside out. Behind (right) a lady stares through an eye-glass. In each pane of the curved window of a corner-shop (Berthoud's?) is a print. One of the Devil faces a portrait of the 'Duke of Wellington'; these are 'The Pair Half a Crown' [cf. BM Satires Nos. 13826, 15646]; 'Up to every thing' is a tall soldier, taking the hand of a woman at a first-floor window; 'A Loan' is BM Satires No. 14993; 'Man of Taste' is a man at the counter of a ham and beef shop (cf. BM Satires No. 13127); 'Remember the Post Boy your Honor', scene in an inn yard. There are other prints, one is a double sheet: 'Joe Lisle Play upon words'. There is a Paul Pry (not resembling Liston, cf. BM Satires No. 15138), and against the pickpocket's head is a print of an empty gibbet."--British Museum online catalogue
Description:
Title from caption below image. and Watermark: J. Whatman Turkey Mill 1827.
Publisher:
Published by Berthoud & Son, 65, Quadrant
Subject (Geographic):
England and London
Subject (Topic):
Boys, City & town life, Merchandise displays, Pickpockets, Prints, Stores & shops, and Witnesses
"A show-room in which ladies are being fitted with various types of underclothing, specimens of which hang from the walls. An elderly man of quasi-clerical appearance fits a very fat lady with knickerbockers and braces; he looks over his shoulder at the spectator; from his pocket issues a roll of 'Complieations'. She is the central figure and regards herself with admiration in an ornate wall-mirror which reflects her face. Her stockings are held up by cords issuing from a disk on each hip. A lady and little girl (left) walk eagerly into the room. A shopman offers two false breasts to a wizened knock-kneed hag wearing knickerbockers. On the right a complacent lady in knickerbockers is having her suspenders fastened by a kneeling shopman. Another, seated on a chair, pulls on knickerbockers; other bulky garments to tie at the knee hang on the wall (left). On a shelf are wigs on stands (see BMSat 9313, &c), and from it hang garments having some resemblance to the modern brassiere (or soutien-gorge) to which braces are attached. There are also suspenders. Beneath the design: 'Dr Trussup takes the liberty to acquaint the Ladies, that he has by dint of intense Study, Astronomical . . . [&c. &c] Calculations, Discovered an immense variety, of Convenient, Comfortable, and Captivating Articles for the Ladies, first, his warm & well contrived Drawers, which will in all weathers, keep warm . ... in spite of the rage for thin covering, they are made of flannell, Cotton, fleecy hose & various other commodities . . . Dr Trussupp has from much observation and reflection, prepared commodious Spring Garters [ ? suspenders] . . . . without that banefull ligatue above the Knee, which makes the Ancle so inelligantly thick & Clumsy, also his wonder-full Wigs . . . but above all, his favourite & accommodating Circassian Vests, alias Bosom Friends, which permits free respiration, prevents all pressure on the chest, raises the languid Breast to the appearance of a Juvenile heaving Bosom. . . . NB resolves all sorts of lawful & unlawful Questions .... Casts Nativeties, and in short is the only Man in existance, caperble [sic] of treating on all Subjects in the Habitable World.'"-British Museum online catalogue
Description:
Title etched at bottom of image., Printmaker from British Museum catalogue., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., Sheet trimmed to plate mark., Three columns of text below image: Chevr. [sic] Trussup takes the liberty to acquaint the ladies that he has by dint of intense study, astronomical, geographycal, clerical ..., Cf. No. 9456 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., and Temporary local subject terms: Female dress: poking hat --
Publisher:
Publish'd Sepr. 1st, 1799, by S.W. Fores, No. 50 Piccadilly
Caricature with Queen Caroline (left) as Lady Macbeth in the mad scene, standing in the street before two shops; she holds a candlestick raised in her right hand as she holds out her dress with her left hand, looking down horror at her skirt which is decorated with three panels with images of men and labeled "Man B", "Austi", "Sapio", "Mat ...", and "Bat". The initials "C.B" are embroidered on the trim of her knickers. Standing to her right is an astonished John Bull who holds his hat in front of his face, arm extended in horror. The shop on the left is identified by a sign below second story windows with broken glass: Wholesale Dealer in Brass Forges, Ranges, &c N.B. Odd jobs in general. The street level is shuttered, its doors covered in graffiti: Gone away, Gone abroad, Empty, M.T. The one door has a knocker in the shape of a ram's head. John Bull stands before the second door which stands open as if he has just emerged. The windows are curtained and the building well maintained. The large sign above reads "Time & Common-Sense Occulists. N.B. Films expeditiously removed &c. Below this sign (left) is a pair of large spectacles with the two eyeballs turned towards the shop on the left and a smaller sign (right) that reads "No connexion with the next shop."
Alternative Title:
John Bull with his eyes opened
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum online catalogue., Five lines of quoted text below the figure of Queen Caroline: "Out damned spots, out I say! "One, two, -- fie! fie! "All the perfumes of Arabia will not sweeten me!" Abroad! Abroad! What's done can't be undone!" "To B[ergam]i to B[ergami]i to B[ergam]i!!!, Four lines of text below the figure of John Bull: "To a nunnery go! "To a nunnery! "A nunnery!" Finale, exit with a flourish!, Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Mounted on page 27 of: George Humphrey shop album., 1 print : etching with stipple on wove paper, hand-colored ; sheet 29.4 x 21.9 cm., and Sheet trimmed within plate mark.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Shakespeare, William, 1564-1616., Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, and Bergami, Bartolomeo Bergami, Baron.
Subject (Topic):
John Bull (Symbolic character), Adultery, Signs (Notices), and Stores & shops
Caricature with Queen Caroline (left) as Lady Macbeth in the mad scene, standing in the street before two shops; she holds a candlestick raised in her right hand as she holds out her dress with her left hand, looking down horror at her skirt which is decorated with three panels with images of men and labeled "Man B", "Austi", "Sapio", "Mat ...", and "Bat". The initials "C.B" are embroidered on the trim of her knickers. Standing to her right is an astonished John Bull who holds his hat in front of his face, arm extended in horror. The shop on the left is identified by a sign below second story windows with broken glass: Wholesale Dealer in Brass Forges, Ranges, &c N.B. Odd jobs in general. The street level is shuttered, its doors covered in graffiti: Gone away, Gone abroad, Empty, M.T. The one door has a knocker in the shape of a ram's head. John Bull stands before the second door which stands open as if he has just emerged. The windows are curtained and the building well maintained. The large sign above reads "Time & Common-Sense Occulists. N.B. Films expeditiously removed &c. Below this sign (left) is a pair of large spectacles with the two eyeballs turned towards the shop on the left and a smaller sign (right) that reads "No connexion with the next shop."
Alternative Title:
John Bull with his eyes opened
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum online catalogue., Five lines of quoted text below the figure of Queen Caroline: "Out damned spots, out I say! "One, two, -- fie! fie! "All the perfumes of Arabia will not sweeten me!" Abroad! Abroad! What's done can't be undone!" "To B[ergam]i to B[ergami]i to B[ergam]i!!!, Four lines of text below the figure of John Bull: "To a nunnery go! "To a nunnery! "A nunnery!" Finale, exit with a flourish!, Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Illegible signature in brown ink in lower right corner of sheet.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Shakespeare, William, 1564-1616., Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, and Bergami, Bartolomeo Bergami, Baron.
Subject (Topic):
John Bull (Symbolic character), Adultery, Signs (Notices), and Stores & shops
