Leaf 4v. Cries of Edinburgh characteristically represented.
Image Count:
1
Resource Type:
still image
Abstract:
A knife grinder works at his portable grinding machine in the foreground with the turrets of Heriot's Hospital in the background
Alternative Title:
Heriot's Hospital, from foot of W. Bow
Description:
Title from verses etched below image., Publication information from that of the volume for which the plate was engraved., Plate from: Cries of Edinburgh characteristically represented : accompanied with views of several principal buildings of the city. Edinbr. : Sold by L. Scott ..., 1803., and Sheet trimmed within plate mark.
Publisher:
L. Scott
Subject (Geographic):
Scotland and Edinburgh.
Subject (Name):
George Heriot's Hospital,
Subject (Topic):
City & town life, Street vendors, Sharpening & honing tools, and Grinding machines
Four pair for a shilling, Holland socks, Achetez des chaussons, and Chi uuol scapini d'Holanda
Description:
Title engraved in English, French, and Italian below image., Tempest also possibly the printmaker. See Hindley, C. History of the cries of London, ancient and modern., 'ML' in M. Lauron forms a monogram., Imprint from title page., No. 44 bound in: The cryes of the city of London. London : Printed & sold by Henry Overton at the White Horse without Newgate, 1733., and Numbered on verso in contemporary hand.
Publisher:
Printed & sold by Henry Overton at the White Horse without Newgate
Title engraved in English, French, and Italian below image., Tempest also possibly the printmaker. See Hindley, C. History of the cries of London, ancient and modern., 'ML' in M. Lauron forms a monogram., Imprint from title page., No. 6 bound in: The cryes of the city of London. London : Printed & sold by Henry Overton at the White Horse without Newgate, 1733., and Numbered on verso in contemporary hand.
Publisher:
Printed & sold by Henry Overton at the White Horse without Newgate
Rabiller les poelles, les marmites, et les chaudrons and Concia caldare, candelieri, e padelle
Description:
Title engraved in English, French, and Italian below image., Tempest also possibly the printmaker. See Hindley, C. History of the cries of London, ancient and modern., 'ML' in M. Lauron forms a monogram., Imprint from title page., No. 54 bound in: The cryes of the city of London. London : Printed & sold by Henry Overton at the White Horse without Newgate, 1733., and Numbered on verso in contemporary hand.
Publisher:
Printed & sold by Henry Overton at the White Horse without Newgate
"Copy of scene in the "Old Angle In", an inn with the sign of an angel that gives the proprietor as 'Toms. Bates', and a stop for coaches on the road to London; in foreground a large woman enters a coach, the man to her left helps her in with a hand on her round backside, a man with a protruding belly stands waiting, behind him a boy holds out a hat for tips; to the left a refreshment seller yells out advertising her goods, two drunken guests lean out from a window above with a pipe and a horn, and two figures embrace in the doorway below, the watchdog lies asleep in his kennel on the right; a crowd of election campaigners at the far end of the inn."--British Museum online catalogue
Alternative Title:
Stage-coach
Description:
Title from text below image., Copy in reverse of the Hogarth print with the Paulson title: The stage coach, or, The country inn yard. Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 167., Date range for publication from the British Museum online catalogue, registration no.: Cc,2.145., "From an unidentified series of copies after Hogarth's prints. The prints in this series are lettered with title, 'Invented & Painted by Wm. Hogarth' and plate number. For the full list of the plates, see BM Satires 3051"--Curator's comments, British Museum online catalogue, registration no.: Cc,2.153., Sheet trimmed to plate mark., and "No. 4"--Upper right corner.
Publisher:
publisher not identified
Subject (Topic):
Carriages & coaches, Crowds, Street vendors, and Taverns (Inns)
The fishwives stalls are in the foreground with the masts of ship vessels behind, and among them one tall smoking funnel. The market buildings are on the right. The foreground is more crowded than in other Billingsgate prints. The chief feature is an irate woman seated on an upturned tub beside her stall, berating a lady in a riding-habit who holds a huge fish's head. Beside the latter is another lady, disconcerted. Two liveried servants are amond the crowd. Lady Caroline Lamb and a young marchioness, both 'in disguise', go to the market to hear the traditional language of the fishwives, this Lady Caroline provokes by disparaging a fish. On the left is a fashionably dressed young man, resembling R.C. On the left, a drunken woman sits with her glass raised. From British Museum catalogue
Alternative Title:
Visit to Billingsgate
Description:
Title from caption below image. and Sheet trimmed within plate mark.
Publisher:
Pubd. by Sherwood, Jones & Co.
Subject (Geographic):
Billingsgate Ward (London, England)
Subject (Name):
Cruikshank, Robert, 1789-1856 and Lamb, Caroline, Lady, 1785-1828
Subject (Topic):
Crowds, Fishmongers, Intoxication, Riding habits, Servants, Shipsfood v., and Street vendors
Title engraved in English, French, and Italian below image., Tempest also possibly the printmaker. See Hindley, C. History of the cries of London, ancient and modern., 'ML' in M. Lauron forms a monogram., Imprint from title page., Numbered "13" in lower right corner., No. 13 bound in: The cryes of the city of London. London : Printed & sold by Henry Overton at the White Horse without Newgate, 1733., and Unidentified manuscript note and number (in another hand) on verso, giving detailed histories of the people depicted.
Publisher:
Printed & sold by Henry Overton at the White Horse without Newgate
Title engraved in English, French, and Italian below image., Tempest also possibly the printmaker. See Hindley, C. History of the cries of London, ancient and modern., 'ML' in M. Lauron forms a monogram., Imprint from title page., Numbered "13" in lower right corner., No. 13 bound in: The cryes of the city of London. London : Printed & sold by Henry Overton at the White Horse without Newgate, 1733., and Unidentified manuscript note and number (in another hand) on verso, giving detailed histories of the people depicted.
Publisher:
Printed & sold by Henry Overton at the White Horse without Newgate
Plate 11 of Wheatley's Cries of London. This plate shows a ballad seller with strip ballads, selling her wares to two men on the sidewalk beside a building with two large columns; around them are two women, one holding a child, and a small boy feeding a dog
Alternative Title:
Chanson nouvelles deux sols le livret
Description:
Title from item., With the imprint statement: London Pubd, as the Act directs 1st. March 1796 by Colnaghi & Co. (late Torres) No. 127 Pall Mall., and Engraved after Francis Wheatley, who first exhibited his series of oil paintings depicting London street-sellers at the Royal Academy between 1792 and 1795.
Subject (Topic):
Copperplates, Ballads, Dogs, Infants, Mothers, and Street vendors
Ministre nonconformiste and Ministro o'sacerdote calvinista
Description:
Title engraved in English, French, and Italian below image., Tempest also possibly the printmaker. See Hindley, C. History of the cries of London, ancient and modern., 'ML' in M. Lauron forms a monogram., Imprint from title page., No. 73 bound in: The cryes of the city of London. London : Printed & sold by Henry Overton at the White Horse without Newgate, 1733., and Numbered on verso in contemporary hand.
Publisher:
Printed & sold by Henry Overton at the White Horse without Newgate
