Title engraved below image., Date supplied by curator., Above image: Satyrisches Bild.; No.52, and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
im Bureau der Theaterzeitung, Rauhensteingasse No.926
Subject (Topic):
Gluttony, Swine, Soldiers, Eating & drinking, Dead persons, Food, and Satires (Visual works).
Bouttats, Gerard, born 1630, active 1658, printmaker
Published / Created:
[ca. 1658]
Call Number:
Print01378
Image Count:
1
Resource Type:
still image
Description:
Title from item., Date derived from printmaker's active date., Place of publication from item., Sheet trimmed to plate mark., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Alcohol; Greed; Politics; Poverty.
Newman, W., active approximately 1834-1835, lithographer, artist
Published / Created:
1835.
Call Number:
835.00.00.208
Image Count:
1
Resource Type:
still image
Abstract:
Design consisting of thirty-one small images, all of them individually titled, showing satirical scenes commenting on British social and political issues, many with visual puns, and depictions of stereotypes, both ethnic and social: dustman, Hottentotts, pickpockets, bishops, hunters, etc. Images are loosely arranged in three columns with the following headings at top (left to right): Hints to singers; A few favorite songs &c. &c.; Musical term's.
Description:
Title from text at top of design., "Price twopence"--Following publisher's statement and preceeding publication date in imprint., 1 print : lithograph ; sheet 26.8 x 19 cm., Printed on wove paper; mounted to 34 x 26 cm., and Imperfect; sheet trimmed with loss of imprint statement from bottom edge.
Publisher:
Joseph Thomas, No. 1 Finch Lane, Cornhill and Printed by S. Straker, George Yd., Lombard St.
John Gilpin galloping through Edmonton, north London, on an out of control horse, passing the Bell Inn, his intended destination; his hat and wig have flown off behind him; a dog and pig scamper out of the way of the charging horse; as he passes, Gilpin glances longingly up towards his wife and children waiting for him in the inn. Two men sit on a bench outside the pub and observe the commotion; another man leans on a trestle table. A lamp hangs above the tavern entrance
Description:
Title etched below image., Plate from: William Cowper's ballad, John Gilpin, in The wit's magazine, 1784, v. 1, p. 271-3., Sheet trimmed within plate mark., 1 print : etching and engraving with stipple on laid paper ; sheet 22 x 25 cm., and Sheet trimmed within plate mark on top and bottom edges.
John Gilpin galloping through Edmonton, north London, on an out of control horse, passing the Bell Inn, his intended destination; his hat and wig have flown off behind him; a dog and pig scamper out of the way of the charging horse; as he passes, Gilpin glances longingly up towards his wife and children waiting for him in the inn. Two men sit on a bench outside the pub and observe the commotion; another man leans on a trestle table. A lamp hangs above the tavern entrance
Description:
Title etched below image., Plate from: William Cowper's ballad, John Gilpin, in The wit's magazine, 1784, v. 1, p. 271-3., and Sheet trimmed within plate mark.
Pitt, leaping through the air and surrounded by demons, pursues (left to right) fleeing swine with human heads. In his right hand he flourishes a scourge with three weighted lashes, two inscribed 'Powder Tax', the third 'Wig Tax'. The swine wear wigs or have long hair. In his left hand he holds a sceptre terminating in a spike with which he prods a pig who turns round to snarl. Two of the attendant demons breathe fire and hold firebrands. A small demon prods with a triden, and seizes the tail of, a large pig who leaps through the air, its wig flying from its head. Another demon rides a pig, flourishing a scourge. Four birds (right) fly away. Pitt is grotesquely caricatured as are the heads of the swine
Alternative Title:
Hell broke loose, Billy and his gang working the swine
Description:
Title from text below image., Date of publication from British Museum catalogue., Signed at bottom of image with artist W. O'Keeffe's monogram., and A satire on the Powder tax and on Burke's phrase "the swinish multitude".
Publisher:
Pubd. by P. Roberts, 28 Middle-row, Holborn
Subject (Geographic):
Great Britain.
Subject (Name):
Pitt, William, 1759-1806
Subject (Topic):
Hair powder, Taxation, Taxatiion, Demons, and Swine
Title from item., Six lines of verse below image: If these hirelings must judge and judge by their own laws, let them find themselves quarters, a very just cause ..., Plate from: A political and satyrical history of the years 1756 and 1757. In a series of ... prints. London : Printed for E. Morris, [1757]., Plate numbered '36' in upper right corner of design., Temporary local subject terms: Alehouses: 'Man of Kent' -- Hessians., and Mounted to 17 x 31 cm.
Publisher:
Publish'd according to act, Octr. 30, 1756, by Edwards and Darly at the Acorn, facing Hungerford Strand
"Queen Caroline as Lucifera sits in a coach made up of objects which figured in the evidence against her. The driver is Bergami, whip in hand (thus representing Satan) on a high box seat; he turns to hand a bottle of wine to the Queen who holds a sack inscribed '50,000' [see British Museum Satires No. 14145]. The beam or chassis is a cannon (see British Museum Satires No. 13850), on this rests the body of the open coach, the front part being the prow of a boat (the polacca, see British Museum Satires No. 13818), the centre part a tub, representing the bath, see British Museum Satires No. 13819, the back part, half of the body of a travelling-coach, is surmounted by half a conical tent (see British Museum Satires No. 13818), the whole making a canopy over the Queen. On the tub-section a coat-of-arms is represented by a diamond-shape blank (hatchment-wise) with two supporters, Bergami and the Devil. Motto: 'Ama et Aude'. The six animals harnessed single file and their riders are adapted from the 'Faerie Queene', relevant quotations being etched below, in eight compartments. The procession advances from the right, down a slope towards a slough, on the verge of which the leading animal, an ass, has fallen, throwing its rider, Alderman Wood in his livery gown, who has dropped two large stacks of papers: 'Addresses ready made' [cf. British Museum Satires No. 14119] and 'Plate Subscription' [see British Museum Satires No. 14196]. Below: 'Ignorance Might seem the Wain was very Evil led, When such an One had guiding of the way, That knew not whether right he went or else astray.--' [I, iv. 19.] [He replaces the 'Idlenesse' of the original.] The next four carry banners, each topped by a bonnet rouge; the leader is Dr. Parr on a large pig, as 'Gluttony the second of the crew'. He smokes his accustomed pipe, holds an open book; on his banner is 'Un-Sunned Snow' [see British Museum Satires No. 13975]. Below: 'And next to him rode loathsome Gluttony, deformed Creature, on a filthy Swine' [ibid. 21]. Next, on a goat, is Lord Grey, holding a banner inscribed 'Purity' and a staff topped by a burning heart. He wears a garland of white roses over his shoulder. Below: '--Sir G Rat-- In a Green Gown he cloathed was full fair, And in his hand a burning heart he bare' [ibid. 25]. (He is the 'lustfull Lechery' of the original.) He is followed by Brougham riding a wolf (fifth in the original), in wig and gown, holding a broom and a banner inscribed 'Innocence'. Below: 'And next to him malicious Envy rode upon a ravenous Wolf .....He doth backbite and spitefull poison spews' [ibid. 30, 32]. Next (last in the original), riding a fierce lion, is Burdett wearing makeshift and partial armour, a small red cap, and a tricolour sash; he holds up a firebrand and a red flag inscribed 'Victory or Death' [cf. Hunt's motto in 1819, see British Museum Satires No. 13279]. Below: 'And him beside ride fierce revenging Wrath, Upon a Lion loath for to be led, And in his hand a burning brand he hath, The which he brandisheth about his head' [ibid. 33]. Last (fourth in the original) a stout man mounted on a camel holds before him a copy of 'The Times', from a stack of the papers on his knee. He wears an apron with rolled-up shirt-sleeves (like a pressman) and top-boots, and is clearly Barnes (a fair portrait). Large saddle-bags are inscribed 'Hush Money, Pub[lic] Money', and '£500 Weekly'. Below: 'And greedy Avarice next him did ride, Upon a Camel, loaded all with Gold For of his wicked Pelf his God he made, And unto Hell himself for money Sold' [ibid. 27]. The last two inscriptions (right) describe Bergami and the Queen: 'And after all upon the waggon beam Rode Satan with a smarting Whip in hand, With which he forward lashed the lazy Team, As oft as Ignorance ['Slowth' in original] in the Mire did stand [ibid. 36]. So forth She comes and to her coach does climb [ibid. 17] The which was drawn by six unequal Beasts, On which her six sage Counsellors did ride' [ibid. 18]. Queen Caroline is compared to Lucifera: That made her selfe Queene, and crowned to be, Yet rightfull kingdome she had none at all, . . . [ibid. 12]."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 46 of: George Humphrey shop album.
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Wood, Matthew, Sir, 1768-1843, Parr, Samuel, 1747-1825, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Burdett, Francis, 1770-1844, and Spenser, Edmund, 1552?-1599.
