Manuscript fragment on parchment of the biblical book of Genesis and Jerome's Epistula ad Paulinum
Description:
In Latin., Script: written in two sizes of gothic bookhand (littera textualis)., and Decoration: the preface on fol. 2r begins with a 10-line decorated initial "D" in red interlace on a green geometric ground with a blue ground for the central portion of the vine stem; the text of Genesis begins with a half-page decorated initial "I" in the same style; 1-line initials in the prefatory material are occasionally red; line fillers are in red; rubrics are written in red in the same script as the text; accents added by a later hand; punctuated with the punctus, punctus elevatus, and punctus interrogativus; hyphenation is in the same ink as the text.
Manuscript fragment on parchment of Heinrich Seuse's Buchlein der Ewigen Weisheit; this is among the earliest known copies of the work and is written in a transitional dialect between Swabian and Alemannic
Description:
In Middle High German., Script: written in gothic script (littera textualis)., and Decoration: 3-line initials at the beginning of chapters are in red; 1-line initials are in black highlighted with red; rubrics are written in red in the same script as the text; punctuated with the punctus and virgule.
20 ALS and 2 autograph manuscripts by Chandos Leigh, first Baron Leigh of Stoneleigh. Almost all of the letters were written during his travels on the Continent. Ten were written to his parents and sister in 1818-19 while he was on the grand tour. Letters from Switzerland and the Alps describe the scenery, particularly near Vevey and Lake Como, and refer to the writings of Rousseau, Byron, and Thomas Moore. Letters from Florence and Rome detail his responses to art and architecture, particularly the Venus de Medici, the sculpture of Canova and Thorvaldsen, and "the pride, pomp and circumstance" of Roman Catholic churches and ceremonies, which "must disgust the severe taste of the English traveller." Leigh also mentions Lord Byron, Lady Drury and Lord Beauchamp, the "set of regular English Dandies" and English ladies in Rome, the unattractiveness of Roman women, and his own purchase of a Salvator Rosa painting and Three letters to Sir Egerton Brydges, written during the Leigh family's stay in Switzerland in 1837, concern Leigh's poetry, his health, and a possible visit. His letters to his nephew Frederick Colvile contain news of his health and family; travel descriptions; and advice on Colvile's education. A March 1836 letter announces that the trustees of Rugby School have "unanimously decided in favour of Dr. Arnold;" a December 1837 letter comments that "Dr. Newman's book" (Lectures on Justification?) "contains much that is...to an ordinary man unintelligible." Other topics include the 1850 death of Sir Robert Peel and Leigh's own Liberal Party politics. The collection also contains autograph manuscripts of two poems by Leigh: "The First Days of Spring" and "Hymn for the Consecration of the Church on Westwood Heath."
Description:
Chandos Leigh (1791-1850) was educated at Harrow School, where he met Lord Byron, and Christ Church, Oxford, following which he made the grand tour with Philip Shuttleworth. A distant cousin of Jane Austen's, and a generous literary patron to Leigh Hunt and others, Leigh privately published over two dozen collections of his own poems and essays. He was created Baron Leigh of Stoneleigh in May, 1839. Leigh traveled several times to the Continent for his heath, but died of apoplexy in Bonn in September of 1850; he was succeeded by his eldest son, William Henry Leigh. and Accompanied by a container list.
Subject (Geographic):
Europe., Alps, Florence (Italy), Italy, Rome (Italy), and Switzerland
Subject (Name):
Byron, George Gordon Byron, Baron, 1788-1824., Brydges, Egerton, Sir, 1762-1837., Canova, Antonio, 1757-1822., Colvile, Frederick Leigh, 1819-1886., Leigh, Chandos, 1791-1850., Leigh, Chandos, 1791-1850, Leigh, James Henry, 1765-1823., Leigh, Julia, d. 1871., Leigh, Julia Twisleton, d. 1843., Newman, John Henry, Saint, 1801-1890., Peel, Robert, 1788-1850, Rousseau, Jean-Jacques, 1712-1778, Thorvaldsen, Bertel, 1770-1844., Catholic Church, and Rugby School.
Subject (Topic):
Books and reading, Death and burial, Influence, Customs and practices, Authors, English, Dandies, English literature, Grand tours (Education), Tourism, Travelers' writings, English, Description and travel, Social life and customs, and Religious life and customs
"Portrait; almost half-length directed and looking ahead to left, wearing a queue wig and a plain coat with a large badge of a maltese cross; in an oval frame within a rectangle; after Loutherbourg."--British Museum online catalogue
Description:
Title etched below image., 1 print : stipple engraving and etching, à la poupée ; sheet 29.2 x 20.1 cm (trimmed within plate mark)., and Printed on wove paper.
Publisher:
Publish'd June 23d, 1794, by V. & R. Green, No. 13 Berners Street, & Chr. de Mechel in Basil, Switzerland
Subject (Name):
Clerfayt, François Sébastien Charles Joseph de Croix, comte de, 1733-1798,
Manuscript fragment on parchment of Augustine's In Iohannis evangelium tractatus
Description:
In Latin., Script: written in late Caroline script, similar to that written at Schaffhausen in manuscripts dated around 1100., and Decoration: inelegant 9-line initial "D" on the verso in rough gold with silver bands, outlined in red and with red in the center; the initial is on an orange, green, and blue ground. In the middle of the initial there is an eagle in gold and silver, with red dots, which holds a vine with flowers in his beak; 1-line initials in brown rustic capitals; scribal guidewords preserved in margin; heading written in red minuscule; punctuated with the punctus, punctus elevatus, and punctus interrogativus.
Holograph journal in two versions (original and fair copy) of a tour from London to Naples and return via Switzerland, Germany and the Low Countries made by the Hincks brothers between March 29th and December 8th, 1823, The brothers spent extended periods in Naples, Rome, Florence and Vienna; the journal records their sightseeing, their opinions of works of art and architecture, and the daily events of travel. Supplied with an introduction to William Richard Hamilton, the English ambassador and antiquary, they remained in Naples for three weeks, attending concerts, balls, and conversazioni, exploring the local antiquities, and climbing Vesuvius, Following their departure from Naples they spent a month in Rome, visiting museums, galleries, and the studios of Canova and Thorvaldsen; returned to Florence, where they met William Etty copying a Titian at the Uffizi; marveled at the new Simplon Road into Switzerland; and returned to England via Vienna and the Low Countries, Original annotated on front pastedown with title and note: "note upon the above (made on the day below written) Given to me by me (sic) dearest brother John Hincks, now no more.' T. C. Hincks, August 12, 1844.", Fair copy contains tipped-in portrait engraving of Francis Joseph Charles, Duc de Reichstadt, and laid-in advertising card for the hotel of Pooters and Decoster, Amsterdam, and With: 5 autograph letters, signed, to John Hincks from Thomas Hincks; 2 autograph letters, signed, to John Hincks from John Finkett-Maddock; autograph letters, signed, to Hincks from Rector R. Massin; notes, printed ephemera related to later members of the Hincks family; and a manuscript copy of "the Order of Sessions Made the 11th day of Jan.y 1827."
Subject (Geographic):
Europe., Alps, France, Ital, Naples (Italy), Rome (Italy), and Switzerland
Subject (Name):
Canova, Antonio, 1757-1822., Etty, William, 1787-1849., Hamilton, William, 1777-1859., Hincks, John, 1788-1842., Hincks, Thomas Cowper, 1788-1865., and Thorvaldsen, Bertel, 1777-1844.
Subject (Topic):
Grand tours (Education), Tourism, Travelers' writings, English, Tourists, and Description and travel
Manuscript fragment on parchment of lessons from the Mass, from a lectionary or missal, including among others: Anthony (13 June); Sts. Gervase and Protase (24 June); Vigil of St. John the Baptist (23 June); Vigil of Sts. Peter and Paul (28 June); and Octave of the Apostles
Description:
In Latin., Script: written in gothic script (littera textualis)., and Decoration: the words "In illo tempore" begin with a 7- to 8-line initial "I" in blue with red penwork; the initials of the lessons are 1-line red or blue initials decorated with blue or red penwork; 1-line initials within lessons are in black highlighted with red; rubrics are written in red in the same script as the text; punctuated with the punctus and punctus elevatus; hyphenation and accents are in the same ink as the text; there are symbols similar to neumes above some of the text, perhaps aids for reading aloud.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Manuscripts, Medieval, Lectionaries, and Missals
Half-length bust portrait of Madame Necker in an oval, facing forward
Description:
Title from caption below image., Place of publication surmised from printmaker's and sitter's known place of activity., Date of publication from the National Portrait Gallery, registration no.: NPG D14522., and Mounted on sheet: 451 x 314 mm.
Autograph narrative, extensively illustrated by Mrs. Kenah, of two journeys in Europe taken by the Kenah couple with friends in 1821-24 and in 1827-29. On the first tour, accompanied by Walter Burrell, MP for Sussex, and "Mrs. Crutchley of Sunning Hill Park....and a Blenheim spaniel," the Kenahs traveled through France, Switzerland, Italy, and Bavaria; they were present in Naples for the 1822 eruption of Mount Vesuvius, and spent time in Rome and Lucca as well. In the later tour, they visited the Low Countries, Germany, and Trieste. The text is clearly drawn from diaries kept by Mrs. Kenah during the tours, and contains her often humorous responses, as an "Inexperienced Traveller," to tourist sights, local customs and manners, "foreign" food, and travel difficulties, Mrs. Kenah describes herself as "a woman in quest of the Picturesque," and over 80 of her watercolors and pen and ink sketches are mounted in her travel album. Subjects include "Eruption of Vesuvius, October 22, 1822 as it appeared at midday;" several portraits of Lucchese, Swiss and German figures in local costume; a portrait of Tommaso Sgricci, the famous improvvisatore; a memorial Mass in Caudenberg; the "table d'hote" at the Baths of Ems; the Salon at the Palazzo Ricasoli in 1824; and a variety of "picturesque" landscapes, including a view of the Bay of Naples, of a canal in Venice, and of several castles and mountain scenes in Germany. Also included are several printed views of German scenes which have been hand-colored, and In addition, there are watercolors of English subjects at the end of the volume: cottage scenes, rural landscapes, "view of Box Hill," "Grimsthorpe, 1826," and "Dunkeld from Dr. Fisher's garden. Sept. 9 1826."
Description:
Spine title reads: "Journal. Vol. I.", Annotated on front endpaper: "Mary Leigh Best, 1878.", and Binding: Contemporary calf, red gilt morocco spine label, gilt decoration.
Subject (Geographic):
Italy, Switzerland, Belgium, France, Lucca (Italy), Naples (Italy), and Vesuvius (Italy)
Ethnic costume, Grand tours (Education), Landscape drawing, Travelers' writings, English, Views, Women authors, Women travelers, Description and travel, Social life and customs, and Eruption, 1822
View of the small "oratory of St. Nicholas" perched on a tiny island in Switzerland’s Lake Lucerne
Description:
Title etched below image., Signed with initials and dated in lower left corner. "I.G.", i.e., Isabella Godfrey, the married name of Augusta Isabella Ingram., and Probably engraved and printed in England, where the printmaker presumably lived after marrying John Godfrey of Sandwich, Kent, in 1823. Possibly worked up from a sketch made on a post-nuptial continental tour.