Title from item., Printmaker from British Museum catalogue., Publication date inferred from countermark. Watermark: Strasburg lily with initials R & T below and countermark Ruse & Turner 1806 (countermark partially obscured by design and coloring)., Two images etched on one plate., Reissue of No. 7883 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Temporary local subject terms: Flight to Varennes -- Recapture of Louis XVI -- French revolutionaries -- Black-shoe -- Emblems: bonnet rouge -- Emblems: French revolutionary cockade., and Watermark: Strasburg lily with initials R & T below and countermark Ruse & Turner 1806 (countermark partially obscured by design and coloring).
Publisher:
Pubd. June 28, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Topic):
Barbers, Cooks, Jockeys, People associated with commercial & service activities, Soldiers, French, and Tailors
In three columns with title centered above; the columns are separated by simple rules., Date of publication supplied by cataloger., Anonymous. By Peter Pindar, i.e John Wolcot., Verse begins: "A London taylor (as 'tis said),"., Cf. No. T225396 in ESTC., Mounted on leaf 2. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 3.
"The interior of a blacksmith's forge. Two men in leather aprons and rolled up shirt-sleeves stand at the anvil; one has a hammer in his right. hand, the iron in his left. Both gape in consternation towards a tailor, who stands on the right. He holds in his hand a newspaper, "The Morning . . . Monday July" and reads from it. Under his arm is a large pair of scissors, a yard measure hangs from his pocket. The other smith, behind and to the left., is similarly dressed; by him stands a man also wearing an apron but with a coat and a short wig. In the background is a woman holding a baby. On the left. is a large forge with a cone-shaped chimney and an enormous pair of bellows. The roof is raftered. Four horse-shoes, a bent strip of iron, and the portrait of a man (possibly Wilkes) hang on the wall. A dog is asleep in the foreground."--British Museum online catalogue
Description:
Title from caption below image., Publication place and date inferred from that of the magazine for which this plate was engraved., Dated by British Museum catalogue: 1 July 1772., Plate from: The Oxford magazine or, Universal museum ... London : Printed for the authors, v. 8, p. 229., and Temporary local subject terms: Newspapers -- Pictures amplifying subject: portrait (of John Wilkes?) -- Literature: reference to Shakespeare's King John, iv.2.
Botching tailor cutting his cloth to cover a button
Description:
Title from item., Artist and publisher probably fictitious. See British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Publish'd by James Tomlinson, Oxford Street
Subject (Name):
George III, King of Great Britain, 1738-1820., Bute, John Stuart, Earl of, 1713-1792., North, Frederick, Lord, 1732-1792., Mansfield, David Murray, Earl of, 1727-1796., Charles Edward, Prince, grandson of James II, King of England, 1720-1788., and Pius VI, Pope, 1717-1799.
Title from caption etching below image., Publication date from British Museum catalogue., Sheet trimmed within plate mark., and Window mounted to 18 x 12 cm.
Publisher:
publisher not identified
Subject (Topic):
Eating & drinking, Occupations, Pipes (Smoking), and Tailors
Two tailors, stripped to the waist, fight each other with shears. One tailor has cut off the nose of his emacipated opponent ; his own ear falls to the ground. One of the seconds holds a cucumber in each hand; the other holds a cabbade while on the right another tailor holds a tape measure. On the floor are cucumbers, cabbages, garments, and a tailor's goose
Alternative Title:
Fighting tailors
Description:
Title etched below image.
Publisher:
Pub. Aprill [sic] 17, 1788 by S.W. Fores, No. 3 Piccadilly
Subject (Topic):
Tailors, Scissors & shears, Cucumbers, Cabbages, and Fighting
"A tailor on his raised shop-board (right) kneels in terror at the apparition of an emaciated corpse-like man and a fat pig with its throat cut standing on its hind-legs. Beneath the shop-board the head and shoulders of the Devil emerge from the flames of Hell; he holds a trident and a bulky roll of cloth inscribed 'Cabbage' (cf. BMSat 8035, &c.), implying that the tailor's pilfering has not been restricted to scraps of material. (The place where tailors kept their 'cabbage' was termed Hell; see Grose, 'Classical Dict. of the Vulgar Tongue'). The tailor wears a nightcap and apron; round his neck is a tape-measure; he says (excreting), "o Lord o Lord I am in a nasty Condition". A small demon (right) holds his nose. Beside the tailor are his goose, lying on a garment (which is burning from the heat of the iron); the heel of a loaf with a knife, onions and cucumbers lie next a paper inscribed 'sick and in prison and he [word erased, comforted] me'. reside an ink-pot are an open book: 'The Benevolent Society Benifet of \ Survivership', and a paper: 'Advice to overseers respecting the poor'. The corpse stands in back view holding out a minatory hand and turning his nead in profile to the right; he asks "who starved me to Death". The pig says "you have been the Cause of my death". A man on the extreme left looks through a door, saying, "Aye Aye this comes of your ingratitude for my saving your life". On the wall which forms a background are (left to right) two pictures, two broadside ballads, and a print: [1] The lower part of a picture of 'Howard' shows the legs of a man walking past a barred prison window, through which look two faces. (News was received on 26 Feb. of the death of John Howard, the prison reformer, 'Gent. Mag.', 1790, i. 276, but this Howard appears to be the corpse.) [2] 'A Song by Tom Stitch on the Windsor Corporation'. [3] 'A Song in Ridicule of my best Friend.' [4] A print of a gibbet from which hangs a noose inscribed 'The Desert.' [5] A large picture: 'Windsor Charity'; the tailor stands in a prison cell, pointing to an emaciated man lying on straw, turning to a woman who kneels at his feet, he says, clenching his fist, "let him Die & be d--d." The woman says, "for God sake don't Suffer my Poor father to Starve". The dying man says "I perish for want"."--British Museum online catalogue
Alternative Title:
Tailor befrited and Ghosts
Description:
Title etched below image., Printmaker from British Museum catalogue., Dated in contemporary hand in lower right corner: 'Sept. 1790.', Sheet partially trimmed within plate mark., and Watermark: armorial shield with fleur-de-lis above and monogram W below.
A tailor, wincing in pain, drops his shears as his bare-breasted wife, wearing only her chemise and cap, beats him with a shoe
Description:
Title from item. and A reduced copy of George 4253 "from an original ... painted by Mr. Dawes" but stated by George to be from a collection of works by John Collet.
Publisher:
Printed for R. Sayer & J. Bennett No. 53 Fleet Street as act directs
"Illustration to the Oxford Magazine, 1768, vol.1 facing p.52, satirizing the dispute between the licentiates and fellows of the College of Physicians. Licentiates, mostly dressed in tartan and so identified as Scots, break through a door into a room in the College. At a table on the right, a group of fellows presided over by Death (a skeleton in official robes and wig) recoil, crying, ""These Northern Locusts want to Govern every where", "My fingers itch to be at them", "D[a]m their Scots Pills! they have ruin'd the Constituion of England" and "They pretend to cure the Kings Evil". The attackers are led by a licentiate in a zany's dress and jack-boots (a reference to Lord Bute) holding a shield and flail; he is followed by another man, who holds a large pair of shears; others flourish a pestle, a dagger and a club. In the foreground a Scot directs a clyster at one of the fellows hitting him in the mouth with a jet of liquid. A fellow has pushed a licentiate to the ground and is pouring the contents of a urinal into his throat. On the floor lies an enormous urinal, pillboxes and medicne bottle, and a soldier's haversack, labelled, "St Georges Composing Pills prepared by Dr Gillam." ( a reference to the magistrate who ordered soldiers to fire on the crowd gathered in St George's Fields in support of John Wilkes on 10 May 1768)."--British Museum online catalogue
Alternative Title:
Battle between the fellows & licenciates and Battle between the fellows and licenciates
Description:
Title from text above and below image., Publication place and date inferred from that of the magazine for which this plate was engraved., Publication date in British Museum catalogue: Sept. 23, 1767, based on the date of events satirized by this print., Sheet trimmed within plate mark., Plate from: The Oxford magazine, or, Universal museum ... London : Printed for the authors, v. 1 (1768), page 52., and Temporary local subject terms: Reference to the events of 23 September 1767 -- Fellows -- Licenciates -- Zanies -- Clyster pipe -- Reference to riot at St. George's Fields, May 10, 1768 -- Reference to Lord Bute -- Reference to Justice Samuel Gillam, fl. 1768.
Publisher:
publisher not identified
Subject (Name):
Royal College of Physicians of London. and Royal College of Physicians of London,
Subject (Topic):
Butchers, Interiors, Medical education, Medical equipment & supplies, Pharmacists, Physicians, Riots, Skeletons, and Tailors
