"The head and shoulders of Lady Archer at different stages of her toilet. In the first (right), wearing a night-cap, with unsightly pendent breasts, she looks up to the left, tears falling from an empty eye-socket, her gaping mouth showing toothless jaws. In the next she fits in an eye, in the third she places a wig on her head, in the fourth (below on the right) she fits in a set of false teeth; in the next she applies rouge to her cheeks with a hare's foot, holding a mirror. In the last (left) she appears a pretty young woman, holding a mask in her hand. In the last two stages her arms, which were skinny and muscular, have become smooth and rounded and her breasts have been covered with the gauze drapery then fashionable."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., Line of text below title: Dedicated with respect to the Right Honble. Lady Archer., Companion print to: Six stages of marring a face., Sheet trimmed within plate mark., and Watermark: Edmonds & Pine 179?
Publisher:
Publish'd May 29th, 1792, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
England
Subject (Name):
Archer, Sarah West, Lady, 1741-1801
Subject (Topic):
Clothing & dress, Grooming, Mirrors, Teeth, and Wigs
"Popular print, satire ... : The interior of a farrier's smithy. A country woman sits on a low stool, while a farrier pulls at her tooth with a pair of pincers which he grasps in both hands. He presses one foot on her outstretched leg while a grinning assistant holds her head in both hands. A third man stands behind, also grinning and holding a stick above his head; one eye is bandaged. All three wear leather aprons. The wretched woman holds the tooth-drawer's left sleeve with one hand, his nose with the other; her eyes are closed. A boy (left) flourishes a broom. Behind (right) is the lighted forge. An anvil, horseshoes, and farrier's tools are in the foreground. A grinning face looks in through a wide-open window (left). Thatched buildings and trees are seen through the window."--British Museum online catalogue
Description:
Title etched below image., Publication date from Isaac., Copy in reverse of a ca. 1784 print after Robert Dighton entitled: The country tooth-drawer. Cf. No. 6759 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Printed and published by W. Davison, Alnwick
Subject (Topic):
Teeth, Extraction, Dentistry, Blacksmiths, and Pain
The interior of a well-furnished room. The dentist stands in front of a middle-aged woman seated in a chair (right); he holds her forehead with one hand, with the other he applies a small instrument to her mouth. She grasps a shawl in her left hand. A black boy in livery stands behind the dentist (left) holding an open case of instruments; he looks round grinning. A young woman stands clasping her hands and looking with an expression of horrified concern at the operation. The dentist wears a bag-wig. A cat arches its back and meows. Through a draped sash-window is a steeple. On the wall is a bird in a cage and an oval landscape. Below it is a settee on which sheef of paper
Description:
Title etched below image., Publication date from Isaac., Plate numbered "6" in upper right corner., Copy in reverse of a ca. 1784 print after Robert Dighton entitled: The London dentist. Cf. No. 6760 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Sheet trimmed to plate mark on top edge.
Publisher:
Printed and published by W. Davison, Alnwick
Subject (Topic):
Teeth, Extraction, Black people, Birdcages, Cats, City and town life, Drawing rooms, Servants, and Women domestics
Title from item., Place of publication and date supplied by curator., Copy after John Collier (Timothy Bobbin)., Copy of illustration in Human Passions Delineated, 1773., Sheet trimmed within plate., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Title from item., Place of publication and date supplied by curator., Copy after John Collier (Timothy Bobbin)., Copy of illustration in Human Passions Delineated, 1773., Sheet trimmed within plate., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
"A fashionable dentist is extracting the teeth of the poor in order to insert 'live teeth' immediately into the jaws of his patients. In the centre a young chimney-sweep sits in an arm-chair, over the back of which the dentist leans, holding the boy's head, and inserting an instrument into his mouth. Next (left) a lady sits in a similar chair watching the sweep with a pained and angry expression; she holds a smelling-bottle to her nose; she has just endured an extraction and is about to receive a transplantation. On the right a good-looking young lady leans back, her fists clenched in pain, while a spectacled dentist peers closely into her face, placing his instrument in her mouth. Behind her a lean, ugly, and elderly man wearing regimentals stands in profile to the right, holding a mirror in which he inspects his mouth with a dissatisfied expression. On the left a ragged boy and girl are leaving the room, both crying with pain: the girl inspects the coin in her hand. On the door is a placard: 'Most Money Given for live Teeth'. A placard on the wall is headed by a coronet and two ducks, indicating quackery: 'Baron Ron------Dentist to her High Mightiness the Empress of Russia'. Cf. British Museum Satires No. 6760."--British Museum online catalogue, description of a later state
Description:
Title etched below image., Early state of a plate that was reissued in 1790, at which time Harris's imprint was burnished out and replaced with that of William Holland. Cf. No. 7766 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Temporary local Medical Library subject terms: Tooth extraction -- Tooth transplant -- Baron Roh...*.
Publisher:
Pubd. 1787 by J. Harris, No. 37 Dean St., Soho
Subject (Topic):
Dentistry, Teeth, Extraction, Donation of organs, tissues, etc, Quacks and quackery, Poor persons, Chimney sweeps, Pain, Dental equipment & supplies, Chairs, and Signs (Notices)
Title from British Museum catalogue., Original etched by W.H. Toms., Publication date from an unverified card catalog record, based on an advertisement of the series in Robert Sayer's catalog for 1766. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 2, no. 1858. Publication date of the original in Stephens: ca. 1730., Plate numbered '5' in lower left corner, possibly one of a series of reissues of Egbert van Heemskerck, the Younger's satires, published in the 1760s., Eight lines of verse in two columns below image: A barbers shop a medley shews, Of monsters, wigs, drawn-teeth and news, While one is shav'd another bleeds, a third the Grub Street Jornal reads ..., Slightly reduced copy in reverse, without attribution, and with different verses. Cf. No. 1859 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 2., and Temporary local subject terms: Containers: tubs -- Barber's implements: dish and scissors -- Amputees -- Newspapers: Grub Street Journal -- Medical procedures: blood-letting.
Publisher:
publisher not identified
Subject (Topic):
Animals in human situations, Barbers, Barbershops, Boars, Cats, Dead animals, Dental equipment & supplies, Dentistry, Donkeys, Elephants, Fish, Hunting trophies, Interiors, Medical procedures & techniques, Monkeys, Peg legs, Signs (Notices), and Teeth
Title devised by curator., Inscribed in ink at lower right corner., Date devised by curator., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Title devised by curator., Inscribed in ink at lower right corner., Date derived from artist's date of death., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
