"Satire on the end of Lord Rockingham's administration shown as a dance at court. The verses below describe the protagonists who have been numbered in pen and ink: in the centre, Princess Augusta (1) dances with Lord Bute (2) their joined hands holding a leading string attached to Pitt (3) with a gouty leg who leans on his crutch, adorned with a coronet, as he converses with America, a half naked native American woman holding a bottle of rum. To the left of the Princess, stand Charles Townshend (4), holding a weathercock, beside his partner Britannia standing on her head, her shield and spear fallen on the ground. Further left, Lord Northington (5) robed as Lord President of the Council holds a glass of wine towards his elaborately dressed young woman (6; identified by Stephens as Betty Careless, although she had died in 1752). On the right, Henry Fox (7) dances with the devil; behind him are a Frenchman saying he will not pay the Canada Bills recompensing Britain after the Seven Years' War, and a Spaniard saying he will not pay the Manilla Ransom, a sum of two million dollars offered to Britain by the governor of Manilla when the city was captured. At far left, the king (8) plays the fiddle accompanied by two Scottish bagpipers. Wilkes (9) flies above, a copy of his Essay on Woman in his pocket, bound for Paris on a broomstick with a witch who says she will take him anywhere but to Scotland; he defecates on the head of Lord Bute. In the foreground stand four politicians: Temple (10) saying that he will get Francis Hayman to paint the scene for his garden at Stowe; Newcastle (11) wearing spectacles; Rockingham (12) wearning boots and carrying a riding whip; Winchilsea (13). Verses below in six columns, each with the chorus, "Doodle doodle doo""--British Museum online catalogue
Alternative Title:
New country dance as danced at Court July the 30th 1766
Description:
Title etched at bottom of image., "The devil seems to have been inspired by the work of Jefferyes Hamett O'Neale and other facial types echo those in prints designed by him"--Curator's comments, British Museum online catalogue registration no.: 1868,0808.4386., Publication date based on advertisement in The Public advertiser, Sept. 4, 1766., Description based on an imperfect impression; sheet trimmed within plate mark at bottom resulting in loss of text below image, including distribution information and price from lower right corner. For missing text, see British Museum online catalogue., Figure numbered '6' is most likely a depiction of Fanny Murray., and Mounted to 28 x 43 cm.
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820, Augusta, Princess of Wales, 1719-1772, Charles III, King of Spain, 1716-1788, Louis XV, King of France, 1710-1774, Bute, John Stuart, Earl of, 1713-1792, Pitt, William, Earl of Chatham, 1708-1778, Holland, Henry Fox, Baron, 1705-1774, Townshend, Charles, 1725-1767, Northington, Robert Henley, Earl of, 1708?-1772, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Rockingham, Charles Watson-Wentworth, Marquis of, 1730-1782, Temple, Richard Grenville-Temple, Earl, 1711-1779, Winchilsea, Daniel Finch, Earl of, 1689-1769, Wilkes, John, 1725-1797, Murray, Fanny, 1729-1778, and Hayman, Francis, 1708-1776.
Subject (Topic):
Influence, Britannia (Symbolic character), Alcoholic beverages, Brooms & brushes, Crutches, Devil, Eyeglasses, Prostitutes, Symbols, Weather vanes, and Witches
"Satire on Samuel Martin's duel with Wilkes. On the left, two Scotsmen support Lord Sandwich who is holding up a copy of Wilkes's Essay on Woman saying, "This will do for him I warrant ye". In front of them the diminutive figure of Samuel Martin fires a shot at a mouse representing Wilkes. In the centre, behind Martin, a group of four men express their horror at the Essay: Kidgell proclaiming, "I'll publish a Narrative about it", Bishop Warburton holding up a copy and condemning it as blasphemy, and Lord Lyttleton crying, "O 'tis so shocking I can't bear it." In the centre, a Scot (Bute?) wearing a bonnet with a feather draws his sword at the mouse. To the right, Britannia, naked to the waist, swoons as a rat representing Bute attacks her heart; she is attended by Newcastle, Temple, Pitt and Cumberland. Engraved inscriptions and speech-balloons, letterpress title and verses in two columns, and one vertical and one horizontal segment of type ornament."--British Museum online catalogue
Alternative Title:
Great ***** in an uproar and Great house in an uproar
Description:
Caption title in letterpress below image plate mark (17.5 x 23.5 cm)., Publication date from British Museum catalogue., Two columns of verse in letterpress below title, separated vertically with an ornamental border. When a certain great ***** was alarm'd at a mouse, they vow'd that they'd quickly ***** him ..., and Publisher's advertisement below verses, following imprint: ... where may be had, The British antidote to Caledonian poison, 2 vols. Price 5s.
Publisher:
Sold by E. Sumpter, three doors from Shoe-Lane, Fleet-Street
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765, Martin, Samuel, -1788., Bute, John Stuart, Earl of, 1713-1792, Pitt, William, Earl of Chatham, 1708-1778, Temple, Richard Grenville-Temple, Earl, 1711-1779, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Wilkes, John, 1725-1797, Warburton, William, 1698-1779, and Lyttelton, George Lyttelton, Baron, 1709-1773
"Satire on the negotiations leading to the Peace of Paris in response to Hogarth's "The Times Part 1", but also with visual echoes of his much earlier print, "Southwark Fair". In the centre is a large theatrical booth advertising "The Full and Whole Play of Dido and Aeneas" with a show-cloth on which the lovers are depicted taking shelter in a cave; below is platform on which stand Bute and Princess Augusta accompanied by a zany, a drummer (Arthur Murphy) and a trumpeter (Tobias Smollett). Hogarth, portrayed as an ape, stands on a ladder painting a sign-board with a portrait of Pitt (echoing the sign painter in "Beer Street"); at the foot of the ladder another ape, representing the Duke of Bedford, ambassador to Paris, sits on a small table holding a sheet marked "Prelim Peace". Henry Fox looks out of a window at the top of the booth. On the left, Bute stands on stilts playing the bagpipes with a large bag of money hanging from his neck; he is supported by admiring Scotsmen and adored by a group of bishops. Behind him is an inn with the sign of the thistle advertising "Geud Scrubbing for Mon and Horse"; an ass peers throuh a window and an ass's skull hangs above. Beyond, Scotsmen rejoice as buildings burn, while three fireman sleep beside their engine; an owl representing the French ambassador, the Duke de Nivernois, flies overhead carrying on olive branch (in place of Hogarth's dove with the olive branch) . In the foreground a mastiff urinates on an impression of Hogarth's "The Times Part 1"; Charles Churchill gestures towards a bonfire on which is burning "The Wandsworth Epistle" and "The Briton" (Smollett's newspaper) while a sailor, watched by Britannia, brings a wheelbarrow laden with other journals (echoing the barrow containing "The North Briton" in Hogarth's print). Behind this group, William Beckford draws the attention of Pitt, Temple and Newcastle to the happy Scots; Cumberland, bald-headed, shakes his fist. The British lion grasps a dead French cock in his jaws and looks angrily at a Frenchman who hands coins to a Dutchman leaning on a bale marked "Neutrality" (a similar Dutchman in Hogarth's print sits on a bale smoking contentedly). Behind the lion, George Whitefield, arms outspread and a devil blowing with bellows into his ear, preaches from a three-legged stool to an old woman with a prayer-book and a man with the head of an ass. On the left, three further show-cloths hang on the wall of a house, referring to performances at "Punch Political Poppet Show with a Scotch Uproar": "Then", with the figure of Fame crowning a British commander; "Now", with a Scotsman at the prow of a boat foundering on the rocks of "New Lost Land"; "Alive from France & England" with a clown raising his fist and his foot at a Frenchman (echoing the sign, "Alive from America", in Hogarth's print); at the top of the house a Spaniard and a Frenchman, both grinning, look out of a window."--British Museum online catalogue
Description:
Variant state without imprint and with different price, added in top right corner. See British Museum catalogue., In upper right corner: Price 1 sh., and Four columns of verse below image: See here my good masters a fine raree show, will please ev'ry one from the high to the low ...
Publisher:
publisher not identified
Subject (Name):
Augusta, Princess of Wales, 1719-1772, William Augustus, Prince, Duke of Cumberland, 1721-1765, Bute, John Stuart, Earl of, 1713-1792, Bedford, John Russell, Duke of, 1766-1839, Pitt, William, Earl of Chatham, 1708-1778, Smollett, T. 1721-1771 (Tobias),, Murphy, Arthur, 1727-1805, Holland, Henry Fox, Baron, 1705-1774, Hogarth, William, 1697-1764, Churchill, Charles, 1731-1764, Beckford, William, 1709-1770, Temple, Richard Grenville-Temple, Earl, 1711-1779, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Whitefield, George, 1714-1770, and D'Urfey, Thomas, 1653-1723.
Subject (Topic):
Britannia (Symbolic character), Bagpipes, Clergy, Devil, Hangings (Executions), National emblems, French, Scottish, Newspapers, Puppet shows, Signs (Notices), Theatrical productions, and Wheelbarrows
Title etched above image., Following imprint: Pr. 6 pence., Sheet trimmed to plate mark., and Four columns of verse below image: See here my good masters a fine raree show, will please ev'ry one from the high to the low ...
Publisher:
Sold at Sumpters Political Printshop, Fleet Street
Subject (Name):
Augusta, Princess of Wales, 1719-1772, William Augustus, Prince, Duke of Cumberland, 1721-1765, Bute, John Stuart, Earl of, 1713-1792, Bedford, John Russell, Duke of, 1766-1839, Pitt, William, Earl of Chatham, 1708-1778, Smollett, T. 1721-1771 (Tobias),, Murphy, Arthur, 1727-1805, Holland, Henry Fox, Baron, 1705-1774, Hogarth, William, 1697-1764, Churchill, Charles, 1731-1764, Beckford, William, 1709-1770, Temple, Richard Grenville-Temple, Earl, 1711-1779, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Whitefield, George, 1714-1770, and D'Urfey, Thomas, 1653-1723.
Subject (Topic):
Seven Years' War, 1756-1763, Britannia (Symbolic character), Bagpipes, Clergy, Devil, Hangings (Executions), National emblems, French, Scottish, Newspapers, Puppet shows, Signs (Notices), Theatrical productions, and Wheelbarrows
Title etched at top of image., Printmaker and publication date from the Catalogue of prints and drawings in the British Museum., Sheet partially trimmed within plate mark., Cf. No. 4140 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Temporary local subject terms: Repeal of the Stamp Act, 1766 -- Warehouses -- Merchant ships -- Skulls: skulls of the rebels of 1715 and 1745 -- Bible: burial service -- Clergy: bishops -- Stamps upon black flags -- Child's coffin -- Cargoes: bales and boxes -- Bank of Thames -- Tombs -- Boats: lighter -- House of Lords: votes on repeal of Stamp Act, 1766 -- Allusion to America -- Lawyers' briefs -- Dogs -- American trade -- Scotch appeals -- Weepers: Bute wearing a weeper -- Catches: funeral anthem -- Mottoes: semper eadem.
Publisher:
publisher not identified
Subject (Name):
Scott, James, 1733-1814, Norton, Fletcher, 1716-1789, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Grenville, George, 1712-1770, Bute, John Stuart, Earl of, 1713-1792, Bedford, John Russell, Duke of, 1710-1771, Temple, Richard Grenville-Temple, Earl, 1711-1779, Sandwich, John Montagu, Earl of, 1718-1792, Rockingham, Charles Watson-Wentworth, Marquis of, 1730-1782, Conway, Henry Seymour, 1721-1795, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, and Halifax, George Montagu-Dunk, Earl of, 1716-1771
"A smaller copy of a satire on the repeal of the Stamp Act and the administration of George Grenville (First Lord of the Treasury, April 1763-July 1765)."--British Museum online catalogue
Description:
Title etched at top of image., Publication date from the Catalogue of prints and drawings in the British Museum., Sheet trimmed within plate mark., Reduced copy of The repeal by Benjamin Wilson, with several alterations and a key to persons numbered within image added below the design., "Price only six pence"--Following imprint., Temporary local subject terms: Merchant ships -- Skulls of the rebels of 1715 and 1745 -- Bible: burial service -- Stamps upon black flags -- Child's coffin -- Cargoes: bales and boxes -- Bank of Thames -- Boats: lighter -- House of Lords: votes on repeal of Stamp Act, 1766 -- Allusion to America -- Lawyers' briefs -- American trade -- Scotch appeals -- Weepers: Bute wearing a weeper -- Catches: funeral anthem -- Mottoes: semper eadem., and Design attributed to Wilson and subjects identified in contemporary hand below print on mounting sheet. Mounted to 38 x 51 cm.
Publisher:
publisher not identified
Subject (Name):
Scott, James, 1733-1814, Norton, Fletcher, 1716-1789, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Grenville, George, 1712-1770, Bute, John Stuart, Earl of, 1713-1792, Bedford, John Russell, Duke of, 1710-1771, Temple, Richard Grenville-Temple, Earl, 1711-1779, Sandwich, John Montagu, Earl of, 1718-1792, Rockingham, Charles Watson-Wentworth, Marquis of, 1730-1782, Conway, Henry Seymour, 1721-1795, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, and Halifax, George Montagu-Dunk, Earl of, 1716-1771
Title etched at top of image., Sheet trimmed within plate mark., Plate numbered '90'., Reduced copy with some changes to design of no. 4140 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Temporary local subject terms: Acts: repeal of the Stamp Act, 1766 -- Funerals -- Tombs -- Coffins: child's coffin -- Clergy: bishops -- Parsons -- Reference to Anti-Sejanus -- Lawyers -- Banners: black flags with stamps on them -- Flags: Union Jack -- Rebellions: skulls of executed Jacobite rebels -- Bible: burial service -- Reference to the American colonies -- Rivers: bank of Thames -- Boats: lighters -- Ships: merchant ships -- Reference to votes for and against repeal in the Parliament -- Buildings: warehouses -- Trade: American trade -- Dogs -- Appeals: Scotch appeal -- Cargoes: bales and boxes -- Catches: funeral anthem -- Male dress: mourning hat (weeper) -- Mottoes: semper eadem -- Reference to the 2nd Marquess of Rockingham -- Reference to Henry Seymour Conway -- Reference to the 3rd Duke of Grafton -- Reference to the 2nd Earl Halifax --Reference to Lord Chatham's statue in Charleston, South Carolina., Watermark: Arms of England ; countermark G R., and Mounted to 33 x 46 cm.
Publisher:
Printed for & sold by Carington Bowles, No. 69 in St. Pauls Church Yard, London
Subject (Name):
Scott, James, 1733-1814, Norton, Fletcher, 1716-1789, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Grenville, George, 1712-1770, Bute, John Stuart, Earl of, 1713-1792, Bedford, John Russell, Duke of, 1710-1771, Temple, Richard Grenville-Temple, Earl, 1711-1779, and Sandwich, John Montagu, Earl of, 1718-1792
Title etched at top of image., Printmaker and publication date from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Warehouses -- Merchant ships -- Skulls: skulls of the rebels of 1715 and 1745 -- Bible: burial service -- Clergy: bishops -- Stamps upon black flags -- Child's coffin -- Cargoes: bales and boxes -- Bank of Thames -- Tombs -- Boats: lighter -- House of Lords: votes on repeal of Stamp Act, 1766 -- Allusion to America -- Lawyers' briefs -- Dogs -- American trade -- Scotch appeals -- Weepers: Bute wearing a weeper -- Catches: funeral anthem -- Mottoes: semper eadem., and Bowditch's notes on mounting sheet; mounted to 37 x 56 cm.
Publisher:
publisher not identified
Subject (Name):
Scott, James, 1733-1814, Norton, Fletcher, 1716-1789, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Grenville, George, 1712-1770, Bute, John Stuart, Earl of, 1713-1792, Bedford, John Russell, Duke of, 1710-1771, Temple, Richard Grenville-Temple, Earl, 1711-1779, Sandwich, John Montagu, Earl of, 1718-1792, Rockingham, Charles Watson-Wentworth, Marquis of, 1730-1782, Conway, Henry Seymour, 1721-1795, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, and Halifax, George Montagu-Dunk, Earl of, 1716-1771
Title from caption below image., Publication date from British Museum catalogue., Reduced copy of The repeal by Benjamin Wilson, with several alterations and a description added below image., Three columns of text below image: Over the vault are placed two skeleton heads. Their elevation on poles and dates of the two rebellion years ..., Temporary local subject terms: Warehouses -- Merchant ships -- Skulls: skulls of the rebels of 1715 and 1745 -- Bible: burial service -- Clergy: bishops -- Stamps upon black flags -- Child's coffin -- Cargoes: bales and boxes -- Bank of Thames -- Tombs -- Boats: lighter -- House of Lords: votes on repeal of Stamp Act, 1766 -- Allusion to America -- Lawyers' briefs -- Dogs -- American trade -- Scotch appeals -- Weepers: Bute wearing a weeper -- Catches: funeral anthem -- Mottoes: semper eadem., and Bowditch's notes below plate mark, recto.
Publisher:
publisher not identifies
Subject (Name):
Scott, James, 1733-1814, Norton, Fletcher, 1716-1789, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Grenville, George, 1712-1770, Bute, John Stuart, Earl of, 1713-1792, Bedford, John Russell, Duke of, 1710-1771, Temple, Richard Grenville-Temple, Earl, 1711-1779, Sandwich, John Montagu, Earl of, 1718-1792, Rockingham, Charles Watson-Wentworth, Marquis of, 1730-1782, Conway, Henry Seymour, 1721-1795, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, and Halifax, George Montagu-Dunk, Earl of, 1716-1771