Social satire; officers in a tent around a table drink red wine, or punch from a bowl, smoke pipes and sing; one on the right has his arm in a sling, another waves his hat. Through the opening of the tent on the right, in the background are mounted soldiers and the British flag, and on the floor is a cannon and shot; below the image is the text of a song
Description:
Publication information from a copy in the British Museum online catalogue. See BM Registration number 2010,7081.860., Sheet trimmed within plate mark with loss of song verse and imprint., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published Novr. 20th, 1794, by Laurie & Whittle, No. 53, Fleet Street, London
Subject (Geographic):
Great Britain.
Subject (Topic):
Alcoholic beverages, Glassware, Interiors, Military camps, British, Military life, Soldiers, Tents, and Wine
Title from item., Date and place of publication from item., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Hospitals, U.S.A.
Publisher:
Published by Charles Magnus 12 Frankfort St., N.Y. and Entered according to Act of Congress A.D. 1862 by Chas. Magnus in the Clerks Office of the Southern District Court of New York
Subject (Geographic):
United States
Subject (Topic):
Military hospitals, Soldiers, Military camps, Tents, Covered wagons, Flags, Fences, History, and Hospitals
"Two designs placed side by side, the title so arranged that 'The Contrast' applies to both, the first four and last two words to the two designs respectively. [1] A scene outside Jaffa where the French flag flies from a fort on a rock at whose base are hospital tents (left), in which the sick can be seen. In the foreground Napoleon (a poor portrait) points with an imperious gesture to a bottle of 'Opium' in the hand of a distressed doctor in civilian dress. He says: "Don't talk to me of Humanity & the feelings of a generous heart, I say Poison those Sick dogs they are a burthen to me, & can no longer fight my Battles!!! I say destroy them - As for those Turks, them up in the Garrison, turn all the Guns upon them, Men, Women, & Children & blow them to atoms, they are too bold & resolute for me to suffer them to live, they are in my Way." In the middle distance (left) is a body of Turks, their arms tied behind them, guarded by a French soldier who points at Napoleon. Behind Napoleon two French officers exchange glances, acutely dismayed at the orders." ... [2] Two black soldiers, in neat regimentals, prepare to kill three haggard French officers. One raises an axe to smite a bound prisoner. Two British officers (left) interpose with outstretched arms; one says: "We know they are our Enemies, & yours, & the Enemies of all Mankind, nevertheless Humanity is so strongly planted in the Breast of an Englisman [sic], that he can become an humble beggar, for the lives, even of his enemies, when they are subdued." The other adds: "A mercy unexpected, undeserved surprises more."--British Museum online catalogue
Alternative Title:
Contrast to English humanity
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed within plate mark., Publisher's advertisement in lower right: Folios of caracatures [sic] lent out for the evening., and Mounted on a 19th-century blue album sheet. On the verso are newspaper clippings on a variety of topics: Sir Lionel Darell and the benevolence of the King to grant him land for his greenhouses in Richmond Park; "Observations on the rot of sheep"; Poem entitled "Leamington Spa"; "Balloon Ascension" an extract from a letter from Bristol, dated Sept 26.; an report of the death of Simon Southward, a miller who was a prisoner for 43 years for debt and the delusion of being the Earl of Derby.
Publisher:
Pubd. Jany. 13, 1804, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Black people, Flags, French, Forts & fortifications, Tents, Military medicine, Sick persons, Soldiers, Physicians, Opium, Military officers, Prisoners of war, Turkish, British, Physical restraints, and Axes
"In the foreground is the riverside in Southwark, with spectators, and a vendor of 'A hot Mutton Pie or an Apple Pie'; a gangway placarded 'The New City Road' leads from the pavement to ice. In the background is a detailed view of riverside buildings, the north ends of Blackfriars Bridge (left) and London Bridge (right), St. Paul's, many spires, and the Monument (right). Letters on the print refer to a key in the lower margin. Tents are dotted over the ice, with a group of three in the centre of the design: 'The City of Moscow' has two other placards, 'Barclays Intire' and 'Good Gin Rum &c.' It flies a Russian flag and on its summit is the effigy of a man. Behind this is the 'Lord Wellington for Ever', with a Union flag, and on the left the 'Orange Boven' [see No. 12102] with 'Good Ale Porter & Gin'; it flies the striped flag of the Stadtholder. In front of this people are dancing while a fiddler plays ('H, Dancing and Fidling'). Behind these tents there is a curving line of spectators and pedestrians along the stream of the river, inscribed 'I, The main walk'. At intervals along it are various attractions: 'B, Copperplate Printing' (the press is being worked), 'The Wiskey Shop' (a small booth), a printing-press with a placard 'Frost Fair Printing Office' ('A, Letterpress Printing'), and, farther on, another press: 'Thames Printing Office' (also marked 'A'). Other incidents are skittles (two games, 'F, playing at Skittles'); 'G, Throwing at Gingerbread', with sticks, the slabs being placed on upright sticks. Two boat-shaped swings, one placarded 'High Flyer' ('E, Swinging'); two 'Ballad Singers' ('D'), a man and woman; the carcase of a sheep, hanging from a gibbet-like erection ('C, A Sheep to be roasted'). In the distance a barber shaves a man who is seated in the open ('K, Shaveall at work')."--British Museum online catalogue
Description:
Title etched below image., "Printed on the River Thames February 4th, in the 54 year of the reign of King George the 3d, Anno Domini 1814."--Below image., Text below image, in lower left corner: Copy of a verse printed on the Thames - Amidst the arts which on the Thames appear, to tell the wonders of this icy year, printing claims prior place which at one view, erects a monument of that and you., and Sheet trimmed within plate mark.
Publisher:
Published Feby. 14, 1814, by G. Thompson, No. 43 Long Lane, West Smithfield
Subject (Geographic):
London (England), England, and London.
Subject (Topic):
Social life and customs, Fairs, Cityscapes, Tents, Street vendors, and Winter
Title from item., Date supplied by curator., Place of publication derived from publisher's known location., Published in Harper's Weekly, 13 February 1864., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Harper & Brothers
Subject (Geographic):
Gettysburg (Pa.). and United States
Subject (Topic):
Medicine, Military, Public health, Tents, Organizations' facilities, Flags, and History
"Queen Caroline as Lucifera sits in a coach made up of objects which figured in the evidence against her. The driver is Bergami, whip in hand (thus representing Satan) on a high box seat; he turns to hand a bottle of wine to the Queen who holds a sack inscribed '50,000' [see British Museum Satires No. 14145]. The beam or chassis is a cannon (see British Museum Satires No. 13850), on this rests the body of the open coach, the front part being the prow of a boat (the polacca, see British Museum Satires No. 13818), the centre part a tub, representing the bath, see British Museum Satires No. 13819, the back part, half of the body of a travelling-coach, is surmounted by half a conical tent (see British Museum Satires No. 13818), the whole making a canopy over the Queen. On the tub-section a coat-of-arms is represented by a diamond-shape blank (hatchment-wise) with two supporters, Bergami and the Devil. Motto: 'Ama et Aude'. The six animals harnessed single file and their riders are adapted from the 'Faerie Queene', relevant quotations being etched below, in eight compartments. The procession advances from the right, down a slope towards a slough, on the verge of which the leading animal, an ass, has fallen, throwing its rider, Alderman Wood in his livery gown, who has dropped two large stacks of papers: 'Addresses ready made' [cf. British Museum Satires No. 14119] and 'Plate Subscription' [see British Museum Satires No. 14196]. Below: 'Ignorance Might seem the Wain was very Evil led, When such an One had guiding of the way, That knew not whether right he went or else astray.--' [I, iv. 19.] [He replaces the 'Idlenesse' of the original.] The next four carry banners, each topped by a bonnet rouge; the leader is Dr. Parr on a large pig, as 'Gluttony the second of the crew'. He smokes his accustomed pipe, holds an open book; on his banner is 'Un-Sunned Snow' [see British Museum Satires No. 13975]. Below: 'And next to him rode loathsome Gluttony, deformed Creature, on a filthy Swine' [ibid. 21]. Next, on a goat, is Lord Grey, holding a banner inscribed 'Purity' and a staff topped by a burning heart. He wears a garland of white roses over his shoulder. Below: '--Sir G Rat-- In a Green Gown he cloathed was full fair, And in his hand a burning heart he bare' [ibid. 25]. (He is the 'lustfull Lechery' of the original.) He is followed by Brougham riding a wolf (fifth in the original), in wig and gown, holding a broom and a banner inscribed 'Innocence'. Below: 'And next to him malicious Envy rode upon a ravenous Wolf .....He doth backbite and spitefull poison spews' [ibid. 30, 32]. Next (last in the original), riding a fierce lion, is Burdett wearing makeshift and partial armour, a small red cap, and a tricolour sash; he holds up a firebrand and a red flag inscribed 'Victory or Death' [cf. Hunt's motto in 1819, see British Museum Satires No. 13279]. Below: 'And him beside ride fierce revenging Wrath, Upon a Lion loath for to be led, And in his hand a burning brand he hath, The which he brandisheth about his head' [ibid. 33]. Last (fourth in the original) a stout man mounted on a camel holds before him a copy of 'The Times', from a stack of the papers on his knee. He wears an apron with rolled-up shirt-sleeves (like a pressman) and top-boots, and is clearly Barnes (a fair portrait). Large saddle-bags are inscribed 'Hush Money, Pub[lic] Money', and '£500 Weekly'. Below: 'And greedy Avarice next him did ride, Upon a Camel, loaded all with Gold For of his wicked Pelf his God he made, And unto Hell himself for money Sold' [ibid. 27]. The last two inscriptions (right) describe Bergami and the Queen: 'And after all upon the waggon beam Rode Satan with a smarting Whip in hand, With which he forward lashed the lazy Team, As oft as Ignorance ['Slowth' in original] in the Mire did stand [ibid. 36]. So forth She comes and to her coach does climb [ibid. 17] The which was drawn by six unequal Beasts, On which her six sage Counsellors did ride' [ibid. 18]. Queen Caroline is compared to Lucifera: That made her selfe Queene, and crowned to be, Yet rightfull kingdome she had none at all, . . . [ibid. 12]."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 46 of: George Humphrey shop album.
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Wood, Matthew, Sir, 1768-1843, Parr, Samuel, 1747-1825, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Burdett, Francis, 1770-1844, and Spenser, Edmund, 1552?-1599.
A well-dressed woman lounges on a sofa inside a tent in a military camp; behind her is a sword and a gorget. Behind the sofa is a screen with the same embroidered design; the ground is covered with an ornate rug. She holds a letter in her right hand and a riding crop in her left hand as she looks up at the viewer with a seductive smile. Her blouse is unbuttoned to expose her breasts. At her feet is a vase with flowers
Description:
Title engraved below image., Numbered '168' in lower left corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Printed for Robert Sayer, No. 53 Fleet Street as the Act directs
Subject (Topic):
Military camps, Prostitutes, Screens, Sofas, and Tents
A well-dressed prostitute lounges on a sofa inside a tent in a military camp; behind her is a sword and a gorget. Behind the sofa is a screen with the same embroidered design; the ground is covered with an ornate rug. She holds a letter in her right hand and a riding crop in her left hand as she looks up at the viewer with a seductive smile. Her blouse is unbuttoned to expose her breasts. At her feet is a vase with flowers
Description:
Title engraved below image., Sheet trimmed within plate mark with loss of imprint. Imprint and dimensions supplied from impression in the British Museum online catalogue. See British Museum number 2010,7081.1306., Verse in two columns below image: "In the tent how engageing the charmer reclines, the stoutest of hero's to love she inclines; she's a trap, to catch captain's; you're lost & undone, if once you attack her, as sure as a gun.", Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., No. 54 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering., and Sheet 34.3 x 25.0 cm.
Subject (Topic):
Military camps, Prostitutes, Rugs, Screens, Sofas, and Tents
Title from item., Date and place of publication from item., Below publisher's statement: Deutsche und englische Buchdruckerei, lithographische Anstalt und Verlegshandlung., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Hospitals, U.S.A.; Camp Convalescent, Alexandria.
Publisher:
Charles Magnus' New York Printing Establishment. Offices: 12 Frankfort St., New York, and 520 7th St., Washington., D.C. and Entered according to Act of Congress A.D. 1864 by Charles Magnus in the Clerks Office of the Southern District of New York
Subject (Geographic):
United States and Alexandria (Va.).
Subject (Topic):
Military hospitals, Barracks, Soldiers, Military camps, Flags, Armies, Railroad trains, Tents, Horses, History, and Hospitals
View of the pagoda and bridge in St. James's Park, both in Chinese style, with the pagoda in the centre of the bridge and two small turrets on either side, boats on the water below with passengers embarking to the left, tents on each side of the canal flying the various flags of the Allies, numerous figures throughout the scene, a hot air balloon in the sky above
Description:
Title etched below image., Plate numbered "162" in upper right corner., and Titled 'View of the Chinese Pagoda and Bridge erected over th Canal in St. James's Park.' in the Catalogue of Maps, Prints, Drawings, etc., forming the geographical and topographical collection attached to the Library of his late Majesty King George the third, etc, London, 1829.
Publisher:
Published Septr. 9, 1814, by James Whittle & Richard Holmes Laurie, No. 53 Fleet Street, London
Subject (Geographic):
Saint James's Park (London, England),, London (England), England, London., and London
