Title engraved below image., Sheet trimmed to plate mark at top edge., Plate from: The town and country magazine. London : Printed for A. Hamilton, Junr., v. 1 (1769), page 473., Numbered 'No. XXVII' in upper left corner., See Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4, no. 431., and Temporary local subject terms: Theatres: Stratford upon Avon -- Female dress, 1769 -- Male dress, 1769 -- William Shakespeare's statue, 1769.
Publisher:
publisher not identified
Subject (Name):
Garrick, David, 1717-1779, and Shakespeare, William, 1564-1616.
Subject (Topic):
Monuments & memorials, Music, Musical instruments, Musicians, Performances, and Theaters
"Interior of Smirke's replacement for Holland's burnt-out theatre; the stage set, and audience seated in the four tiers of galleries and pit, but the actors not yet on stage."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 100., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 3, opposite page 263.
Publisher:
Pub. Jan. 1, 1810, at R. Ackermann's Repository of Arts, 101 Strand
"Sheridan, fat and grotesque, dressed as Pizarro, strides to the front of the royal box, followed by the King and Queen in Court dress. He holds out a guttering candle in each hand and shouts towards the stage: "Stand by there, move that Stone out of the Way hollo Music there play God Save the King d'ye hear take care Sire mind that Step, louder there Music make room for the best of Kings & wisest of Sovereigns! Encore." The King says to the bejewelled Queen: "No! no! no Jacobins here all Loyal all Loyal, Charming Man the Author eh! charming Man, never saw him in such a good light before." Three princesses follow; one says: "bless me I never saw that General at Court". Behind are two princes in uniform with gorgets, evidently the Dukes of York and Cumberland. On the floor by Sheridan are two papers: 'Maidstone Loyalty' [see British Museum Satires No. 9245, &c], and '[Tomorr]ow Evening performed a new play called the Loyal Author to which will be added a Peep behind the Curtain Vivan[t] Rex et Regina'. The curtain is down; on the proscenium, replacing the usual 'Veluti in Speculum', is 'Anti Jacobin House'. Two men stand in the pit, waving their hats towards the royal box; one is Fox."--British Museum online catalogue
Alternative Title:
Pizarro a new play, or, The Drury-Lane masquerade and Drury-Lane masquerade
Description:
Title etched below image; the letter "N" in "New" is etched backwards., Tentative attribution to Ansell from the British Museum catalogue., Attributed to Charles Williams in local card catalog record., Sheet trimmed within plate mark., Printseller's announcement in lower right: Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Theatrical costume: Spanish don -- Gorgets -- Songs: God Save the King -- Anti-Jacobin House -- Queen Charlotte's jewels -- Female dress: Queen Charlotte's dress., Watermark: Strasburg lily., and Mounted to 28 x 42 cm.
Publisher:
Pubd. June 11th, 1799, by S.W. Fores, 50 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Ernest Augustus, King of Hanover, 1771-1851, Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, and Theatre Royal, Drury Lane (London, England),
Subject (Topic):
Jacobins, Theaters, Interiors, Costumes, Stages (Platforms), Candles, Jewelry, and Military uniforms
Volume 4, after page 582. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Image Count:
1
Resource Type:
still image
Abstract:
"Sheridan, a candle in each hand, shambles before the royal party, ushering them through the theatre and looking over his shoulder with an expression of exasperated anxiety. The King, in back view, turns to the Queen, saying, "I like the Author very much - took him for a Jacobin - no such thing - quite a different man - brim full of loyalty - I'll certainly come again!!" Behind the pair Salisbury, the Lord Chamberlain, walks stiffly, holding his staff and wearing his gold key. He is followed by one of the Princesses (Augusta Sophia), walking with the Prince of Orange, whose portly contour and sulky profile with closed eye appear on the extreme left. Through the door (probably that from the box lobby) Fox is seen holding a constable's staff and saying to the crowd, anxious to see the arrival: "Stand away there, don't stop up the passage you pack of Jacobin Rascals"."--British Museum online catalogue
Description:
Title etched below image., Window mounted to 36 x 51 cm., and Mounted after page 582 (leaf numbered '12' in pencil) in volume 4 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Pubd. by W. Holland, N. 50 Oxford St.
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816, George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Salisbury, James Cecil, Marquess of, 1748-1823, Augusta Sophia, Princess, daughter of George III, King of Great Britain, 1768-1840, William V, Prince of Orange, 1748-1806, and Fox, Charles James, 1749-1806
Subject (Topic):
Anxiety, Candles, Sconces, Interiors, and Theaters
"Interior view of the circus in St George's Fields; a circular arena in centre, and stage to the right; a performance taking place on the stage, and standing spectators occupying arena, others watching from surrounding galleries."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 66., Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 3, opposite page 13., and Watermark: J. Whatman 1809 W. Balston.
Publisher:
Pub. 1st May 1809 at R. Ackrmann's [sic] Repository of Arts, 101 Strand
Subject (Geographic):
St. George's Fields., London (England), England, and London.
Subject (Name):
New Royal Circus (London, England) and Surrey Theatre.
Subject (Topic):
Circuses & shows, Theaters, Audiences, Spectators, and Interiors
"Interior view of the theatre, seen from the back of one of the galleries, looking towards the stage; during a performance."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 69., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 3, opposite page 41.
Publisher:
Pub. June 1st, 1809, at R. Ackermann's Repository of Arts, 101 Strand
"The full face of Clifford, based on a fashionably swathed neck-cloth and high coat-collar, fills the design. The mouth is open as if shouting. The eyes and part of the cheeks are covered by circles representing huge spectacles. Each contains a symmetrical view of Covent Garden Theatre seen from the stage, showing pit, three tiers of boxes, and the centre of the two galleries (the 'pigeon-holes' not appearing), all crowded. The views differ only in the performers on the stage, two actors on the right (one clearly Kemble, probably as Macbeth), and on the left two actors and a file of soldiers. Superimposed on the middle of each circular design is a large 'O' (left) and 'P' (right). Round the broad rims of the spectacles: (left) 'Old House Old Prices & No Private Boxes' and (right) 'Old House Old Prices & No Pigeon Holes'. On the bridge across the nose: 'N.P.B.' (No Private Boxes, see British Museum Satires No. 11421)."--British Museum online catalogue
Description:
Title etched below image., Print made collaboratively by Isaac and George Cruikshank, with the latter responsible for the tiny figures in the spectacles. See British Museum catalogue., and Sheet trimmed to plate mark.
Publisher:
Pubd. by T. Tegg, 111 Cheapside
Subject (Geographic):
Great Britain
Subject (Name):
Clifford, Henry, 1768-1813, Kemble, John Philip, 1757-1823, Covent Garden Theatre,, and Covent Garden Theatre
Subject (Topic):
Theaters, Eyeglasses, Theater audiences, Actors, and Theatrical productions
"From the stage of a theatre, two figures address the audience: Charles Fox (left) with a fox's head, holds under his left arm a tray in which are two doll-like infants in swaddling bands; in his right hand is a paper inscribed, "Norton & Fox Sponsors". He is saying: "Discovered by the Secret Committee". In the centre is another man with a wide open mouth, whose head is perhaps intended for that of a dolphin. He holds a paper inscribed "The Child of the People". On the right. of the stage is part of a fountain supported by a satyr. On each side of the stage are two tiers of boxes; in the lower box on the right. Punch is talking to a lady."--British Museum online catalogue
Alternative Title:
Legacy for the House of Commons
Description:
Title etched above image., Dated in the British Museum catalogue from a report in the Oxford magazine, v. 6 (1771), p. 157., and Temporary local subject terms: Theater: boxes -- Architectural details: fountain -- Satyrs (Greek mythology) -- Punch, as member of audience -- Masks: ass's head -- Dolphin's head -- Children: infant foundlings -- Lighting -- Boots: one spurred, one Roman -- Reference to the House of Commons' Secret Committee, April 1771.
Publisher:
publisher not identified
Subject (Name):
Fox, Charles James, 1749-1806 and Norton, Fletcher, 1716-1789
