"A corner of the stage at Drury Lane slants diagonally from left to right, showing part of the orchestra and pit (right) with part of two stage-boxes on the extreme right. The stage manager, Raymond, stands addressing the clamorous audience, while on the left a young man with ass's ears sits on a donkey which flourishes its heels so that they strike the lowered stage-curtain. The donkey brays "Ih ho Ih ho Ih ho," its hind-quarter is branded 'My Pegasus Buz'. Its rider recites: "Nor ever here your smiles would be represt, "Knew you the rival flames that fires our breast, "Flame, Fire and Flame!--sad--woe Neddy! Ladies and Gentlemen, My Papa's Pegasus is so full of fire and spirit that very few are capable of mounting him. for my self I never spoke but once & that was-- Unce logos but if you will give me leave to get on with my Papas Monologue I am positive you will pronounce it the prettiest piece of poetry produced for the purpose." Raymond says: "Ladies and Gentlemen, it was never the intention of the Proprietors to introduce Assess [sic] on these boards but as you seem entertained with their braying if it [is] your wish, we will procure some trainers from the other House as we are really ignorant in the management of thes [sic] Animals." Greeted by derisive cheers from the audience, Dr. Busby, also with ass's ears, leans from the upper stage-box, saying, "Ladies and Gentlemen, only hear My Son speak my Monologue written by myself the only one fit to be heard the committee are as ignorant of good Poetry a[s] I am of true criticism. I am a great writer reviews my sons works very clever indeed--writes my own life--well worth reading--my Life of Lucius Otrigger will astonish you now pray hear my Son speak my Monologue!--." A man behind him shouts: "Bravo! Go on! Go, on," and one in the crowded lower box applauds: "Bravo Apollo go on Go . . ." In the foreground a man in the pit shouts pointing to the ass: "Why don't you come down and get up behind don't you see he wants ballast." Six others address the son: "When you have done there--set those Epigrams to Music young Apollo!"; "Off Off Off Off"; "he will be off presently if Neddy kicks so!"; "Go on Go on"; "Speak out you should have brought your Voice with you"; "hear him hear him." The orchestra is empty of performers, but the music scores are headed 'The Judgement of Midas' [O'Keefe's play]. Three large papers lie on the stage inscribed respectively: [1] 'A Lord [Byron] and a Doctor once started for Fame Which for the best Poet should pass The Lord was cried up on account of his name The Doctor cried down for an Ass--' [2] 'Doctor Buz he assures us on Drury new Stage No Horses or Elephants, there should engage But pray Doctor Buz, how comes it to pass, That you your own self should produce there an Ass' [3] 'Old Buz against Quadrupeds, war did wage, And swore on Drury's board's such Mum'ry ne'er should pass But forcing his own Pegasus on Drurys stage The Critic Audience christen'd Buz an Ass.' Behind Raymond is the lower part of the verd-antique pillar which flanked the curtain, and on the right the large ornate lamp, of quasi-Egyptian design in which three hawk-headed monsters support an inverted tripod, the base of a ring of lamp-jets."--British Museum online catalogue
Alternative Title:
Poet in a pet : with a chip of the block, mounted on Papa's Pegasus
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed to plate mark., Text following title: vide opening of New Drury Lane Theatre., and Laid-in to a piece of later paper.
Publisher:
Pubd. Octr. 21, 1812, by S.W. Fores, 50 Piccadilly
Subject (Geographic):
England and London.
Subject (Name):
Raymond, James Grant, -1817, Busby, Thomas, 1754-1838, Busby, George Frederick, active 1812, Byron, George Gordon Byron, Baron, 1788-1824., and Theatre Royal, Drury Lane (London, England),
Subject (Topic):
Theaters, Interiors, Theater curtains, Theater audiences, and Donkeys
"Sheridan (left) speaks through a small aperture in the curtain which he holds open, addressing the musicians, some of whom are seen on the right, saying, with a conspiratorial scowl, "D-n em dont play God Save the King". Behind the musicians are the heads of some of the audience in the pit, shouting; a label extending across part of the print (right), inscribed 'Play God save the King', shows their words. In a box are a lady and two men. The print shows the arrangement of footlights, orchestra, pit, and a box on the first tier."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., 1 print : etching and aquatint on wove paper ; plate mark 19.3 x 17 cm, on sheet 21.1 x 18.4 cm., and Mounted on verso of leaf 54 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. by Thos. Cornell
Subject (Geographic):
England.
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816 and Theatre Royal, Drury Lane (London, England),
Subject (Topic):
Regency, Musicians, Musical instruments, National songs, and Theaters
"Sheridan (left) speaks through a small aperture in the curtain which he holds open, addressing the musicians, some of whom are seen on the right, saying, with a conspiratorial scowl, "D-n em dont play God Save the King". Behind the musicians are the heads of some of the audience in the pit, shouting; a label extending across part of the print (right), inscribed 'Play God save the King', shows their words. In a box are a lady and two men. The print shows the arrangement of footlights, orchestra, pit, and a box on the first tier."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted on page 68.
Publisher:
Publd. by Thos. Cornell
Subject (Geographic):
England.
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816 and Theatre Royal, Drury Lane (London, England),
Subject (Topic):
Regency, Musicians, Musical instruments, National songs, and Theaters
"Sheridan (left) speaks through a small aperture in the curtain which he holds open, addressing the musicians, some of whom are seen on the right, saying, with a conspiratorial scowl, "D-n em dont play God Save the King". Behind the musicians are the heads of some of the audience in the pit, shouting; a label extending across part of the print (right), inscribed 'Play God save the King', shows their words. In a box are a lady and two men. The print shows the arrangement of footlights, orchestra, pit, and a box on the first tier."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., and Note on verso in contemporary hand: Sheridan accus'd of having stopped the performance of God Save the King, in the King's illness - 1788.
Publisher:
Publd. by Thos. Cornell
Subject (Geographic):
England.
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816 and Theatre Royal, Drury Lane (London, England),
Subject (Topic):
Regency, Musicians, Musical instruments, National songs, and Theaters
"Sheridan stands in profile to the left, with fallen jaw and disconcerted expression, before a hoarding across the front of Carlton House, in which is a lion's-head knocker which looks fiercely at him. Over the hoarding appear the huge hands, head, and shoulders of Big Sam, the (former) porter at Carlton House (see British Museum Satires No. 7905), wearing a round hat with a curled brim and the motto 'Ich dien'. He looks down, saying, "no Admittance Sir We are all loyal". On the hoarding (right) are two play-bills: 'Drury Lane The Second Part of King Henry the IV .... The Manager in Distress' (by George Colman, 1780, here an allusion to Sheridan's position); 'Covent Garden Venice preser[ved] or a Plot discove[red]' (Otway, 1682)."--British Museum online catalogue
Description:
Title etched below image., Attributed to Sayers in the British Museum catalogue., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., Temporary local subject terms: Carlton House -- Emblems: British lion -- Mottoes: Prince of Wales's motto -- Literature: Reference to William Shakespeare's Henry IV, Part II -- Reference to George Colman's The Manager in Distress -- Reference to Thomas Otway's Venice Preserved or a Plot Discovered., 1 print : etching on wove paper ; plate mark 30.3 x 23.7 cm, on sheet 32.9 x 25.8 cm., and Mounted on leaf 61 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. 17 March 1794 by H. Humphrey
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816, Carlton House (London, England),, Covent Garden Theatre., and Theatre Royal, Drury Lane (London, England)
"Sheridan stands in profile to the left, with fallen jaw and disconcerted expression, before a hoarding across the front of Carlton House, in which is a lion's-head knocker which looks fiercely at him. Over the hoarding appear the huge hands, head, and shoulders of Big Sam, the (former) porter at Carlton House (see British Museum Satires No. 7905), wearing a round hat with a curled brim and the motto 'Ich dien'. He looks down, saying, "no Admittance Sir We are all loyal". On the hoarding (right) are two play-bills: 'Drury Lane The Second Part of King Henry the IV .... The Manager in Distress' (by George Colman, 1780, here an allusion to Sheridan's position); 'Covent Garden Venice preser[ved] or a Plot discove[red]' (Otway, 1682)."--British Museum online catalogue
Description:
Title etched below image., Attributed to Sayers in the British Museum catalogue., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., Temporary local subject terms: Carlton House -- Emblems: British lion -- Mottoes: Prince of Wales's motto -- Literature: Reference to William Shakespeare's Henry IV, Part II -- Reference to George Colman's The Manager in Distress -- Reference to Thomas Otway's Venice Preserved or a Plot Discovered., and Mounted to 44 x 34 cm.
Publisher:
Publd. 17 March 1794 by H. Humphrey
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816, Carlton House (London, England),, Covent Garden Theatre., and Theatre Royal, Drury Lane (London, England)
"Sheridan stands in profile to the left, with fallen jaw and disconcerted expression, before a hoarding across the front of Carlton House, in which is a lion's-head knocker which looks fiercely at him. Over the hoarding appear the huge hands, head, and shoulders of Big Sam, the (former) porter at Carlton House (see British Museum Satires No. 7905), wearing a round hat with a curled brim and the motto 'Ich dien'. He looks down, saying, "no Admittance Sir We are all loyal". On the hoarding (right) are two play-bills: 'Drury Lane The Second Part of King Henry the IV .... The Manager in Distress' (by George Colman, 1780, here an allusion to Sheridan's position); 'Covent Garden Venice preser[ved] or a Plot discove[red]' (Otway, 1682)."--British Museum online catalogue
Description:
Title etched below image., Attributed to Sayers in the British Museum catalogue., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., Temporary local subject terms: Carlton House -- Emblems: British lion -- Mottoes: Prince of Wales's motto -- Literature: Reference to William Shakespeare's Henry IV, Part II -- Reference to George Colman's The Manager in Distress -- Reference to Thomas Otway's Venice Preserved or a Plot Discovered., and Mounted on page 81 with one other print.
Publisher:
Publd. 17 March 1794 by H. Humphrey
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816, Carlton House (London, England),, Covent Garden Theatre., and Theatre Royal, Drury Lane (London, England)
"A satire on the rebuilding of Drury Lane Theatre. Whitbread, Chairman of the Committee, bestrides a barrel, the head inscribed 'The Butt M, T' [empty]. He has long ass's ears and points to a table beside him on the extreme right where there is a model of a theatre with a pillared portico and pediment. This rests on a paper inscribed 'Whitbread Copeland Holland Rolls &ca clear gains 450000!!!!!' Next Whitbread a man sits behind a similar table littered with plans all inscribed 'Plan of Drury Lane'. He also has ass's ears, to which a second pair has been added in water-colour. He looks through an eye-glass, resting his right elbow on an anchor, while he holds at arm's length the model of a theatre whose portico is flanked by two large sphinxes. A carved sun, like the emblem of the Sun Fire-Office, decorates his chair; on the right is a broad post or terminal pillar supporting a man's head, also with ass's ears. This rests on a volume inscribed 'Commons', and on its face in large letters are the words 'Ex Nihilo Nihil Fil'; from its upper edge a signpost arm projects to the right inscribed 'To Coventry', showing that he is Peter Moore. Behind Whitbread (left) and partly screened by a heavy curtain is a table supporting a third model of a theatre, also with a portico. Whitbread, frowning slightly, says: "These Resolutions once carried good bye Friend Sherry Old Claimants and new Subscribers (aside) Hem! I think I have bullied the Committe [sic] properly." His neighbour (? Lord Holland) who smiles, has a round good-humoured face; he says: "La! Mr Chairman I think my Sphynxes look Monstrous Pretty.""--British Museum online catalogue
Alternative Title:
Punishment of a modern Midas
Description:
Title etched below image., Printmaker and date of publication from British Museum catalogue., Sheet trimmed to plate mark leaving thread margins., Watermark: J. Whatman., and Matted to 37 x 46 xm.
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Name):
Theatre Royal, Drury Lane (London, England), Whitbread, Samuel, 1764-1815, Moore, Peter, 1753-1828, and Holland, Henry Richard Vassall, Baron, 1773-1840
Subject (Topic):
Theaters, Architectural models, Barrels, and Traffic signs & signals
"Interior view of the theatre, looking towards the stage; a performance taking place; the galleries, boxes, and pit filled with spectators."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 32., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 1, opposite page 228.
Publisher:
Pub. 1st Augt. 1808 at R. Ackermann's Repository of Arts, 101 Strand
"A satire on Drury Lane Theatre. The Board consists of three men at a table, almost covered by four large dishes, each containing an article of food with a portrait head. On the farther side sits Sheridan, ladling guineas towards his grinning and avid mouth. Facing him is Tom Sheridan, identified by a pamphlet, 'Caractacus', in his coat-pocket, and, opposite him, the President of the Board, .... These two turn towards the foremost of a number of hungry dogs with human heads; the latter beckons to him, while Tom feeds him with a cheque or note of 100£. Another dog, its collar inscribed 'John Bull' [1803], showing that he is Colman, turns away, but looks distrustfully over his shoulder at the pair. There are six others. T. Sheridan draws furtively from the pocket in the tail of his coat a purse, for which a (normal) dog begs, seated on an open book, 'The World' [first played at Drury Lane 31 Mar. 1808], showing that he is James Kenney. Beside the book are scattered papers inscribed 'Rejected Plays &c.', at which two dogs with human heads sniff and paw. One has a collar inscribed 'Carlo' [from 'The Caravan', see No. 10172, &c.], and is probably F. Reynolds. A man, resembling Wroughton in No. 11079, approaches the table, a napkin under his arm, carrying a large tureen inscribed 'Water Grue and containing plays: 'World!' [Kenney], 'Siege of St Quintin' [by T. Hook, first played Drury Lane 10 Nov. 1808], 'Travellers' [by Andrew Cherry, music by Corri, first played Drury Lane, 14 Jan. 1806], 'Venoni' ['or, The Novice of St. Mark's'] (by M. G. Lewis, first played Drury Lane, 1 Dec. 1808). The dishes on the table are 'Toad in a Hole, Turtle, Calfs Head Surprse [sic]', and 'Barbicued Pig'. Under the table (right) is a pile of papers, or books in shadow at which mice or rats are nibbling. These are the neglected classics, and are inscribed 'Jonson', 'Shakesp . . .', 'Beaumont and Fletch . . .' The room is panelled."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as De Wilde in the British Museum catalogue., Sheet trimmed within plate mark., Plate from: The Satirist., and Mounted to 27 x 41 cm.
Publisher:
Published for the Satirist Feby. 1st, 1809, by S. Tipper, 37 Leadenhall Street
Subject (Name):
Theatre Royal, Drury Lane (London, England), Arnold, Samuel James, 1774-1852, Colman, George, 1762-1836, Cherry, A. 1762-1812 (Andrew),, Dimond, William, active 1780-1837, Hook, Theodore Edward, 1788-1841, Kenney, James, 1780-1849, Lewis, Matthew Gregory, 1775-1818, Reynolds, Frederick, 1764-1841, Sheridan, Richard Brinsley, 1751-1816, Sheridan, Thomas, 1775-1817, and Wroughton, Richard, 1748-1822
Subject (Topic):
Dogs, Dramatists, Eating & drinking, Interiors, and Taverns (Inns)
