Volume 3, before page 159. Anecdotes, observations, and characters, of books and men.
Image Count:
1
Resource Type:
still image
Abstract:
"A stage scene with five performers in Gay's 'The Beggar's Opera'; a prison scene with three men standing and two women on their knees; a forgery purporting to be a benefit ticket for Thomas Walker for his performance as Macheath."--British Museum online catalogue
Description:
Title from text within ribbon at top of image; remainder of title from text below image., One of the suppositious 'Sympson' prints whose attributions have long been doubted; see Paulson 1965/60 Appendix I, pages 313-4 for more information., Dated to the 1790s in the British Museum online catalog, registration no.: Cc,3.122., Sheet trimmed within plate mark., Polly portrayed by Lavinia Fenton., Mounted to 38 x 27 cm., and Bound in before page 159 (leaf numbered '22' in pencil) in volume 3 of an extra-illustrated copy of: Spence, J. Anecdotes, observations, and characters, of books and men.
Publisher:
publisher not identified
Subject (Name):
Gay, John, 1685-1732., Walker, Thomas, 1698-1744,, and Fenton, Lavinia, 1708-1760,
Copy of a print by J. Sympson, Junr., after W. Hogarth's design. A benefit ticket illustrated with a stage scene from John Gay's 'The Beggar's Opera': a prison scene with three men standing and two women on their knees; print after a forgery purporting to be a benefit ticket for Thomas Walker for his performance as Macheath; illustration to Ireland's 'Graphic Illustrations of Hogarth'. and "Benefit ticket: a stage scene with five performers in Gay's 'The Beggar's Opera'; a prison scene with three men standing and two women on their knees; print after a forgery purporting to be a benefit ticket for Thomas Walker for his performance as Macheath; illustration to Samuel Ireland's 'Graphic Illustrations of Hogarth' (1794-1799)"--British Museum online catalogue
Description:
Title from ribbon at top of image; below "Theatre Royal Covent Garden / Pitt"., Signed within image: W. Hogarth invt. / J. Sympson Junr. sculp., After one of the suppositious 'Sympson' prints; see Paulson 1965/60 Appendix I, pages 313-4 for more information., Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, 1794, v. 1, page 58., Polly portrayed by Lavinia Fenton., Ms. note in pencil Steevens's hand above print: £5.5.0; at top of print: 5., Ms. note beneath print in another hand in pencil: For Graphic illustrations of Hogarth ... its possession of Samuel Ireland, 1794, p. 58., and On page 233 in volume 3. Sheet trimmed to: 11 x 12.7 cm.
Publisher:
R. Faulder and J. Egerton
Subject (Name):
Gay, John, 1685-1732., Walker, Thomas, 1698-1744,, and Fenton, Lavinia, 1708-1760,
Copy of a print by J. Sympson, Junr., after W. Hogarth's design. A benefit ticket illustrated with a stage scene from John Gay's 'The Beggar's Opera': a prison scene with three men standing and two women on their knees; print after a forgery purporting to be a benefit ticket for Thomas Walker for his performance as Macheath; illustration to Ireland's 'Graphic Illustrations of Hogarth'. and "Benefit ticket: a stage scene with five performers in Gay's 'The Beggar's Opera'; a prison scene with three men standing and two women on their knees; print after a forgery purporting to be a benefit ticket for Thomas Walker for his performance as Macheath; illustration to Samuel Ireland's 'Graphic Illustrations of Hogarth' (1794-1799)"--British Museum online catalogue
Description:
Title from ribbon at top of image; below "Theatre Royal Covent Garden / Pitt"., Signed within image: W. Hogarth invt. / J. Sympson Junr. sculp., After one of the suppositious 'Sympson' prints; see Paulson 1965/60 Appendix I, pages 313-4 for more information., Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, 1794, v. 1, page 58., and Polly portrayed by Lavinia Fenton.
Publisher:
R. Faulder and J. Egerton
Subject (Name):
Gay, John, 1685-1732., Walker, Thomas, 1698-1744,, and Fenton, Lavinia, 1708-1760,
Title from caption below image., Date of publication based on other Heath prints on the same topic., Date of printing based on watermark., and Watermark: 1815.
"The enormously fat Stephen Kemble, as Hamlet, gesticulates, right arm extended, left arm thrown back, fingers (very large) pointing awkwardly; his head is turned in profile to the left. He wears quasi-contemporary dress, much dishevelled, with a star and ribbon from which hangs the elephant of the Danish order."--British Museum online catalogue
Description:
Title etched below image., Publisher from the British Museum online catalogue, registration no.: J,2.22., Two lines of text from Hamlet are etched below title: ---------- that I have thought some of nature's journeymen had made men, and not made them well; they imitated humanity so abominably., Leaf 23 in an album with the spine title: Characatures by Dighton., 1 print : etching and stipple engraving on laid paper, hand-colored ; plate mark 22.5 x 16.1 cm, on sheet 31.1 x 25.5 cm., and Figure identified as "Stephen Kemble" in pencil below plate mark.
Publisher:
Robert Dighton
Subject (Name):
Kemble, Stephen, 1758-1822
Subject (Topic):
Actors, British, Obesity, and Theatrical productions
A writing sheet illustrated with scenes from Thomas Dibdin’s pantomime, first performed at the Theatre Royal, Drury Lane, on Boxing Day 1806 and a few months before this sheet was issued. There were at least twelve different scenes in Dibdin’s work, from which nine were chosen to illustrate the borders of the sheet. Another illustration at the foot of the sheet shows a carriage and a wagon followed by soldiers on horseback on a bridge over a river
Alternative Title:
Golden egg
Description:
Title etched at top of plate. and Watermark and countermark: J. Whatman 1805. Lower right corner torn.
Publisher:
Publish'd March 25, 1807, by Laurie & Whittle, 53 Fleet Street, London
"Interior of a kitchen showing servants at leisure: a stout woman dances with a black man in the centre accompanied by a man with a wooden leg who sits playing a violin on the left; watched by others on the right, a young woman standing on a chair and supported by a young man, while a seated man wearing a tricorn smiles and points at her and an elderly woman stands with her arms folded under her apron, a dog at her heels; two posters pasted on the wall behind, shelves, bellows and other kitchen implements in the background."--British Museum online catalogue, description of a print of the same design
Description:
Title engraved below image., Publisher and approximate date of publication from smaller version in the British Museum; see British Museum online catalogue, registration no.: 2010,7081.344., Description based on imperfect impression; sheet trimmed within plate mark., A depiction of a scene from a performance of High life below stairs (1759), the popular Georgian comedy by James Townley., For a related drawing, attributed to Francis Grose, see Lewis Walpole Library call no.: Drawings G877 no. 1., and Laid down on stiff sheet.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 23d Feby. 1774.
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 71. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
A bench in a kitchen on which are seated, from left to right: the coachman, half asleep; the huge cook seated facing us, arms akimbo; and a rather drowsy black boy. A shelf with pots and pans on it is on the wall to the left. At the extreme right is a grandfather clock. There are two drawings pinned to the wall
Description:
Title etched below image., Sheet trimmed within plate mark., Three lines of dialogue etched below title: Coachman: You go." Cook: Hang me if I go." Kingston: Mollsey, Pollsey go.", Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Theater: High life below stairs -- Amateur theatricals -- Domestic service: Coachman -- Kingston -- Black foot-boy -- Reference to William Ann Holles, earl of Essex, 1732-1799., Mounted on page 71 of: Bunbury album., 1 print : etching and drypoint on laid paper ; sheet 26.6 x 29.0 cm., and Sheet trimmed to plate mark.
Publisher:
publisher not identified
Subject (Name):
Townley, James, 1714-1778.
Subject (Topic):
Blacks, Coach drivers, Cooks, Servants, Longcase clocks, and Theatrical productions
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 23d Feby. 1774.
Call Number:
Bunbury 774.02.23.01.2+ Impression 1
Collection Title:
Page 71. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
A bench in a kitchen on which are seated, from left to right: the coachman, half asleep; the huge cook seated facing us, arms akimbo; and a rather drowsy black boy. A shelf with pots and pans on it is on the wall to the left. At the extreme right is a grandfather clock. There are two drawings pinned to the wall
Description:
Title etched below image., Sheet trimmed within plate mark., Three lines of dialogue etched below title: Coachman: You go." Cook: Hang me if I go." Kingston: Mollsey, Pollsey go.", Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Theater: High life below stairs -- Amateur theatricals -- Domestic service: Coachman -- Kingston -- Black foot-boy -- Reference to William Ann Holles, earl of Essex, 1732-1799., and Watermark, trimmed.
Publisher:
publisher not identified
Subject (Name):
Townley, James, 1714-1778.
Subject (Topic):
Blacks, Coach drivers, Cooks, Servants, Longcase clocks, and Theatrical productions
