Title from text above images., Nine images on one plate, eight in two rows; the center image of Liston as Paul Pry is two columns high., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Name):
Liston, John, 1776-1846
Subject (Topic):
Performances, Actors, British, Actors, British, and Theatrical productions
"A corner of the opera house. A dancer is poised on her right toe, while she leans forward, both arms extended, her left leg extended horizontally towards the audience. Her head is turned full-face. Those in the pit are peering under her skirt, which, falling limply almost to her ankles, defines her figure. In the front row of the pit sit (left to right) the Duke of Queensberry peering through an opera-glass; Sheridan, biting his thumb apprehensively (probably fearing competition with Drury Lane); Fox, leaning back laughing, while Pitt stands behind him, holding his shoulders, and staring intently at the dancer. Among the heads behind are Burke on the extreme right, Bedford next him, then Loughborough and Erskine (?) in their legal wigs. In a box on the first tier sit two ladies and a man, looking down upon the dancer, except that one of the ladies stares at the man she sits next through a glass. A door giving on to the stage is open, through which two men are staring up at the dancer. Behind stands a prim-looking man wearing spectacles. A scene of trees and foliage forms a background to the stage."--British Museum online catalogue
Description:
Title from item., Sheet trimmed to plate mark., The dancer is possibly Madame Rose Parisot?, and Matted to 47 x 62 cm.; printmaker's name and a key identifying subjects printed on mat below image.
Publisher:
Pub. May 7, 1796 by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Queensberry, William Douglas, Duke of, 1725-1810, Sheridan, Richard Brinsley, 1751-1816, Burke, Edmund, 1729-1797, Bedford, Francis Russell, Duke of, 1765-1802, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, and Erskine, Thomas Erskine, Baron, 1750-1823
Subject (Topic):
Audiences, Dancers, French, Performances, Opera houses, and Theatrical productions
Stage-scene from Johnson's play 'The Blazing Comet'; Lord Wildfire in the center holds a violin and its bow while standing on stilts made to resemble legs. He looks left towards a lady on the balcony. There are three other performers on stage with an architectural screen in the background
Description:
Title and publication date from British Museum catalogue. and Sheet trimmed to plate amkr.
A tracing by George Steevens of a print by Willaim Hogarth: Theatre stage with two dancers; on the left a woman (La Barbarina) jumps with her legs apart and on the right a man (George Desnoyer) stands with his legs together; on either side a chorus, or audience, and statues of Comedy and Tragedy holding candles. With the text "C.C. Prickt lines shewing the rising Height" at the foot of the stage as in the first state and with a face on the sun
Alternative Title:
Charmers of the age
Description:
Title from item., Lengthy pencil note in William Windham's hand below: These two pieces viz. the one marked Qui Color albus erat and The Charmers of the age? are not prints but copies taken with a pen by Mr. Steevens, and given to me, together with many others, not copies, in return for those mentioned in his collection as given by me to him. [Signed] W.W. March 22d 1800., After Paulson, R. Paulson, R. Hogarth's graphic works (3rd ed.), no. 153., and On page 100 in volume 1.
Subject (Name):
Campanini, Barberina, 1721-1799 and Desnoyer, George, approximately 1700-1764
Subject (Topic):
Dancers, German, Italian, and Theatrical productions
Volume 2, opposite page 198. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Image Count:
1
Resource Type:
still image
Alternative Title:
John Bannister (as Whiskerandos in 'The critic')
Description:
Title written in pencil in lower right corner. Alternative title from note in ink on mounting sheet: John Bannister (as Whiskerandos in 'The Critic')., Signed and dated by the artist in pencil., Possibly the original design for an engraving by R. Smith that was published by John Cawthorn in 1806; see British Museum online catalogue, registration no.: 1933,1014.421. See also: Catalogue of engraved British portraits preserved in the Department of Prints and Drawings in the British Museum, v. 1, page 116. For a brief mention of De Wilde's portrait of Bannister as Whiskerandos, and the engraving after it by Smith, see: A biographical dictionary of actors, actresses, musicians, dancers, managers & other stage personnel in London, 1600-1800, v.1, pages 272-3., and Mounted opposite page 198 (leaf numbered '9' in pencil) in volume 2 of an extra-illustrated copy of Thomas Moore's Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816. and Bannister, John, 1760-1836,
Theatrical scene in a prison, after Hogarth's painting illustrating Gay's "The Beggar's Opera". Audience members are shown seated in boxes to the left and right; in the centre, the character of Macheath, a highwayman, stands in shackles; on either side of him, his wife and lover are kneeling before their respective fathers, pleading for intervention on Macheath's behalf; in the background, a group of male figures (Macheath's gang?). Each figure is numbered and listed below under the appropriate category -- performers or audience
Description:
Title etched above image., Sheet trimmed to plate mark on top edge., and Key plate to the painting by Hogarth and the engraving after it by William Blake.
Publisher:
Publish'd July 1, 1790, by J. & J. Boydell, Cheapside & at the Shakspeare Gallery Pall Mall
Subject (Name):
Gay, John, 1685-1732.
Subject (Topic):
Actors, British, Actresses, Audiences, and Theatrical productions
Theatrical scene in a prison, after Hogarth's painting illustrating Gay's "The Beggar's Opera". Audience members are shown seated in boxes to the left and right; in the centre, the character of Macheath, a highwayman, stands in shackles; on either side of him, his wife and lover are kneeling before their respective fathers, pleading for intervention on Macheath's behalf; in the background, a group of male figures (Macheath's gang?). Each figure is numbered and listed below under the appropriate category -- performers or audience
Description:
Title etched above image., Sheet trimmed to plate mark on top edge., Key plate to the painting by Hogarth and the engraving after it by William Blake., and On page 235 in volume 3. Sheet trimmed to: plate mark 14.5 x 21.9 cm, on sheet 15.4 x 22.7 cm.
Publisher:
Publish'd July 1, 1790, by J. & J. Boydell, Cheapside & at the Shakspeare Gallery Pall Mall
Subject (Name):
Gay, John, 1685-1732.
Subject (Topic):
Actors, British, Actresses, Audiences, and Theatrical productions
Theatrical scene in a prison, after Hogarth's painting illustrating Gay's "The Beggar's Opera". Audience members are shown seated in boxes to the left and right; in the centre, the character of Macheath, a highwayman, stands in shackles; on either side of him, his wife and lover are kneeling before their respective fathers, pleading for intervention on Macheath's behalf; in the background, a group of male figures (Macheath's gang?). Each figure is numbered and listed below under the appropriate category -- performers or audience
Description:
Title etched above image., Sheet trimmed to plate mark on top edge., Key plate to the painting by Hogarth and the engraving after it by William Blake., Mounted on page 162 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., 1 print : etching on wove paper ; sheet 14.6 x 22 cm., Sheet trimmed within plate mark., and Annotated by Horace Walpole in pencil in lower right corner: Some of the figures in the boxes are different from those in Mr. Walpole's picture.
Publisher:
Publish'd July 1, 1790, by J. & J. Boydell, Cheapside & at the Shakspeare Gallery Pall Mall
Subject (Name):
Gay, John, 1685-1732.
Subject (Topic):
Actors, British, Actresses, Audiences, and Theatrical productions
"Portrait of Samuel Foote in character; whole length, standing, wearing the latest 'French' fashions, including large fur muff, wig with pointed sides, mis-matched tights, and coat with over-sized cuffs; his outfit is scrutinized by two English gentlemen to the right; two men in background, one preparing a hat, bending over a dressing table with mirror."--British Museum online catalogue and On the back wall are two large framed pictures, both with scenes from mythology. On the left, Apollo with bow and arrow pursues Daphne who has begun the turn into a laurel tree. On the right, Leda and the swan
Alternative Title:
Buck metamorphosed and Mr. Foote in the character of the Englishman return'd from Paris
Description:
Title engraved below image., Date of publication based on the first performance of The Englishman returned from Paris, which premiered at Covent Garden Theatre in 1756., Probably published no later than 1760, when Robert Withy began trading on his own from a Cornhill address. His partnership with John Ryall, at the Fleet Street address listed here, is documented by prints and trade cards in the British Museum from the 1750s. See British Museum online catalogue., Sheet trimmed to plate mark., For a probable reissue of this plate, published by C. Sheppard in the 1790s, see British Museum online catalogue, registration no.: K,60.14., Cf. Catalogue of engraved British portraits preserved in the Department of Prints and Drawings in the British Museum, v. 2, page 231, no. 15., and Mounted to 37 x 27 cm.
Publisher:
Printed for John Ryall & Robt. Withy, at Hogarth's Head in Fleet Street
Subject (Name):
Foote, Samuel, 1720-1777. and Foote, Samuel, 1720-1777