Title from item., Publication date from an unverified card catalog record., Sheet trimmed within plate mark., and Temporary local subject terms: Royal bedchamber at Richmond Lodge(?) -- Domestic service: black footboy -- Royal arms -- Royal beds -- Crowns -- Courtiers -- Carpets.
Publisher:
P. Schenk?
Subject (Name):
George II, King of Great Britain, 1683-1760., Caroline, Queen, consort of George II, King of Great Britain, 1683-1737., William Augustus, Prince, Duke of Cumberland, 1721-1765., and Suffolk, Henrietta Hobart Howard, Countess of, 1688?-1767.
"John Bull, as a burly and ugly sailor, sits enthroned (right), listening to Melville's plea of innocence. Melville, in Highland dress, and wearing a feathered bonnet, stands in profile to the right. with clasped hands and flexed knees; he says: "Indeed Mr Bull - I knaw nae more aboot it - than Johnny Groat o'the Highlands." Trotter lurks behind him (left) furtively twitching his superior's kilt, and jerking his thumb to the left.; he says: "Take my advice - and let us Trot off while we are well, he looks confounded inquisitive." John scowls and glares pugnaciously, saying, "Why Look ye - de ye see - I dont come for to go for to say - exactly, that you sack'd the cole - all I say is the Shiners set sail - and as you had the care of the Hatches - it is, likely, you should know what Port they steer'd into! I say let's look at your log book Old one." He wears striped trousers and a knotted scarf; in his hat is a tobacco-pipe. His chair stands on a dais and is decorated with a crowned anchor and dolphins."--British Museum online catalogue and A satire on Henry Dundas, 1st Viscount Melville, who was accused of appropriating funds for non-naval purposes during his tenure as Lord of the Admiralty. Dundas was the most prominent Scottish politician of his era and instrumental in the progress of the Scottish Enlightenment. He is controversial today through his delaying the abolition of slavery for several years
Alternative Title:
Iohn Bull makeing a naval enqury and John Bull making a naval enquiry
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed within plate mark., and Publisher's advertisement in lower right: Folios of caracatures lent out for the evening.
Publisher:
Pubd. April 1st, 1805, by S.W. Fores, 50 Piccadilly
Subject (Name):
Dundas, Henry, 1742-1811, Dundas, Henry, 1742-1811., and Trotter, Alexander, 1750-1830
Subject (Topic):
John Bull (Symbolic character), Sailors, British, Thrones, Ethnic stereotypes, and Pleading (Begging)
"John Bull (right), a fat citizen wearing spectacles, holds aside a curtain, revealing Napoleon and Joséphine enthroned, side by side. He stands in profile to the left, a large pistol under his left arm, his left hand in his coat-pocket. He says: "Boney - Boney, that wont do - You must not Play my King & Queen." Napoleon, wearing a huge bicorne, a drawn sabre in his right hand, frowns at John. Joséphine wears a crown, holds sceptre and orb and looks complacently to the left. Both sit with right foot planted regally on a stool, and left leg arrogantly thrust forward."--British Museum online catalogue
Alternative Title:
Johnny Bull on the lookout and Bonaparte detected drilling his rib at the play of King & Queen of England
Description:
Title etched below image., From the Laurie & Whittle series of Drolls., Other prints in the Laurie & Whittle Drolls series were executed by either Isaac Cruikshank or Richard Newton., Plate numbered "314" in lower left corner., and On verso in brown ink is the collector's stamp of Nick Knowles: A pair of crossed skis.
Publisher:
Publish'd Septr. 12, 1803, by Laurie & Whittle, 53 Fleet Street, London
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Josephine, Empress, consort of Napoleon I, Emperor of the French, 1763-1814
Subject (Topic):
John Bull (Symbolic character), Napoleonic Wars, 1800-1815, Proposed invasion of England, 1793-1805, Draperies, Handguns, Thrones, Daggers & swords, Crowns, Scepters, and Stools
King Henry VIII leads Anne Boleyn towards the throne. A melancholy Cardinal Wolsey leans his head in his hand as he glances sideways toward the couple. In the background Katherine of Aragon sitting in another throne and turns away from the couple to converse with Anne's former lover, Lord Percy. A young page carries the train of Anne's dress as she enters the palace
Alternative Title:
King Henry the eighth and Anne Bullen
Description:
Title etched below image., Title from Paulson: King Henry the eighth and Anne Bullen, State, date, and publisher from Paulson., The caption from 1st state erased or stopped out and replaced with a quote from Allan Ramsay in letterpress beginning: "See here the Great, the daring Harry stands, Peace, Plenty, Freedom shining in his Face ...", Sheet trimmed within plate mark., and The subject alludes to the perceived threat to the political supremacy of Robert Walpole (here represented by Wolsey) at the accession of George II. The composition echoes the traditional iconography of the popular story of Fair Rosamond and Henry II. See O'Connell, S. The popular print in England, 1999, p. 20.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Name):
Henry VIII, King of England, 1491-1547,, Anne Boleyn, Queen, consort of Henry VIII, King of England, 1507-1536,, Walpole, Robert, Earl of Orford, 1676-1745., and Wolsey, Thomas, 1475?-1530.
Subject (Topic):
Politics and government, Cardinals, Castles & palaces, Ceremonial rooms, Children, Couples, Kings, Nobility, Queens, Reception rooms, and Thrones
King Henry VIII leads Anne Boleyn towards the throne. A melancholy Cardinal Wolsey leans his head in his hand as he glances sideways toward the couple. In the background Katherine of Aragon sitting in another throne and turns away from the couple to converse with Anne's former lover, Lord Percy. A young page carries the train of Anne's dress as she enters the palace
Alternative Title:
King Henry the Eigth & Anna Bullen, King Henry the Eight & Anna Bullen, King Henry the Eight and Anna Bullen, King Henry the eighth and Anna Bullen, and King Henry the eighth and Anne Bullen
Description:
Title etched below image., Title from Paulson: King Henry the eighth and Anne Bullen, State and publisher from Paulson., "Price 5s."--Lower right corner., and The subject alludes to the perceived threat to the political supremacy of Robert Walpole (here represented by Wolsey) at the accession of George II. The composition echoes the traditional iconography of the popular story of Fair Rosamond and Henry II. See O'Connell, S. The popular print in England, 1999, p. 20.
Publisher:
Printed for Robert Wilkinson, Cornhil, Carington Bowles in St. Pauls Church Yard & R. Sayer, in Fleet Street
Subject (Geographic):
Great Britain
Subject (Name):
Henry VIII, King of England, 1491-1547., Anne Boleyn, Queen, consort of Henry VIII, King of England, 1507-1536., Henry VIII, King of England, 1491-1547,, Anne Boleyn, Queen, consort of Henry VIII, King of England, 1507-1536,, Walpole, Robert, Earl of Orford, 1676-1745., and Wolsey, Thomas, 1475?-1530.
Subject (Topic):
Politics and government, Cardinals, Castles & palaces, Ceremonial rooms, Children, Couples, Kings, Nobility, Queens, Reception rooms, and Thrones
King Henry VIII leads Anne Boleyn towards the throne. A melancholy Cardinal Wolsey leans his head in his hand as he glances sideways toward the couple. In the background Katherine of Aragon sitting in another throne and turns away from the couple to converse with Anne's former lover, Lord Percy. A young page carries the train of Anne's dress as she enters the palace
Alternative Title:
King Henry the Eigth & Anna Bullen, King Henry the Eight & Anna Bullen, King Henry the Eight and Anna Bullen, King Henry the eighth and Anna Bullen, and King Henry the eighth and Anne Bullen
Description:
Title etched below image., Title from Paulson: King Henry the eighth and Anne Bullen, State and publisher from Paulson; this impression as the changes in publication line for state 4 but still Price 3s, "Price 3s."--Lower right corner., The subject alludes to the perceived threat to the political supremacy of Robert Walpole (here represented by Wolsey) at the accession of George II. The composition echoes the traditional iconography of the popular story of Fair Rosamond and Henry II. See O'Connell, S. The popular print in England, 1999, p. 20., Sheet trimmed within plate mark., and On page 51 in volume 1.
Publisher:
Printed for John Bowles at the Black Horse in Cornhil, Carington Bowles in St. Paul's Church Yard & R. Sayer in Fleet Street
Subject (Geographic):
Great Britain
Subject (Name):
Henry VIII, King of England, 1491-1547,, Anne Boleyn, Queen, consort of Henry VIII, King of England, 1507-1536,, Walpole, Robert, Earl of Orford, 1676-1745., and Wolsey, Thomas, 1475?-1530.
Subject (Topic):
Politics and government, Cardinals, Castles & palaces, Ceremonial rooms, Children, Couples, Kings, Nobility, Queens, Reception rooms, and Thrones
"Design in an oval. Used as a frontispiece to second edition (1785) of 'The Westminster Election' and probably designed for it. Britannia seated on a throne (right) raised on three steps holds out a laurel wreath towards the Duchess of Devonshire who is led towards her by the draped figures of Liberty (left) holding the staff and cap of Liberty, and Fame (right) with her trumpet. The British lion lies at Britannia's feet (right) looking over its shoulder at the Duchess."--British Museum online catalogue
Alternative Title:
Liberty and Fame introducing female patriotism to Britannia
Description:
Title etched below image., Printmaker and date of publication from Grego., Two lines of quoted text below title: "She smiles - infused with a fortitude from Heaven"! Vide Shakespears Tempest., Frontispiece to: Hartley, J. History of the Westminster election. London : Printed for the editors, and sold by J. Debrett ..., 1785., Temporary local subject terms: British Lion -- Personifications -- Cap of Liberty -- Staff of Liberty -- Musical instruments -- Laurel wreaths -- Ships., and Mounted to 28 x 34 cm.
Publisher:
publisher not identified
Subject (Name):
Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806
Subject (Topic):
Britannia (Symbolic character), Liberty, Fame, Lions, Thrones, Wreaths, Liberty cap, and Trumpets
Truth triumphant against the reapers being a most beautiful contrast
Description:
Title from item., Publication date from British Museum catalogue., Sheet trimmed within plate mark., 'Price 6d'., Temporary local subject terms: Resignations: William Pitt the Elder's resignation, 1761 -- Personifications: Fame -- Medallions --Pensions -- Trades: sailors -- Frenchmen -- Spaniards -- British Lion -- Emblems: gallic cock -- Money: bribes -- Addresses: William Pitt's letter to William Beckford, 1761., Watermark: Vryheyt on the right side of sheet; counternark on the left., and Mounted to 27 x 37 cm.
Publisher:
J. Britton
Subject (Name):
George III, King of Great Britain, 1738-1820, Bussy, François de, 1699-1780, Holland, Henry Fox, Baron, 1705-1774, and Pitt, William, Earl of Chatham, 1708-1778
Subject (Topic):
Britannia (Symbolic character), Devils, and Thrones
Publisht 16 Feb. 1750, according to Act of Parliament.
Call Number:
Print30011
Image Count:
1
Resource Type:
still image
Alternative Title:
King Edward VI granting the charter for Bridewell Hospital to Sir George Barnes
Description:
Title etched below image., Date from item., Place of publication derived from printmaker's nationality., Translated title supplied by curator., In margin upper right: PL. VI., Caption in Latin and English., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
Edward VI, King of England, 1537-1553. and Bridewell Hospital.
Subject (Topic):
Orphanages, Hospitals, Kings, Thrones, Charters, Mayors, and Government officials
