"A scaffold extends across the foreground: Fox raises an axe to strike the neck of George III, whose head is held by Sheridan. The scaffold is surrounded by a dense and cheering mob. On the right is the gate of the 'Crown & Anchor' tavern, and from two projecting lamp-brackets swing the bodies of Queen Charlotte and Pitt. The houses of the Strand recede in perspective and terminate in Temple Bar, with two heads on spikes; clouds of smoke appear to come from burning houses east of Temple Bar. On the clouds a meretricious Liberty sits enthroned and triumphant. The King's neck rests on a narrow block, his shaved head appears bald, his legs are held up by Horne Tooke, who stands on the left, saying: "O, such a day as this, so renown'd so victorious, Such a day as this was never seen Revolutionists so gay; - while Aristocrats notorious, Tremble at the universal glee." From Tooke's pocket projects a paper: 'Petition of Horne Tooke' (against the return of Fox and Hood for Westminster, see British Museum Satires No. 7690). The King, who supports himself on his hands, says, "What! What! What! - what's the matter now". Fox, enormously stout, straddles behind the King, full face his axe raised in both hands; he wears a mask with large circular eye-holes and fox's ears; he says: "Zounds! what the devil is it that puts me into such a hell of a Funk? - damn it, it is but giving one good blow, & all is settled! - but what if I should miss my aim! - ah! it's the fear of that which makes me stink so! - & yet, damnation! what should I be afraid of? if I should not succeed, why nobody can find me out in this Mask, any more than the Man who chop'd the Calf's-head off, a Hundred & Forty Years ago - and so here goes!" Sheridan kneels in profile to the left holding the King by the ear and nose, he looks up at Fox with a sinister scowl, saying, "Hell & Damnation, dont be afraid give a home stroke, & then throw off the Mask - Zounds, I wish I had hold of the Hatchet." Priestley, behind Sheridan, leans towards the King, saying, "Don't be alarmed at your situation, my dear Brother; we must all dye once; and, therefore what does it signify whether we dye today or tomorrow - in fact, a Man ought to be glad of the opportunity of dying, if by that means he can serve his Country, in bringing about a glorious Revolution: - & as to your Soul, or any thing after death don't trouble yourself about that; depend on it, the Idea of a future state, is all an imposition: & as every thing here is vanity & vexation of spirit, you should therefore rejoice at the moment which will render you easy & quiet". He holds a paper: 'Priestley on a Future State'. Sir Cecil Wray stands with his right hand on Sheridan's shoulder, saying, "Here do give me a little room Joseph that I may be in readiness to catch the droppings of the Small Beer when it is tapp'd; I never can bear to see the Small Beer wasted Joseph!" He holds in his left hand a small cask, 'For Small Beer', and a large pipe; in his pocket is a paper: 'Plan of Chelsea Hospital by Sir Ceci[l] Wray'. The Queen is cruelly caricatured; she swings against Pitt, who is in a death agony with crisped fingers."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Mounted to 37 x 55 cm., and Collector's annotations on mount.
Publisher:
Pubd. July 19th, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Tooke, John Horne, 1736-1812, Priestley, Joseph, 1733-1804, and Wray, Cecil, Sir, 1734-1805
Subject (Topic):
Axes, Executioners, Hangings (Executions), and Crowds
"A scaffold extends across the foreground: Fox raises an axe to strike the neck of George III, whose head is held by Sheridan. The scaffold is surrounded by a dense and cheering mob. On the right is the gate of the 'Crown & Anchor' tavern, and from two projecting lamp-brackets swing the bodies of Queen Charlotte and Pitt. The houses of the Strand recede in perspective and terminate in Temple Bar, with two heads on spikes; clouds of smoke appear to come from burning houses east of Temple Bar. On the clouds a meretricious Liberty sits enthroned and triumphant. The King's neck rests on a narrow block, his shaved head appears bald, his legs are held up by Horne Tooke, who stands on the left, saying: "O, such a day as this, so renown'd so victorious, Such a day as this was never seen Revolutionists so gay; - while Aristocrats notorious, Tremble at the universal glee." From Tooke's pocket projects a paper: 'Petition of Horne Tooke' (against the return of Fox and Hood for Westminster, see British Museum Satires No. 7690). The King, who supports himself on his hands, says, "What! What! What! - what's the matter now". Fox, enormously stout, straddles behind the King, full face his axe raised in both hands; he wears a mask with large circular eye-holes and fox's ears; he says: "Zounds! what the devil is it that puts me into such a hell of a Funk? - damn it, it is but giving one good blow, & all is settled! - but what if I should miss my aim! - ah! it's the fear of that which makes me stink so! - & yet, damnation! what should I be afraid of? if I should not succeed, why nobody can find me out in this Mask, any more than the Man who chop'd the Calf's-head off, a Hundred & Forty Years ago - and so here goes!" Sheridan kneels in profile to the left holding the King by the ear and nose, he looks up at Fox with a sinister scowl, saying, "Hell & Damnation, dont be afraid give a home stroke, & then throw off the Mask - Zounds, I wish I had hold of the Hatchet." Priestley, behind Sheridan, leans towards the King, saying, "Don't be alarmed at your situation, my dear Brother; we must all dye once; and, therefore what does it signify whether we dye today or tomorrow - in fact, a Man ought to be glad of the opportunity of dying, if by that means he can serve his Country, in bringing about a glorious Revolution: - & as to your Soul, or any thing after death don't trouble yourself about that; depend on it, the Idea of a future state, is all an imposition: & as every thing here is vanity & vexation of spirit, you should therefore rejoice at the moment which will render you easy & quiet". He holds a paper: 'Priestley on a Future State'. Sir Cecil Wray stands with his right hand on Sheridan's shoulder, saying, "Here do give me a little room Joseph that I may be in readiness to catch the droppings of the Small Beer when it is tapp'd; I never can bear to see the Small Beer wasted Joseph!" He holds in his left hand a small cask, 'For Small Beer', and a large pipe; in his pocket is a paper: 'Plan of Chelsea Hospital by Sir Ceci[l] Wray'. The Queen is cruelly caricatured; she swings against Pitt, who is in a death agony with crisped fingers."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching, hand-colored, on laid paper ; sheet 353 x 502 mm., Imperfect; sheet trimmed within plate mark with loss of imprint., and Watermark: A. Stace 18[...?].
Publisher:
Pubd. July 19th, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Tooke, John Horne, 1736-1812, Priestley, Joseph, 1733-1804, and Wray, Cecil, Sir, 1734-1805
Subject (Topic):
Axes, Executioners, Hangings (Executions), and Crowds
"A scaffold extends across the foreground: Fox raises an axe to strike the neck of George III, whose head is held by Sheridan. The scaffold is surrounded by a dense and cheering mob. On the right is the gate of the 'Crown & Anchor' tavern, and from two projecting lamp-brackets swing the bodies of Queen Charlotte and Pitt. The houses of the Strand recede in perspective and terminate in Temple Bar, with two heads on spikes; clouds of smoke appear to come from burning houses east of Temple Bar. On the clouds a meretricious Liberty sits enthroned and triumphant. The King's neck rests on a narrow block, his shaved head appears bald, his legs are held up by Horne Tooke, who stands on the left, saying: "O, such a day as this, so renown'd so victorious, Such a day as this was never seen Revolutionists so gay; - while Aristocrats notorious, Tremble at the universal glee." From Tooke's pocket projects a paper: 'Petition of Horne Tooke' (against the return of Fox and Hood for Westminster, see BMSat 7690). The King, who supports himself on his hands, says, "What! What! What! - what's the matter now". Fox, enormously stout, straddles behind the King, full face his axe raised in both hands; he wears a mask with large circular eye-holes and fox's ears; he says: "Zounds! what the devil is it that puts me into such a hell of a Funk? - damn it, it is but giving one good blow, & all is settled! - but what if I should miss my aim! - ah! it's the fear of that which makes me stink so! - & yet, damnation! what should I be afraid of? if I should not succeed, why nobody can find me out in this Mask, any more than the Man who chop'd the Calf's-head off, a Hundred & Forty Years ago - and so here goes!" Sheridan kneels in profile to the left holding the King by the ear and nose, he looks up at Fox with a sinister scowl, saying, "Hell & Damnation, dont be afraid give a home stroke, & then throw off the Mask - Zounds, I wish I had hold of the Hatchet." Priestley, behind Sheridan, leans towards the King, saying, "Don't be alarmed at your situation, my dear Brother; we must all dye once; and, therefore what does it signify whether we dye today or tomorrow - in fact, a Man ought to be glad of the opportunity of dying, if by that means he can serve his Country, in bringing about a glorious Revolution: - & as to your Soul, or any thing after death don't trouble yourself about that; depend on it, the Idea of a future state, is all an imposition: & as every thing here is vanity & vexation of spirit, you should therefore rejoice at the moment which will render you easy & quiet". He holds a paper: 'Priestley on a Future State'. Sir Cecil Wray stands with his right hand on Sheridan's shoulder, saying, "Here do give me a little room Joseph that I may be in readiness to catch the droppings of the Small Beer when it is tapp'd; I never can bear to see the Small Beer wasted Joseph!" He holds in his left hand a small cask, 'For Small Beer', and a large pipe; in his pocket is a paper: 'Plan of Chelsea Hospital by Sir Ceci[l] Wray'. The Queen is cruelly caricatured; she swings against Pitt, who is in a death agony with crisped fingers."--British Museum online catalogue
Description:
Title from caption below image., Printmaker from British Museum catalogue., Plate numbered "57" in upper right corner., Restrike for Bohn's "Supressed plates". Cf. no. 7892 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., On same sheet, verso: Alecto and her train at the gate of Pandaemonium ..., and Printed 1851.
Publisher:
Pubd. July 19th, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Tooke, John Horne, 1736-1812, Priestley, Joseph, 1733-1804, and Wray, Cecil, Sir, 1734-1805
Kings armns in an uproar, King's Arms in an uproar, and Enchanted castle
Description:
Title etched above image., Date of publication from British Museum catalogue., Imperfect; sheet trimmed within plate mark, and sheet mutilated on top edge with loss of the final letters "g" and "s" in "Kings" in title. Missing text supplied from impression in the British Museum., Following imprint: Price sixpence., Six columns of verse below image: I sing the bloody fight & dire alarms, twixt London Tavern and Kings Arms ..., and Watermark.
Publisher:
publisher not identified
Subject (Name):
Tooke, John Horne, 1736-1812
Subject (Topic):
Clergy, Eating & drinking, Fighting, and Taverns (Inns)
"Cobbett (right) stands facing six men grouped at a round table who applaud the toast he gives: 'Damnation to the House of Brunswick' [cf. No. 11234]. In his left hand is a bottle of 'True Napoleone Spirits'; the contents of his raised glass are exploding. On his right sits Horne Tooke, with a crutch, holding a jug of 'Botley Ale' and a glass, both frothing. He says with a sinister upturned glance: 'Huzza! Huzza'. On Cobbett's left, and in back view, stands a naval officer wearing a cocked hat and high fashionable boots. He holds high a steaming bowl of 'Botley Grog'; under his foot is a paper: 'Basque Roads- Court Martial', showing that he is Cochrane, see No. 11326, &c. Facing Cobbett sit Bosville and Clifford. Bosville, silent, decrepit, and senile, grasps a bottle of 'Botley Ale' and holds a foaming glass; in his pocket is a 'Plan for a new Convention'. Clifford, brandy-faced, and with his barrister's wig awry, holds a bottle of 'French Brandy' and a brimming glass, saying "Huzza". Behind these two stand Burdett and Folkestone. Each holds up a frothing glass; Burdett waves his bonnet rouge and shouts "Huzza!-Huzza!" Folkestone echoes "Huzza!" In the foreground with his back to the table lies Wardle, very sick, clasping a bottle of 'Botley Ale', and vomiting over papers: 'Charges against the Duke of York' and 'Reform', see No. 11328, &c. A cat (left), with a collar inscribed 'Mrs Clarke', miaows at him (see No. 11216, &c). On the right are a tankard inscribed 'Whitbread's Small Beer', and a wine-cooler containing five bottles of 'Napolean Wine' [cf. No. 11004]. The floor is boarded, but under Cobbett's chair is a fringed carpet. The room is lit by candles set in branches which decorate the oval frame of a half-length portrait of 'Napoleone Le Grand'; he is in profile to the right, looking down at Cobbett and holding out a 'Cordon d'Honor'. The portrait is flanked by busts on brackets: 'Despard' [see No. 9969] with a noose round his neck, and 'Robespiere' with two daggers. On the table by Clifford are two more bottles of 'French' [Brandy], by Cochrane a bottle labelled (?) 'Coitaris', an overturned bottle, and a plate of 'Diables'. [Diable = a name given to the Toad-fish, Frog-fish, or Sea-Devil.] Empty bottles and a broken glass lie under the table."--British Museum online catalogue
Description:
Title etched below image., Seventh print of eight in a series entitled: The life of William-Cobbett, written by himself., Below image is printed a second plate etched with text only: Plate 7th. I did not look behind me 'till I got to St Omer's & thence fled to America; here I offer'd to become a spy for the English ... See my own Memoires in [the] Political Register, 1809., Series number etched above image, in upper left., Sheet trimmed to plate mark., and Mounted to 46 x 25 cm.
Publisher:
Publish'd Sept. 29th, 1809, by H. Humphrey, 27 St. James's Street
Subject (Name):
Cobbett, William, 1763-1835, Tooke, John Horne, 1736-1812, Clifford, Henry, 1768-1813, Burdett, Francis, 1770-1844, Dundonald, Thomas Cochrane, Earl of, 1775-1860, Radnor, William Pleydell-Bouverie, Earl of, 1779-1869, Wardle, Gwyllym Lloyd, 1762?-1833, and Napoleon I, Emperor of the French, 1769-1821
Title from item., Sheet trimmed within plate mark., Publication place and date inferred from those of the periodical for which this plate was engraved., Plate from: The macaroni and theatrical magazine. London : John Williams, Dec. 1772, p. 97., and Mounted to 24 x 15 cm.
New mercury dedicated to the free and independent electors of Westminster
Description:
Title from item., Printmaker identified by British Museum catalogue., Printseller's announcement following publication statement: Folios of caricatures lent out for the evening., One line of text following title: Pull Devil, pull Baker., and Temporary local subject terms: Open carriages: mercury -- Postilions -- Elections: Westminster election, 1796 -- Westminster electors -- Symbols: cap of Liberty -- Staff of Liberty -- Parsons -- Uniforms: Windsor uniform -- Flags -- Crowns: royal crown.
Publisher:
Pub. June [1]st, 1796, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Gardner, Alan Gardner, Baron, 1742-1809, Fox, Charles James, 1749-1806, Tooke, John Horne, 1736-1812, and Pitt, William, 1759-1806
Title from text below image., Publication place and date inferred from that of the magazine for which this plate was engraved., Plate from: The Oxford magazine or, Universal museum ... London : Printed for the authors, v. 1 (1768), p. 236., One line quoted above image: Mine horn shall be exalted, like the horn of an unicorm. Psalm 93., and Temporary local subject terms: Clergy: parsons -- Mirrors -- Architectural details: panelled walls -- Furniture: tripod table -- Reference to the Brentford elections riots, December 8, 1768 -- Reference to William Beauchamp, 1st Bt. Proctor, 1722-1773 -- Literature: quotation from Psalm 93.
Title from item., Printseller's statement following the imprint: Folios of caricatures lent for the evening., Sheet trimmed within plate mark., Temporary local subject terms: Buildings: Gothic church -- House of Commons -- House of Lords -- Allusion to the Gunpowder Plot -- Watchmen: Fox as the Westminster watchman -- Opposition members -- Allusion to the secession of the Opposition., and Watermark: Strasburgl lily wtih initials I C V below.
Publisher:
Pub. June 20th 1797 by S.W. Fores, 50 Piccadilly, London
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Bedford, Francis Russell, Duke of, 1765-1802, Tooke, John Horne, 1736-1812, Lauderdale, James Maitland, Earl of, 1759-1839, Thelwall, John, 1764-1834, and Stanhope, Charles Stanhope, Earl, 1753-1816
