A celebration in a sporting club. In the center of the room before a large table, a man in a hat (with a black eye?) raises a gavel in an attempt to bring order as two members begin a fist-fight and others converse and laugh. One member restrains a woman as she attempts to hit a man on the head with a tankard; the man appears already unconscious and injured. Boxing gloves, tankards and glasses, hats, and a stick are scattered on the floor in the foreground. The room is lighted by the candles in a candelier. On the walls are a clock, two pictures of fighers -- one of Humphrys and the other of Mendoza; a broadside "Rules" (damaged); a broadside entitled "Last dying speech & confession of W[...]st the Boxer" with a picture of a gallows at the head; and, a picture of two men boxing (the pictures amplifying the subject). On the table are several tankards, wine glasses and punch bowl, smoking pipes, a broadsheet torn in two (World Diary), and a book "Rules for boxing"., Title and printmaker from British Museum catalogue., The left portion of the plate was later published as 'Frontispiece' (no date) in Carlton House magazine with the title: The ending of the old year., Sheet trimmed within plate mark, with loss of title, printmaker's signature, and partial loss of imprint., Plate from: The Attic miscellany, v. 1, p. 81., Title added in a contemporary hand on the mount below the image: Odd-Fellows-Lodge., and Mounted to 24 x 32 cm.
Publisher:
Published as the act directs, by Bentley & Co.
Subject (Name):
Topham, Edward, 1751-1820, Mendoza, Daniel, 1764-1836, and Humphries, Richard, d. 1827
Sheet trimmed to plate mark., Above title: The Lilliputian world, plate 5., Two lines of verse below title: through Lilliputian realms my banners are unfurl'd ..., Temporary local subject terms: Lilliputs -- Theatrical costume -- Military uniforms -- Trades: editors -- Walking staves., and Watermark: countermark I V.
"The 'Election-Troops', headed by Major Topham, advance towards the barred gate of the 'Treasury', behind which stands Pitt, holding a large key. He says, "I know nothing of you my Friends, Lord H------d pays all the expences himself - Hush! Hush! go to the back-Door in Great George Street under the Rose!" Topham holds out to Pitt a paper inscribed 'For Puffs & Squibs and for abusing opposition', in his right hand is a newspaper. 'The World' (see BMSat 7210, &c). Behind him is a dwarfish and ragged newsboy holding his horn, on his cap is the word 'Star' above a star. Under his arm is a copy of 'The Star' newspaper, in his right hand a paper inscribed 'For changing Sides; for hiring of Ballad Singers & Grub Street Writers. . .' . Next him is a publican holding a paper inscribed 'For Eating & Drink[ing] for Jack Ass Boys'. Behind these, three of the Foot Guards march together, each holding a paper inscribed 'For the attack in Bow Street' (see BMSat 7352); one holds a bayonet dripping with blood. Across the front of their caps is the word 'Hood'. A ragged and dwarfish cobbler holding a pair of shoes holds out a paper inscribed 'Far Voting 3 times'; he walks next two ballad-singers, one, fat, ragged, and pregnant, holds in her right hand a paper inscribed 'For Singing Ballads at 5 Skill pr Day . .', in her left hand is a sheaf of broadsides inscribed 'A begging we will go --- --- A new Song'. The woman next her holds a similar account; her hat is inscribed 'Hood'. On the extreme left is a sailor with a bludgeon who holds out a paper: 'For kicking up a Riot'. Next him is a burly and grinning negro (cf. BMSat 7367). Between these two and the cobbler a bearded Jew holds up in both hands a paper inscribed 'For Perjury & procuring Jew Voters'. Behind are the heads of the rest of the crowd; most wear election favours in their hats with the word 'Hood'."--British Museum online catalogue
Description:
Title etched below image., "Price 1 s. 6.", Temporary local subject terms: Edward Thomas -- Reference to Horace Walpole -- Elections -- Military uniform of foot guards -- Naval uniform of sailors -- Negroes: Sailor with election favor in hat -- Newspapers: The World -- The Star., and Price mostly erased from sheet.
Publisher:
Pubd. Augt. 14th, 1788, by H. Humphrey, New Bond Street
Subject (Geographic):
England and London.
Subject (Name):
Pitt, William, 1759-1806, Topham, Edward, 1751-1820, Great Britain. Parliament, and Great Britain. Treasury.
Subject (Topic):
Elections, 1788, Political elections, Newspaper vendors, and Shoemakers
"A cavalcade of ladies and gentlemen on horseback riding close together, the legs of the horses being cut off by the lower margin of the print. Beneath the title is etched: 'The World - and all the great "which it inherit" - was there - Equestrian motion, universal - we saw all - mark'd all! - the Duelist with one Curl, & the Fraternal, one degree higher, down to the intelligencers of the Low-Pnnts (who cast their eyes around, that witness'd huge affliction & dismay); all was splendid - who (& what dignity but contained in that monosyllable?) not present? - Becky - was there!! - attraction spontaneous! - Old Quiz, cast a single glance! - "O the days when I was young! - one pang arose! - we view'd the field - captivating - beautiful - most beautiful! - but - Bunbury - where was Harry Bunbury? - we return'd - as (craving appetites of Cheapside satisfied) cent. pr cent. Citz: - Mans-mercers & Womens-mercers, were arriving, to inhale the clouded Air - Heat - Dust - Ibid - Ibidem. -" Topham rides (left to right) in the foreground, enormously fat, looking through a quizzing-glass. Next him is a stout lady probably intended for 'Becky' (Mrs. Wells) though resembling Mrs. Fitzherbert; she wears a hat with a floating veil. Queensberry (left) rides behind her, holding up a bunch of reins in his right hand. The other persons mentioned, the Duke of York (the duellist, see BMSat7531, &c.) and the Prince, are not depicted, unless a very stiff and erect officer (right) is intended for the Duke. The shoulders of the ultra-fashionable Topham are sprinkled with powder, cf. BMSat 8190."--British Museum online catalogue
Alternative Title:
Both hemispheres of the world in a sweat
Description:
Title etched below image., Printmaker from British Museum catalogue., "Price 1 sh./6.", Sheet trimmed within plate mark., Temporary local subject terms: Satire on newspapers -- Newspapers: World, or Fashionable Intelligencer -- Horsemanship -- Cavalcades -- 'Cits' -- Hyde Park -- Costume: riding habits -- Allusion to the Prince of Wales -- Allusion to the Duke of York -- Allusion to Henry William Bunbury, 1750-1811 -- Wells?, Mary (Davies), fl. 1781-1812., and Watermark: Armorial shield with crown above and monogram SL below.
Publisher:
Pubd. June 1st, 1789, by J. Aitken, Castle Street, Leicester Fields
Subject (Name):
Topham, Edward, 1751-1820, Fitzherbert, Maria Anne, 1756-1837, and Queensberry, William Douglas, Duke of, 1725-1810
"Dr. James Graham, the famous quack, stands on a small platform or pedestal, addressing an audience of both sexes who sit and stand in front of him. He stands rather to the right of the design looking left, his right hand raised, his left holding a rolled paper as in British Museum satire no. 6324. He wears a bag-wig and ruffled shirt. Those of the audience whose faces are visible are probably portraits, but only Fox, Wilkes, and (?) Perdita Robinson can be identified. Three persons sit on a raised seat immediately under the lecturer and with their backs towards him: a young man puts his arm round a lady who draws back with a coy expression; the third is Fox who sits gloomily impassive, his head supported on his hand, perhaps annoyed at the way in which Mrs. Robinson looks towards the man standing next her, who stands on the extreme right in profile to the left. He is slim and wears the fashionable riding-dress but is very ugly. Two rows of people sit on forms facing the lecturer. Others stand on the left. Wilkes is in profile to the right, an elderly beau with receding hair, sunken eyes, and broken teeth."--British Museum online catalogue
Alternative Title:
Docter himself pouring out his whole soul for 1 s. and Doctor himself pouring out his whole soul for 1 s.
Description:
Title etched below image., Two lines of verse below title: How fluent nonsense trickles from his tongue, how sweet his lectures neither sd. nor sung. Pope., Sheet trimmed to plate mark leaving thread margins., Dr. Graham and Capt. Topham are identified in black ink contemporary hand, perhaps that of James Gillray., and Mounted to: 38 x 31 cm.
Publisher:
Published as the act directs Feby. 12, 1783, by R. Rusted, No. 3 Bridge St., Ludgate Hill
Subject (Name):
Graham, James, 1745-1794, Fox, Charles James, 1749-1806, Topham, Edward, 1751-1820, Robinson, Mary, 1758-1800, and Wilkes, John, 1725-1797
"A half length portrait of Major Topham, directed to the right and wearing a round hat. He frowns disconsolately. Behind him on the wall is a newspaper inscribed 'The Worlb' [sic, i.e. The World], a comb and pair of curling-tongs, and (on a table) an inkstand with pens."--British Museum online catalogue
Description:
Title etched below image. and Imperfect; sheet trimmed within plate mark on three sides, resulting in loss of text at beginning and end of imprint. Missing text supplied from impression in the British Museum.
Publisher:
Pub'd Feby. 10th, 1787, by S.W. Fores at the Caricature Warehouse, No.3 Piccadilly
"A fantastic representation of the supper at the ball given by the eleven Knights of the Bath installed on 19 May in Westminster Abbey, see BMSat 7318. Full accounts appeared in the newspapers, and the scene depicted appears intended for 'the Prince of Wales, Duke of York, and a select party of their friends' who 'supped privately in the cotillon room'. 'London Chronicle', 27 May 1788. The guests sit on each side of a long narrow table, scantily provided with food, the bench on the near side of the table showing legs and feet in characteristic attitudes. The design, long as it is, shows only a section of the table, the ends not appearing. [Pl. 1.] On the extreme left, on the near side two elderly and ugly ladies lean ingratiatingly towards Major Topham, the seat of whose breeches is decorated with Prince of Wales's feathers. On the opposite side, on the extreme left, is a couple identified as Sir J. Johnstone and lady. He is very unlike the herculean uncouth figure described by Wraxall, 'Memoirs', 1884, iv. 404. Next (opposite Topham) Lord Bathurst takes wine with Lord Stormont who grasps a decanter of French Wine. Burke, seated next Topham, on whom he turns his back, holds out an empty plate towards Hastings on the opposite side of the table who keeps to himself a whole ham; they regard each other with wary suspicion. On Hastings's left sits Mrs. Hastings, also looking warily at Burke. She is decked with jewels and wears a small crowned turban as a head-dress. Next her is a man wearing a ribbon and star, drinking, who is identified as the Marquis of Buckingham (K.G.). Opposite Mrs. Hastings sits a very fat lady talking to a lean man wearing epaulettes. They are identified as Mrs. Hobart [Whom she does not resemble] (actually Miss Jefferies) and Col. Jekyll. Next Jekyll, Lord Sandwich and an ugly (unidentified) man share the same jelly-glass, holding between them the plate on which it stands. On the extreme right, on the farther end of the table, a man of plebeian appearance drinks from a tankard; he is identified as Dr. Parr. The man between him and Buckingham is identified as the Duke of Portland, whom he does not resemble. [Pl. 2.] On the extreme left the Duke of Grafton turns towards the fat Mrs. Hobart (identified as Miss Jefferies). Opposite him a stout man drinking from a jelly-glass has been identified as Lord Nugent (whom he does not resemble). Next him Cornwallis, wearing ear-rings, puts his arm round the shoulder of a lady, identified as Lady Clive, who looks languishingly at him as she takes a (?) peach. Next her is Lord North. Opposite him is a man identified as Sir George Shuckburgh [He is unlike the Shuckburgh of Gillray's 'French Habits' (1798)] who takes his neighbour by the arm offering her a glass of wine; she demurs deprecatingly. On the farther side of the table, with no one seated opposite him, is the Prince of Wales, a fork held to his mouth (as in BMSat 8111), sitting impassively between Lady Archer and Lady Cecilia Johnston, two bedizened harridans, who ogle him, putting their hands on his shoulders. Next Lady Cecilia (right) is Mrs. Fitzherbert, ogling Wilkes, who sits next her, squinting and leering. On the near side of the table is a man in back view wearing a ribbon and (right) Lord Carlisle talking to Lord Heathfield who sits behind a sirloin of beef. Opposite him and on the extreme right is a pretty young lady identified as Miss Bingham. [Pl. 3.] On the extreme left, on the near side of the table, a middle-aged couple, holding knives and forks, turn to each other with animated smiles. Opposite them sits a good-looking young man wearing a ribbon and star (perhaps Lord Mornington). On his left the Duke of Richmond turns with an expression of pained surprise to Lord Rawdon. Opposite this pair two stout men turn to each other, both drinking. The central group of this plate, a pendant to that of the Prince of Wales on pl. 2, is the Duke of York sitting between two pretty young women, his right arm is round the shoulder of one, probably Lady Tyrconnel, the other holds his left arm and shoulder; both look languishingly at him. On the near side of the table are two more couples: Lord Amherst (caricatured) puts an arm round the waist of a lean and ugly old woman wearing the fashionable false 'derrière' in an exaggerated form. On the extreme right Lord Derby, his hand on his breast, drinks wine with the witch-like Lady Mount Edgcumbe. On the farther side of the table are two unidentified men, one of whom drinks from his plate; next him is a pretty young woman. On the extreme right Dundas turns to speak to his left-hand neighbour; he grasps a decanter and glass, spilling his wine. [Pl. 4.] On the farther side of the table Philip Francis turns to speak to Dundas. Opposite him, and on the extreme left, a stout lady, identified as Lady Salisbury (see BMSat 6115), sits in back view, her petticoats enormously inflated behind. She speaks to no one: Pitt, her right hand neighbour, leans behind the back of the Speaker (alternatively identified as Thurlow) to touch glasses with Fox, who smiles amiably, holding a decanter in his right hand. Cornwall bends avidly over his plate; he wears his Speaker's wig, the mace lies across his knees. Four figures sit opposite this group: the ugly Pepper Arden who gazes admiringly at a pretty young woman on his left; she appears displeased at her position between Arden and a fat woman who puts both knife and fork to her mouth. Next the latter is Lord Lansdowne, who seizes affectionately the hand of Lord Sydney who turns towards him with a smile; they drink to each other. Next Fox on the near side of the table a plain and elderly couple drink to each other; both are thin. They are identified as Lady Powlett and Sir H. Powlett. Opposite them, and, like the lady on his left, intent on his plate, is a military officer identified as General Bligh. His neighbour is old and haggard, her hair elaborately dressed. Next her and on the extreme right two men carouse together, both wear stars; one is identified as the Duke of Bedford, the other (right) as the Duke of Norfolk (neither had an order). Opposite, a man wearing a ribbon pours out wine for an elderly and ugly lady who receives the attention with a gesture of satisfaction. They are identified as Sir George and Lady Yonge. He is identical with the ass whose profile is shown on the extreme right in BMSat 7318, who can hardly be Yonge who appears elsewhere in that print."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Text in lower right corner of plate 4: All the works of Bunbury, & Gillray, to be had of S.W. Fores, No. 3 Piccadilly., A design on four plates, the prints to be pasted together to form a long strip; the imprint is on plate 1, the title on plate 2 and plate 3, the inscription relating to Bunbury, &c, on plate 4., Framed to 31 x 216 cm., and Several of the figures are identified in different hands below design. For further information, consult library staff.
Publisher:
Publish'd June 4th, 1788, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Topham, Edward, 1751-1820, Bathurst, Henry Bathurst, Earl, 1714-1794, Mansfield, David Murray, Earl of, 1727-1796, Burke, Edmund, 1729-1797, Hastings, Warren, 1732-1818, Hastings, Anna Maria Apollonia von Chapuset, 1747-1837, Sandwich, John Montagu, Earl of, 1718-1792, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Cornwallis, Charles Cornwallis, Marquis, 1738-1805, North, Frederick, Lord, 1732-1792, Archer, Sarah West, Lady, 1741-1801, Johnston, Henrietta Cecilia, Lady, 1727-1817, Fitzherbert, Maria Anne, 1756-1837, Carlisle, Frederick Howard, Earl of, 1748-1825, Richmond and Lennox, Charles Lennox, Duke of, 1735-1806, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, George IV, King of Great Britain, 1762-1830, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Amherst, Jeffery Amherst, Baron, 1717-1797, Mount Edgcumbe, Emma Gilbert, Lady, 1729-1807., Smith-Stanley, Edward, 1752-1834, Dundas, Henry, 1742-1811, Francis, Philip, 1740-1818, Cecil, Mary Amelia, Marchioness of Salisbury, 1750-1835., Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Cornwall, Charles Wolfran, 1735-1789, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Lansdowne, William Petty, Marquis of, 1737-1805, and Sydney, Thomas Townshend, Viscount, 1733-1800
Attributed to Hook. See British Museum catalogue., Temporary local subject terms: Globe -- Mythology: Atlas -- Musical instruments: Newsboy's horn -- Allusion to newspaper: The world or Fashionable intelligencer, started Jan. 1, 1787 by Edward Topham -- The Tip-top Adjutant., and Watermark in center of sheet.
Title from item., Attribution in the British Museum catalogue to Townsley Stubbs pencilled on verso of print., Reissue of British Museum catalogue no. 6943 with Prince's speech altered, although the original balloon lines are still visible., Temporary local subject terms: Morganatic marriages -- Round table -- Decanters -- Glasses -- Food: Fruit -- Pictures amplify subject: Marriage -- Coins -- Curtains -- Clergy: Bishops -- Speeches: Toasts -- Punch bowls -- Bottles -- Naval uniforms -- Military uniforms -- Dice box -- Music book -- Carlton House interior view., and Watermark in center of sheet: L. Taylor.
Publisher:
Published 11th April 1786 by S.W. Fores, at the Caricature Warehouse, No. 3 Picadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, Smith Stanley, Edward, 1752-1834, Burke, Edmund, 1729-1797, North, Frederick, Lord, 1732-1792, Keppel, Augustus Keppel, Viscount, 1725-1786, Hanger, George, 1751?-1824, Topham, Edward, 1751-1820, Pigot, Hugh, 1721? -1792, and Morris, Charles, 1745-1838
785.06.28.01 Framed, shelved in Object Room Rack 1.
Image Count:
1
Resource Type:
still image
Abstract:
"An evening scene in Vauxhall Gardens. On the extreme left is the orchestra with the organ behind and performers on the kettledrums, string and wind instruments. The vocalist, Mrs. Weichsel, sings, in profile to the right, from the adjacent (and slightly lower) balcony, just above the heads of the crowd. A violinist and another musician are seated behind her. In the supper box beneath the orchestra is Dr. Johnson seated full-face, between Boswell and Goldsmith (d. 1774), who face each other in profile, both caricatured; of two stout women one is reputed to be Mrs. Thrale. Many groups fill the foreground and middle distance. The two centre figures are the Duchess of Devonshire and Lady Duncannon arm in arm. A naval officer with a wooden leg and a patch over one eye is reputed to be Admiral Paisley (Admiral Pasley, 1734-1808?). Major Topham, an excellent portrait, stands (left) in profile to the right staring through an eyeglass. Between Topham and the supper-box are two men, one of whom is identified as Lord Camelford. [In the reproduction in Angelo's 'Reminiscences'; to whom the name refers is not clear.] An elderly parson, [he closely resembles the parson of BMSat 7059 who is probably William Jackson of the 'Morning Post'] reputed to be Bate Dudley but not resembling him, gazes at the Duchess from behind a tree. Next him a man dressed as an officer in a Highland regiment with kilt and broadsword is supposed to be James Perry, editor of the 'Morning Chronicle'. On the right the Prince of Wales, conspicuous by his star, whispers to Mrs. Robinson (Perdita), though their liaison was ended. Her right arm is linked with an ugly and elderly little man, probably Robinson. On the extreme left an elderly couple advance arm in arm in profile. Behind the Prince is a group standing on a small platform (or tables), showing half length above the crowd. In the foreground (right) is a supper-table under trees where two cits entertain two courtesans. Lamp-lit trees and the covered way form a background on the right."--British Museum online catalogue
Alternative Title:
Vauxhall
Description:
Title from item. and Sheet trimmed within plate mark.
Publisher:
Publish'd June 28th 1785, by J.R. Smith, No. 83 Oxford Street
Subject (Geographic):
Vauxhall Gardens (London, England), London (England), England, and London.
Subject (Name):
Billington, Elizabeth, 1765-1818., Boswell, James, 1740-1795, Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Bessborough, Henrietta Frances Spencer Ponsonby, Countess of, 1761-1821, Pitt, Thomas, Baron Camelford, 1737-1793, George IV, King of Great Britain, 1762-1830, Goldsmith, Oliver, 1730?-1774, Johnson, Samuel, 1709-1784, Pasley, Thomas, Sir, 1734-1808, Perry, James, 1756-1821, Piozzi, Hester Lynch, 1741-1821, Robinson, Mary, 1758-1800, and Topham, Edward, 1751-1820
Subject (Topic):
Social life and customs, Parks, Audiences, Concerts, Couples, Crowds, Musicians, Orchestras, Peg legs, and Singers
