"Fox seated on an ass takes leave of two ladies, one on each side of the ass, holding a hand of each. From under his saddle protrudes his India Bill. On his left stands the Duchess of Devonshire (right) holding out to him a fox's brush. She says: "Farewell my Charley - let no fears assail. For Sure no Fox had e'er so fine a Tail." Fox answers, looking down at her: "If that a Scrutiny at last takes place I can't tell how 'twill be & please your grace But Ladies for your Friendship & good will My Bushy Tail is at your service still." Lady Duncannon, holding Fox's right hand, looks across at the Duchess saying: "Ah! Sister, Sister, must he then depart To loose poor Reynard: almost breaks my heart." They stand outside a house; three ostrich feathers over the door (right) indicate Carlton House. From a window the Prince of Wales looks at the group below. On the extreme left and facing Fox, stands Burke in profile to the right as a post-boy in jack-boots, and holding a whip; under his arm is his 'Plan of economy' (cf. British Museum Satires No. 5657). A signpost points (left) 'To Coventry'."--British Museum online catalogue
Description:
Title etched below image., Later state, with new imprint statement and changes to the design. For a description of an earlier state in the Guildhall Library, see page 119 in the British Museum catalogue, v. 6., Date of publication based on earlier state in the Guildhall Library with the imprint "Pub. April 29th, 1784, by S. Hedges, Royal Exchange.", Dated by Grego to 18 May 1784, which is perhaps when the print was reissued., and Mounted to 30 x 43 cm.
Publisher:
Publish'd by W. Humphrey
Subject (Geographic):
Great Britain
Subject (Name):
George IV, King of Great Britain, 1762-1830, Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Bessborough, Henrietta Frances Spencer Ponsonby, Countess of, 1761-1821, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, and Carlton House (London, England)
Subject (Topic):
East India Company, Politics and government, Coach drivers, Donkeys, Foxes, Riding habits, and Traffic signs & signals
Leaf 20. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"Fox seated on an ass takes leave of two ladies, one on each side of the ass, holding a hand of each. From under his saddle protrudes his India Bill. On his left stands the Duchess of Devonshire (right) holding out to him a fox's brush. She says: "Farewell my Charley - let no fears assail. For Sure no Fox had e'er so fine a Tail." Fox answers, looking down at her: "If that a Scrutiny at last takes place I can't tell how 'twill be & please your grace But Ladies for your Friendship & good will My Bushy Tail is at your service still." Lady Duncannon, holding Fox's right hand, looks across at the Duchess saying: "Ah! Sister, Sister, must he then depart To loose poor Reynard: almost breaks my heart." They stand outside a house; three ostrich feathers over the door (right) indicate Carlton House. From a window the Prince of Wales looks at the group below. On the extreme left and facing Fox, stands Burke in profile to the right as a post-boy in jack-boots, and holding a whip; under his arm is his 'Plan of economy' (cf. British Museum Satires No. 5657). A signpost points (left) 'To Coventry'."--British Museum online catalogue
Description:
Title etched below image., Restrike. For an early reissue of the plate by William Humphrey, see no. 6563 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., An impression of the earliest state of the plate, before changes to the design and bearing the imprint "Pub. April 29th, 1784, by S. Hedges, Royal Exchange", is in the Guildhall Library. For a description of this state, see page 119 in the British Museum catalogue, v. 6., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 1, pages 140-1., and On leaf 20 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Publish'd by W. Humphrey [i.e. Field & Tuer]
Subject (Geographic):
Great Britain
Subject (Name):
George IV, King of Great Britain, 1762-1830, Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Bessborough, Henrietta Frances Spencer Ponsonby, Countess of, 1761-1821, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, and Carlton House (London, England)
Subject (Topic):
East India Company, Politics and government, Coach drivers, Donkeys, Foxes, Riding habits, and Traffic signs & signals
Title etched below image., From the Laurie & Whittle series of Drolls., Other prints in the Laurie & Whittle Drolls series were executed either by Isaac Cruikshank or Richard Newton., Twenty-four lines of verse arranged in three numbered columns below title: At each inn on the road I a welcome could find, at the Fleece I'd my skin fill of ale ..., Plate numbered '425' in the lower left corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd May 12, 1806, by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Mail wagons, Guards, Taverns (Inns), Drinking vessels, Traffic signs & signals, and Doors & doorways
"The Duchess of Devonshire sits astride a galloping fox, her face to its tail. A signpost by the fox's head points (left) 'To Cuckolds Hall'; on the top of the post is a pair of horns. The Duchess wears a hat trimmed with ostrich feathers and with a ribbon inscribed 'Fox'"-- British Museum online catalogue
Alternative Title:
One good turn deserves another
Description:
Title etched below image., Reissue of a print originally published 24 May 1784. See British Museum catalogue., and Mounted to 28 x 36.5 cm.
Publisher:
Pubd. May 24, 1787, by J. Notice, Oxford Road
Subject (Geographic):
Great Britain
Subject (Name):
Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Fox, Charles James, 1749-1806, Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806., and Fox, Charles James, 1749-1806.
Subject (Topic):
Politics and government, Adultery, Foxes, and Traffic signs & signals
Leaf 79. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Alternative Title:
Overthrow of Doctor Slop
Description:
Titles etched below images., Two images on one plate, each individually titled., Printmaker identified as Rowlandson in the Metropolitan Museum of Art online catalog., Reduced copies of two designs by Bunbury. Cf. Nos. 5215 and 5213 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Restrike, with added titles and borders. For the earlier state without titles, see Metropolitan Museum of Art online catalog, accession nos.: 59.533.1750 ; 59.533.1748., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Plate originally published ca. 1803; see Metropolitan Museum of Art online catalog., and On leaf 79 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[3 February 1773]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 63. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"Obadiah (left) mounted on the coach-horse at full gallop attempts to pull up his horse, leaning back in the saddle, his cap in his right hand. On the ground is Dr. Slop's pony. Behind the pony on the right. Dr. Slop lies on his back; a spotted dog prances over him. The doctor lies under a sign-post terminating in a hand pointing "To Shandy Hall". Behind the coach-horse, which is wearing blinkers, is the angle of a high garden wall, in the distance (right) is a church spire among trees."--British Museum online catalogue
Alternative Title:
Overthrow of Doctor Slop
Description:
Title etched below image., Initial letters of artist's name in signature form a monogram., Sheet trimmed to plate mark., Four lines of text below image, two on either side of title: "When Obadiah & his coach horse turn'd the corner rapid, furious, pop, full upon him ..." Vide vol. 1st, Tristram Shandy., One of a series of prints illustrating Laurence Sterne's novel Tristram Shandy., Temporary local subject terms: Medical: Physicians -- Coach-horse -- Male costume: Riding hats., and Mounted on page 63 of: Bunbury album.
Publisher:
Publish'd as the act directs, 3d February 1773, by J. Bretherton, No. 134 New Bond Street
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[3 February 1799]
Call Number:
Bunbury 799.02.03.02+
Image Count:
1
Resource Type:
still image
Abstract:
"Obadiah (left) mounted on the coach-horse at full gallop attempts to pull up his horse, leaning back in the saddle, his cap in his right hand. On the ground is Dr. Slop's pony. Behind the pony on the right. Dr. Slop lies on his back; a spotted dog prances over him. The doctor lies under a sign-post terminating in a hand pointing "To Shandy Hall". Behind the coach-horse, which is wearing blinkers, is the angle of a high garden wall, in the distance (right) is a church spire among trees."--British Museum online catalogue, description of an earlier state
Alternative Title:
Overthrow of Doctor Slop
Description:
Title etched below image., Initial letters of artist's name in signature form a monogram., Reissue, with altered imprint statement, of a print originally published 3 February 1773 by J. Bretherton. Cf. No. 5215 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Four lines of text below image, two on either side of title: "When Obadiah & his coach horse turn'd the corner rapid, furious, pop, full upon him ..." Vide vol. 1st, Tristram Shandy., One of a series of prints illustrating Laurence Sterne's novel Tristram Shandy., and Watermark.
Publisher:
Publish'd as the act directs, 3d February 1799, by J. Harris, Sweetings Alley, Cornhill
Subject (Name):
Sterne, Laurence, 1713-1768.
Subject (Topic):
Illustrations, Horseback riding, Accidents, Dogs, and Traffic signs & signals
A gentleman who wears fool's cap, carries a bauble in one hand and a bell (which he rings) in the other. He is accompanied by another gentleman who carries a halbred as they driving four geese and four turkeys before them on the road "To London" as the sign-post states. The former gentleman says, "This vastly pretty." His companion responds, " This is fine sport, only I am very cold."
Description:
Title engraved above image., Plate numbered '24' in upper right corner., Copy in reverse of a print of the same title published by Edwards & Darly 27 October 1756. See British Museum catalogue no. 3407., Two lines of text below image: Birds of a feather flock together, Like to Like, as the Devil said to the Collier., Related print identifies the two gentlemen as the Duke of Newcastle and Lord Rockingham: Now goose, now turkey, or, The present state of England. See British Museum catalogue no. 3409., and Plate from: England's remembrancer. London, 1759.
Publisher:
publisher not identified
Subject (Name):
Rockingham, Charles Watson-Wentworth, Marquis of, 1730-1782 and Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768
Drawing of a tall sign, with a post similar to that of a street lamp, displaying a rectangular portrait of a man surrounded by ornamentation. The man, possibly a politician, is shown bust-length in profile to the left; he has a long nose that curls upward and wears a wig that likewise curls upwards in the back. The words "The saviour of his grateful country" are written on the sign directly beneath the portrait, indicating that the sign might in fact be a monument. To the right of the sign is a low milestone on which is written "To Kingston I mile, to London X miles".
Description:
Title written in image., Possibly drawn by James Sayers; the drawing is laid in a volume of prints that Sayers assembled., Approximate date of production from watermark: G. Pike 1817., and Attached to a lithograph with a metal pin that pierces the lower left corners of both sheets; laid in James Sayers's Folio album of 144 caricatures.
Subject (Topic):
Monuments & memorials, Traffic signs & signals, Milestones, and Portraits
George III and Charles Fox tug at the ropes attached to the nose of a donkey representing "the people" and heavily loaded with sacks inscribed, "taxes," as it approaches the fork in a road. The King pulls it toward the "Road to Absolute Monarchy" as written on a sign post while Fox counters by pulling toward the "Road to Republicanism" (also on a sign post). In the distance behind the donkey is a third sign, "road to aristocracy," a reference to William Pitt
Description:
Title etched below image. and Sheet trimmed within plate mark.
Publisher:
Pubd. as [the] Act directs March 11, 1784 by W. Humphrey, 227 Strand
Subject (Geographic):
Great Britain
Subject (Name):
George III, King of Great Britain, 1738-1820. and Fox, Charles James, 1749-1806.
Subject (Topic):
Politics and government, Donkeys, Traffic signs & signals, and Tug of war
