"Mrs. Clarke stands, wearing a grotesquely long pair of breeches belonging to the Duke of York. The empty pockets hang inside out, and she holds them out, saying, "A Fig for such Breeches! there's nothing in them!!" On a chair lies the blue pelisse which she wore in the Commons (see British Museum Satires No. 11225); the Duke's sword is against the chair."--British Museum online catalogue, description of another version of the same design
Description:
Title etched below image., Another version, with identical text and only minor differences in the design, of a print attributed to Charles Williams. Cf. No. 11278 in the Catalogue of prints and drawings in the British Museum, v. 8. See also: British Museum online catalogue, registration no.: 1868,0808.7784., Publication line is pseudonymous., Sheet trimmed within plate mark., and Bound in opposite page 26.
Publisher:
Pubd. March 1809 by T. Tickle, Duke's Place
Subject (Name):
Clarke, Mary Anne, 1776?-1852 and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827.
Subject (Topic):
Mistresses, Adultery, Trousers, Chairs, and Daggers & swords
Leaf 49. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"The interior of a breeches-maker's shop or workroom. Two men standing, one on a chair, the other on a stool, are attempting to pull up the very tight breeches of a stout man, who is lifted from the ground by their efforts. A stout woman enters from the right holding a pair of breeches under her arm. On the wall is a placard: 'Ramskin, Elastic Spring Breeches Maker They set close to the Hips and never alter their Shape which Thousands can Testify Likewise a large & curious assortment of Breeches Balls Straps Boot Garters &c &c &c.' Breeches and straps hang on the wall (right). The room is raftered and very scantily furnished."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Rowlandson in the British Museum catalogue., Restrike. For original issue of the plate, see no. 6723 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 1, page 148., and On leaf 49 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. Novr. 1, 1784, by W. Humphrey, No. 227 Strand and Field & Tuer
Subject (Topic):
Interiors, Clothing & dress, Trousers, and Obesity
"Italian witnesses, in a large bare room or warehouse, where three are being washed in a large bath by Castlereagh, Sidmouth, and Liverpool. The bath is inscribed: 'Waters of Oblivion. Non mi Recordo [sic]--Ministerial Washing Tub--!' The three witnesses are villainous-looking, and coloured brown. Castlereagh empties a bucket over the head of one, saying: "Can the Etheopean change his Colour." Sidmouth, plying comb and scrubbing-brush, says: "Or the leper his Spots." Liverpool turns to a lawyer (right) saying: "I never had such a dirty job in my life." The lawyer, Gifford the Attorney-General, answers: "We must have them perfect in their Story before they go." He holds a document inscribed 'Milan' [see British Museum Satires No. 13755, &c.]. A second lawyer sits at his feet, mending a pair of breeches. He says: "They are truely a filthy set, we must clear them of Vermin." The discarded garments of the men in the tub lie on the ground, with combs, a lump of 'Itch Ointment', and a box of 'Sulphor'. There are also two boxes: one (left) of 'Windsor Soap', the other (right), 'New Rigging from Monmouth Street' (where second-hand clothes were sold). Three ragged ruffians wait their turn, seated on the ground. Two play cards; one says: "Quel Maledetto Sacco"; the other responds "Ah! quel Sacco" (the Green Bag, see British Museum Satires No. 13735). On the wall behind them hang 'Italian Masks and Daggers just imported.' A high shelf runs round the room, on which stand a pile of 'Dutch Cheese', bottles of 'Italian Oil' and 'Botled Frogs', casks of 'Shalots and Garlick', 'Sour Grout', 'Portable Soup', 'Salt Herrings', 'Butter', a huge basket of 'Eggs', and three jars of 'Pickle'. By the wall on the extreme right, next the lawyers, is a cannon pointing through an aperture."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Watermark: J. Whatman Turkey Mills., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 53 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Sidmouth," "Londonderry," "Liverpool," and "Eldon" identified in pencil at bottom of sheet; date "1820" written in ink in lower right. Typed extract of five lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. August 1820 by T. Dolby, 132 Strand
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, and Gifford, Robert Gifford, Baron, 1779-1826
A young woman sits on the edge of a bed hung with curtains, as an older woman points accusingly at her, an angry look on her face and a pair of men's breeches in her hand. The young woman has a look of shame and sorrow on her face as she holds a cloth to her head
Description:
Title etched below image. and Four lines of verse in two columns on each side of title: Lurks there a vice in female breast? Like wind, It rages most when most it is confin'd. It will have Vent, to shew uys plainly still, That female Wit, can rival female Will.
Publisher:
Printed for Carington Bowles, Map & Printseller, No. 69 in St. Paul's Church Yard, London
Subject (Topic):
Adultery, Beds, Mothers, Trousers, Women, and Young adults
