Title and publisher from item., Date from copy in Wellcome Collection, website viewed 8/9/2023: https://wellcomecollection.org/works/nkx6rmzs, Text within image: variole typhoïde tuberculose diphterie., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Ministère de la Santé Publique ; Centre d'Éducation Sanitaire du Sud-Est ; 66, Rue St. Sébastein - Marseille - 2, Quai St. Pierre Cannes
Subject (Topic):
Vaccination, Smallpox, Typhus fever, Tuberculosis, Diphtheria, Umbrellas, and Children
"Heading to (printed) verses ... A countryman relates his adventures on a visit to London. The scene is a promenade in Hyde Park. The countryman looks askance at a young woman with a parasol on a hinged stick who has just passed, but stares back at him. The fifth of seven verses: I went one day to spy The gentry in Hyde Park, Sirs, A girl push'd rudely by, To whom I did remark, Sirs-- "Though your face be mighty fair, I've seen a bear more civil;" Then so little clothes they wear, Oh! Lunnon is the Devil. Ta, ra [&c.]."--British Museum online catalogue
Description:
Title from text printed in letterpress in lower portion of sheet., Imprint statement from text in letterpress printed in lower right corner of sheet., Text in letterpress following title: Tune-When I was a pure. The music published by Goulding, Phipps, D'Almaine, and Co. 124, New Bond Street., Four columns of verse in letterpress: When at home with dad, we never had no fun sirs ..., and Plate numbered '506' in upper left corner.
Publisher:
Published February 14, 1809, by Laurie and Whittle, 53 Fleet Street London
Subject (Geographic):
Hyde Park (London, England),, England, and London.
Subject (Topic):
Parks, Walkways, Umbrellas, Dogs, and Military uniforms
Title etched below image., Date from item., Place of publication derived from street address., In upper right margin: 45., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Hydrophobia.
Publisher:
Pubd 1826 at the Artist Depy 21 Charlotte St Fitzroy Sq.
Subject (Topic):
Rabies, Dogs, Crowds, Fear, Shooting, and Umbrellas
"The couple torment each other in the breakfast-room. A round table is drawn close to a blazing fire. The lady has left her seat to thump on the piano (left), singing loudly, with her back to her husband, but turning her eyes towards him. He sits in the corner of a sofa, crouching away from her, his hand over his ear, food stuffed into his mouth, reading the 'Sporting Calendar'. The pages of her open music-book are headed 'Forte'. Her song is: 'Torture Fiery Rage \ Despair I cannot can not bear'. On the piano lies music: 'Separation a Finale for Two Voices with Accompaniment'; on the floor is 'The Wedding Ring - a Dirge'. She wears a becoming morning gown with cap, but has lost the slim grace of British Museum Satires No. 10472, and her soft features have coarsened. Behind the piano a boisterous coarse-featured nurse hastens into the room holding a squalling infant, and flourishing a (watchman's) rattle. On the lady's chair is an open book, 'The Art of Tormenting', illustrated by a cat playing with a mouse. Her sunshade hangs from the back of the chair. On the breakfast-table are a large hissing urn, a tea-pot, a coffee-pot, &c., a bottle of 'Hollands' (beside the woman's place), and a (full) dish of muffins. The man's coffee-cup is full and steaming. He wears a dressing-gown with ungartered stockings and slippers. An air of dejection and ill-nature replaces his former good-humoured sprightliness. Under his feet lies a dog, 'Benedick', barking fiercely at an angry cat, poised on the back of the sofa. A square birdcage high on the wall is supported by branching antlers. In it two cockatoos screech angrily at each other, neglecting a nest of three young ones. Beside it (left) is a bust of 'Hymen' with a broken nose, and (right) a thermometer which has sunk almost to 'Freezing'. On the chimney-piece is a carved ornament: Cupid asleep under a weeping willow, his torch reversed, the arrows falling from his quiver. This is flanked by vases whose handles are twisted snakes which spit at each other."--British Museum online catalogue
Description:
Title etched below image., Companion print to: "Harmony before matrimony.", Sheet trimmed within plate mark., Temporary local subject terms: Musical Instruments -- Furniture -- Female Costume: Morning gown -- Rattle -- Parasols: sunshade -- Male Costume: Dressing-gown -- Bell-Pulls., Temporary local Medical Library subject terms: Marriage & married life., and 1 print : etching, hand-colored ; sheet 24.4 x 34.5 cm.
Publisher:
Publish'd October 25th, 1805, by H. Humphrey, 27 St. James's Street
"The couple torment each other in the breakfast-room. A round table is drawn close to a blazing fire. The lady has left her seat to thump on the piano (left), singing loudly, with her back to her husband, but turning her eyes towards him. He sits in the corner of a sofa, crouching away from her, his hand over his ear, food stuffed into his mouth, reading the 'Sporting Calendar'. The pages of her open music-book are headed 'Forte'. Her song is: 'Torture Fiery Rage \ Despair I cannot can not bear'. On the piano lies music: 'Separation a Finale for Two Voices with Accompaniment'; on the floor is 'The Wedding Ring - a Dirge'. She wears a becoming morning gown with cap, but has lost the slim grace of British Museum Satires No. 10472, and her soft features have coarsened. Behind the piano a boisterous coarse-featured nurse hastens into the room holding a squalling infant, and flourishing a (watchman's) rattle. On the lady's chair is an open book, 'The Art of Tormenting', illustrated by a cat playing with a mouse. Her sunshade hangs from the back of the chair. On the breakfast-table are a large hissing urn, a tea-pot, a coffee-pot, &c., a bottle of 'Hollands' (beside the woman's place), and a (full) dish of muffins. The man's coffee-cup is full and steaming. He wears a dressing-gown with ungartered stockings and slippers. An air of dejection and ill-nature replaces his former good-humoured sprightliness. Under his feet lies a dog, 'Benedick', barking fiercely at an angry cat, poised on the back of the sofa. A square birdcage high on the wall is supported by branching antlers. In it two cockatoos screech angrily at each other, neglecting a nest of three young ones. Beside it (left) is a bust of 'Hymen' with a broken nose, and (right) a thermometer which has sunk almost to 'Freezing'. On the chimney-piece is a carved ornament: Cupid asleep under a weeping willow, his torch reversed, the arrows falling from his quiver. This is flanked by vases whose handles are twisted snakes which spit at each other."--British Museum online catalogue
Description:
Title etched below image., Companion print to: "Harmony before matrimony.", Sheet trimmed within plate mark., Temporary local subject terms: Musical Instruments -- Furniture -- Female Costume: Morning gown -- Rattle -- Parasols: sunshade -- Male Costume: Dressing-gown -- Bell-Pulls., and Temporary local Medical Library subject terms: Marriage & married life.
Publisher:
Publish'd October 25th, 1805, by H. Humphrey, 27 St. James's Street
"The couple torment each other in the breakfast-room. A round table is drawn close to a blazing fire. The lady has left her seat to thump on the piano (left), singing loudly, with her back to her husband, but turning her eyes towards him. He sits in the corner of a sofa, crouching away from her, his hand over his ear, food stuffed into his mouth, reading the 'Sporting Calendar'. The pages of her open music-book are headed 'Forte'. Her song is: 'Torture Fiery Rage \ Despair I cannot can not bear'. On the piano lies music: 'Separation a Finale for Two Voices with Accompaniment'; on the floor is 'The Wedding Ring - a Dirge'. She wears a becoming morning gown with cap, but has lost the slim grace of British Museum Satires No. 10472, and her soft features have coarsened. Behind the piano a boisterous coarse-featured nurse hastens into the room holding a squalling infant, and flourishing a (watchman's) rattle. On the lady's chair is an open book, 'The Art of Tormenting', illustrated by a cat playing with a mouse. Her sunshade hangs from the back of the chair. On the breakfast-table are a large hissing urn, a tea-pot, a coffee-pot, &c., a bottle of 'Hollands' (beside the woman's place), and a (full) dish of muffins. The man's coffee-cup is full and steaming. He wears a dressing-gown with ungartered stockings and slippers. An air of dejection and ill-nature replaces his former good-humoured sprightliness. Under his feet lies a dog, 'Benedick', barking fiercely at an angry cat, poised on the back of the sofa. A square birdcage high on the wall is supported by branching antlers. In it two cockatoos screech angrily at each other, neglecting a nest of three young ones. Beside it (left) is a bust of 'Hymen' with a broken nose, and (right) a thermometer which has sunk almost to 'Freezing'. On the chimney-piece is a carved ornament: Cupid asleep under a weeping willow, his torch reversed, the arrows falling from his quiver. This is flanked by vases whose handles are twisted snakes which spit at each other."--British Museum online catalogue
Description:
Title etched below image., Companion print to: "Harmony before matrimony.", Sheet trimmed within plate mark., Temporary local subject terms: Musical Instruments -- Furniture -- Female Costume: Morning gown -- Rattle -- Parasols: sunshade -- Male Costume: Dressing-gown -- Bell-Pulls., Temporary local Medical Library subject terms: Marriage & married life., 1 print : etching on wove paper ; sheet 25.8 x 36.2 cm., and Ms. numbering in contemporary hand in top margin of print: 247.
Publisher:
Publish'd October 25th, 1805, by H. Humphrey, 27 St. James's Street
Handbill with a caption title., With a woodcut showing opened and closed umbrellas on either side of the royal coat of arms above title., and Ms. notes on verso: calculations in an unknown hand. For further information, consult library staff.
"Three women walking in profile to the right beside the sea or a lake. Their head-dresses are caricatures of the prevailing fashion. The foremost walks with a closed parasol on a long stick like a shepherdess's crook; in her right hand is a small bag or basket. Her hair is in a pyramid, with curls, on it is a lace cap with lappets, and a flat hat trimmed with ribbons and feathers. She is followed by a very thin woman, whoise pyramid is decorated with more curls but with a smaller cap and hat, she holds a closed fan; behind walks a short stout woman with a frizzed wig bound by a ribbon. The dresses show the prevailing fashion for skirts, straight in front, puffed out at the back and showing the ankles. Miss Tittup, a character in Garrick's "Bon Ton", was played by Eliza Farren ... The tall thin lady is perhaps intended for Miss Farren..."--British Museum catalogue
Alternative Title:
Misses Dumplin Ducktail and Tittup returned from watering
Description:
Title from item., MD of publisher's name forms a monogram., and Numbered in plate at top: V. 2, 68.
Publisher:
Pub. by MDarly No. 39 Strand
Subject (Geographic):
England. and England
Subject (Name):
Farren, Elizabeth, 1762-1829.
Subject (Topic):
Health resorts, Mineral waters, Clothing & dress, Hairstyles, and Umbrellas
"Heading to printed verses ... A young woman sits a donkey which is in the sea, refusing to move; she flourishes her parasol. Holiday-makers stand on the sea-shore watching with amusement. In the background one lady is being thrown from her donkey, another is galloping. In the verses a she-ass relates to a mere beast of burden the delights of frolicking by the sea: 'Fashion here tells young lasses to ride On the best walk that ever was seen'."--British Museum online catalogue
Description:
Letterpress title and imprint statement below image., Artist from the British Museum catalogue., From the Laurie & Whittle series of Drolls., Three columns of verse printed on broadside portion of sheet: Brother Jack I am going to inform you , of things that ne'er enter'd your head, and I hope that narration will charm you, wherever you're driven or led ..., and Plate numbered '167' in upper left corner.
Publisher:
Published 25th May 1807 by Laurie and Whittle, No. 53, Fleet-Street, London
