Lynn and Sharpes, artificial stone manufactory ...
Description:
Title from text in center of image., Sheet trimmed within plate mark on two sides., and Part of a collection of 10 trade cards and tickets housed together in a box.
A glass urn painted with pictures of boys(?). The vessel on which the image is based was part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
Description:
Title from index on signature A of volume., Publication information from that of the volume in which the plate appears., Plate from: Middleton, C. Germana quaedam antiquitatis eruditae monumenta ... Londini : Apud R. Manby et H.S. Cox ..., 1745., Text "e vitro" etched near bottom of plate, in lower left., "Tab. IV"--Upper right corner., Mounted on page 39 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., 1 print : etching and engraving on laid paper ; sheet 22.7 x 21.2 cm., and Sheet trimmed to plate mark.
A glass urn painted with pictures of boys(?). The vessel on which the image is based was part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
Description:
Title from index on signature A of volume., Publication information from that of the volume in which the plate appears., Plate from: Middleton, C. Germana quaedam antiquitatis eruditae monumenta ... Londini : Apud R. Manby et H.S. Cox ..., 1745., Text "e vitro" etched near bottom of plate, in lower left., "Tab. IV"--Upper right corner., Mounted on page 51 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., 1 print : etching and engraving on laid paper ; sheet 22.2 x 20.3 cm., Sheet trimmed within plate mark., and For further information, consult library staff.
A satire with six groups of figures in two rows and lines of dialogue etched above each figure discussing class and professions, with various caricatures from the upper and lower classes
Description:
Title from caption below image., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. June 4th, 1800, by R. Ackermann, No. 101 Strand
Title from item., Date of publication from pencil annotation on impression in the British Museum; see British Museum online catalogue, registration no.: Banks,66.42., Sheet trimmed within plate mark on two sides., and Part of a collection of 10 trade cards and tickets housed together in a box.
Page 299. Catalogue of the classic contents of Strawberry Hill.
Image Count:
1
Resource Type:
still image
Abstract:
Depiction of several items from Horace Walpole's collection that were sold at the Strawberry Hill Sale of 1842. Sitting on a table draped in a red tablecloth, surrounded by other items, is the silver bell that was once attributed to Benvenuto Cellini. Shields, urns, a book, a decorated hunting horn, and an ornate dagger occupy the floor in front of the table. To the right are several pieces of armor, on the floor beneath a stained glass window; wooden cases in the Gothic style are seen in the background
Alternative Title:
Silver bell and other curiosities and gems as seen in Strawberry Hill
Description:
Title from contemporary note in ink, on a separate sheet mounted below image., Statement of responsibility written in ink on mounting sheet, beneath lower right corner or image. Artist "E.B." identified as E. Bell in local card catalog record., Date of production based on the 1842 publication date of the Strawberry Hill sale catalogue, into which this drawing was inserted as an illustration., and Mounted on page 299 in an extra-illustrated copy of A catalogue of the classic contents of Strawberry Hill.
Subject (Name):
Walpole, Horace 1717-1797 and Strawberry Hill (Twickenham, London, England)
Subject (Topic):
Homes and haunts, Bells, Urns, Shields, Daggers & swords, Stained glass, and Windows
A design for the tomb of Galfridus Mann of Boughton Malherbe in Kent, brother of Sir Horace Mann, with elevation and details
Description:
Title from Horace Walpole's ms. note in ink on mount below drawing., Epitaph on tomb and notes below image are in Latin., Date from Horace Walpole correspondence with Sir Horace Mann 20 November 1757: "... that columbarium at Linton is to have a beautiful urn designed by Mr. Bentley as the whole is, with this plain, very true inscription, Galfredo Mann, amicissimo optimo, qui obit--H.W.P.", With a note in Horace Walpole's hand in ink bottom of image: Qui obit Dec 20. 1756 status sud 50 Horatius Walpole posuit., and Formerly mounted on leaf 50 in an album assembled by Horace Walpole: Drawings and designs by Richd. Bentley ... [Strawberry Hill], [circa 1760].
Subject (Geographic):
Kent (England)
Subject (Topic):
Buildings, structures, etc, Tombs & sepulchral monuments, and Urns
Drawing of the monument to the memory of Kitty Clive that was erected by Horace Walpole at Little Strawberry Hill. The monument consists of an urn sitting upon a pedestal that bears the inscription: Ye smiles and jests still hover round; this is mirths consecrated ground; here lived the laughter loving dame, a matchless actress, Clive her name; the Comic Muse with her retired, and shed a tear when she expired. H.W.
Description:
Title from note in brown ink below image, in Horace Walpole's hand., Unsigned; artist unidentified., Date of production based on death date of Horace Walpole, whose manuscript annotation is present., and Mounted on page 194 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12.
Subject (Name):
Clive, Kitty, 1711-1785. and Strawberry Hill (Twickenham, London, England)
"A stage scene showing part of an empty stage box on the extreme right. A burlesque of F. Reynolds's 'Werter', adapted from Goethe's romance. The persons and objects on the stage have letters referring to an 'Explanation' below the design. Werter ('A') kneels before Charlotte ('B'), who is seated on a settee on the extreme left; he raises her petticoat with a passionate gesture. At Werter's feet is an open book, 'Ossian' (which he has been reading to Charlotte); she protests with raised hands (pp. 35-6 of the 1802 edition). Behind (right), Albert ('C'), in regimentals, stands with his face to the wall, his hands clasped behind his back. Two pictures ('E E') hang on the wall representing scenes from the play. In one (left) Albert lies prone; Charlotte, seated beside him, raises her arms in despair; the other is suspended from one corner, hanging crookedly; it represents Charlotte and Albert embracing. In the front of the stage (right), her back to the actors, a nude woman ('F') is seated on a low step holding a pistol to each ear. She wears a hat tied under her chin and is weeping. Above her head is an urn inscribed 'Sacred to Suicide' and a weeping willow. Across the top of the design is a scroll 'H': "To raise the Genius and to mend the Heart"."--British Museum online catalogue and "'Werter', Reynolds's first play, was acted on 14 March 1786 at Covent Garden for Miss Brunton's benefit, having been already played at Bath; Holman played Werter, Farren played Albert. According to Baker, 'Biog. Dram.', it had little success in London. According to Reynolds, 'Werter's metropolitan, was equal, if not superior, to his rural success'. He describes the tears and fainting-fits of the first night at Covent Garden (perhaps responsible for the empty stage box). 'Life and Times of Frederick Reynolds by himself', i. 304 ff.'"--Curator's comments, British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Five lines of text below title: Explanation, A. Werter making a very improper request to Charlotte -- B. Charlotte resenting it very properly -- C. Albert her husband very civilly taking himself off ..., and Mounted on page 48 with one other print.
"A stage scene showing part of an empty stage box on the extreme right. A burlesque of F. Reynolds's 'Werter', adapted from Goethe's romance. The persons and objects on the stage have letters referring to an 'Explanation' below the design. Werter ('A') kneels before Charlotte ('B'), who is seated on a settee on the extreme left; he raises her petticoat with a passionate gesture. At Werter's feet is an open book, 'Ossian' (which he has been reading to Charlotte); she protests with raised hands (pp. 35-6 of the 1802 edition). Behind (right), Albert ('C'), in regimentals, stands with his face to the wall, his hands clasped behind his back. Two pictures ('E E') hang on the wall representing scenes from the play. In one (left) Albert lies prone; Charlotte, seated beside him, raises her arms in despair; the other is suspended from one corner, hanging crookedly; it represents Charlotte and Albert embracing. In the front of the stage (right), her back to the actors, a nude woman ('F') is seated on a low step holding a pistol to each ear. She wears a hat tied under her chin and is weeping. Above her head is an urn inscribed 'Sacred to Suicide' and a weeping willow. Across the top of the design is a scroll 'H': "To raise the Genius and to mend the Heart"."--British Museum online catalogue and "'Werter', Reynolds's first play, was acted on 14 March 1786 at Covent Garden for Miss Brunton's benefit, having been already played at Bath; Holman played Werter, Farren played Albert. According to Baker, 'Biog. Dram.', it had little success in London. According to Reynolds, 'Werter's metropolitan, was equal, if not superior, to his rural success'. He describes the tears and fainting-fits of the first night at Covent Garden (perhaps responsible for the empty stage box). 'Life and Times of Frederick Reynolds by himself', i. 304 ff.'"--Curator's comments, British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Five lines of text below title: Explanation, A. Werter making a very improper request to Charlotte -- B. Charlotte resenting it very properly -- C. Albert her husband very civilly taking himself off ..., 1 print : etching with aquatint and drypoint wove paper ; plate mark 20.2 x 23.8 cm, on sheet 22 x 25 cm., and Mounted on verso of leaf 33 of James Sayers's Folio album of 144 caricatures.
