"View overlooking gardens, showing a band playing from the orchestra on the right; elegantly dressed figures strolling through gardens or seated at tables amongst trees; head-piece illustration to 'The Musical Entertainer', p. 21; with the score of a song below, all printed from the same plate."--British Museum catalogue
Alternative Title:
Vaux-Hal Garden and Vauxhall Garden
Description:
Title from item., Dedication beneath title: To the Rt. Hon. [the] Ld. Visct. Baltimore, these four plates are humbly inscrib'd., Engraved song sheet with an etching at top of plate. Music on two staves with interlinear words. Additional four stanzas in two columns below., Opening words: Flora, Goddess, sweetly blooming ..., Plate from: Bickham, G. Musical entertainer., Musical entertainer is sometimes attributed to George Bickham, Senior., Plate numbered "21" in upper right corner., "No. VI."--Lower left corner., and Eighteenth-century watermark. For further information, consult library staff.
Publisher:
G. Bickham
Subject (Geographic):
Vauxhall Gardens (London, England),
Subject (Topic):
Songs with piano, Songs with harpsichord, and Songs, English
"A young man hands a pretty young woman into a wherry which a young waterman, who is apparently standing in the water on the further side of the boat, holds against the landing-place. She raises her petticoats, the waterman stares at her legs."--British Museum online catalogue
Description:
Title from item., Printmaker identified from the original drawing in the Huntington Library., One of a series of "Drolls.", and One line of text below title: Be cautious my love, don't expose your leg.
"In a dining hall, the King standing at right draws his sword to knight the miller kneeling at left, a group of three men and one woman standing behind him, another figure stands behind the table at right, a dog at the other side leaning on a bench; after an untraced painting by Hayman for Vauxhall Gardens (Allen CL 215)."--British Museum online catalogue
Alternative Title:
King and Miller of Mansfield, representing the scene of knighting the miller
Description:
Title engraved below image., Later state, with printing plate trimmed at top and bottom, removing part of the original design. Title and statements of responsibility re-engraved in newly-created lower margin, with original "N. Parr sculp." printmaker's signature changed. For an earlier state published by Thomas and John Bowles in 1743, see British Museum online catalogue, registration no.: 1862,1011.609., Date of publication based on the separation of John and Carington Bowles's names in imprint statement; Carington Bowles separated his business from his father's in 1764. See British Museum online catalogue. See also Carington Bowles's entry in: Maxted, I. London book trades, 1775-1800., Plate numbered "a. 3" in upper right corner., Inlaid to 38 x 55 cm., and Mounted on page 101 in an album containing material relating to Spring Gardens, Vauxhall, with the spine title: Vauxhall miscellany.
Publisher:
Printed for John Bowles at the Black Horse in Cornhil, and Carington Bowles in St. Pauls Church Yard, London
Subject (Name):
Vauxhall Gardens (London, England)
Subject (Topic):
Dining rooms, Kings, Daggers & swords, Millers, Knighting, and Dogs
In a large paneled room decorated with four paintings, a young couple play at battledore and shuttlecock. Another young woman, sitting on a low stool near the fireplace, appears to be keeping score
Alternative Title:
Diversion of battledore and shuttlecock
Description:
Title from item., Sheet trimmed within plate mark resulting in loss of imprint., Publisher inferred from another print in the series: The king and miller of Mansfied., Publication date from an unverified card catalog record., and One of a series of engravings made from the paintings by Francis Hayman for the ballroom at Vauxhall Gardens in 1743.
Three young women sit around a table placed under the trees in a garden. On the table are placed a coffee pot and three bowls. The fortune-teller standing by the table points to the inside of a cup in his hand, while a young man looks on from behind a tree. Another young woman standing nearby, probably a serving maid, is looking into a cup she is holding
Description:
Title from item., Publisher inferred from another print in the series: The king and miller of Mansfied., Sheet trimmed within plate mark resulting in loss of imprint., One of a series of engravings made from the paintings by Francis Hayman for the ballroom at Vauxhall Gardens in 1743., and Temporary local subject terms: Outdoor scenes: garden -- Fortune-tellers -- Lapdogs -- Furniture: tabouret.
Three young women and three young men play at blindman's buff in front of a cottage, one of the young women hiding behind a tree on the right..
Description:
Title from item., Sheet trimmed within plate mark resulting in loss of imprint., Publisher inferred from another print in the series: The king and miller of Mansfied., One of a series of engravings made from the paintings by Francis Hayman for the ballroom at Vauxhall Gardens in 1743., and Temporary local subject terms: Games: blindman's buff -- Buildings: cottage.
Inside a humble house, a man and woman standing together at right, the woman with hand on hip and leaning against the man, both looking towards a cleric at left who turns away with a rod in his hand, a tankard resting on a table before him, the door opens onto a street behind. In the center of the room is a cobbler's bench with some tools of the trade. Against the back wall is a large cabinet with substantial pillars and with plates lined against the back. See British Museum nline catalogue
Alternative Title:
Humorous farce of Jobson and Nell
Description:
Title from item., Sheet trimmed within plate mark resulting in loss of imprint., Publisher inferred from another print in the series: The king and miller of Mansfied., and One of a series of engravings made from the paintings by Francis Hayman for the ballroom at Vauxhall Gardens in 1743.
In a room with casement windows, open fire, cloth covered table set with two candlesticks and pitchers, and older man with clerical bands kneels down before the king who draws his sword. In the background, to his left, stand two men watching the king anxiously. Behind him, a young woman is engaged in conversation with a young man holding a hat behind his back. Another man stands behind the table, his eyes closed, and a large dog climbs on the table with his front paws, over an Elizabethan style bench
Description:
Title from item., Sheet trimmed within plate mark resulting in loss of imprint., One of a series of engravings made from the paintings by Francis Hayman for the ballroom at Vauxhall Gardens in 1743., and Temporary local subject terms: Lighting: candlesticks -- Reference to Mansfield.
Publisher:
Printed for Robt. Sayer at the Golden Buck in Fleet Street
In the foreground a car filled with passengers is pulled through the waves on the Thames by a pair of horses; other sailboats and rowboats sail in the same direction. In the distance is a cityscape of London and a bridge
Alternative Title:
Marine car and sea horses exhibited on the Thames and at Vauxhall in 1794
Description:
Title from text below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted.
Publisher:
publisher not identified
Subject (Geographic):
Vauxhall Gardens (London, England) and Thames River (England)
785.06.28.01 Framed, shelved in Object Room Rack 1.
Image Count:
1
Resource Type:
still image
Abstract:
"An evening scene in Vauxhall Gardens. On the extreme left is the orchestra with the organ behind and performers on the kettledrums, string and wind instruments. The vocalist, Mrs. Weichsel, sings, in profile to the right, from the adjacent (and slightly lower) balcony, just above the heads of the crowd. A violinist and another musician are seated behind her. In the supper box beneath the orchestra is Dr. Johnson seated full-face, between Boswell and Goldsmith (d. 1774), who face each other in profile, both caricatured; of two stout women one is reputed to be Mrs. Thrale. Many groups fill the foreground and middle distance. The two centre figures are the Duchess of Devonshire and Lady Duncannon arm in arm. A naval officer with a wooden leg and a patch over one eye is reputed to be Admiral Paisley (Admiral Pasley, 1734-1808?). Major Topham, an excellent portrait, stands (left) in profile to the right staring through an eyeglass. Between Topham and the supper-box are two men, one of whom is identified as Lord Camelford. [In the reproduction in Angelo's 'Reminiscences'; to whom the name refers is not clear.] An elderly parson, [he closely resembles the parson of BMSat 7059 who is probably William Jackson of the 'Morning Post'] reputed to be Bate Dudley but not resembling him, gazes at the Duchess from behind a tree. Next him a man dressed as an officer in a Highland regiment with kilt and broadsword is supposed to be James Perry, editor of the 'Morning Chronicle'. On the right the Prince of Wales, conspicuous by his star, whispers to Mrs. Robinson (Perdita), though their liaison was ended. Her right arm is linked with an ugly and elderly little man, probably Robinson. On the extreme left an elderly couple advance arm in arm in profile. Behind the Prince is a group standing on a small platform (or tables), showing half length above the crowd. In the foreground (right) is a supper-table under trees where two cits entertain two courtesans. Lamp-lit trees and the covered way form a background on the right."--British Museum online catalogue
Alternative Title:
Vauxhall
Description:
Title from item. and Sheet trimmed within plate mark.
Publisher:
Publish'd June 28th 1785, by J.R. Smith, No. 83 Oxford Street
Subject (Geographic):
Vauxhall Gardens (London, England), London (England), England, and London.
Subject (Name):
Billington, Elizabeth, 1765-1818., Boswell, James, 1740-1795, Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Bessborough, Henrietta Frances Spencer Ponsonby, Countess of, 1761-1821, Pitt, Thomas, Baron Camelford, 1737-1793, George IV, King of Great Britain, 1762-1830, Goldsmith, Oliver, 1730?-1774, Johnson, Samuel, 1709-1784, Pasley, Thomas, Sir, 1734-1808, Perry, James, 1756-1821, Piozzi, Hester Lynch, 1741-1821, Robinson, Mary, 1758-1800, and Topham, Edward, 1751-1820
Subject (Topic):
Social life and customs, Parks, Audiences, Concerts, Couples, Crowds, Musicians, Orchestras, Peg legs, and Singers
