"The interior of a chapel with an impassioned preacher inspiring his listeners; considerably altered from the earlier state known as "Enthusiasm Delineated", for instance, by the substitution of representations of the Cock Lane Ghost (a topical reference to a fraud of 1762) for the figures of Christ, the removal of the barking dog, and the introduction of rabbits emerging from the skirts of the woman swooning on the floor in allusion to Mary Toft, the Rabbit Woman of Godlaming."--British Museum online catalogue
Description:
Title engraved below image., Quote below title: "Believe not every Spirit; but try the Spirits whether they are of God because many false prophets are gone out into the World. 1. John. Ch. 4. V. 1"., Copy of: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2896., and Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 210.2.
Publisher:
Published by G.G. & J. Robinsons Pater-noster Row
Subject (Name):
Toft, Mary, 1703-1763, Villiers, George, 1690-1748., and Whitefield, George, 1714-1770
Subject (Topic):
Christianity, Superstition, Demonology, Demons, Ghosts, Rabbits, Witches, Sleeping, and Supervisors
publish'd as the act directs March [the] 15th 1762.
Call Number:
Hogarth 762.03.15.01++ Box 305
Image Count:
1
Resource Type:
still image
Abstract:
"The interior of a chapel with an impassioned preacher inspiring his listeners; considerably altered from the earlier state known as "Enthusiasm Delineated", for instance, by the substitution of representations of the Cock Lane Ghost (a topical reference to a fraud of 1762) for the figures of Christ, the removal of the barking dog, and the introduction of rabbits emerging from the skirts of the woman swooning on the floor in allusion to Mary Toft, the Rabbit Woman of Godlaming."--British Museum online catalogue
Alternative Title:
Enthusiasm delineated
Description:
Title engraved below image., State from Paulson., Image and text engraved on two separate plates., and With caption: Believe not every Spirit; but try the Spirits whether they are of God because many false prophets are gone out into the World. 1.John.Ch.4.V.1.
Publisher:
Wm. Hogarth
Subject (Name):
Toft, Mary, 1703-1763, Villiers, George, 1690-1748., and Whitefield, George, 1714-1770
Subject (Topic):
Christianity, Superstition, Demonology, Demons, Ghosts, Rabbits, Witches, Sleeping, and Supervisors
publish'd according to act directs March [the] 15th 1762.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 83. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The interior of a chapel with an impassioned preacher inspiring his listeners; considerably altered from the earlier state known as "Enthusiasm Delineated", for instance, by the substitution of representations of the Cock Lane Ghost (a topical reference to a fraud of 1762) for the figures of Christ, the removal of the barking dog, and the introduction of rabbits emerging from the skirts of the woman swooning on the floor in allusion to Mary Toft, the Rabbit Woman of Godlaming"--British Museum online catalogue
Alternative Title:
Enthusiasm delineated
Description:
Title engraved below image., State from Paulson. Reworking of Enthusiasm delineated., With caption: "Believe not every Spirit; but try the Spirits whether they are of God because many false prophets are gone out into the World. 1. John. Ch.4. V.1"., 1 print : etching and engraving on laid paper ; plate mark 43.2 x 32.8 cm, on sheet 56 x 42 cm., Plate 83 in the album: Queen Charlotte's collection of Hogarth works., and Formerly identified as Paulson state 2.
Publisher:
Wm. Hogarth
Subject (Name):
Toft, Mary, 1703-1763, Villiers, George, 1690-1748., and Whitefield, George, 1714-1770
Subject (Topic):
Christianity, Superstition, Demonology, Demons, Ghosts, Rabbits, Witches, Sleeping, and Supervisors
publish'd according to act directs March [the] 15th 1762.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 83. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The interior of a chapel with an impassioned preacher inspiring his listeners; considerably altered from the earlier state known as "Enthusiasm Delineated", for instance, by the substitution of representations of the Cock Lane Ghost (a topical reference to a fraud of 1762) for the figures of Christ, the removal of the barking dog, and the introduction of rabbits emerging from the skirts of the woman swooning on the floor in allusion to Mary Toft, the Rabbit Woman of Godlaming"--British Museum online catalogue
Alternative Title:
Enthusiasm delineated
Description:
Title engraved below image., State from Paulson. Reworking of Enthusiasm delineated., With caption: "Believe not every Spirit; but try the Spirits whether they are of God because many false prophets are gone out into the World. 1. John. Ch.4. V.1"., 1 print : etching and engraving on laid paper ; plate mark 43.2 x 32.8 cm, on sheet 56 x 42 cm., Plate 83 in the album: Queen Charlotte's collection of Hogarth works., and Formerly identified as Paulson state 2.
Publisher:
Wm. Hogarth
Subject (Name):
Toft, Mary, 1703-1763, Villiers, George, 1690-1748., and Whitefield, George, 1714-1770
Subject (Topic):
Christianity, Superstition, Demonology, Demons, Ghosts, Rabbits, Witches, Sleeping, and Supervisors
publish'd according to act directs March [the] 15th 1762.
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Collection Title:
Plate 83. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The interior of a chapel with an impassioned preacher inspiring his listeners; considerably altered from the earlier state known as "Enthusiasm Delineated", for instance, by the substitution of representations of the Cock Lane Ghost (a topical reference to a fraud of 1762) for the figures of Christ, the removal of the barking dog, and the introduction of rabbits emerging from the skirts of the woman swooning on the floor in allusion to Mary Toft, the Rabbit Woman of Godlaming"--British Museum online catalogue
Alternative Title:
Enthusiasm delineated
Description:
Title engraved below image., State from Paulson. Reworking of Enthusiasm delineated., With caption: "Believe not every Spirit; but try the Spirits whether they are of God because many false prophets are gone out into the World. 1. John. Ch.4. V.1"., Ms. note in pencil in Steevens's hand above print: See Mr. Nichols's Book, 3d edit, p. 375., and On page 191 in volume 2. Sheet trimmed to: 43.1 x 32.6 cm.
Publisher:
Wm. Hogarth
Subject (Name):
Toft, Mary, 1703-1763, Villiers, George, 1690-1748., and Whitefield, George, 1714-1770
Subject (Topic):
Christianity, Superstition, Demonology, Demons, Ghosts, Rabbits, Witches, Sleeping, and Supervisors
publish'd according to act directs March [the] 15th 1762.
Call Number:
Print20115
Collection Title:
Plate 83. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The interior of a chapel with an impassioned preacher inspiring his listeners; considerably altered from the earlier state known as "Enthusiasm Delineated", for instance, by the substitution of representations of the Cock Lane Ghost (a topical reference to a fraud of 1762) for the figures of Christ, the removal of the barking dog, and the introduction of rabbits emerging from the skirts of the woman swooning on the floor in allusion to Mary Toft, the Rabbit Woman of Godlaming"--British Museum online catalogue
Alternative Title:
Enthusiasm delineated
Description:
Title engraved below image., State from Paulson. Reworking of Enthusiasm delineated., With caption: "Believe not every Spirit; but try the Spirits whether they are of God because many false prophets are gone out into the World. 1. John. Ch.4. V.1"., and 1 print : etching and engraving ; plate mark 436 x 331 mm.
Publisher:
Wm. Hogarth
Subject (Name):
Toft, Mary, 1703-1763, Villiers, George, 1690-1748., and Whitefield, George, 1714-1770
Subject (Topic):
Christianity, Superstition, Demonology, Demons, Ghosts, Rabbits, Witches, Sleeping, and Supervisors
publish'd according to act directs March [the] 15th 1762.
Call Number:
Sotheby 80+ Box 200
Collection Title:
Plate 83. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The interior of a chapel with an impassioned preacher inspiring his listeners; considerably altered from the earlier state known as "Enthusiasm Delineated", for instance, by the substitution of representations of the Cock Lane Ghost (a topical reference to a fraud of 1762) for the figures of Christ, the removal of the barking dog, and the introduction of rabbits emerging from the skirts of the woman swooning on the floor in allusion to Mary Toft, the Rabbit Woman of Godlaming"--British Museum online catalogue
Alternative Title:
Enthusiasm delineated
Description:
Title engraved below image., State from Paulson. Reworking of Enthusiasm delineated., and With caption: "Believe not every Spirit; but try the Spirits whether they are of God because many false prophets are gone out into the World. 1. John. Ch.4. V.1".
Publisher:
Wm. Hogarth
Subject (Name):
Toft, Mary, 1703-1763, Villiers, George, 1690-1748., and Whitefield, George, 1714-1770
Subject (Topic):
Christianity, Superstition, Demonology, Demons, Ghosts, Rabbits, Witches, Sleeping, and Supervisors
Copy of Hogarth's print; interior of a chapel with an impassioned preacher inspiring his listeners who include a woman swooning on the floor and a young couple embracing; many of the congregation are clutching figures of Christ; a barking dog with a collar labelled "Whitfield" echoes the preacher. In the lower right corner, an image of a cross-section of brain, labeled below frame "A Methodist's brain"
Description:
Title etched below image., Lettered above the image with text beginning: Hogarth's first thought for the medley. Copied from a very curious print designed and engraved by Hogarth, of which there are only two impressions, both of them in the possession of John Ireland. March 15th 1796. [Image of hand with pointing finger]. After taking the above impressions, Hogarth changed the point of his satire from the superstitious absurdities of popery and ridiculous personification delineated by ancient painters, to the popular credulities of his own day, erased or essentially altered every figure except two, and on the same piece of copper engraved the plate now in the possession of Messrs. Boydell, entitled Credulity, superstition & fanaticism, a medley., Dedication etched either side of title: Humbly dedicated to his Grace the Arch Bishop of Canterbury, by his Graces most obedient humble servant Wm. Hogarth., Text following dedication: Advertisement. The intention of this print, is to give a lineal representation, of the strange effects of literal and low conceptions of sacred beings, as also of the idolatrous tendency of pictures in churches, and prints in religious books, &c., Legend to the left of the title: A. After Raphael Urbino. B. After Rubens. C. After Rembrant. D.E.F.G.H. Are imitations of several other painters., Sheet trimmed to plate mark., Copy of: Catalogue of prints and drawings in the British Museum, v. 3, no. 2425., and Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 210.
Publisher:
Published Novr. 12th, 1795 by John Ireland, No. 3 Poets Corner, Palace Yard, Wesminster
Subject (Name):
Toft, Mary, 1703-1763, Villiers, George, 1690-1748., and Whitefield, George, 1714-1770
Subject (Topic):
Christianity, Superstition, Demonology, Demons, Ghosts, Witches, Sleeping, and Supervisors
Reduced copy of Hogarth's print; interior of a chapel with an impassioned preacher inspiring his listeners who include a woman swooning on the floor and a young couple embracing; many of the congregation are clutching figures of Christ; a barking dog with a collar without "Whitfield" etched on it echoes the preacher
Description:
Title etched below image., Lettered above the image with text beginning: Hogarth's first thought for the medley. Copied from a very curious print designed and engraved by Hogarth, of which there are only two impressions, both of them in the possession of John Ireland. After taking the above impressions, Hogarth changed the point of his satire from the superstitious absurdities of popery & ridiculous personification delineated by ancient painters, to the popular credulities of his own day, erased or essentially altered every figure except two, & on the same piece of copper engraved the plate which is copied on the opposite page., Dedication etched below title: Humbly dedicated to his Grace the Arch Bishop of Canterbury, by his Graces most obedient humble servant Wm. Hogarth., Text following dedication: Advertisement. The intention of this print, is to give a lineal representation, of the strange effects of literal and low conceptions of sacred beings, as also of the idolatrous tendency of pictures in churches, and prints in religious books, &c., "Page 233"--Above image, right., Sheet trimmed to plate mark., Copy of: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2425., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 210., and On page 190 in volume 2.
Publisher:
Published March 1798 for John Ireland, Poets Corner, Palace Yard
Subject (Name):
Toft, Mary, 1703-1763, Villiers, George, 1690-1748., and Whitefield, George, 1714-1770
Subject (Topic):
Christianity, Superstition, Demonology, Demons, Ghosts, Witches, Sleeping, and Supervisors
Copy of Hogarth's print; interior of a chapel with an impassioned preacher inspiring his listeners who include a woman swooning on the floor and a young couple embracing; many of the congregation are clutching figures of Christ; a barking dog with a collar labelled "Whitfield" echoes the preacher
Description:
Title etched below image., State from British Museum catalogue., Lettered above the image with text beginning: Hogarth's first thought for the medley. Copied from a very curious print designed and engraved by Hogarth, of which there are only two impressions, both of them in the possession of John Ireland. March 15th 1796. [Image of hand with pointing finger]. After taking the above impressions, Hogarth changed the point of his satire from the superstitious absurdities of popery and ridiculous personification delineated by ancient painters, to the popular credulities of his own day, erased or essentially altered every figure except two, and on the same piece of copper engraved the plate now in the possession of Messrs. Boydell, entitled Credulity, superstition & fanaticism, a medley., Dedication etched below title: Humbly dedicated to his Grace the Arch Bishop of Canterbury, by his Graces most obedient humble servant Wm. Hogarth., Text following dedication: Advertisement. The intention of this print, is to give a lineal representation, of the strange effects of literal and low conceptions of sacred beings, as also of the idolatrous tendency of pictures in churches, and prints in religious books, &c., Legend following advertisement: A. After Raphael Urbino. B. After Rubens. C. After Rembrant. D.E.F.G.H. Are imitations of several other painters., Sheet trimmed to plate mark., Copy of: Catalogue of prints and drawings in the British Museum, v. 3, no. 2425., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 210., Ms. note in pencil in Steevens's hand above print: See J. Ireland's Hogarth illustrated, p. 365., and On page 190 in volume 2.
Publisher:
Published Novr. 12th, 1795 by John Ireland (Author of Hogarth illustrated) No. 3 Poets Corner, Palace Yard, & for Messrs. Boydell, Cheapside & Shakespeare Gallery Pallmall
Subject (Name):
Toft, Mary, 1703-1763, Villiers, George, 1690-1748., and Whitefield, George, 1714-1770
Subject (Topic):
Christianity, Superstition, Demonology, Demons, Ghosts, Witches, Sleeping, and Supervisors
