A tall thin violinist stands under a tree on the left serenading a motley group of grotesque-looking individuals, one having a pegleg, as 2 dogs bark accompaniment. In the background is a high stone wall
Description:
Title from item., Sheet trimmed within plate mark with partial loss of imprint., and Sheet extended to 29 x 38 cm.
Publisher:
Pubd. as y act directs, Augst. 27, 1782 by Turner, Sno[w Hill]
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A wide space leads to the harbour. On one side (left) is the corner of a large old clothes shop: 'Moses Levy Money Lent', with garments, &c., hanging from it. Opposite is the old-fashioned 'Ship Tavern'. Off shore are ships in full sail, boats are making towards them. In the foreground is a bustle of departure: baggage is being carried, casks are rolled, sailors and their women embrace or fight; a one-legged sailor plays a fiddle, a child plays with dogs. At the door of the 'Ship' an officer takes leave of his family; from the bow-window above spectators lean out, an officer using a telescope."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state; former plate number "319" has been replaced with a new number, and date in lower left corner of design has been removed from plate., Publisher from description of earlier state in the British Museum catalogue., Date of publication inferred from earlier state, which has the year "1814" etched in lower left corner of design. Cf. No. 12408 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "255" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Sheet trimmed to plate mark leaving thread margins., Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 284-6., Watermark: 1824., and Manuscript "169" in upper center of plate.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A wide space leads to the harbour. On one side (left) is the corner of a large old clothes shop: 'Moses Levy Money Lent', with garments, &c., hanging from it. Opposite is the old-fashioned 'Ship Tavern'. Off shore are ships in full sail, boats are making towards them. In the foreground is a bustle of departure: baggage is being carried, casks are rolled, sailors and their women embrace or fight; a one-legged sailor plays a fiddle, a child plays with dogs. At the door of the 'Ship' an officer takes leave of his family; from the bow-window above spectators lean out, an officer using a telescope."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state; former plate number "319" has been replaced with a new number, and date in lower left corner of design has been removed from plate., Publisher from description of earlier state in the British Museum catalogue., Date of publication inferred from earlier state, which has the year "1814" etched in lower left corner of design. Cf. No. 12408 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "255" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Sheet trimmed to plate mark leaving thread margins., Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 284-6., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 24.8 x 35 cm, on sheet 25.6 x 41.8 cm., Watermark: 1817., and Leaf 37 in volume 4.
"Satire: scene in a ball-room with four couples dancing to the music supplied by a French violinist."--British Museum online catalogue
Description:
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: Tovil Mill.
Publisher:
Pub. April 2nd, 1817 by J. Sidebotham
Subject (Topic):
Interiors, Ballroom dancing, Couples, Musicians, French, and Violins
Title etched below image., Imperfect; sheet trimmed within plate mark resulting in loss of imprint and possibly song text., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Topic):
Boats, Cannons, Musical instruments, Sailors, Uniforms, Violins, and Warships
"Portrait (whole-length) of a man standing in profile to the right holding a violin in his right hand, a bow in his left."--British Museum online catalogue
Alternative Title:
First catgut scraper
Description:
Title etched below image., Possibly etched by Gillray. See British Museum catalogue., and First letters of imprint statement are lightly printed and illegible, possibly due to an imperfection in the plate. The letter 'S' in 'Street' in publisher's address is etched in reverse.
Publisher:
[Pu]bd. Nov. 27, 81, by H. Humphrey, No. 18 New Bond Street
Depicts on the right the German dancing master Jansen playing the fiddle, as his pupil faces him with raised right arm and hat in left hand, a smaller youth standing sleepily on the left
Alternative Title:
Maitre de ballet allemand
Description:
Title etched below image. and Printmaker from British Museum catalogue.
Publisher:
Pubd. April 5th, 1782, by H. Humphrey, No. 18 New Bond Street
Print shows a large concert-room, which is partly a music-shop, where the Regent sits playing a 'cello. At his feet is a paper: 'Proposals for Six Charity Concerts'. Facing him stands an elderly 'cit', a John Bull, who listens delightedly. The Regent says: "There Sir is one of the finest toned Instruments, I ever touched, and our own making. Nobody makes Instruments like us. That Humbug fiddle is out of Tune." The 'cit' answers "Charming." Behind the Regent are Bloomfield playing a flute, and a man wearing clerical bands playing a violin. Behind them is a counter on which are two piles of songs 'For Sale cheap'; one is 'Bold Flinty Rock', the other 'Beautiful Maid'. Behind the counter a man supports on his shoulders a musician holding out a violin, and declaiming: "This will do, and Sir give me leave to say, No Scholar of ours shall ever use any Music or Instruments but our own, What do you think of that eh? & I am a Director, what do you think of that eh?" Two fashionably dressed ladies in the foreground address the Regent. One kneels, extending her arms dramatically, saying: "Indeed if you will Engage us we will not only buy all our Music and Instruments of you, but make our Scholars do the same." The other, identified as Miss Stephens, the vocalist and actress (1794-1882): "Indeed we will!" A piano is on the extreme right, behind this stands Braham holding a piece of music and extending an arm to disgruntled performers who are hurrying from the room, saying: "Fly not yet." Three of those departing say respectively: "We are off"; "You had better open a Cook Shop next and sell Calves heads and Cow heels"; "I'll lend you no more 4.000.s C-ts." The music stacked behind them is inscribed 'Detached Peices' [sic]. On the left Lord Eldon and Chief Justice Abbott, both in wig and gown, stand together. Eldon says: "Since our Master has taken to this Concern all our Business is Suspended." Abbott answers: "Suspended, why I have here a list of 21 fellows who ought to be Suspended." A man standing behind them says, looking at the Regent: "What then you intend to ruin all the Composers, Music Sellers, and Instrument makers do you? & this is a specimen of your correctness is it? 36 blunders in 9 pages of one Peice. Cossac Song above 30 errors. Dramatic Air worse 2d do worse still." On the extreme left is Yarmouth's smiling profile; he says: "I'll bet a Crown to One and Twenty pence, against the Hazard of being blown up by the Gas." Music on the shelves behind them is inscribed: 'the Y-m-ih Waltz'; 'Jack Ketch set to Mus[ic]'. Behind the Regent: 'New Peices'; 'Rogues March'; 'Royal Airs'. Behind the Director: 'Catches Glees, Flats and Sharps.'
Alternative Title:
Monopoly a catch for 21 voices with a royal base
Description:
Title from text above image., Etched by Robert Cruikshank, with parts done by George Cruikshank; see British Museum catalogue., Later state, with title moved from below image to above and all text in lower margin (including imprint) re-etched; text also added to several of the speech bubbles, and changes made to the figures and their speech bubbles on the extreme right side of the image. For an earlier state, see Lewis Walpole Library call no.: 724 835G., Date of publication "March 1820" in imprint follows place of publication "London" and precedes publisher's statement., Sheet trimmed within plate mark., Text below image consists of seven stanzas of verse in four columns, with the following heading: The Regents Harmonic Institution --A new song to the tune of a Cobler there was. --The English are a nation of shop-keepers French opinion., Verses begin: No more let V-t-t embarrass his mind, for ways or for means new expedients to find ..., Mounted to 39 x 58 cm., Mounted on leaf 5 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Central figure of "George IV" identified in pencil beneath image. Typed extract of sixteen lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pubd. by S.W. Fores, 41 Piccadilly
Subject (Name):
Regent’s Harmonic Institution, George IV, King of Great Britain, 1762-1830, Stephens, Catherine, 1794-1882, Braham, John, 1774-1856, Abbott, Charles, Baron Tenterden, 1762-1832, and Eldon, John Scott, Earl of, 1751-1838
Subject (Topic):
Music stores, Interiors, Fireplaces, Mirrors, Musical instruments, Violoncellos, Flutes, Violins, Pianos, and Drums (Musical instruments)
Interior of a large concert-room, which is partly a music-shop, where the Regent sits playing a 'cello. At his feet is a paper: 'Proposals for Six Charity Concerts'. Facing him stands an elderly 'cit', a John Bull, who listens delightedly. The Regent says: "There Sir is one of the finest toned Instruments, I ever touched, and our own making. Nobody makes Instruments like us. That Humbug fiddle is out of Tune." The 'cit' answers "Charming." Behind the Regent are Bloomfield playing a flute, and a man wearing clerical bands playing a violin. Behind them is a counter on which are two piles of songs 'For Sale cheap'; one is 'Bold Flinty Rock', the other 'Beautiful Maid'. Behind the counter a man supports on his shoulders a musician holding out a violin, and declaiming: "This will do, and Sir give me leave to say, No Scholar of ours shall ever use any Music or Instruments but our own, What do you think of that eh?" Two fashionably dressed ladies in the foreground address the Regent. One kneels, extending her arms dramatically, saying: "Indeed if you will Engage us we will not only buy all our Music and Instruments of you, but make our Scholars do the same." The other, identified as Miss Stephens, the vocalist and actress (1794-1882): "Indeed we will!" A piano is on the extreme right, behind this stands Braham, who is holding a piece of music entitled "Fly not yet" and looking to the left. Behind him, three of those departing say "off off" or "off off off"; another says "You had better open a Cook Shop next and sell Calves heads and Cow heels"; and another "I'll lend you no more 4.000.s C-ts." The music stacked behind them is inscribed 'detached pieces'. On the left Lord Eldon and Chief Justice Abbott, both in wig and gown, stand together. Eldon says: "Since our Master has taken to this Concern all our Business is Suspended." Abbott answers: "Suspended, why I have here a list of 21 fellows who ought to be Suspended." A man standing behind them says, looking at the Regent: "What then you intend to ruin all the Composers, Music Sellers, and Instrument makers do you? & this is a specimen of your correctness is it? 36 blunders in 9 pages of one Peice. Cossac Song above 30 errors. Dramatic Air worse." On the extreme left is Yarmouth's smiling profile; he says: "I'll bet a Crown to One and Twenty pence, against the Hazard." Music on the shelves behind them is inscribed: 'the Y-m-ih Waltz'; 'Jack Ketch set to Mus[ic]'. Behind the Regent: 'New Peices [sic]'; 'Rogues March'; 'Royal Airs'. Behind the Director: 'Catches Glees, Flats and Sharps.'
Alternative Title:
Monopoly a catch for 21 voices with a royal base
Description:
Title from text below image., Etched by Robert Cruikshank, with parts done by George Cruikshank; see description of a later state in the British Museum catalogue., Early state, before title moved above image and before other changes made to the plate (including re-etching verses and imprint in lower margin; adding text to various speech bubbles; and altering the figures and speech bubbles in the far right portion of the image). For a later state that includes these changes, see no. 13692 in the Catalogue of prints and drawings in the British Museum, v. 10. See also: Cohn, A.M. George Cruikshank: a catalogue raisonné, 1894., Sheet trimmed within plate mark., Text below image consists of seven stanzas of verse in four columns, with the following heading: The Regents Harmonic Institution. A new song to the tune of a Cobler there was. The English are a nation of shop keepers. French opinion., Verses begin: No more let V-i-t embarrass his mind, for ways or for means new expedients to find ..., Mounted to 39 x 58 cm., and Mounted on leaf 7 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair."
Publisher:
Pubd. by S.W. Fores, 41 Piccadilly
Subject (Name):
Regent’s Harmonic Institution, George IV, King of Great Britain, 1762-1830, Stephens, Catherine, 1794-1882, Braham, John, 1774-1856, Abbott, Charles, Baron Tenterden, 1762-1832, and Eldon, John Scott, Earl of, 1751-1838
Subject (Topic):
Music stores, Interiors, Fireplaces, Mirrors, Musical instruments, Violoncellos, Flutes, Violins, Pianos, and Drums (Musical instruments)
A poor family in rags sing on a city streets to earn money. The man, a veteran with a peg leg, plays the violin; his uniform is patched up. The boy wears no shoes and a coat too big for him; he holds out a hat to collect the money. The woman wears a ragged dress and a patched cloak covering a baby on her back; she carries a basket with loaded with the broadsides for sale
Description:
Title from text below image., Date of publication inferred from a "Novr. 1828" manuscript note on an impression of a print entitled "My girl," likewise designed by Mercer and published by Smyth and Parsey; see Lewis Walpole Library call no.: 828.11.00.01. An apparent companion to that print, entitled "My boy," is assigned a date range of 1825-1835 in the British Museum online catalogue (registration no.: 1905,0822.4)., and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
Published by T. Smyth & sold by A. Parsey, Burlington Arcade
Subject (Topic):
Ballads, Families, Poor persons, Singing, Violins, Peg legs, Disabled veterans, Military uniforms, and Street vendors