A poor family in rags sing on a city streets to earn money. The man, a veteran with a peg leg, plays the violin; his uniform is patched up. The boy wears no shoes and a coat too big for him; he holds out a hat to collect the money. The woman wears a ragged dress and a patched cloak covering a baby on her back; she carries a basket with loaded with the broadsides for sale
Description:
Title from text below image., Date of publication inferred from a "Novr. 1828" manuscript note on an impression of a print entitled "My girl," likewise designed by Mercer and published by Smyth and Parsey; see Lewis Walpole Library call no.: 828.11.00.01. An apparent companion to that print, entitled "My boy," is assigned a date range of 1825-1835 in the British Museum online catalogue (registration no.: 1905,0822.4)., and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
Published by T. Smyth & sold by A. Parsey, Burlington Arcade
Subject (Topic):
Ballads, Families, Poor persons, Singing, Violins, Peg legs, Disabled veterans, Military uniforms, and Street vendors
"Portrait, whole length, of a man playing the violin. His figure faces the spectator, his head turned in profile to left. He is dressed macaroni-fashion with a large looped club."--British Museum online catalogue, description of an earlier state
Description:
Title from caption below image., Initial letters of publisher's name in imprint form a monogram., Plate from vol. III: Macaronies, characters, caricatures &c. [London] : Pubd. by MDarly, 39 Strand, 1772., Plate numbered "15" in upper right corner., and For a later state with additional numbering, see no. 5015 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5.
Publisher:
Pub. by MDarly, Strand, July 2d, 1772, accor. to act
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Dandies, British, Hairstyles, Violins, and Musicians
Leaf 76. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait, whole length, of a man playing the violin. His figure faces the spectator, his head turned in profile to left. He is dressed macaroni-fashion with a large looped club."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "v. 3" in upper left corner and "16" in upper right corner., Temporary local subject terms: Macaronies -- Male costume., and Third of three plates on leaf 76.
Publisher:
Pub. by MDarly, Strand, July 2d, 1772, accor. to act
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Dandies, British, Musicians, Hairstyles, Wigs, and Violins
"A dancing-master in profile to the left, playing his kit, faces a little girl, who stands firmly, her feet in the first position, heels back to back, toes pointing almost at r. angles with her profile. His feet are also in the first position, as are those of a little boy in the doorway (right), one hand on the handle, bowing, or stooping, low. The room is boarded and bare."--British Museum online catalogue
Alternative Title:
1st Position and First position
Description:
Title from caption below image., Publication date from British Museum catalogue., A symbol or monogram comprised of an elaborate double 'X' precedes Cruikshank's signature., and Publication date erased from sheet.
"Portrait of the fiddler Patie Birnie, half-length, standing to right in front of a brick wall, looking towards the viewer, smiling, holding up a violin in his left hand; wearing cloak over tight-fitting jacket, strap and neckscarf tied in a knot."--British Museum online catalogue
Alternative Title:
Effigie of Patie Birnie, the famous fidler of Kinghorn and Effigie of Patie Birnie, the famous fiddler of Kinghorn
Description:
Title from caption below image., Date from British Museum online catalogue., Sitter is mentioned in Alan Ramsay's poems., Description based on imperfect impression; sheet trimmed within plate mark with possible loss of text., and Mounted on sheet: 356 x 266 mm.
Title engraved below image., Sheet trimmed within plate mark., Below title: Engraved after an original picture painted by Mr. John Collet., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Printed for Jno. Smith, No. 35 Cheapside, & Robt. Sayer, No. 53 Fleet Street
Subject (Geographic):
London (England)
Subject (Name):
Covent Garden Theatre.
Subject (Topic):
Social life and customs, City & town life, Dogs, Fishmongers, Musical instruments, Playbills, Sedan chairs, Street children, Street musicians, Street vendors, and Violins
"A pair of scenes on one plate, each with its own title, from The Political Register, September 1768, facing page 129. The scenes satirise the unpopularity and the alleged corruption and disloyalty of Lord Bute as he embarked on a trip to France. In the upper scene Bute is shown with a witch on a broomstick, laden with large bags of money, flying across the Channel, “over the Water to Charly” (an allusion to the Young Pretender in exile). Dover Castle is shown on top of a cliff on the left and Calais in the distance on the right. On the shore below Princess Augusta faints lamenting “Ah me what Shall I do Sawny is flown & with him all my Joy”. She is comforted by an attendant who hopes he will come again, a man beside her calls out to Bute ”Won’t you take Madam with you”. Others on the shore remark on his departure, one sailor says “Now he has got all our Dollars let him go.”, another would like to throw him to the shark, a boy throws stones and a man shoots at him, a satyr aims a bow saying “I’ll reach you my L(or)d where ever you go” Britannia sitting on the right advises her children to let him go so that she may recover. In the lower design Bute is shown being greeted outside the well guarded fort at Calais by the Young Pretender who calls him cousin and thanks him for his services. Bute, bonnet in hand and bowing , responds “I have sett the 3 Kingdoms at variance for your Sake my Prince now is your time or never”. The Mayor of Calais comes forward to welcome Bute effusively telling him of “the grand Monarqe’s” love; three monks on the left assure each other that Bute is not a heretic (Protestant) as he has demonstrated this by giving France such an advantageous peace. On the right an old woman in raptures is sure all the English ladies love him, while a Scot with a wooden leg plays on his fiddle singing “And the King shall enjoy his own again”. A British sailor deplores the respect Bute is shown while another tells him that “why Should they do otherwise he was allway their Friend”."--British Museum online catalogue
Description:
Two separately titled images on one plate; titles engraved above image., Publication place and date inferred from those of the periodical for which this plate was engraved., Plate from: The Political register and London museum. London : Printed for J. Almon [1767-1772], v. 3 (1768), page 195., and Temporary local subject terms: Dover -- Calais -- Brooms -- Bags of money -- Satyrs.
Publisher:
publisher not identified
Subject (Name):
Augusta, Princess of Wales, 1719-1772, Charles Edward, Prince, grandson of James II, King of England, 1720-1788, and Bute, John Stuart, Earl of, 1713-1792
Subject (Topic):
Britannia (Symbolic character), Arrivals & departures, Forts & fortifications, Monks, Musical instruments, Peg legs, Sailors, British, Violins, and Witches
In two columns with the title in a ribbon atop a woodcut below stanza one. Stanzas 2 and 3 below image. A sailor at a seaside tavern (Jack Ocum) dances with a young woman as he holds his tankard. The fiddle music is played by a man who stands beside a woman in the tavern doorway. In the distance on the right is a sailing ship and along the shore, two men in a row boat
Alternative Title:
Oddities. Song
Description:
Title from item., One of the songs from Charles Dibdin's 'The oddities', first presented in 1789., First line reads: A sailor's life's a life of woe., Imprint transposed from above around lower edge of image and from the bottom of the sheet., Anonymous. By Charles Dibdin., and Not in ESTC.
Publisher:
Sold by J. Pitts, Great Saint Andrew St. ; Sold by C. Sheppard, Lambert Hill, Doctors Commons
"Boruwlaski or Boruslawski (left) plays the violin, he stands (left) before an immense Turk (right) seated on the floor, an arm round each of two ladies of the harem who recline against him. The Sultan (Abdul Hamid) smokes a long pipe. Behind him stand two fierce-looking guards. In the background three other ladies listen rapturously to the slim, erect, and well-dressed dwarf, who is in marked contrast with the massive Turk and the voluptuous ladies of the seraglio. A draped canopy completes the design."--British Museum online catalogue
Description:
Title etched below image., Plate originally published in 1781. Cf. Grego, J. Rowlandson the caricaturist, v. 1, pages 186-187., Imperfect; sheet trimmed within plate mark resulting in loss of imprint statement. Imprint supplied from British Museum catalogue., Watermark., and Mounted to 23.3 x 30.7 cm.
Publisher:
Publish'd March 1786 by E. Jackson, No. 14 Marylebone Street, Golden Square
Subject (Geographic):
Turkey.
Subject (Name):
Borusławski, Józef, 1739-1837 and Abdülhamid I, Sultan of the Turks, 1725-1789
Subject (Topic):
Ethnic stereotypes, Sultans, Harems, Guards, Dwarfs, Violins, and Pipes (Smoking)