"An elderly woman wearing spectacles playing a cello in an elegant room in front of a music stand on the left."--British Museum online catalogue
Alternative Title:
Age and music
Description:
Title etched below image., After Philippe Mercier; see British Museum online catalogue., Lewis Walpole Library impression is possibly a proof state lacking number "169" in lower left; however, trimming of the sheet has made this hard to determine., Date range for publication from the British Museum online catalogue., and Imperfect; sheet trimmed within plate mark resulting in loss of imprint below title and possible loss of numbering from lower left. Imprint supplied from impression in the British Museum, registration no.: 2010,7081.1610.
Publisher:
Printed for Carington Bowles next the Chapter House in St. Pauls Church Yard, London
"John Bull (left) capers clumsily to a tune played by Pitt, Dundas, and two others. He has a drink-bloated profile, wears a round hat and old-fashioned buckled shoes. He says: "Lord love ye my good Masters - do give us something new - I be tired of all the old Jigs - I knows the March to Paris by heart, - and as for Indemnity for the Past, and Security for the future, they are as easy to me as my A-B-C - I want something stilish, and grand." Pitt, seated, plays a large 'cello incorrectly drawn and having a rose under the strings which suggests the viol da gamba. He looks up at John Bull jauntily, saying, "I will endeavour to please you if I can, what do you think of this - it is a grand serious-movement called the Deliverance of Europe or Union with Ireland". Dundas (right), wearing kilt and feathered bonnet with legal wig and bands, stands in profile to the left, impassively playing the bagpipes. Two background figures dejectedly play wind-instruments; one is probably Grenville."--British Museum online catalogue
Description:
Title from item., Printmaker from Krumbhaar. Attributed to Sansom in the British Museum Catalogue., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., and Watermark: Strasburg lily.
Publisher:
Pub March 21, 1799, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Pitt, William, 1759-1806 and Melville, Henry Dundas, Viscount, 1742-1811
Subject (Topic):
John Bull (Symbolic character), Bagpipes, Dance, Musical instruments, and Violoncellos
"George IV, seated in an armchair, plays a 'cello. Bloomfield stands behind, playing a flute; in his pocket is a paper: 'Farmer's Boy' [for this identification cf. (e.g.) that of Orger in British Museum Satires No. 11940]. Lady Conyngham stands beside the King, saying blandly: "Play Here we go Up Up Up." On the right is a dancing bear, facing a stout jovial man (identified, A. de R. xviii. 4 as Sir L. Neagle, i.e. Sir E. Nagle, appointed Groom of the Bedchamber on George IV's accession). No one notices John Bull (wearing top-hat and top-boots) who enters, shouting: "Rome's on fire, Haste Haste Help Help the People 's Roused, Perjurys allowed Conspirators are suffered to Escape, the Directors are impeached-- the World's in Arms." Behind the King hangs a large placard: Estimate of Expenses at the Chinese Temple One Million--Building Repairing & Furnishing Mark Anthonys State Barges Building two New ones . . . £150,000 Cottage seat Como [Countess Cowper (25 Sept. 1820): 'They say the story is really true of blundering Sir E. Nagel saying in the boat on the Lake near the New Cottage, "We have also got our little Lake of Como"--the King and Ly C present.' Airlie, 'Lady Palmerston', 1922, i. 67; 'The King laughed very much...' 'Journal of H. E. Fox', 1923, p. 38; cf. British Museum Satires No. 13857] formerly called V-g-o [sic] Water . . . 40,000 New Cottage at O-P Q . . . 20,000. Presents to Cleopatra. Horse 150 Diamond Necklace . . . 30,000. Pearl Ditto . . . to Cleo's Daughter 15000. Sinecure to Cleo's Boy Pr Anm 3000.' Above Lady Conyngham's head is a painting of a nude woman in bed; below this is an unframed print, a bust portrait of 'Caroline' with the head torn off."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Male costume: 1820., Watermark: J. Whatman 1820., and Manuscript "265" in upper center of plate.
Publisher:
Pub. Oct. 11th, 1820, by S.W. Fores, 41 Picadilli [sic]
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Bloomfield, Benjamin Bloomfield, Baron, 1768-1846, Nagle, Edmund, Sir, 1757-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., and Nero, Emperor of Rome, 37-68.
Subject (Topic):
John Bull (Symbolic character), Adultery, Musical instruments, Violoncellos, Flutes, Trained animals, and Bears
"George IV, seated in an armchair, plays a 'cello. Bloomfield stands behind, playing a flute; in his pocket is a paper: 'Farmer's Boy' [for this identification cf. (e.g.) that of Orger in British Museum Satires No. 11940]. Lady Conyngham stands beside the King, saying blandly: "Play Here we go Up Up Up." On the right is a dancing bear, facing a stout jovial man (identified, A. de R. xviii. 4 as Sir L. Neagle, i.e. Sir E. Nagle, appointed Groom of the Bedchamber on George IV's accession). No one notices John Bull (wearing top-hat and top-boots) who enters, shouting: "Rome's on fire, Haste Haste Help Help the People 's Roused, Perjurys allowed Conspirators are suffered to Escape, the Directors are impeached-- the World's in Arms." Behind the King hangs a large placard: Estimate of Expenses at the Chinese Temple One Million--Building Repairing & Furnishing Mark Anthonys State Barges Building two New ones . . . £150,000 Cottage seat Como [Countess Cowper (25 Sept. 1820): 'They say the story is really true of blundering Sir E. Nagel saying in the boat on the Lake near the New Cottage, "We have also got our little Lake of Como"--the King and Ly C present.' Airlie, 'Lady Palmerston', 1922, i. 67; 'The King laughed very much...' 'Journal of H. E. Fox', 1923, p. 38; cf. British Museum Satires No. 13857] formerly called V-g-o [sic] Water . . . 40,000 New Cottage at O-P Q . . . 20,000. Presents to Cleopatra. Horse 150 Diamond Necklace . . . 30,000. Pearl Ditto . . . to Cleo's Daughter 15000. Sinecure to Cleo's Boy Pr Anm 3000.' Above Lady Conyngham's head is a painting of a nude woman in bed; below this is an unframed print, a bust portrait of 'Caroline' with the head torn off."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Male costume: 1820., 1 print : etching ; sheet 24.6 x 34.9 cm., Printed on laid paper with watermark; hand-colored., Sheet trimmed to plate mark leaving thread margins., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 98 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Lady Conyngham" and "George IV" identified in pencil at bottom of sheet. Typed extract of eleven lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pub. Oct. 11th, 1820, by S.W. Fores, 41 Picadilli [sic]
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Bloomfield, Benjamin Bloomfield, Baron, 1768-1846, Nagle, Edmund, Sir, 1757-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., and Nero, Emperor of Rome, 37-68.
Subject (Topic):
John Bull (Symbolic character), Adultery, Musical instruments, Violoncellos, Flutes, Trained animals, and Bears
Leaf 103. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Three-quarter length portrait slightly caricatured, of 'Cervetto', or Giacomo Bassevi the 'cellist (1680-1783), noted for his large nose, playing the 'cello. He sits looking downwards and to the right. An open book of music, from which he is not reading, is on a stand behind his left arm."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., and First of three plates on leaf 103.
Title from item., Date supplied by curator., A copy after Bunbury., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Topic):
Gout, Pain, Smoke, Birds, Wine, Violoncellos, Sick persons, and Demons
Print shows a large concert-room, which is partly a music-shop, where the Regent sits playing a 'cello. At his feet is a paper: 'Proposals for Six Charity Concerts'. Facing him stands an elderly 'cit', a John Bull, who listens delightedly. The Regent says: "There Sir is one of the finest toned Instruments, I ever touched, and our own making. Nobody makes Instruments like us. That Humbug fiddle is out of Tune." The 'cit' answers "Charming." Behind the Regent are Bloomfield playing a flute, and a man wearing clerical bands playing a violin. Behind them is a counter on which are two piles of songs 'For Sale cheap'; one is 'Bold Flinty Rock', the other 'Beautiful Maid'. Behind the counter a man supports on his shoulders a musician holding out a violin, and declaiming: "This will do, and Sir give me leave to say, No Scholar of ours shall ever use any Music or Instruments but our own, What do you think of that eh? & I am a Director, what do you think of that eh?" Two fashionably dressed ladies in the foreground address the Regent. One kneels, extending her arms dramatically, saying: "Indeed if you will Engage us we will not only buy all our Music and Instruments of you, but make our Scholars do the same." The other, identified as Miss Stephens, the vocalist and actress (1794-1882): "Indeed we will!" A piano is on the extreme right, behind this stands Braham holding a piece of music and extending an arm to disgruntled performers who are hurrying from the room, saying: "Fly not yet." Three of those departing say respectively: "We are off"; "You had better open a Cook Shop next and sell Calves heads and Cow heels"; "I'll lend you no more 4.000.s C-ts." The music stacked behind them is inscribed 'Detached Peices' [sic]. On the left Lord Eldon and Chief Justice Abbott, both in wig and gown, stand together. Eldon says: "Since our Master has taken to this Concern all our Business is Suspended." Abbott answers: "Suspended, why I have here a list of 21 fellows who ought to be Suspended." A man standing behind them says, looking at the Regent: "What then you intend to ruin all the Composers, Music Sellers, and Instrument makers do you? & this is a specimen of your correctness is it? 36 blunders in 9 pages of one Peice. Cossac Song above 30 errors. Dramatic Air worse 2d do worse still." On the extreme left is Yarmouth's smiling profile; he says: "I'll bet a Crown to One and Twenty pence, against the Hazard of being blown up by the Gas." Music on the shelves behind them is inscribed: 'the Y-m-ih Waltz'; 'Jack Ketch set to Mus[ic]'. Behind the Regent: 'New Peices'; 'Rogues March'; 'Royal Airs'. Behind the Director: 'Catches Glees, Flats and Sharps.'
Alternative Title:
Monopoly a catch for 21 voices with a royal base
Description:
Title from text above image., Etched by Robert Cruikshank, with parts done by George Cruikshank; see British Museum catalogue., Later state, with title moved from below image to above and all text in lower margin (including imprint) re-etched; text also added to several of the speech bubbles, and changes made to the figures and their speech bubbles on the extreme right side of the image. For an earlier state, see Lewis Walpole Library call no.: 724 835G., Date of publication "March 1820" in imprint follows place of publication "London" and precedes publisher's statement., Sheet trimmed within plate mark., Text below image consists of seven stanzas of verse in four columns, with the following heading: The Regents Harmonic Institution --A new song to the tune of a Cobler there was. --The English are a nation of shop-keepers French opinion., Verses begin: No more let V-t-t embarrass his mind, for ways or for means new expedients to find ..., Mounted to 39 x 58 cm., Mounted on leaf 5 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Central figure of "George IV" identified in pencil beneath image. Typed extract of sixteen lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pubd. by S.W. Fores, 41 Piccadilly
Subject (Name):
Regent’s Harmonic Institution, George IV, King of Great Britain, 1762-1830, Stephens, Catherine, 1794-1882, Braham, John, 1774-1856, Abbott, Charles, Baron Tenterden, 1762-1832, and Eldon, John Scott, Earl of, 1751-1838
Subject (Topic):
Music stores, Interiors, Fireplaces, Mirrors, Musical instruments, Violoncellos, Flutes, Violins, Pianos, and Drums (Musical instruments)
Interior of a large concert-room, which is partly a music-shop, where the Regent sits playing a 'cello. At his feet is a paper: 'Proposals for Six Charity Concerts'. Facing him stands an elderly 'cit', a John Bull, who listens delightedly. The Regent says: "There Sir is one of the finest toned Instruments, I ever touched, and our own making. Nobody makes Instruments like us. That Humbug fiddle is out of Tune." The 'cit' answers "Charming." Behind the Regent are Bloomfield playing a flute, and a man wearing clerical bands playing a violin. Behind them is a counter on which are two piles of songs 'For Sale cheap'; one is 'Bold Flinty Rock', the other 'Beautiful Maid'. Behind the counter a man supports on his shoulders a musician holding out a violin, and declaiming: "This will do, and Sir give me leave to say, No Scholar of ours shall ever use any Music or Instruments but our own, What do you think of that eh?" Two fashionably dressed ladies in the foreground address the Regent. One kneels, extending her arms dramatically, saying: "Indeed if you will Engage us we will not only buy all our Music and Instruments of you, but make our Scholars do the same." The other, identified as Miss Stephens, the vocalist and actress (1794-1882): "Indeed we will!" A piano is on the extreme right, behind this stands Braham, who is holding a piece of music entitled "Fly not yet" and looking to the left. Behind him, three of those departing say "off off" or "off off off"; another says "You had better open a Cook Shop next and sell Calves heads and Cow heels"; and another "I'll lend you no more 4.000.s C-ts." The music stacked behind them is inscribed 'detached pieces'. On the left Lord Eldon and Chief Justice Abbott, both in wig and gown, stand together. Eldon says: "Since our Master has taken to this Concern all our Business is Suspended." Abbott answers: "Suspended, why I have here a list of 21 fellows who ought to be Suspended." A man standing behind them says, looking at the Regent: "What then you intend to ruin all the Composers, Music Sellers, and Instrument makers do you? & this is a specimen of your correctness is it? 36 blunders in 9 pages of one Peice. Cossac Song above 30 errors. Dramatic Air worse." On the extreme left is Yarmouth's smiling profile; he says: "I'll bet a Crown to One and Twenty pence, against the Hazard." Music on the shelves behind them is inscribed: 'the Y-m-ih Waltz'; 'Jack Ketch set to Mus[ic]'. Behind the Regent: 'New Peices [sic]'; 'Rogues March'; 'Royal Airs'. Behind the Director: 'Catches Glees, Flats and Sharps.'
Alternative Title:
Monopoly a catch for 21 voices with a royal base
Description:
Title from text below image., Etched by Robert Cruikshank, with parts done by George Cruikshank; see description of a later state in the British Museum catalogue., Early state, before title moved above image and before other changes made to the plate (including re-etching verses and imprint in lower margin; adding text to various speech bubbles; and altering the figures and speech bubbles in the far right portion of the image). For a later state that includes these changes, see no. 13692 in the Catalogue of prints and drawings in the British Museum, v. 10. See also: Cohn, A.M. George Cruikshank: a catalogue raisonné, 1894., Sheet trimmed within plate mark., Text below image consists of seven stanzas of verse in four columns, with the following heading: The Regents Harmonic Institution. A new song to the tune of a Cobler there was. The English are a nation of shop keepers. French opinion., Verses begin: No more let V-i-t embarrass his mind, for ways or for means new expedients to find ..., Mounted to 39 x 58 cm., and Mounted on leaf 7 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair."
Publisher:
Pubd. by S.W. Fores, 41 Piccadilly
Subject (Name):
Regent’s Harmonic Institution, George IV, King of Great Britain, 1762-1830, Stephens, Catherine, 1794-1882, Braham, John, 1774-1856, Abbott, Charles, Baron Tenterden, 1762-1832, and Eldon, John Scott, Earl of, 1751-1838
Subject (Topic):
Music stores, Interiors, Fireplaces, Mirrors, Musical instruments, Violoncellos, Flutes, Violins, Pianos, and Drums (Musical instruments)
Volume 2, page 45. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A gouty and obese man (right) seated in a chair plays the 'cello. Both legs are swathed, the feet wrapped in slashed coverings; the right leg rests on a stool. The Devil (left), hat in hat, holds in a pair of tongs a cinder against the right knee. Bottles and glasses stand on a table. A pair of crutches lean against the chair. The hands of a wall-clock point to 12.25."--British Museum online catalogue, description of a proof state
Description:
Title etched below image., Lettered state of no. 6881 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Sheet trimmed to plate mark leaving thread margins., Temporary local subject terms: Music: Cello -- Furniture: Wall clock -- Medical disease -- Wine glasses -- Decanters., and 1 print : etching with stipple ; plate mark 22.6 x 26.2 cm.
Publisher:
Publish'd as the act directs, April 20th, 1785, by J. Jones, Great Portland Street
Volume 2, page 45. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A gouty and obese man (right) seated in a chair plays the 'cello. Both legs are swathed, the feet wrapped in slashed coverings; the right leg rests on a stool. The Devil (left), hat in hat, holds in a pair of tongs a cinder against the right knee. Bottles and glasses stand on a table. A pair of crutches lean against the chair. The hands of a wall-clock point to 12.25."--British Museum online catalogue, description of a proof state
Description:
Title etched below image., Lettered state of no. 6881 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Sheet trimmed to plate mark leaving thread margins., Temporary local subject terms: Music: Cello -- Furniture: Wall clock -- Medical disease -- Wine glasses -- Decanters., 1 print : etching with stipple, hand-colored ; sheet 23 x 29.9 cm., and Imperfect; a thin strip of the sheet below title has been removed and the remaining parts of the sheet glued back together, with loss of the statement of responsibility.
Publisher:
Publish'd as the act directs, April 20th, 1785, by J. Jones, Great Portland Street
