A scene from Horace Walpole's Gothic novel The castle of Otranto, with the characters Isabella and Manfred depicted full-length at center, both facing left. Isabella, who is being chased by Manfred, looks back over her shoulder at him with a worried expression, her arms out in front of her. Manfred, who has just seen the portrait of his grandfather move off the wall behind him, is arched backwards and shielding himself with his right arm, a startled expression on his face as he looks up at the painting that is partially off the wall. A window at left and two chairs behind the characters complete the furnishing of the room
Description:
Title devised by cataloger., Signed by the artist in ink in lower left corner of sheet., Date of production from local catalog card., Page reference written in ink in upper right corner: Page 19., For another version of this scene, drawn by Anthony Highmore, see Lewis Walpole Library call no.: LWL Mss Vol. 170., and Mounted opposite title page in an extra-illustrated copy of: Walpole, H. The castle of Otranto. London : Printed for Tho. Lownds in Fleet-Street, MDCCLXV [1765].
A scene from Horace Walpole's Gothic novel The castle of Otranto, with the character Manfred depicted full-length on the right, facing left with his arms out in front of him, a horrified expression on his face. He's watching six servants on the left hold an enormous black helmet topped with large black feathers; below the helmet a man lies on his back, blood on the ground surrounding his head. The castle stands in the background, with a low round tower and a crenellated wall immediately behind the figures and higher walls and towers rising in the middle distance
Description:
Title devised by cataloger., Signed and dated by the artist in ink in lower left corner., and Tipped in opposite page 4 in an extra-illustrated copy of: Walpole, H. The castle of Otranto. London : Printed for Tho. Lownds in Fleet-Street, MDCCLXV [1765].
The scene in the church after Manfred has stabbed his daughter Mathilda. She lies on a cot as Theodore holds her head in his hands; a monk with a crucifix in his hand also attends her. Behind the monk, Manfred with arms crossed against his chest looks down in anguish. In the background (right) the right arm of the statue of Alfonso the Good points down accusatorily at the scene unfolding below his tomb
Description:
Title devised by curator. and Date based on Horace Walpole's letter (dated 22 February 1796) to Bertie Greatheed's father in which he admires his son's four drawings that were inspired by his reading of The Castle of Otranto. All four drawings are bound in Horace Walpole's extra-illustrated copy of The Castle of Otranto (Lewis Walpole Library 49 3729).
Subject (Name):
Walpole, Horace, 1717-1797.
Subject (Topic):
Churches, Homicides, Monks, and Tombs & sepulchral monuments
A scene from Horace Walpole's Gothic novel The castle of Otranto, with the characters Matilda and Theodore speaking to one another from windows on separate levels of the castle. One facade of the castle is shown, with two trees growing in the foreground and additional trees, fields, hills, and a pond visible in the distance on the right. Matilda can be seen in the open half of an arched window on the upper floor; she looks outward, her arm propped against the opposite side of the window. Theodore, in a similar pose, looks out from the open window on the level below
Description:
Title devised by curator., Unsigned; artist not identified., Date of production supplied by curator., and Mounted opposite page 69 in an extra-illustrated copy of: Walpole, H. The castle of Otranto. Parma : Printed by Bodoni, for J. Edwards, London, MDCCXCI [1791].
A scene from Horace Walpole's Gothic novel The castle of Otranto, with the characters Manfred and Isabella shown full-length, standing on either side of the painting that is coming to life on the wall behind them. Both characters have startled looks on their faces and are drawing back in fear; the figure of Manfred's grandfather between them is stepping out of the frame, his right arm extended towards Manfred and his head also turned in that direction. Arched windows are seen in the background on the left
Description:
Title devised by curator., Signed by the artist in lower right corner., Date of production based on artist's death date., Page reference written in ink below lower right corner of image: P. 23., and Bound in opposite page 23 in an extra-illustrated copy of: Walpole, H. The castle of Otranto. Parma : Printed by Bodoni, for J. Edwards, London, MDCCXCI [1791].
A scene from Horace Walpole's Gothic novel The castle of Otranto, with the characters Matilda and Theodore shown at center talking in a church, one on either side of the statue marking the tomb of Alphonso; Theodore wears full armor and Matilda wears an orange gown. Behind Matilda on the right is Manfred, who interrupts the conversation by reaching over Maltida's shoulder and stabbing her with the dagger held in his left hand. The interior of the church forms the background, with statues in alcoves along the wall on the right and a row of arched windows along the wall on the left
Description:
Title devised by curator., Unsigned; artist not identified., Date of production supplied by curator., and Mounted opposite page 228 in an extra-illustrated copy of: Walpole, H. The castle of Otranto. Parma : Printed by Bodoni, for J. Edwards, London, MDCCXCI [1791].
Subject (Name):
Walpole, Horace, 1717-1797.
Subject (Topic):
Churches, Interiors, Tombs & sepulchral monuments, and Homicides
A scene from Horace Walpole's Gothic novel The castle of Otranto, with the character Matilda shown full-length on the right, wearing a white gown and standing within an arched doorway. Theodore, dressed in full armor and wearing a red sash, kneels down in front of her on the left, staring up at her intently and grasping her hand with both of his. His shield, adorned with a red cross, lies on the ground next to him; mountains and a cloud-filled sky are seen in the distance on the left
Description:
Title devised by curator., Signed by the artist in lower right corner., Date of production based on artist's death date., Page reference written in ink below lower right corner of image: P. 142., and Bound in opposite page 142 in an extra-illustrated copy of: Walpole, H. The castle of Otranto. Parma : Printed by Bodoni, for J. Edwards, London, MDCCXCI [1791].
A scene from Horace Walpole's Gothic novel The castle of Otranto, with the character Theodore depicted full-length on the right, wearing armor and holding a shield in his left arm, facing left and holding a sword out in front of him. He stands beside the entrance to a cave on the left, the interior of which is shrouded in darkness. Small rocks and a broken tree trunk are in the foreground; tree branches, two birds, and a cloud-filled sky are seen above
Description:
Title devised by cataloger., Signed and dated by the artist in ink in lower right corner., and Tipped in opposite page 120 in an extra-illustrated copy of: Walpole, H. The castle of Otranto. London : Printed for Tho. Lownds in Fleet-Street, MDCCLXV [1765].
A scene from Horace Walpole's Gothic novel The castle of Otranto, with Manfred, Theodore, and several other characters in the foreground drawing back in fear from the vision appearing behind them, shielding themselves with their arms. This vision, apperaring within the ruins of a castle wall that has been toppled, includes the ghostly form of Alphonso, in full armor, surrounded by smoke and accompanied by a monk
Description:
Title devised by curator., Signed by the artist in lower right corner., Date of production based on artist's death date., Page reference written in ink below lower right corner of image: P. 239., and Bound in opposite page 239 in an extra-illustrated copy of: Walpole, H. The castle of Otranto. Parma : Printed by Bodoni, for J. Edwards, London, MDCCXCI [1791].
A scene from Horace Walpole's Gothic novel The castle of Otranto, with the character Theodore about to be executed in the courtyard of the castle. On the left, Theodore kneels down before the friar Jerome to pray, his shirt slipping down below his left shoulder to reveal the mark of a bloody arrow. Behind the friar stands Manfred, who ordered the execution, and several attendants; two guards holding pikes and a man carrying a sword stand behind the kneeling prisoner. At the far end of the courtyard on the right, the giant helmet sits in front of colonnades. In the background at center, the bordering colonnades are interrupted by a gray-colored section of the castle with arched windows and alcoves in which statues reside
Description:
Title devised by curator., Unsigned; artist not identified., Date of production supplied by curator., and Mounted opposite page 100 in an extra-illustrated copy of: Walpole, H. The castle of Otranto. Parma : Printed by Bodoni, for J. Edwards, London, MDCCXCI [1791].
Subject (Name):
Walpole, Horace, 1717-1797.
Subject (Topic):
Castles & palaces, Courtyards, Colonnades, Executions, Prayer, and Helmets
