Title from item., Sixteen lines of verse in four columns below image, preceded by instructions: Tune, London is a fine town: First is the King of Pru---a with his men of might ..., Temporary local subject terms: Literature: King John by William Shakespeare, 1564-1616., and Watermark: Pro Patria.
Publisher:
Sold at [the] Blackmoos [sic] head, Exeter Change
Subject (Name):
George II, King of Great Britain, 1683-1760, Charles VI, Holy Roman Emperor, 1685-1740, Elizabeth, Empress of Russia, 1709-1762, Peter III, Emperor of Russia, 1728-1762, Frederick II, King of Prussia, 1712-1786, Francis II, Grand Duke of Tuscany, 1708-1765, Louis XV, King of France, 1710-1774, Maria Theresa, Empress of Austria, 1717-1780, Philip V, King of Spain, 1683-1746, Fleury, André Hercule de, 1653-1743, Elizabeth Farnese, consort of Philip V, King of Spain, 1692-1766, Neuhof, Théodore-Antoine, baron de, 1690-1756, and Walpole, Robert, Earl of Orford, 1676-1745
Title from item., Sixteen lines of verse in four columns below image, preceded by instructions: Tune, London is a fine town: First is the King of Pru---a with his men of might ..., Temporary local subject terms: Literature: King John by William Shakespeare, 1564-1616., and With spine title: Caricatures anglaise 1740.
Publisher:
Sold at [the] Blackmoos [sic] head, Exeter Change
Subject (Name):
George II, King of Great Britain, 1683-1760, Charles VI, Holy Roman Emperor, 1685-1740, Elizabeth, Empress of Russia, 1709-1762, Peter III, Emperor of Russia, 1728-1762, Frederick II, King of Prussia, 1712-1786, Francis II, Grand Duke of Tuscany, 1708-1765, Louis XV, King of France, 1710-1774, Maria Theresa, Empress of Austria, 1717-1780, Philip V, King of Spain, 1683-1746, Fleury, André Hercule de, 1653-1743, Elizabeth Farnese, consort of Philip V, King of Spain, 1692-1766, Neuhof, Théodore-Antoine, baron de, 1690-1756, and Walpole, Robert, Earl of Orford, 1676-1745
"Satire on Robert Walpole at the time of his fall. Extended across a room is a large screen with twenty scenes described metaphorically in the text below. The scenes refer to instances of corruption and maladministration in his career: (1) three soldiers standing outside a prison referring to Walpole's alleged acceptance of a bribe in awarding two forage contracts for the army in Scotland when secretary of war in 1711 for which he was committed to the Tower; (2) a figure stretched across a screen indicating his "screening" of those involved in the South Sea Bubble; (3) a "Strumpet, called Corruption" with mitres and other symbols of office at her feet and Walpole at her side while "Pl[ace]m[e]n and Pensioners" gather around; (4) a snake-haired Fury drives men burdened with "Gin Act Dutys Taxes Debts"; (5) Walpole drives a chaise drawn by men instead of horses referring to the deeply unpopular Excise Scheme of 1733 and the Register Bill proposing the registration of seamen for defence purposes; (6) Walpole cutting in half a child representing the Sinking Fund; (7) Walpole embezzling public funds from chests in a strong room; (8) a hydra-headed Standing Army; (9) Walpole on his knees kissing the bare backside of Cardinal Fleury; (10) the "Mansion House" of the Constitution runs to ruin while (11) Walpole builds the splendid Houghton Hall for himself; (12) with the treaties of Hanover and Seville he inhibits the cause of Maria Theresa to the benefit of France and Spain; (13) "Spanish Depredeantions" of timber and cattle apparently in the Caribbean; (14) the export of "Wool to France"; (15) "Negotiations" with France and Spain in which Walpole frivolously blows bubbles, giving up all demands; (16) the Convention of the Pardo of 1738 which was condemned as making concessions to Spain; (17) the under-resourced War of Jenkins' Ear against Spain; (18) the "Spithead Expedition" of 1740 when the fleet was prevented from leaving port, allegedly by contrary orders rather than by unfavourable winds; (19) "His Flight", i.e. his resignation in February 1742, shown as a colossus cut in two and falling to earth while Walpole throws gold dust in the eyes of pursuers; (20) Walpole's "Trial", then in progress, before a committee of Parliament investigating aspects of his record in office shown here as resulting in his execution and the exposure of his severed head in the manner of a traitor. On either side of the screen large windows reveal a night sky in which, seen on the left, three men fly on a broomstick towards the moon; on the right, four others identify one of them as Walpole, one exclaiming "It must be the Comet", his neighbour, holding a telescope, "No! by Jove, tis Robin Goodfellow from R[i]chm[on]d", the third, "I wish the Telescope was a Gun". The Devil, smiling, peers from behind the screen muttering, "Hah! I shall have business here again." as he observes Walpole advising the king and his supporters, all wearing sashes. The king, sitting by a table on which burn two candles, asks, "What is to be done", to which Walpole replies, "Mix and divide them"; a gentleman responds, "tis good advice", another whose pockets are bulging, says, "I can keep up my Britches no longer"; another remarks, "this was an unlucky Change", to which a bishop replies, ""Yes - but I can change too". the Duke of Argyll and another gentleman approach from the left, the latter asks, "What think you?" to which Argyll replies, "I'll throw up tomorrow", referring to his impending resignation.Engraved inscriptions and title, and with letterpress text below in four columns."--British Museum online catalogue
Alternative Title:
Relapse
Description:
Title from item., 'Price 6 pence'--Lower right corner of plate., Letterpress broadside with etching at top of sheet (plate mark 21 x 35 cm). Letterpress overlaps the lower plate line., Four columns of text entitled "Explanation of the screen": 1. He is sent to gaol for selling oats and hay out of his Lady's stables. Getting at liberty again, he transforms himself ..., Cf. No. 2559 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., Bowditch's ms. annotations on the mounting sheet; mounted to 33 x 48 cm., and Watermark.
Publisher:
Publish'd April 12, 1742, by J. Huggonson, in Sword-and-Buckler Court, on Ludgate Hill
Subject (Name):
George II, King of Great Britain, 1683-1760, Caroline, Queen, consort of George II, King of Great Britain, 1683-1737, Walpole, Robert, Earl of Orford, 1676-1745, Fleury, André Hercule de, 1653-1743, and Argyle, John Campbell, Duke of, 1680-1743
Title from item., Publication date from British Museum catalogue., Quotation below title: He hath swallowed down riches and he shall vomit them up again ..., Temporary local subject terms: Bible: quotation from Job xx.15 -- Elections: Westminster election, 1742 -- Elections: Chippenham election, 1742 -- Medical: vominting -- Medical implements: drenching horn., Bowditch's ms. annotations on the mounting sheet., and Mounted to 32 x 48 cm.
Publisher:
publisher not identified
Subject (Name):
George II, King of Great Britain, 1683-1760, Argyle, John Campbell, Duke of, 1680-1743, Compton, Spencer, Earl of Wilmington, 1673?-1743, Winchilsea, Daniel Finch, Earl of, 1689-1769, Lee, George, Sir, 1700-1758, Ombersley, Samuel Sandys, Baron of, 1695-1770, Smalbroke, Richard, 1672-1749, Thomas, John, 1691-1766, and Walpole, Robert, Earl of Orford, 1676-1745
Title etched at top of plate above image., A satire against Walpole. See Foxon., Verse: "Who be de noble lady dere ..."., Letterpress broadside poem printed, illustrated with hand-colored etching at top of sheet (plate mark 21.3 x 32.2 cm.)., Lewis Walpole Library 741.04.07.01+: Temporary local subject terms: Buildings: White Hall -- Buildings: Treasury -- Personifications: Justice -- Britannia (Symbolic character)., and Unidentified watermark.
Publisher:
Published according to act of Parliament, April the 7th 1741, and sold by J. Tinney, at the Golden Lion, in Fleet-Street, and at the print and pamphlet-shops
Subject (Name):
Walpole, Robert, Earl of Orford, 1676-1745 and William Augustus, Prince, Duke of Cumberland, 1721-1765
Title from item., Publication date from British Museum catalogue., Two designs, side by side, within a border containing seventeen smaller designs., Temporary local subject terms: Allusion to 'Carus', fl. 1733 -- Allusion to William Arnall, ca. 1700-1736 -- Nicknames: W. Arnall as 'Francis Walsingham' or 'Mother Osborne' -- Allusion to James Pitt, fl. 1733 -- Nicknames: J. Pitt as 'Fr. Osborne' or 'Mother Osborne' -- Hand of Providence -- Newspapers: allusion to The daily gazeteer -- Journals: Prompter -- Mythology: Acteon as a stag -- Imperial princes as a naked boy -- Implements of torture -- Maps: Naples and Sicily -- Figure of Rome as a nun -- Figure of Germany -- Figure of Scotland -- Britannia -- Shields -- Magna Charta -- Nuns -- Altars -- Pyramids -- Defeat of the excise scheme -- Devils -- Coins -- Dragons -- Harpies -- Mottoes -- Houghton Hall -- Slogans: liberty and property -- Navy: fleet of ships -- Emblems: fleur-de-lis on globe -- Ropes: halter -- Allusion to the sinking fund -- Treaties: Hanover -- Treaties: Seville and Vienna -- Spithead expedition -- Fasces -- Sir Robert Walpole's mistresses as Harpies -- Headsman's axe -- British lion tied by heels -- Sir Robert Walpole as a serpent -- Sir Robert Walpole's French policy, 1733 -- English commerce foundering -- Writing fools -- Unobtainable justice -- Scales tipped by the judge -- Gibbets -- Executions -- Hanged traitors., and Watermark.
Publisher:
publisher not identified
Subject (Name):
Walpole, Robert, Earl of Orford, 1676-1745, Walpole, Maria, Lady, 1701 or 1702-1738, Fleury, André Hercule de, 1653-1743, and Norfolk, Edward Howard, Duke of, 1686-1777
Title from caption below image., Publication date from British Museum catalogue., Temporary local subject terms: Personifications: Sir Robert Walpole as Punch -- Wool trade -- The Earl of Islay., Mounted to 33 x 48 cm., and Watermark: Strasburg lily with initials L V G below.
Publisher:
publisher not identified
Subject (Name):
George II, King of Great Britain, 1683-1760, William Augustus, Prince, Duke of Cumberland, 1721-1765, Argyle, John Campbell, Duke of, 1680-1743, Keene, Benjamin, Sir, 1697-1757, and Walpole, Robert, Earl of Orford, 1676-1745
Title from caption below image., Publication date from British Museum catalogue., Temporary local subject terms: Personifications: Sir Robert Walpole as Punch -- Wool trade -- The Earl of Islay., and With spine title: Caricatures anglaise 1740.
Publisher:
publisher not identified
Subject (Name):
George II, King of Great Britain, 1683-1760, William Augustus, Prince, Duke of Cumberland, 1721-1765, Argyle, John Campbell, Duke of, 1680-1743, Keene, Benjamin, Sir, 1697-1757, and Walpole, Robert, Earl of Orford, 1676-1745
"Satire on Robert Walpole and his continuing influence on government after his fall from power. A large folding screen in the centre stands open showing events from Walpole's career: the South Sea Bubble, the treaties of Hanover and Seville, the "Bank contract" of 1720, Admiral Hosier's expedition to Cartagena, the Excise Scheme (depicted as BM Satires 1918), the War of Jenkins' Ear, the Convention of the Pardo, the English ships held in the port of San Sebastian in 1740 (see BM Satires 2418 and 2440), and a general reference to "Bribery, &c.". A mirror on the left reveal that Walpole is standing behind the screen pulling strings that operate members of parliament assembled in the chamber shown below. Above the screen is a separate scene showing the reconciliation between George II and Frederick, Prince of Wales, early in 1742. To the right stands the Duke of Argyll in Garter robes resting against a lectern and pointing to Wapole's misdeeds as portrayed on the screen; above Argyll's head hangs a picture of Diogenes holding his lamp and a portrait of the "honest man" he sought; beside Argyll is lettered, "Glorious and Brave to shake Corruption's Seat, But much more Glorious is thy brave Retreat". Two columns of letterpress verse below warn "William", i.e. Pulteney, that Walpole continues to influence governement."
Description:
Caption title in letterpress below image., The title from the caption above the image on the plate: A new screen for an old one, or, The screen of screens., "Price 6p.", Imprint on plate below design., Letterpress broadside poem illustrated with an etching in upper part of the sheet (plate mark 17.3 x 17.2 cm.). The title from the caption above the image on the plate: A new screen for an old one, or, The screen of screens., Two lines of verse engraved vertically on the right of plate: Glorious and brave to shake corruption's seat, but much more glorious is thy brave retreat., Twenty six lines of verse in two columns below the plate, in letterpress: Dear William, did'st thou never go, to mimic farce, call'd Puppet-Shew? ... Lond. Evening Post, Mar. 11, 1741-2., Bowditch's ms. annotations on the mounting sheet; mounted to 35 x 42 cm., and Watermark.
Publisher:
Publish'd according to act of Parliament by T.B.
Subject (Name):
George II, King of Great Britain, 1683-1760, Frederick Louis, Prince of Wales, 1707-1751, Argyle, John Campbell, Duke of, 1680-1743, Bath, William Pulteney, Earl of, 1684-1764, Walpole, Robert, Earl of Orford, 1676-1745, and Diogenes, -approximately 323 B.C.
Title from item., Seven lines of verse in two columns below title: Why man, he doth bestride [the] narrow world ... Shakespeare., Five lines of text titled "Description" below verse: The Colossus at Rhodes, a stature of [the] Sun 70 cubits high ..., Temporary local subject terms: Cuba -- Literature: quotation from Shakespeare -- Colossus -- Cardinal Fleury as a fox., and Watermark: countermark I V.
Publisher:
publisher not identified
Subject (Name):
Walpole, Robert, Earl of Orford, 1676-1745 and Fleury, André Hercule de, 1653-1743
