"A family in a wealthy interior; an elderly man at centre, seated at a table, a glass in his left hand, holding out his right to receive coins from a younger man standing to left with his right hand on a book and a quill in his mouth; on the table, another glass, writing materials, coins and notes; to right, a woman ..., supporting, and holding up a bunch of grapes for, a young child standing on a chair; looking on from behind the chair, a boy and, at right, a black servant holding a bowl of fruit, his left hand on the chair; in front of the table, a young girl lying on the carpet with a spaniel; a shipping wharf seen through an open window to left."--British Museum online catalogue, description of another print engraved after the same painting
Alternative Title:
Fruits of early industry & oeconomy, Fruits of early industry and oeconomy, and Fruits of early industry and economy
Description:
Title from text below image., Sheet trimmed within plate mark., Eight lines of verse beneath image, four on either side of title: Lo here, what ease, what elegance you see, the just reward of youthfull industry ..., and Companion print to: The effects of youthful extravagance & idleness.
"A family in a wealthy interior; an elderly man at centre, seated at a table, a glass in his left hand, holding out his right to receive coins from a younger man standing to left with his right hand on a book and a quill in his mouth; on the table, another glass, writing materials, coins and notes; to right, a woman ..., supporting, and holding up a bunch of grapes for, a young child standing on a chair; looking on from behind the chair, a boy and, at right, a black servant holding a bowl of fruit, his left hand on the chair; in front of the table, a young girl lying on the carpet with a spaniel; a shipping wharf seen through an open window to left."--British Museum online catalogue, description of another print engraved after the same painting
Alternative Title:
Fruits of early industry & oeconomy, Fruits of early industry and oeconomy, and Fruits of early industry and economy
Description:
Title from text below image., Sheet trimmed within plate mark., Eight lines of verse beneath image, four on either side of title: Lo here, what ease, what elegance you see, the just reward of youthfull industry ..., Companion print to: The effects of youthful extravagance & idleness., 1 print : stipple engraving with etching ; sheet 67.3 x 54 cm., and Printed on wove paper, trimmed within plate mark.
"A family in a wealthy interior; an elderly man at centre, seated at a table, a glass in his left hand, holding out his right to receive coins from a younger man standing to left with his right hand on a book and a quill in his mouth; on the table, another glass, writing materials, coins and notes; to right, a woman wearing a large feathered hat, supporting, and holding up a bunch of grapes for, a young child standing on a chair; looking on from behind the chair, a boy and, at right, a black servant holding a bowl of fruit, his left hand on the chair; in front of the table, a young girl lying on the carpet with a spaniel; a shipping wharf seen through an open window to left"--British Museum online catalogue and A large painting on the back wall shows a large country estate which amplifies the subject of the print
Alternative Title:
Fruits of early industry and oeconomy and Fruits of early industry and economy
Description:
Title from text below image., Eight lines of verse beneath image, four on either side of title: Lo here, what ease, what elegance, you see, the just reward of youthfull industry ..., and Companion print to: The effects of youthful extravagance & idleness.
Publisher:
Pubd. Novr. 1, 1789, by T. Simpson, St. Pauls Church Yard
Subject (Topic):
Black people, Interiors, Families, Writing materials, Wealth, Servants, Dogs, and Piers & wharves
Verse -- "You gallant beaus of pleasure,". -, In five columns with the title and two woodcuts above the first three; the imprint spans the bottom of the last two, below a series of long dashes; the columns are separated by columns of ornamental rules and type ornaments., Dated from the address; see David Stoker, "John Marshall, John Evans, and the Cheap Repository tracts, 1793-1800", PBSA 107:1 (2013), 81-118., Mounted on leaf 27. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Publisher:
Sold by J. Evans, No. 41, Long-Lane, West-Smithfield
Subject (Topic):
Ballads, English, Husband and wife, Money, Prostitution, Wealth, Swine, Dogs, Chickens, Roosters, and Birds
Date of publication from ESTC., Verse begins: "You gallant beaus of pleasure,"., In five columns with the title above the first three and the imprint below the first three; the columns are separated by ornamental rules., Mounted on leaf 73. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 3.
Publisher:
Printed and sold at Sympson's warehouse, in Stonecutter-Street, Fleet Market
Subject (Topic):
Husband and wife, Man-woman relationships, Money, Prostitution, Adultery, Wealth, and Deception
The first drawing in a series of twelve on modern morals, a tradition established earlier in the 18th century by artists such as William Hogarth. In this series, twin brothers are bestowed an equal fortune. One brother, Edward, husbands his wealth and on his death, passes on his fortune; whilst the other brother, Charles, squanders his, leaving his family destitute and In this first drawing, blind Fortune stands on a wheel with large bags in each hand. The brother on the left, Edward, kneels as he accepts the gift from Fortune. Behind him in the mid-distance a couple is shown depositing coins in the hat of a beggar while in the far distance is a church. The brother on the right, Charles, stands arrogantly with his left hand on his hip as he accepts his good fortune. On the right in the mid-distance a couple is shown riding in an elegant carriage; in the distance is a large house with grain (?) pouring from the loft unattended
Description:
Title from pencil notes below image., Text in faint pencil above image: Twelve prints representing the contrast between virtuous harmony and vicious extravagance., Signed "Dodd" in lower left and numbered '1' in ink in the upper right., Date range based on artist's active dates., and For further information, consult library staff.
Subject (Topic):
Fortune, Allegorical drawings, Brothers, Parables, and Wealth
The second drawing in a series of twelve on modern morals, a tradition established earlier in the 18th century by artists such as William Hogarth. In this series, twin brothers are bestowed an equal fortune. One brother, Edward, husbands his wealth and on his death, passes on his fortune; whilst the other brother, Charles, squanders his, leaving his family destitute and In this second drawing, Charles stands in an elegant room as he is measured for new cloths by a tailor who kneels to his right with a tape measure raised to Charles's leg; on the floor at his feet is a bolt of fabric and a scissors. Behind them on the right, a servant holds up a large silver urn for Charles's approval; it is reflected in one of two large Venetian mirrors on the wall behind, the second being hung by two servants. On the left, a woman in a large hat sits in an chair beside a round tea table holding another bolt of fabric; she sits in front of a large window through which is seen a elegant square with an equestrian statue. A little dog jumps toward Charles
Description:
Title devised by cataloger., Text in faint pencil below image: Charles [illegible text]., Signed "Dodd" in lower left and numbered '2' in ink in the upper right., Date range based on artist's active dates., and For further information, consult library staff.
A Flemish or Dutch drawing of a female saint in a Poor Clare habit and with a crown of thorns (probably Catherine of Siena) kneeling before a crucifix, arms crossed over her chest, as she resists the temptation of riches, power, and pleasure. Riches are represented by three well-dressed men on the left offering her treasure, including an open chest filled with coins and valuables. Power is represented by a crown suspended in the cloud above, while pleasure represented on the right by two female musicians, one playing a flute and another a lute, while a third woman offers a bouquet of flowers. Above and behind the figures on the left is the ruin of a building. In the clouds on the right above the musicians, the triumph of faith over temptation is represented as the grim reaper with a scythe cutting down three kings whose crowns topple from their heads
Alternative Title:
Female saint worshipping a crucifix
Description:
Title devised by cataloger., Date of the drawing is questionable. Possibly a much later drawing, 17th-century?, On verso, in unknown (possibly W.S. Lewis's) hand: "A Flemish drawing of a female saint worshipping a crucifix.", On verso: "Probably not Horace Walpole's. W.S. Lewis 7 Feb. '73.", On verso: "'Late 15th or early 16th century. Probably Dutch. Anne-Marie Logan, BAC, Sept. 30, 1996.", Lower right corner of image, ownership stamp initial 'D' encircled., Numbered on mount in upper right corner in ink '83' and in a different hand in pencil '63'., Formerly shelved as part of the SH Drawings collection., and For further information, consult library staff.
Subject (Name):
Catherine, of Siena, Saint, 1347-1380
Subject (Topic):
In art, Grim Reaper (Symbolic character), Crucifixes, Musicians, Prayer, Saints, Temptation, and Wealth
Title supplied by curator., Date derived from publisher's date of death., Place of publication derived from publisher's nationality., Trimmed sheet., From: La Parabole du mauvais Riche et de Lazare., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
le Blond excud avec Privilege
Subject (Topic):
Death, Mortality, Regret, Deathbeds, Priests, Bedrooms, Demons, Wealth, and Crying
