Tzar Nicolas I, depicted as a crowned bear, hugs Sultan Mahmud II, causing him to drop his sword; the Duke of Wellington tries to restrain the Russian. A commentary on the Russian successes in the Russo-Turkish War, which ended with the Treaty of Adrianople of 14 September 1829 that gave Russia most of the eastern shore of the Black Sea and the mouth of the Danube. Mahmud was also forced to recognise Greek independence
Description:
Title etched below image., Dated from the events being satirized., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
publisher not identified
Subject (Name):
Nicholas I, Emperor of Russia, 1796-1855, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Mahmud II, Sultan of the Turks, 1784-1839
Title from caption below image., Sheet trimmed within plate mark on upper edge., Temporary local subject terms: Tories -- Dissolution of Parliament -- Policemen -- Scarlett, Sir James York, 1799-1871., and Numbered in ms. at top of sheet: 240.
Publisher:
Pub. May 2d, 1831, by T. McLean, 26 Haymarket
Subject (Name):
Peel, Robert, 1788-1850, Londonderry, Charles William Vane, Marquis of, 1778-1854, Wellington, Arthur Wellesley, Duke of, 1769-1852, Eldon, John Scott, Earl of, 1751-1838, and Ellenborough, Edward Law, Earl of, 1790-1871
"Canning in a long robe and floating cloak stands on a Rock of Integrity, against which huge waves are dashing. He holds out a wand, saying, The Tempest has to the point obeyed my spells, | And cast my enemies within my power. The enemies are Eldon, whose head and arms emerge from the waves; Melville, leaning against an overturned (timber) Admiralty Board at the water's edge, and Wellington, in uniform, riding a prancing horse in the sea; a huge baton inscribed Comd in Chief floats away from him. Two big jack-boots emerge from the water, each clutched at by a drowning man. Near Eldon, a creature (? Caliban) supports above the water the head of a second judge and holds up a (?) mirror. Tossed by great waves at the base of the rock are three open boats, each having a small sail, manned by those who have succeeded the 'enemies'. One is The Copley; in it stands Copley (now Lyndhurst) who has just hurled a harpoon which transfixes Eldon's wig. A bird of prey is about to peck the latter's bald head. In an adjacent boat, The Leach, stands Leach holding a harpoon. Behind them is a slightly larger boat, The Anglesea Cutter, in which are three men: Anglesey in civilian dress holding out a drag-net towards Wellington's back; the (?) Duke of Devonshire holding a grappling-iron, and Scarlett. At the water's edge (right) stands a glorified Duke of Clarence as Neptune, holding a trident and supported by two tritons blowing cornucopia-shells. He is in full light and towers above Melville, who lies below in shadow. Behind Canning's back a figure kneels imploringly on the edge of his rock, saying, Oh! take me back to the hospitable shelter of the Duchy, showing that he is Bexley, who having resigned, withdrew his resignation on 12 Apr. (cf. BM Satires 15391). On the shore in the foreground (left) sits the largest and most conspicuous figure, John Bull (not named), with a big burden on his back: National Debt. He has a countryman's short gaiters, is ragged, with a broken shoe and bare toes, but has a grog-blossom nose and smiles delightedly towards Canning. From his pocket hang Petitions for Reform. Near him stands an elegant Erin, playing her harp, a rose-bush at her feet, emblem of Anglo-Irish conciliation. In the air is a demoniac creature riding a dragon, which breathes flames of Superstition. Holding out two firebrands, Bigotry and Intolerance, he looks down at the unconscious Erin; from his mouth issues a label: No Popery. Canning is lit by a beam of light from an irradiated sun containing the head of George IV looking towards his Minister. Behind Canning, among clouds, is a 'wind', a face directing a blast towards him. Near the horizon is a lighthouse. A little figure (? Cobbett) struggles towards it, holding above the water a large scroll inscribed My Comments."--British Museum online catalogue
Alternative Title:
Prospero triumphant
Description:
Title etched below image., Later state with aquatinting, added border, and street address in imprint re-etched from "27" to "24." Cf. no. 15384 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Sheet trimmed within plate mark., and Temporary local subject terms: Reference to The tempest by William Shakespeare -- Military uniforms -- Field marshall uniforms -- Male costume: Gaiters -- Reference to Erin -- Reference to Ireland -- Mythology: Neptune -- Tritons -- Tridents -- Popery -- Shells: Cornucopiae -- John Bull -- Demons -- Dragons -- Tempests -- Boats -- Judges -- Mirrors -- Wigs -- Harpoons.
Publisher:
Pubd. May 6, 1827, by G. Humphrey, 24 St. James's Street
Subject (Name):
Canning, George, 1770-1827, Eldon, John Scott, Earl of, 1751-1838, Melville, Robert Saunders Dundas, Viscount, 1771-1851, Wellington, Arthur Wellesley, Duke of, 1769-1852, Lyndhurst, John Singleton Copley, Baron, 1772-1863, Anglesey, Henry William Paget, Marquis of, 1768-1854, Devonshire, William Spencer Cavendish, Duke of, 1790-1858, Scarlett, James, Sir, 1769-1844, William IV, King of Great Britain, 1765-1837, Vansittart, Nicholas, 1766-1851, George IV, King of Great Britain, 1762-1830, Cobbett, William, 1763-1835, and Leach, John, 1760-1834
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... sole publisher of Paul Prys caricatuers, none are original without McLeans name., Sheet trimmed within plate mark., Temporary local subject terms: Popery -- Reference to Constitution -- Ornate staves -- Personification of Hibernia -- Emblems -- Pope's triple crown., and Numbered in ms. at top of sheet: 170.
Publisher:
Pub. June 5th, 1829, by T. McLean, 26 Haymarket ...
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852, Peel, Robert, 1788-1850, and Eldon, John Scott, Earl of, 1751-1838
The Duke of Wellington stands before the King who sits on his throne, his right foot resting on a footstool. Dressed in uniform and standing very erect, Wellington holds out a large cross-hilted sword at an angle between himself and the King. From his plumed cocked hat, which he holds behind him, hangs a piece of paper with the words "Military commission to throw dust in John Bull's eyes." Projecting from his back pockets, are two papers labelled "Church patronage" and "Army patronage." A lady, Lady Conyngham, is seen peaking between the curtains behind the throne of the puzzled-looking King. The crown is on a table behind Wellington
Alternative Title:
Throne in danger
Description:
Title etched above image., Figure of a man with an open umbrella is one of artist's devices used by William Heath., and Below design: "There is a power before the throne & a power behind the throne -- greater than the throne itself."
Publisher:
Pub. by T. McLean, 26 Haymarket
Subject (Name):
George IV, King of Great Britain, 1762-1830, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Conyngham, Elizabeth Conyngham, Marchioness, -1861
"George IV, a crutch under his left arm, takes Wellington's left arm, looking up at him with a pleased smile, which Wellington returns. He says: This is not the only time that you have Lent me a helping hand!! The Duke answers: Proud to be Your ----tys Staff. The King, plainly dressed but with the Garter ribbon and star, has a much swathed gouty leg supported in a sling from the neck. Wellington wears uniform, with orders, white satin breeches, and pumps; on his garter the word Honi is conspicuous. On a table (right) are decanters labelled Brandy and Whiskey."--British Museum online catalogue
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Date of publication from British Museum catalogue., Sheet trimmed within plate mark., Text below title: A friend in need is a friend indeed., and Matted to: 47 x 34 cm.
Publisher:
Pub. by McLean, 26 Haymarket, London
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Gout, Crutches, Military uniforms, British, and Alcoholic beverages
"Caricature on the trial of Queen Caroline: the King enthroned amid loyal subjects, while Radicals light a mortar full of suits aimed at them."--British Museum online catalogue
Description:
Title from text below image., Date of publication from the British Museum online catalogue, registration no.: 1983,0305.51., Not in the Catalogue of prints and drawings in the British Museum., Window mounted to 24.4 x 39.1 cm, the whole then mounted to 39 x 58 cm., Mounted on leaf 93 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Wellington," "Geo. IV," "Clarence," "Liverpool," "Sidmouth," and "Ald. Wood" identified in ink below image.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, William IV, King of Great Britain, 1765-1837, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Wood, Matthew, Sir, 1768-1843
Subject (Topic):
Politicians, Mortars (Ordnance), Thrones, Lions, Anchors, and Cannon balls
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[1841]
Call Number:
Folio 75 W87 807 v.3
Image Count:
1
Resource Type:
still image
Description:
Title from text below image., Initials of printmaker Charles Jameson Grant in lower left portion of design., Part of a new series of The political drama that was begun in 1841. See pages 12-13 in: C.J. Grant's political drama: a radical satirist rediscovered. London : University College, c1998., Five lines of text below title: Wellington, Peel, and Co.'s noted cabinet manufactory, wholesale, retail, and in expectation ..., "Price 1d."--Upper right corner., Wood engraving with letterpress text., and Mounted on leaf 98 in volume 3.
Publisher:
Printed and published by B.D. Cousins, 18, Duke-Street, Lincoln's-Inn-Fields
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852 and Brougham and Vaux, Henry Brougham, Baron, 1778-1868
"A mail-coach inscribed 'Sovereig, Windsor and London', with high-stepping horses, is driven, left to right, by Wellington, who wears fashionable coaching dress with multiple-caped coat and broad-brimmed hat. He has just passed a rival coach, 'the Humbug & Co London Windsor', which has overturned, after colliding with a roadside post inscribed 'Emancipation'. An alarmed face looks out of the window; the traces have broken, the front wheels are off; the driver, Eldon, has fallen on his back on to the prostrate wheelers. The Duke of Cumberland falls head first from the frail dickey; another man (? Winchilsea) falls from the roof, which is stacked high with bulky petitions, one inscribed 'Old Womans Petition']; a paper also falls to the ground inscribed 'Bigotry, Ignorance, Intolerance, Loaves, Fishes, Pensions, Places'. Behind Wellington, on "The Sovereign", sit four men: Brougham, in barrister's wig and holding a brief-bag, a bishop, Burdett, a judge (probably Lyndhurst). The guard is Peel, who stands up, horn in hand, to say to the Duke: 'I say governor we've done em up at last, they will never recover themselves any more.' Wellington, looking over his shoulder, answers: 'No No, they are quite done up that post has smash'd them.' The inside passengers are George IV and Lady Conyngham; he leans out to watch the catastrophe, saying with a smile, 'Floored by George.' She says: 'Aye Aye George we've gotten a Coachman now vot is up to a thing or two, and knows vot is vot.' Brougham: 'Why the concern has been in a bad way some time they say that it is so rotten that all the Rats abandoned it.' The bishop: 'Its lucky they had few passengers.' Burdett: 'No wonder they upset they had too much rubbish on the roof'. The coach flies a flag inscribed 'True Patriotism Honor Truth Liberality'; it is decorated with the Royal Arms: shamrock and roses. There is a background of trees dominated on the right by Windsor Castle."--British Museum online catalogue
Description:
Title from caption below image., Approximate date of publication from British Museum catalogue., Sheet trimmed within plate mark., and Numbered in ms. at top of sheet: 210.
Publisher:
Published by J. Field, 65 Quadrant, Piccadilly
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852, Eldon, John Scott, Earl of, 1751-1838, Ernest Augustus, King of Hanover, 1771-1851, Winchilsea, George William Finch-Hatton, Earl of, 1791-1858, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Burdett, Francis, 1770-1844, Lyndhurst, John Singleton Copley, Baron, 1772-1863, Peel, Robert, 1788-1850, George IV, King of Great Britain, 1762-1830, and Conyngham, Elizabeth Conyngham, Marchioness, -1861
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Wellington, handsome and youthful, stands beside his white charger; he wears a star (K.G., 4 Mar. 1813) and a star dangles from his horse's head. A young officer runs up to him from the left hat in hand, proffering a field marshal's baton; he says: "General I greet you with the tydeings of complete Victory the Usurper and his Field Marshal have fled, and left all their Cannon, Amunition, Baggage, Military Chest, provision, and I here present you with Marshall Jourdans Baton of command!" Wellington says: "May this Trophy prove--our hope of future victory, and England once more restore Spain to her lawful Soveriegn!" Between and behind them stands a third officer, looking at Wellington with both arms raised ecstatically. On the extreme right and almost in back view an officer looks through a telescope saying, "There goes King Joey!" He looks towards tiny figures on a bluff (left) near the towers of Vittoria. They stand on raised ground in the foreground. Behind (left) English infantry run forward with fixed bayonets; bodies lie on the ground."--British Museum online catalogue
Alternative Title:
Wellington and glory, or, The victory of Vitoria, Victory of Vittoria, and Victory of Vitoria
Description:
Title etched below image., Printmaker, publisher, and date of publication from British Museum catalogue., Plate numbered "206" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Sheet trimmed within plate mark on bottom edge., and Leaf 63 in volume 3.
Publisher:
Thomas Tegg
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852 and Joseph Bonaparte, King of Spain, 1768-1844.
